{"id":1898360,"date":"2026-04-23T09:41:48","date_gmt":"2026-04-23T06:41:48","guid":{"rendered":"https:\/\/analyse.optim.biz\/?p=1898360"},"modified":"2026-04-23T09:41:48","modified_gmt":"2026-04-23T06:41:48","slug":"turner-prize-mythical-shapes-and-the-impact-of-oil-explored-in-2026-shortlist","status":"publish","type":"post","link":"https:\/\/analyse.optim.biz\/?p=1898360","title":{"rendered":"Turner Prize: Mythical shapes and the impact of oil explored in 2026 shortlist"},"content":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;https:\/\/ichef.bbci.co.uk\/news\/1024\/branded_news\/bc59\/live\/ae3aac70-3ef0-11f1-ac78-2112837ce2aa.jpg&#8221;]<\/p>\n<article>\n<div data-component=\"image-block\" class=\"sc-9cd5bb24-0 jTWPCV\">\n<figure class=\"sc-cd6075cf-0 laOREU\">\n<div class=\"sc-82b3c53b-0 ciXMDU\">\n<div data-testid=\"hero-image\" class=\"sc-5340b511-1 cMIbKV\"><img decoding=\"async\" src=\"https:\/\/static.files.bbci.co.uk\/bbcdotcom\/web\/20260409-151157-6d668e92bf-web-3.1.0-1\/grey-placeholder.png\" class=\"sc-5340b511-0 gUePlo hide-when-no-script\" aria-label=\"image unavailable\"><img decoding=\"async\" src=\"https:\/\/ichef.bbci.co.uk\/news\/480\/cpsprodpb\/69b4\/live\/1b600f80-3ee1-11f1-b55d-0f258dce1735.jpg.webp\" loading=\"eager\" alt=\"Belinda Lawley Tanoa Sasraku standing next to one of her nominated works in a gallery\" class=\"sc-5340b511-0 hLdNfA\"><span class=\"sc-5340b511-2 jVqbAn\">Belinda Lawley<\/span><\/div>\n<\/div>\n<div class=\"sc-82b3c53b-0 gmICnp\"><figcaption class=\"sc-69115734-0 jsSfKy\">The shortlisted artists include Tanoa Sasraku, whose work examines the history and impact of oil<\/figcaption><\/div>\n<\/figure>\n<\/div>\n<div data-component=\"text-block\" class=\"sc-9cd5bb24-0 lmzibM\">\n<div class=\"sc-cd6075cf-0 DQtHs\">\n<div class=\"sc-82b3c53b-0 IAFLu\">\n<p class=\"sc-1a18e57c-0 HooNV\"><b id=\"a-spoken-word-performance-about-life-in-the-industrial-north-and-sculptures-which-examine-the-political-history-of-oil-are-among-the-shortlisted-artworks-for-this-year's-turner-prize.\" class=\"sc-4029fe79-0 kKtEQU\">A spoken-word performance about life in the industrial north and sculptures which examine the political history of oil are among the shortlisted artworks for this year&#8217;s Turner Prize.<\/b><\/p>\n<\/div>\n<\/div>\n<\/div>\n<div data-component=\"text-block\" class=\"sc-9cd5bb24-0 lmzibM\">\n<div class=\"sc-cd6075cf-0 DQtHs\">\n<div class=\"sc-82b3c53b-0 IAFLu\">\n<p class=\"sc-1a18e57c-0 HooNV\">The works by artists Simeon Barclay, Kira Freije, Marguerite Humeau, and Tanoa Sasraku will go on display in Middlesborough later this year before a winner is announced in December.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div data-component=\"text-block\" class=\"sc-9cd5bb24-0 lmzibM\">\n<div class=\"sc-cd6075cf-0 DQtHs\">\n<div class=\"sc-82b3c53b-0 IAFLu\">\n<p class=\"sc-1a18e57c-0 HooNV\">Jury chair Alex Farquharson said the shortlisted works offered &#8220;a compelling reflection of the breadth and vitality of contemporary British art&#8221;.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div data-component=\"text-block\" class=\"sc-9cd5bb24-0 lmzibM\">\n<div class=\"sc-cd6075cf-0 DQtHs\">\n<div class=\"sc-82b3c53b-0 IAFLu\">\n<p class=\"sc-1a18e57c-0 HooNV\">The four shortlisted artists are awarded \u00a310,000 each, while the eventual winner will receive \u00a325,000.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div data-component=\"text-block\" class=\"sc-9cd5bb24-0 lmzibM\">\n<div class=\"sc-cd6075cf-0 DQtHs\">\n<div class=\"sc-82b3c53b-0 IAFLu\">\n<p class=\"sc-1a18e57c-0 HooNV\">One of the most prestigious awards for visual arts, the Turner Prize was established in 1984 to promote public debate around new developments in contemporary British art. <\/p>\n<\/div>\n<\/div>\n<\/div>\n<div data-component=\"text-block\" class=\"sc-9cd5bb24-0 lmzibM\">\n<div class=\"sc-cd6075cf-0 DQtHs\">\n<div class=\"sc-82b3c53b-0 IAFLu\">\n<p class=\"sc-1a18e57c-0 HooNV\">The prize is named after painter JMW Turner and awarded annually to a British artist for an outstanding exhibition or other presentation of their work. <\/p>\n<\/div>\n<\/div>\n<\/div>\n<div data-component=\"text-block\" class=\"sc-9cd5bb24-0 lmzibM\">\n<div class=\"sc-cd6075cf-0 DQtHs\">\n<div class=\"sc-82b3c53b-0 IAFLu\">\n<p class=\"sc-1a18e57c-0 HooNV\">This year&#8217;s four shortlisted works will go on display at the Middlesbrough Institute of Modern Art, Teeside University, with the winner announced there on 10 December.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div data-component=\"text-block\" class=\"sc-9cd5bb24-0 lmzibM\">\n<div class=\"sc-cd6075cf-0 DQtHs\">\n<div class=\"sc-82b3c53b-0 IAFLu\">\n<p class=\"sc-1a18e57c-0 HooNV\">Farquharson said this year&#8217;s selection presents a &#8220;rich and diverse range of work&#8221; that &#8220;offer distinct perspectives through which to explore the world around us&#8221;.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div data-component=\"subheadline-block\" class=\"sc-9cd5bb24-0 cJKYng\">\n<div class=\"sc-cd6075cf-0 DQtHs\">\n<div class=\"sc-82b3c53b-0 gmICnp\">\n<h2 class=\"sc-64c6ac20-0 fWTqWp\">The Ruin by Simeon Barclay<\/h2>\n<\/div>\n<\/div>\n<\/div>\n<div data-component=\"image-block\" class=\"sc-9cd5bb24-0 hoFfRa\">\n<figure class=\"sc-cd6075cf-0 laOREU\">\n<div class=\"sc-82b3c53b-0 gmICnp\">\n<div data-testid=\"image\" class=\"sc-5340b511-1 cMIbKV\"><img decoding=\"async\" src=\"https:\/\/static.files.bbci.co.uk\/bbcdotcom\/web\/20260409-151157-6d668e92bf-web-3.1.0-1\/grey-placeholder.png\" class=\"sc-5340b511-0 gUePlo hide-when-no-script\" aria-label=\"image unavailable\"><img decoding=\"async\" src=\"https:\/\/ichef.bbci.co.uk\/news\/480\/cpsprodpb\/15e5\/live\/75034120-3ee0-11f1-b55d-0f258dce1735.jpg.webp\" loading=\"lazy\" alt=\"Anne Tetzlaff Simeon Barclay performing The Ruin at the Institute of Contemporary Arts in London, January 2025\" class=\"sc-5340b511-0 hLdNfA\"><span class=\"sc-5340b511-2 jVqbAn\">Anne Tetzlaff<\/span><\/div>\n<\/div>\n<\/figure>\n<\/div>\n<div data-component=\"image-block\" class=\"sc-9cd5bb24-0 hoFfRa\">\n<figure class=\"sc-cd6075cf-0 laOREU\">\n<div class=\"sc-82b3c53b-0 gmICnp\">\n<div data-testid=\"image\" class=\"sc-5340b511-1 cMIbKV\"><img decoding=\"async\" src=\"https:\/\/static.files.bbci.co.uk\/bbcdotcom\/web\/20260409-151157-6d668e92bf-web-3.1.0-1\/grey-placeholder.png\" class=\"sc-5340b511-0 gUePlo hide-when-no-script\" aria-label=\"image unavailable\"><img decoding=\"async\" src=\"https:\/\/ichef.bbci.co.uk\/news\/480\/cpsprodpb\/a621\/live\/937a53a0-3ee0-11f1-ac78-2112837ce2aa.jpg.webp\" loading=\"lazy\" alt=\"Anne Tetzlaff Simeon Barclay performing The Ruin at the Institute of Contemporary Arts in London, January 2025\" class=\"sc-5340b511-0 hLdNfA\"><span class=\"sc-5340b511-2 jVqbAn\">Anne Tetzlaff<\/span><\/div>\n<\/div>\n<\/figure>\n<\/div>\n<div data-component=\"text-block\" class=\"sc-9cd5bb24-0 lmzibM\">\n<div class=\"sc-cd6075cf-0 DQtHs\">\n<div class=\"sc-82b3c53b-0 IAFLu\">\n<p class=\"sc-1a18e57c-0 HooNV\"><b id=\"what-is-the-work?\" class=\"sc-4029fe79-0 kKtEQU\">What is the work? <\/b>Barclay&#8217;s hour-long spoken word performance draws on his upbringing in Huddersfield and his experience of the industrial landscape of northern England, against a soundtrack of live percussion and horn.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div data-component=\"text-block\" class=\"sc-9cd5bb24-0 lmzibM\">\n<div class=\"sc-cd6075cf-0 DQtHs\">\n<div class=\"sc-82b3c53b-0 IAFLu\">\n<p class=\"sc-1a18e57c-0 HooNV\"><b id=\"what-did-the-jury-say?\" class=\"sc-4029fe79-0 kKtEQU\">What did the jury say?<\/b> The jury praised Barclay&#8217;s debut performance for its &#8220;exploration of Britishness, class, race and masculine identity, through an evocative, experimental use of language and a psychologically immersive soundscape&#8221;<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div data-component=\"text-block\" class=\"sc-9cd5bb24-0 lmzibM\">\n<div class=\"sc-cd6075cf-0 DQtHs\">\n<div class=\"sc-82b3c53b-0 IAFLu\">\n<p class=\"sc-1a18e57c-0 HooNV\"><b id=\"chance-of-winning?\" class=\"sc-4029fe79-0 kKtEQU\">Chance of winning? <\/b>Barclay stands out among this year&#8217;s four artists as the only one whose work is based on live performance rather than sculpture. His topical content could help him secure the first win for a spoken-word work since 2019.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div data-component=\"subheadline-block\" class=\"sc-9cd5bb24-0 cJKYng\">\n<div class=\"sc-cd6075cf-0 DQtHs\">\n<div class=\"sc-82b3c53b-0 gmICnp\">\n<h2 class=\"sc-64c6ac20-0 fWTqWp\">Unspeak the Chorus by Kira Freije<\/h2>\n<\/div>\n<\/div>\n<\/div>\n<div data-component=\"image-block\" class=\"sc-9cd5bb24-0 hoFfRa\">\n<figure class=\"sc-cd6075cf-0 laOREU\">\n<div class=\"sc-82b3c53b-0 gmICnp\">\n<div data-testid=\"image\" class=\"sc-5340b511-1 cMIbKV\"><img decoding=\"async\" src=\"https:\/\/static.files.bbci.co.uk\/bbcdotcom\/web\/20260409-151157-6d668e92bf-web-3.1.0-1\/grey-placeholder.png\" class=\"sc-5340b511-0 gUePlo hide-when-no-script\" aria-label=\"image unavailable\"><img decoding=\"async\" src=\"https:\/\/ichef.bbci.co.uk\/news\/480\/cpsprodpb\/9812\/live\/4a2d7c00-3edf-11f1-ac78-2112837ce2aa.jpg.webp\" loading=\"lazy\" alt=\"Lewis Ronald Kira Freije sitting amongst her sculptures from her exhibition Unspeak the Chorus, at The Hepworth Wakefield, November 2025\" class=\"sc-5340b511-0 hLdNfA\"><span class=\"sc-5340b511-2 jVqbAn\">Lewis Ronald<\/span><\/div>\n<\/div>\n<\/figure>\n<\/div>\n<div data-component=\"image-block\" class=\"sc-9cd5bb24-0 hoFfRa\">\n<figure class=\"sc-cd6075cf-0 laOREU\">\n<div class=\"sc-82b3c53b-0 gmICnp\">\n<div data-testid=\"image\" class=\"sc-5340b511-1 cMIbKV\"><img decoding=\"async\" src=\"https:\/\/static.files.bbci.co.uk\/bbcdotcom\/web\/20260409-151157-6d668e92bf-web-3.1.0-1\/grey-placeholder.png\" class=\"sc-5340b511-0 gUePlo hide-when-no-script\" aria-label=\"image unavailable\"><img decoding=\"async\" src=\"https:\/\/ichef.bbci.co.uk\/news\/480\/cpsprodpb\/c2d2\/live\/503c8a50-3edf-11f1-ac78-2112837ce2aa.jpg.webp\" loading=\"lazy\" alt=\"Lewis Ronald A sculpture from Kira Freije: Unspeak the Chorus atThe Hepworth Wakefield, November 2025, showing a human-shaped figure lying flat on a sofa\" class=\"sc-5340b511-0 hLdNfA\"><span class=\"sc-5340b511-2 jVqbAn\">Lewis Ronald<\/span><\/div>\n<\/div>\n<\/figure>\n<\/div>\n<div data-component=\"text-block\" class=\"sc-9cd5bb24-0 lmzibM\">\n<div class=\"sc-cd6075cf-0 DQtHs\">\n<div class=\"sc-82b3c53b-0 IAFLu\">\n<p class=\"sc-1a18e57c-0 HooNV\"><b id=\"what-is-the-work?\" class=\"sc-4029fe79-0 kKtEQU\">What is the work? <\/b>Freije uses metal, fabric and found materials to create sculptures that explore universal human emotions, such as stonecast faces and life-size figures constructed from bare metal armatures.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div data-component=\"text-block\" class=\"sc-9cd5bb24-0 lmzibM\">\n<div class=\"sc-cd6075cf-0 DQtHs\">\n<div class=\"sc-82b3c53b-0 IAFLu\">\n<p class=\"sc-1a18e57c-0 HooNV\"><b id=\"what-did-the-jury-say?\" class=\"sc-4029fe79-0 kKtEQU\">What did the jury say?<\/b> They praised the &#8220;emotional depth&#8221; of Freije&#8217;s work, highlighting its &#8220;unique sculptural vocabulary of materials and forms, as well as the haunting and expressive way she transformed the space through her arrangement of figures&#8221;.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div data-component=\"text-block\" class=\"sc-9cd5bb24-0 lmzibM\">\n<div class=\"sc-cd6075cf-0 DQtHs\">\n<div class=\"sc-82b3c53b-0 IAFLu\">\n<p class=\"sc-1a18e57c-0 HooNV\"><b id=\"chances-of-winning?\" class=\"sc-4029fe79-0 kKtEQU\">Chances of winning?<\/b> Freije&#8217;s anonymous and androgynous figures are open to viewers&#8217; interpretation, but most would consider them striking and memorable regardless of their meaning &#8211; judges are likely to be impressed by the artist&#8217;s distinctive style.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div data-component=\"subheadline-block\" class=\"sc-9cd5bb24-0 cJKYng\">\n<div class=\"sc-cd6075cf-0 DQtHs\">\n<div class=\"sc-82b3c53b-0 gmICnp\">\n<h2 class=\"sc-64c6ac20-0 fWTqWp\">Torches by Marguerite Humeau<\/h2>\n<\/div>\n<\/div>\n<\/div>\n<div data-component=\"image-block\" class=\"sc-9cd5bb24-0 hoFfRa\">\n<figure class=\"sc-cd6075cf-0 laOREU\">\n<div class=\"sc-82b3c53b-0 gmICnp\">\n<div data-testid=\"image\" class=\"sc-5340b511-1 cMIbKV\"><img decoding=\"async\" src=\"https:\/\/static.files.bbci.co.uk\/bbcdotcom\/web\/20260409-151157-6d668e92bf-web-3.1.0-1\/grey-placeholder.png\" class=\"sc-5340b511-0 gUePlo hide-when-no-script\" aria-label=\"image unavailable\"><img decoding=\"async\" src=\"https:\/\/ichef.bbci.co.uk\/news\/480\/cpsprodpb\/821e\/live\/bcd9de60-3edf-11f1-ac78-2112837ce2aa.jpg.webp\" loading=\"lazy\" alt=\"Mathilde Agius A mythical shape made up of circles by Marguerite Humeau from her exhibition Torches at ARKEN Museum, 2025.\" class=\"sc-5340b511-0 hLdNfA\"><span class=\"sc-5340b511-2 jVqbAn\">Mathilde Agius<\/span><\/div>\n<\/div>\n<\/figure>\n<\/div>\n<div data-component=\"image-block\" class=\"sc-9cd5bb24-0 hoFfRa\">\n<figure class=\"sc-cd6075cf-0 laOREU\">\n<div class=\"sc-82b3c53b-0 gmICnp\">\n<div data-testid=\"image\" class=\"sc-5340b511-1 cMIbKV\"><img decoding=\"async\" src=\"https:\/\/static.files.bbci.co.uk\/bbcdotcom\/web\/20260409-151157-6d668e92bf-web-3.1.0-1\/grey-placeholder.png\" class=\"sc-5340b511-0 gUePlo hide-when-no-script\" aria-label=\"image unavailable\"><img decoding=\"async\" src=\"https:\/\/ichef.bbci.co.uk\/news\/480\/cpsprodpb\/aa7e\/live\/c2614620-3edf-11f1-b55d-0f258dce1735.jpg.webp\" loading=\"lazy\" alt=\"Julia Andreone Artist Marguerite Humeau pictured outdoors with mountains in the background\" class=\"sc-5340b511-0 hLdNfA\"><span class=\"sc-5340b511-2 jVqbAn\">Julia Andreone<\/span><\/div>\n<\/div>\n<\/figure>\n<\/div>\n<div data-component=\"text-block\" class=\"sc-9cd5bb24-0 lmzibM\">\n<div class=\"sc-cd6075cf-0 DQtHs\">\n<div class=\"sc-82b3c53b-0 IAFLu\">\n<p class=\"sc-1a18e57c-0 HooNV\"><b id=\"what-is-the-work?\" class=\"sc-4029fe79-0 kKtEQU\">What is the work? <\/b>Humeau&#8217;s work examines the history of the earth and imagined future worlds via sculptures that include references to specific natural species and are accompanied by a looped cycle of light and sound.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div data-component=\"text-block\" class=\"sc-9cd5bb24-0 lmzibM\">\n<div class=\"sc-cd6075cf-0 DQtHs\">\n<div class=\"sc-82b3c53b-0 IAFLu\">\n<p class=\"sc-1a18e57c-0 HooNV\"><b id=\"what-did-the-jury-say?\" class=\"sc-4029fe79-0 kKtEQU\">What did the jury say? <\/b>They were impressed by Humeau&#8217;s cinematic exhibition and its &#8220;engagement with ecological and existential themes through inventive forms, speculative scenarios and dynamic shifts in scale&#8221;.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div data-component=\"text-block\" class=\"sc-9cd5bb24-0 lmzibM\">\n<div class=\"sc-cd6075cf-0 DQtHs\">\n<div class=\"sc-82b3c53b-0 IAFLu\">\n<p class=\"sc-1a18e57c-0 HooNV\"><b id=\"chances-of-winning?\" class=\"sc-4029fe79-0 kKtEQU\">Chances of winning?<\/b> Unlike some of the other shortlisted works, Humeau&#8217;s installation does not come from a human-centred perspective. Instead, her science-fictional shapes could impress the judges with their mythical quality.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div data-component=\"subheadline-block\" class=\"sc-9cd5bb24-0 cJKYng\">\n<div class=\"sc-cd6075cf-0 DQtHs\">\n<div class=\"sc-82b3c53b-0 gmICnp\">\n<h2 class=\"sc-64c6ac20-0 fWTqWp\">Morale Patch by Tanoa Sasraku<\/h2>\n<\/div>\n<\/div>\n<\/div>\n<div data-component=\"image-block\" class=\"sc-9cd5bb24-0 hoFfRa\">\n<figure class=\"sc-cd6075cf-0 laOREU\">\n<div class=\"sc-82b3c53b-0 gmICnp\">\n<div data-testid=\"image\" class=\"sc-5340b511-1 cMIbKV\"><img decoding=\"async\" src=\"https:\/\/static.files.bbci.co.uk\/bbcdotcom\/web\/20260409-151157-6d668e92bf-web-3.1.0-1\/grey-placeholder.png\" class=\"sc-5340b511-0 gUePlo hide-when-no-script\" aria-label=\"image unavailable\"><img decoding=\"async\" src=\"https:\/\/ichef.bbci.co.uk\/news\/480\/cpsprodpb\/e2c6\/live\/bcbadf80-3ef1-11f1-bd52-e755d604ece4.jpg.webp\" loading=\"lazy\" alt=\"Jack Elliot Edwards  Objects from Tanoa Sasraku's Morale Patch installation at the Institute of Contemporary Arts, London\" class=\"sc-5340b511-0 hLdNfA\"><span class=\"sc-5340b511-2 jVqbAn\">Jack Elliot Edwards<\/span><\/div>\n<\/div>\n<\/figure>\n<\/div>\n<div data-component=\"image-block\" class=\"sc-9cd5bb24-0 hoFfRa\">\n<figure class=\"sc-cd6075cf-0 laOREU\">\n<div class=\"sc-82b3c53b-0 gmICnp\">\n<div data-testid=\"image\" class=\"sc-5340b511-1 cMIbKV\"><img decoding=\"async\" src=\"https:\/\/static.files.bbci.co.uk\/bbcdotcom\/web\/20260409-151157-6d668e92bf-web-3.1.0-1\/grey-placeholder.png\" class=\"sc-5340b511-0 gUePlo hide-when-no-script\" aria-label=\"image unavailable\"><img decoding=\"async\" src=\"https:\/\/ichef.bbci.co.uk\/news\/480\/cpsprodpb\/6a97\/live\/063c39d0-3ee1-11f1-b55d-0f258dce1735.jpg.webp\" loading=\"lazy\" alt=\"Jack Elliot Edwards Small objects featuring coffins draped in the American flag from Tanoa Sasraku's Morale Patch installation at the Institute of Contemporary Arts, London\" class=\"sc-5340b511-0 hLdNfA\"><span class=\"sc-5340b511-2 jVqbAn\">Jack Elliot Edwards<\/span><\/div>\n<\/div>\n<\/figure>\n<\/div>\n<div data-component=\"text-block\" class=\"sc-9cd5bb24-0 lmzibM\">\n<div class=\"sc-cd6075cf-0 DQtHs\">\n<div class=\"sc-82b3c53b-0 IAFLu\">\n<p class=\"sc-1a18e57c-0 HooNV\"><b id=\"what-is-the-work?\" class=\"sc-4029fe79-0 kKtEQU\">What is the work? <\/b>Sasraku&#8217;s installation explores geopolitical ideas through object-like sculptures, with a focus on recent political and military histories of oil.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div data-component=\"text-block\" class=\"sc-9cd5bb24-0 lmzibM\">\n<div class=\"sc-cd6075cf-0 DQtHs\">\n<div class=\"sc-82b3c53b-0 IAFLu\">\n<p class=\"sc-1a18e57c-0 HooNV\"><b id=\"what-did-the-jury-say?\" class=\"sc-4029fe79-0 kKtEQU\">What did the jury say?<\/b> They praised the precision and sophistication of the installation, saying it &#8220;addresses complex historical issues with strong contemporary resonance, and its use of a clinical, minimalist display that conveys both irony and seriousness&#8221;.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div data-component=\"text-block\" class=\"sc-9cd5bb24-0 lmzibM\">\n<div class=\"sc-cd6075cf-0 DQtHs\">\n<div class=\"sc-82b3c53b-0 IAFLu\">\n<p class=\"sc-1a18e57c-0 HooNV\"><b id=\"chances-of-winning?\" class=\"sc-4029fe79-0 kKtEQU\">Chances of winning?<\/b> At the time of the Iran war and headlines about oil prices, Sasraku&#8217;s work is perhaps the most topical on this year&#8217;s shortlist. There&#8217;s a strong chance judges could be impressed by the relevance of the installation, and the clinical and corporate way it&#8217;s presented.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<p>[analyse_source url=&#8221;https:\/\/www.bbc.com\/news\/articles\/c80mzk88l0eo&#8221;]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;https:\/\/ichef.bbci.co.uk\/news\/1024\/branded_news\/bc59\/live\/ae3aac70-3ef0-11f1-ac78-2112837ce2aa.jpg&#8221;] Belinda Lawley The shortlisted artists include Tanoa Sasraku, whose work examines the history and impact of oil A spoken-word performance about life in the industrial north and sculptures which examine the political history of oil are among the shortlisted artworks for this year&#8217;s Turner Prize. The works by artists Simeon Barclay, Kira [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[35,226],"class_list":["post-1898360","post","type-post","status-publish","format-standard","hentry","category-politics","tag-bbc-com","tag-crawlmanager"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1898360","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1898360"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1898360\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1898360"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1898360"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1898360"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}