![\"Billboard](\"https:\/\/i.imgur.com\/2HpFicp.png\")
<\/p>\nWillow Avalon<\/h2>\n\n\n\tOn Saturday afternoon, Willow Avalon brought her whimsical style, airy vocal and gritty, unfiltered brand of songwriting to a packed, passionate crowd at the Music Den stage. She launched her set with the title track to her album Southern Belle, Raisin\u2019 Hell<\/em>. \u201cAre y\u2019all having a good time? Are you drinking? I\u201dm gonna join you after this set,\u201d she quipped.<\/p>\n\n\tWearing a flowy dress and wielding an acoustic guitar, Avalon issued an incisive takedown of an arrogant ex-lover on her song \u201cYodelayheewho,\u201d including scarring lyrics about his \u201ctoo-tight jeans and broke-down car.\u201d She also offered up a scathing rendition of a relatively new song, \u201cWork to Do.\u201d <\/p>\n<\/div>\n<\/article>\n<\/li>\n
- \n
\nMarcus King<\/h2>\n\n\n\tOn Friday afternoon (April 24), bluesy-rocker Marcus King lit up the Palomino Stage as he and his ace band sent their blistering, red-hot sounds sailing off over the Stagecoach grounds. He lent his grainy, full-throttle voice to tunes such as \u201cLevi\u2019s and Goodbyes\u201d and \u201cGoodbye Carolina,\u201d while regularly offering ample time to jam with his band, letting the throng of fans packed in front of the stage soak in the group\u2019s musical sagacity.<\/p>\n
\n\tHe noted that he\u2019s got new music on the way, and then thrilled the crowd by welcoming his wife Briley to share the spotlight with him and offer up some music of her own. For Stagecoach fans who appreciated a devotion to musicality and grizzly, bluesy guitar riffs, King\u2019s set was a must-see.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
- \n
\nCody Johnson<\/h2>\n\n\n\tCody Johnson spearheaded the Stagecoach Friday night lineup on the Mane Stage, bringing a string of hit songs and of course, many nods to his native Lone Star State right into the heart of Indio, California. He opened with the roaring \u201cThat\u2019s Texas,\u201d before offering up early-career fan favorites \u201cMe and My Kind,\u201d \u201cWith You I Am\u201d and \u201cDear Rodeo,\u201d as well as a cover of The Charlie Daniels Band\u2019s 1974 hit \u201cLong Haired Country Boy.\u201d He prowled the stage and promised the crowd that if they gave him all the enthusiasm and passion they\u2019ve got to the music that evening, he\u2019d give it to them right back. Between songs, he spoke with the crowd about the importance of chasing dreams and not giving up \u2014\u00a0a sentiment that was familiar throughout the first night of Stagecoach, as previous performers that evening such as Bailey Zimmerman had also motivated the crowd to follow their passions.<\/p>\n
\n\tAlthough the middle of Johnson\u2019s set at times felt like it included too many slow-tempo songs (though lyrically, songs like \u201cLearning to Be Human\u201d and \u201cThe Fall\u201d were among his best), the set picked up steam with songs such as the inspirational \u201c\u2018Til You Can\u2019t,\u201d and he surprised the crowd by bringing out Boyz II Men to join him in singing a version of the group\u2019s 1994 hit \u201cOn Bended Knee,\u201d and in the process reminding the crowd that though Johnson is known for his Texas country sound, he\u2019s got plenty of soulfulness in his voice, too.<\/p>\n
\n\tBeyond headlining Stagecoach, Johnson is also gearing up to release the new album Banks of the Trinity<\/em> on June 26.<\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\nHootie & The Blowfish<\/h2>\n\n\n\tHootie & The Blowfish spearheaded the Mustang Stage on Sunday night, inciting a massive audience singalong with their classic hits, including \u201cHold My Hand\u201d and \u201cLet Her Cry,\u201d all led by lead singer Darius Rucker\u2019s robust voice. The show was further elevated when they brought out Public Enemy\u2019s Flavor Flav and Chuck D for covers of two classic protest anthems: Buffalo Springfield\u2019s \u201960s rock staple \u201cFor What It\u2019s Worth\u201d (mixed in with PE\u2019s \u201cWorth\u201d-sampling \u201cHe Got Game\u201d) and the rap group\u2019s own timeless \u201cFight the Power.\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n
- \n
\nTreaty Oak Revival<\/h2>\n\n\n\tTreaty Oak Revival played Saturday afternoon on the new open-air Mustang Stage, after playing last year at the covered Palomino stage. The band has risen from performing at tiny bars to massive arenas, and has forged a reputation for live shows that are known to be unfiltered and at times chaotic. Meanwhile, their unflinching songs touch on themes ranging from heartbreak, to alcohol, to nasty court battles with an ex. At Stagecoach this year, they launched into their 2021 fan favorite \u201cMissed Call,\u201d which quickly got the crowd chanting along.<\/p>\n
\n\t\u201cAfter this show, you will all be honorary West Texas degenerates,\u201d said lead singer Sam Canty, leading into the title track of the group\u2019s 2025 album West Texas Degenerate<\/em>. They roared through \u201cSee You in Court,\u201d \u201cBad State of Mind\u201d and \u201cOde To Bourbon,\u201d and Canty gave a shoutout to anyone who is trying to stay sober, as the group dropped into their song \u201cWithdrawals.\u201d Though the band did not perform their fan favorite \u201cBoomtown,\u201d that didn\u2019t deter fans from engaging in a TOR show tradition of creating their own \u201cbeer shower,\u201d tossing beer cans and water bottles into the air.<\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\nLainey Wilson<\/h2>\n\n\n\tLainey Wilson gave off true headliner energy on Saturday night, bringing her polished and entertaining live show to the Mane Stage and revving up the crowd after her show was delayed by an hour due to the Stagecoach grounds having an emergency evacuation due to high winds. But when she took the stage, the focus was on the music. She sailed through staples like \u201cHang Tight Honey,\u201d \u201c4x4xU\u201d and \u201cHeart Like a Truck,\u201d and also welcomed to the stage Riley Green (whose set that evening was nixed due to the evacuation) and Little Big Town to perform the Merle Haggard classic \u201cI Think I\u2019ll Just Stay Here and Drink.\u201d Wilson\u2019s vocals were strong and commanding, while her effervescent charisma was on full display. She once again proved why she\u2019s been named the entertainer of the year by both the Academy of Country Music and the Country Music Association, among her many accolades.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
- \n
\nBrooks & Dunn<\/h2>\n\n\n\tThe Country Music Hall of Fame duo Brooks & Dunn dominated the Mane Stage on Sunday night with a slate of timeless hits. They launched with \u201cBrand New Man,\u201d followed by \u201cShe\u2019s Not the Cheatin\u2019 Kind.\u201d<\/p>\n
\n\t\u201cY\u2019all been through one haven\u2019t ya? Way to hang in there,\u201d Kix Brooks said, referencing Saturday nights show that was delayed due to an emergency evacuation due to high wind. \u201cYou California girls dress up good, too,\u201d he added, before they launched into the duo\u2019s 1996 hit \u201cMama Don\u2019t Get Dressed Up for Nothing.\u201d<\/p>\n
\n\tFrom there, more of the group\u2019s nearly two dozen No. 1 Country Airplay hits followed, including \u201cAin\u2019t Nothin\u2019 \u2018Bout You,\u201d \u201cRed Dirt Road\u201d and \u201cNeon Moon\u201d (with Ronnie Dunn turning in a signature solid, soulful vocal on \u201cNeon Moon\u201d).<\/p>\n
\n\tBrooks brought one of the evening\u2019s high points with his harmonica work on \u201cRock My World (Little Country Girl),\u201d as he teamed up with the duo\u2019s ace fiddle player for a memorable musical moment. Later in the evening, the duo honored police officers during \u201cOnly in America,\u201d as red, white and blue streamers rained down on the crowd. And of course, \u201cBoot Scootin\u2019 Boogie\u201d had the crowd shimmying and trying out a little boot scootin\u2019 of their own at times, again proving the enduring power of B&D\u2019s songs.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
- \n
\nElla Langley<\/h2>\n\n\n\tElla Langley has fast cemented herself as a bona fide leading artist in country music, thanks to her smash hit \u201cChoosin\u2019 Texas,\u201d which has been at the top of the all-genre Hot 100 for seven non-consecutive weeks. Meanwhile, her album Dandelion<\/em> became her first to debut at the top of the Billboard 200. Her show at Stagecoach on Friday (April 24) on the Mane Stage began as the sun began to set over the hills and mountains in the distance, which served as an idyllic scene for opening song \u201cDandelion.\u201d She sailed through more songs from that album, including \u201cBroken\u201d and \u201cBottom of Your Boots,\u201d while also offering her hit \u201cChoosin\u2019 Texas.\u201d She also surprised the crowd by welcoming Theo Von to join her on a rendition of her hit \u201cYou Look Like You Love Me,\u201d which she originally recorded with Riley Green. Overall, the Alabama native proved she has a superstar\u2019s charisma and ability to connect with an audience through heart, song and vulnerability.<\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\nTy Myers<\/h2>\n\n\n\tTy Myers drew one of the most passionate crowds to the Palomino stage, as the sun began to set and he stepped onstage for his Stagecoach debut. His nearly hour-long set was a mighty display of his bluesy rock-country style and lead guitar skills, as he was backed an ace band that included a horn section and powerful vocalist Kennadi Rose. The packed crowd overflowed the Palomino area, and hung on to every word he sang, at times nearly overpowering his own strong vocal as they sang fervently to songs including \u201cValerie,\u201d \u201cEnds of the Earth,\u201d \u201cStay\u201d and \u201cLeaving Carolina.\u201d Judging by the crowd reaction, fans might expect to see him on the Mane Stage the next time he plays the fest.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
- \n
\nPost Malone<\/h2>\n\n\n\tPost Malone closed out the 2026 Stagecoach with a massive spectacle of stage and song. His set was regularly punctuated with plenty of pyro and fireworks, while he blended many of his own hits such as \u201cCircles\u201d with numerous country covers and some of his own country hits \u2014 and plenty of surprise appearances from his musical friends. He opened the show with a cover of Craig Morgan\u2019s \u201cInternational Harvester,\u201d and later performed Garth Brooks\u2019 \u201cRodeo.\u201d He welcomed Jake Worthington to help him put his spin on George Strait\u2019s \u201cGive It Away,\u201d while Braxton Keith also made an appearance to sing Keith\u2019s song \u201cCozy.\u201d Shaboozey helped Posty close out the evening with a version of \u201cI Had Some Help.\u201d Post Malone\u2019s genuine love for the country genre seemed to shine, and the fans who packed the vast area in front of the Mane Stage seemed to relish singing along to not only Posty\u2019s hits, but an array of country classics.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
[analyse_source url=”https:\/\/www.billboard.com\/lists\/stagecoach-2026-best-moments-review\/”]<\/p>\n","protected":false},"excerpt":{"rendered":"
[analyse_image type=”featured” src=”https:\/\/www.billboard.com\/wp-content\/uploads\/2026\/04\/2273300729-e1777298095787.jpg?w=1024″] Even an emergency evacuation couldn\u2019t dampen the spirits of artists and concertgoers during this year\u2019s Stagecoach Country Music Festival, which returned to the Coachella Valley at the Empire Polo Club grounds April 24-26. The three-day fest featured a heavy-hitter lineup of headliners, with Cody Johnson (Friday night), Lainey Wilson (Saturday night, following […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[48,226],"class_list":["post-1905256","post","type-post","status-publish","format-standard","hentry","category-politics","tag-billboard-com","tag-crawlmanager"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1905256","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1905256"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1905256\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1905256"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1905256"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1905256"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n\tOn Saturday afternoon, Willow Avalon brought her whimsical style, airy vocal and gritty, unfiltered brand of songwriting to a packed, passionate crowd at the Music Den stage. She launched her set with the title track to her album Southern Belle, Raisin\u2019 Hell<\/em>. \u201cAre y\u2019all having a good time? Are you drinking? I\u201dm gonna join you after this set,\u201d she quipped.<\/p>\n \n\tWearing a flowy dress and wielding an acoustic guitar, Avalon issued an incisive takedown of an arrogant ex-lover on her song \u201cYodelayheewho,\u201d including scarring lyrics about his \u201ctoo-tight jeans and broke-down car.\u201d She also offered up a scathing rendition of a relatively new song, \u201cWork to Do.\u201d <\/p>\n<\/div>\n<\/article>\n<\/li>\n \n\tOn Friday afternoon (April 24), bluesy-rocker Marcus King lit up the Palomino Stage as he and his ace band sent their blistering, red-hot sounds sailing off over the Stagecoach grounds. He lent his grainy, full-throttle voice to tunes such as \u201cLevi\u2019s and Goodbyes\u201d and \u201cGoodbye Carolina,\u201d while regularly offering ample time to jam with his band, letting the throng of fans packed in front of the stage soak in the group\u2019s musical sagacity.<\/p>\n \n\tHe noted that he\u2019s got new music on the way, and then thrilled the crowd by welcoming his wife Briley to share the spotlight with him and offer up some music of her own. For Stagecoach fans who appreciated a devotion to musicality and grizzly, bluesy guitar riffs, King\u2019s set was a must-see.<\/p>\n<\/div>\n<\/article>\n<\/li>\n \n\tCody Johnson spearheaded the Stagecoach Friday night lineup on the Mane Stage, bringing a string of hit songs and of course, many nods to his native Lone Star State right into the heart of Indio, California. He opened with the roaring \u201cThat\u2019s Texas,\u201d before offering up early-career fan favorites \u201cMe and My Kind,\u201d \u201cWith You I Am\u201d and \u201cDear Rodeo,\u201d as well as a cover of The Charlie Daniels Band\u2019s 1974 hit \u201cLong Haired Country Boy.\u201d He prowled the stage and promised the crowd that if they gave him all the enthusiasm and passion they\u2019ve got to the music that evening, he\u2019d give it to them right back. Between songs, he spoke with the crowd about the importance of chasing dreams and not giving up \u2014\u00a0a sentiment that was familiar throughout the first night of Stagecoach, as previous performers that evening such as Bailey Zimmerman had also motivated the crowd to follow their passions.<\/p>\n \n\tAlthough the middle of Johnson\u2019s set at times felt like it included too many slow-tempo songs (though lyrically, songs like \u201cLearning to Be Human\u201d and \u201cThe Fall\u201d were among his best), the set picked up steam with songs such as the inspirational \u201c\u2018Til You Can\u2019t,\u201d and he surprised the crowd by bringing out Boyz II Men to join him in singing a version of the group\u2019s 1994 hit \u201cOn Bended Knee,\u201d and in the process reminding the crowd that though Johnson is known for his Texas country sound, he\u2019s got plenty of soulfulness in his voice, too.<\/p>\n \n\tBeyond headlining Stagecoach, Johnson is also gearing up to release the new album Banks of the Trinity<\/em> on June 26.<\/p>\n<\/div>\n<\/article>\n<\/li>\n \n\tHootie & The Blowfish spearheaded the Mustang Stage on Sunday night, inciting a massive audience singalong with their classic hits, including \u201cHold My Hand\u201d and \u201cLet Her Cry,\u201d all led by lead singer Darius Rucker\u2019s robust voice. The show was further elevated when they brought out Public Enemy\u2019s Flavor Flav and Chuck D for covers of two classic protest anthems: Buffalo Springfield\u2019s \u201960s rock staple \u201cFor What It\u2019s Worth\u201d (mixed in with PE\u2019s \u201cWorth\u201d-sampling \u201cHe Got Game\u201d) and the rap group\u2019s own timeless \u201cFight the Power.\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n \n\tTreaty Oak Revival played Saturday afternoon on the new open-air Mustang Stage, after playing last year at the covered Palomino stage. The band has risen from performing at tiny bars to massive arenas, and has forged a reputation for live shows that are known to be unfiltered and at times chaotic. Meanwhile, their unflinching songs touch on themes ranging from heartbreak, to alcohol, to nasty court battles with an ex. At Stagecoach this year, they launched into their 2021 fan favorite \u201cMissed Call,\u201d which quickly got the crowd chanting along.<\/p>\n \n\t\u201cAfter this show, you will all be honorary West Texas degenerates,\u201d said lead singer Sam Canty, leading into the title track of the group\u2019s 2025 album West Texas Degenerate<\/em>. They roared through \u201cSee You in Court,\u201d \u201cBad State of Mind\u201d and \u201cOde To Bourbon,\u201d and Canty gave a shoutout to anyone who is trying to stay sober, as the group dropped into their song \u201cWithdrawals.\u201d Though the band did not perform their fan favorite \u201cBoomtown,\u201d that didn\u2019t deter fans from engaging in a TOR show tradition of creating their own \u201cbeer shower,\u201d tossing beer cans and water bottles into the air.<\/p>\n<\/div>\n<\/article>\n<\/li>\n \n\tLainey Wilson gave off true headliner energy on Saturday night, bringing her polished and entertaining live show to the Mane Stage and revving up the crowd after her show was delayed by an hour due to the Stagecoach grounds having an emergency evacuation due to high winds. But when she took the stage, the focus was on the music. She sailed through staples like \u201cHang Tight Honey,\u201d \u201c4x4xU\u201d and \u201cHeart Like a Truck,\u201d and also welcomed to the stage Riley Green (whose set that evening was nixed due to the evacuation) and Little Big Town to perform the Merle Haggard classic \u201cI Think I\u2019ll Just Stay Here and Drink.\u201d Wilson\u2019s vocals were strong and commanding, while her effervescent charisma was on full display. She once again proved why she\u2019s been named the entertainer of the year by both the Academy of Country Music and the Country Music Association, among her many accolades.<\/p>\n<\/div>\n<\/article>\n<\/li>\n \n\tThe Country Music Hall of Fame duo Brooks & Dunn dominated the Mane Stage on Sunday night with a slate of timeless hits. They launched with \u201cBrand New Man,\u201d followed by \u201cShe\u2019s Not the Cheatin\u2019 Kind.\u201d<\/p>\n \n\t\u201cY\u2019all been through one haven\u2019t ya? Way to hang in there,\u201d Kix Brooks said, referencing Saturday nights show that was delayed due to an emergency evacuation due to high wind. \u201cYou California girls dress up good, too,\u201d he added, before they launched into the duo\u2019s 1996 hit \u201cMama Don\u2019t Get Dressed Up for Nothing.\u201d<\/p>\n \n\tFrom there, more of the group\u2019s nearly two dozen No. 1 Country Airplay hits followed, including \u201cAin\u2019t Nothin\u2019 \u2018Bout You,\u201d \u201cRed Dirt Road\u201d and \u201cNeon Moon\u201d (with Ronnie Dunn turning in a signature solid, soulful vocal on \u201cNeon Moon\u201d).<\/p>\n \n\tBrooks brought one of the evening\u2019s high points with his harmonica work on \u201cRock My World (Little Country Girl),\u201d as he teamed up with the duo\u2019s ace fiddle player for a memorable musical moment. Later in the evening, the duo honored police officers during \u201cOnly in America,\u201d as red, white and blue streamers rained down on the crowd. And of course, \u201cBoot Scootin\u2019 Boogie\u201d had the crowd shimmying and trying out a little boot scootin\u2019 of their own at times, again proving the enduring power of B&D\u2019s songs.<\/p>\n<\/div>\n<\/article>\n<\/li>\n \n\tElla Langley has fast cemented herself as a bona fide leading artist in country music, thanks to her smash hit \u201cChoosin\u2019 Texas,\u201d which has been at the top of the all-genre Hot 100 for seven non-consecutive weeks. Meanwhile, her album Dandelion<\/em> became her first to debut at the top of the Billboard 200. Her show at Stagecoach on Friday (April 24) on the Mane Stage began as the sun began to set over the hills and mountains in the distance, which served as an idyllic scene for opening song \u201cDandelion.\u201d She sailed through more songs from that album, including \u201cBroken\u201d and \u201cBottom of Your Boots,\u201d while also offering her hit \u201cChoosin\u2019 Texas.\u201d She also surprised the crowd by welcoming Theo Von to join her on a rendition of her hit \u201cYou Look Like You Love Me,\u201d which she originally recorded with Riley Green. Overall, the Alabama native proved she has a superstar\u2019s charisma and ability to connect with an audience through heart, song and vulnerability.<\/p>\n<\/div>\n<\/article>\n<\/li>\n \n\tTy Myers drew one of the most passionate crowds to the Palomino stage, as the sun began to set and he stepped onstage for his Stagecoach debut. His nearly hour-long set was a mighty display of his bluesy rock-country style and lead guitar skills, as he was backed an ace band that included a horn section and powerful vocalist Kennadi Rose. The packed crowd overflowed the Palomino area, and hung on to every word he sang, at times nearly overpowering his own strong vocal as they sang fervently to songs including \u201cValerie,\u201d \u201cEnds of the Earth,\u201d \u201cStay\u201d and \u201cLeaving Carolina.\u201d Judging by the crowd reaction, fans might expect to see him on the Mane Stage the next time he plays the fest.<\/p>\n<\/div>\n<\/article>\n<\/li>\n \n\tPost Malone closed out the 2026 Stagecoach with a massive spectacle of stage and song. His set was regularly punctuated with plenty of pyro and fireworks, while he blended many of his own hits such as \u201cCircles\u201d with numerous country covers and some of his own country hits \u2014 and plenty of surprise appearances from his musical friends. He opened the show with a cover of Craig Morgan\u2019s \u201cInternational Harvester,\u201d and later performed Garth Brooks\u2019 \u201cRodeo.\u201d He welcomed Jake Worthington to help him put his spin on George Strait\u2019s \u201cGive It Away,\u201d while Braxton Keith also made an appearance to sing Keith\u2019s song \u201cCozy.\u201d Shaboozey helped Posty close out the evening with a version of \u201cI Had Some Help.\u201d Post Malone\u2019s genuine love for the country genre seemed to shine, and the fans who packed the vast area in front of the Mane Stage seemed to relish singing along to not only Posty\u2019s hits, but an array of country classics.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n [analyse_source url=”https:\/\/www.billboard.com\/lists\/stagecoach-2026-best-moments-review\/”]<\/p>\n","protected":false},"excerpt":{"rendered":" [analyse_image type=”featured” src=”https:\/\/www.billboard.com\/wp-content\/uploads\/2026\/04\/2273300729-e1777298095787.jpg?w=1024″] Even an emergency evacuation couldn\u2019t dampen the spirits of artists and concertgoers during this year\u2019s Stagecoach Country Music Festival, which returned to the Coachella Valley at the Empire Polo Club grounds April 24-26. The three-day fest featured a heavy-hitter lineup of headliners, with Cody Johnson (Friday night), Lainey Wilson (Saturday night, following […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[48,226],"class_list":["post-1905256","post","type-post","status-publish","format-standard","hentry","category-politics","tag-billboard-com","tag-crawlmanager"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1905256","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1905256"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1905256\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1905256"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1905256"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1905256"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}Marcus King<\/h2>\n
Cody Johnson<\/h2>\n
Hootie & The Blowfish<\/h2>\n
Treaty Oak Revival<\/h2>\n
Lainey Wilson<\/h2>\n
Brooks & Dunn<\/h2>\n
Ella Langley<\/h2>\n
Ty Myers<\/h2>\n
Post Malone<\/h2>\n