{"id":1897983,"date":"2026-04-22T10:00:36","date_gmt":"2026-04-22T07:00:36","guid":{"rendered":"https:\/\/analyse.optim.biz\/?p=1897983"},"modified":"2026-04-22T10:00:36","modified_gmt":"2026-04-22T07:00:36","slug":"roses-and-thorns-of-greater-new-york","status":"publish","type":"post","link":"https:\/\/analyse.optim.biz\/?p=1897983","title":{"rendered":"Roses and Thorns of Greater New York"},"content":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;&#8221;]<\/p>\n<p><main class=\"gh-main\"><\/p>\n<article class=\"gh-article post tag-daily-newsletter tag-newsletter no-image\">\n<header class=\"gh-article-header gh-canvas\">\n<p>                Daily Newsletter<\/p>\n<h1 class=\"gh-article-title is-title\">Roses and Thorns of Greater New York<\/h1>\n<p class=\"gh-article-excerpt is-body\">An artist on saying no to the US Biennale pavilion, Dumbo Open Studios turns 10, and the Rijksmuseum takes on Ovid&#8217;s magnum opus.<\/p>\n<div class=\"gh-article-meta\">\n<div class=\"gh-article-author-image instapaper_ignore\"><img decoding=\"async\" class=\"author-profile-image\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/size\/w160\/2025\/11\/hyperallergic-favicon-d-blank-r-g-s-500.png\" alt=\"Hyperallergic\"><\/div>\n<div class=\"gh-article-meta-wrapper\">\n<h4 class=\"gh-article-author-name\">Hyperallergic<\/h4>\n<div class=\"gh-article-meta-content\"><time class=\"gh-article-meta-date\" datetime=\"2026-04-22\">April 22, 2026<\/time><span class=\"gh-article-meta-length\"><span class=\"bull\">\u2014<\/span> 3 min read<\/span><\/div>\n<\/div>\n<\/div>\n<\/header>\n<section class=\"gh-content gh-canvas is-body\">\n<p>MoMA PS1&#8217;s massive survey of local artists, <em>Greater New York<\/em>, happens just once every five years, so it&#8217;s only natural that the show would stir strong emotions &#8230; including ambivalence. Read all about the works <em>Hyperallergic<\/em> loved, didn&#8217;t, and couldn&#8217;t make up their minds about, with contributions from Editor-in-Chief Hakim Bishara, Editor-at-Large Hrag Vartanian, Associate Editor Lisa Yin Zhang, and Staff Writer Rhea Nayyar.<\/p>\n<p>In news, American-French sculptor Barbara Chase-Riboud speaks about her decision to decline an invitation to represent the US at the Venice Biennale as the pavilion \u2014 and its murky, Trump-friendly commissioning entity \u2014 come under intensifying scrutiny. As a reminder, if you&#8217;d like to send a confidential news tip, you may do so at tips@hyperallergic.com, or contact me or a reporter directly.<\/p>\n<p><em>\u2014Valentina Di Liscia, senior editor<\/em><\/p>\n<hr>\n<figure class=\"kg-card kg-image-card kg-card-hascaption\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/04\/Kenneth-Tam-1.jpeg\" class=\"kg-image\" alt loading=\"lazy\" width=\"2000\" height=\"1125\"><figcaption><span>Kenneth Tam, \u201cI\u2019M STAYING HOPEFUL AND STRONG (For Bilal and Salah)\u201d (2026) (photo Hrag Vartanian\/Hyperallergic)<\/span><\/figcaption><\/figure>\n<h3 id=\"what-we-loved-and-didn%E2%80%99t-in-%E2%80%9Cgreater-new-york%E2%80%9D\">What We Loved (And Didn\u2019t) in \u201cGreater New York\u201d<\/h3>\n<p>Plus, the works we\u2019re on the fence about in the massive MoMA PS1 survey. | Hrag Vartanian, Hakim Bishara, Lisa Yin Zhang, Rhea Nayyar<\/p>\n<hr>\n<div class=\"kg-card kg-cta-card kg-cta-bg-white kg-cta-immersive  kg-cta-has-img  \" data-layout=\"immersive\">\n<div class=\"kg-cta-sponsor-label-wrapper\">\n<div class=\"kg-cta-sponsor-label\"><span>SPONSORED<\/span><\/div>\n<\/div>\n<div class=\"kg-cta-content\">\n<div class=\"kg-cta-image-container\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/04\/Newsletter-NYSS-Image.jpg\" alt=\"CTA Image\" data-image-dimensions=\"14173x7972\"><\/div>\n<div class=\"kg-cta-content-inner\">\n<div class=\"kg-cta-text\">\n<p><b><strong>Summer Marathons in Painting and Drawing at the New York Studio School<\/strong><\/b><\/p>\n<p><span>Join an immersive, two-week session and transform your studio practice. Online or in-person.<\/span><\/p>\n<\/div>\n<p>                            Learn more<\/p><\/div>\n<\/div>\n<\/div>\n<hr>\n<h2 id=\"news\">News<\/h2>\n<figure class=\"kg-card kg-image-card kg-card-hascaption\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/04\/image-55-1.png\" class=\"kg-image\" alt loading=\"lazy\" width=\"2000\" height=\"1125\"><figcaption><span>Barbara Chase-Riboud (photo Pascal Le Segretain\/Getty Images)<\/span><\/figcaption><\/figure>\n<ul>\n<li>Artist Barbara Chase-Riboud\u00a0spoke about her decision not to represent the US at the 61st Venice Biennale, noting that now is \u201cnot the moment.\u201d<\/li>\n<li>ArtPhilly plans to unveil a sprawling temporary monument next month honoring Ona Judge, who escaped enslavement by the United States\u2019s first presidential family in 1796.<\/li>\n<li>Works on paper were a highlight at Dumbo Open Studios&#8217;s 10th year event \u2014 not to mention the impromptu conversations and artistic community.<\/li>\n<\/ul>\n<hr>\n<h2 id=\"from-our-critics\">From Our Critics<\/h2>\n<figure class=\"kg-card kg-image-card kg-card-hascaption\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/04\/Gerome_Pygmalion-and-Galatea-2-1-1.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><figcaption><span>Jean-L\u00e9on G\u00e9r\u00f4me, \u201cPygmalion and Galatea\u201d (1890\u201392) (photo Zoe Guy\/Hyperallergic)<\/span><\/figcaption><\/figure>\n<h3 id=\"a-blockbuster-take-on-ovid%E2%80%99s-%E2%80%9Cmetamorphosis%E2%80%9D\">A Blockbuster Take on Ovid\u2019s \u201cMetamorphosis\u201d<\/h3>\n<p>The Rijksmuseum exhibition raises questions about gender, sexuality, and transformation that it is not prepared to answer. | Zoe Guy<\/p>\n<hr>\n<div class=\"kg-card kg-cta-card kg-cta-bg-white kg-cta-immersive  kg-cta-has-img  \" data-layout=\"immersive\">\n<div class=\"kg-cta-sponsor-label-wrapper\">\n<div class=\"kg-cta-sponsor-label\"><span>SPONSORED<\/span><\/div>\n<\/div>\n<div class=\"kg-cta-content\">\n<div class=\"kg-cta-image-container\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/04\/Marsden-Hartley-Newsletter-Image-Ad.jpg\" alt=\"CTA Image\" data-image-dimensions=\"14173x7972\"><\/div>\n<div class=\"kg-cta-content-inner\">\n<div class=\"kg-cta-text\">\n<p><b><strong>The Marsden Hartley Legacy Project Launches Online<\/strong><\/b><\/p>\n<p><span>The first comprehensive catalogue of artworks by acclaimed modernist painter Marsden Hartley is now freely available on the internet.<\/span><\/p>\n<\/div>\n<p>                            Learn more<\/p><\/div>\n<\/div>\n<\/div>\n<hr>\n<h3 id=\"member-comment\">Member Comment<\/h3>\n<p>Adrian Rifkin on Naz Cuguo\u011flu&#8217;s &#8220;The Future of Museums Is a Dance Floor&#8221;: <\/p>\n<div class=\"kg-card kg-callout-card kg-callout-card-yellow\">\n<div class=\"kg-callout-text\">2 things. In the 90s when I was Professor of Fine Art at Leeds I had a v good MA guy who wrote on this matter and ran raves as an artist. If you read Boulez in some of his reflections you can see how the DJ becomes an artist as such, and maybe the truest form of modern in Adorno&#8217;s sense in his critique of Moses un Aron.<\/div>\n<\/div>\n<div class=\"kg-card kg-cta-card kg-cta-bg-none kg-cta-minimal kg-cta-no-dividers   \" data-layout=\"minimal\">\n<div class=\"kg-cta-content\">\n<div class=\"kg-cta-content-inner\">\n<div class=\"kg-cta-text\">\n<p><span>Commenting privileges are reserved for paid members. <\/span><span>Join us today<\/span><span>!<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<hr>\n<h2 id=\"icymi\">ICYMI<\/h2>\n<figure class=\"kg-card kg-image-card kg-card-hascaption\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/04\/Zacharius-vis-high-res-sRGB-1-1.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><figcaption><span>Rembrandt van Rijn, \u201cThe Vision of Zechariah in the Temple\u201d (1633) (photo Rene Gerritsen, courtesy Rijksmuseum)<\/span><\/figcaption><\/figure>\n<h3 id=\"long-lost-rembrandt-goes-on-display-at-the-rijksmuseum\">Long-Lost Rembrandt Goes on Display at the Rijksmuseum<\/h3>\n<p>Previously misattributed to a pupil of the Dutch Master, the painting was hidden from public view in a private collection for over six decades. | Rhea Nayyar<\/p>\n<ul class=\"post-tags\">\n<li>\n                        Daily Newsletter\n                      <\/li>\n<li>\n                        Newsletter\n                      <\/li>\n<\/ul>\n<\/section>\n<\/article>\n<p><\/main><\/p>\n<article class=\"gh-article post tag-daily-newsletter tag-newsletter no-image\">\n<header class=\"gh-article-header gh-canvas\">\n<p>                Daily Newsletter<\/p>\n<h1 class=\"gh-article-title is-title\">Roses and Thorns of Greater New York<\/h1>\n<p class=\"gh-article-excerpt is-body\">An artist on saying no to the US Biennale pavilion, Dumbo Open Studios turns 10, and the Rijksmuseum takes on Ovid&#8217;s magnum opus.<\/p>\n<div class=\"gh-article-meta\">\n<div class=\"gh-article-author-image instapaper_ignore\"><img decoding=\"async\" class=\"author-profile-image\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/size\/w160\/2025\/11\/hyperallergic-favicon-d-blank-r-g-s-500.png\" alt=\"Hyperallergic\"><\/div>\n<div class=\"gh-article-meta-wrapper\">\n<h4 class=\"gh-article-author-name\">Hyperallergic<\/h4>\n<div class=\"gh-article-meta-content\"><time class=\"gh-article-meta-date\" datetime=\"2026-04-22\">April 22, 2026<\/time><span class=\"gh-article-meta-length\"><span class=\"bull\">\u2014<\/span> 3 min read<\/span><\/div>\n<\/div>\n<\/div>\n<\/header>\n<section class=\"gh-content gh-canvas is-body\">\n<p>MoMA PS1&#8217;s massive survey of local artists, <em>Greater New York<\/em>, happens just once every five years, so it&#8217;s only natural that the show would stir strong emotions &#8230; including ambivalence. Read all about the works <em>Hyperallergic<\/em> loved, didn&#8217;t, and couldn&#8217;t make up their minds about, with contributions from Editor-in-Chief Hakim Bishara, Editor-at-Large Hrag Vartanian, Associate Editor Lisa Yin Zhang, and Staff Writer Rhea Nayyar.<\/p>\n<p>In news, American-French sculptor Barbara Chase-Riboud speaks about her decision to decline an invitation to represent the US at the Venice Biennale as the pavilion \u2014 and its murky, Trump-friendly commissioning entity \u2014 come under intensifying scrutiny. As a reminder, if you&#8217;d like to send a confidential news tip, you may do so at tips@hyperallergic.com, or contact me or a reporter directly.<\/p>\n<p><em>\u2014Valentina Di Liscia, senior editor<\/em><\/p>\n<hr>\n<figure class=\"kg-card kg-image-card kg-card-hascaption\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/04\/Kenneth-Tam-1.jpeg\" class=\"kg-image\" alt loading=\"lazy\" width=\"2000\" height=\"1125\"><figcaption><span>Kenneth Tam, \u201cI\u2019M STAYING HOPEFUL AND STRONG (For Bilal and Salah)\u201d (2026) (photo Hrag Vartanian\/Hyperallergic)<\/span><\/figcaption><\/figure>\n<h3 id=\"what-we-loved-and-didn%E2%80%99t-in-%E2%80%9Cgreater-new-york%E2%80%9D\">What We Loved (And Didn\u2019t) in \u201cGreater New York\u201d<\/h3>\n<p>Plus, the works we\u2019re on the fence about in the massive MoMA PS1 survey. | Hrag Vartanian, Hakim Bishara, Lisa Yin Zhang, Rhea Nayyar<\/p>\n<hr>\n<div class=\"kg-card kg-cta-card kg-cta-bg-white kg-cta-immersive  kg-cta-has-img  \" data-layout=\"immersive\">\n<div class=\"kg-cta-sponsor-label-wrapper\">\n<div class=\"kg-cta-sponsor-label\"><span>SPONSORED<\/span><\/div>\n<\/div>\n<div class=\"kg-cta-content\">\n<div class=\"kg-cta-image-container\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/04\/Newsletter-NYSS-Image.jpg\" alt=\"CTA Image\" data-image-dimensions=\"14173x7972\"><\/div>\n<div class=\"kg-cta-content-inner\">\n<div class=\"kg-cta-text\">\n<p><b><strong>Summer Marathons in Painting and Drawing at the New York Studio School<\/strong><\/b><\/p>\n<p><span>Join an immersive, two-week session and transform your studio practice. Online or in-person.<\/span><\/p>\n<\/div>\n<p>                            Learn more<\/p><\/div>\n<\/div>\n<\/div>\n<hr>\n<h2 id=\"news\">News<\/h2>\n<figure class=\"kg-card kg-image-card kg-card-hascaption\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/04\/image-55-1.png\" class=\"kg-image\" alt loading=\"lazy\" width=\"2000\" height=\"1125\"><figcaption><span>Barbara Chase-Riboud (photo Pascal Le Segretain\/Getty Images)<\/span><\/figcaption><\/figure>\n<ul>\n<li>Artist Barbara Chase-Riboud\u00a0spoke about her decision not to represent the US at the 61st Venice Biennale, noting that now is \u201cnot the moment.\u201d<\/li>\n<li>ArtPhilly plans to unveil a sprawling temporary monument next month honoring Ona Judge, who escaped enslavement by the United States\u2019s first presidential family in 1796.<\/li>\n<li>Works on paper were a highlight at Dumbo Open Studios&#8217;s 10th year event \u2014 not to mention the impromptu conversations and artistic community.<\/li>\n<\/ul>\n<hr>\n<h2 id=\"from-our-critics\">From Our Critics<\/h2>\n<figure class=\"kg-card kg-image-card kg-card-hascaption\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/04\/Gerome_Pygmalion-and-Galatea-2-1-1.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><figcaption><span>Jean-L\u00e9on G\u00e9r\u00f4me, \u201cPygmalion and Galatea\u201d (1890\u201392) (photo Zoe Guy\/Hyperallergic)<\/span><\/figcaption><\/figure>\n<h3 id=\"a-blockbuster-take-on-ovid%E2%80%99s-%E2%80%9Cmetamorphosis%E2%80%9D\">A Blockbuster Take on Ovid\u2019s \u201cMetamorphosis\u201d<\/h3>\n<p>The Rijksmuseum exhibition raises questions about gender, sexuality, and transformation that it is not prepared to answer. | Zoe Guy<\/p>\n<hr>\n<div class=\"kg-card kg-cta-card kg-cta-bg-white kg-cta-immersive  kg-cta-has-img  \" data-layout=\"immersive\">\n<div class=\"kg-cta-sponsor-label-wrapper\">\n<div class=\"kg-cta-sponsor-label\"><span>SPONSORED<\/span><\/div>\n<\/div>\n<div class=\"kg-cta-content\">\n<div class=\"kg-cta-image-container\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/04\/Marsden-Hartley-Newsletter-Image-Ad.jpg\" alt=\"CTA Image\" data-image-dimensions=\"14173x7972\"><\/div>\n<div class=\"kg-cta-content-inner\">\n<div class=\"kg-cta-text\">\n<p><b><strong>The Marsden Hartley Legacy Project Launches Online<\/strong><\/b><\/p>\n<p><span>The first comprehensive catalogue of artworks by acclaimed modernist painter Marsden Hartley is now freely available on the internet.<\/span><\/p>\n<\/div>\n<p>                            Learn more<\/p><\/div>\n<\/div>\n<\/div>\n<hr>\n<h3 id=\"member-comment\">Member Comment<\/h3>\n<p>Adrian Rifkin on Naz Cuguo\u011flu&#8217;s &#8220;The Future of Museums Is a Dance Floor&#8221;: <\/p>\n<div class=\"kg-card kg-callout-card kg-callout-card-yellow\">\n<div class=\"kg-callout-text\">2 things. In the 90s when I was Professor of Fine Art at Leeds I had a v good MA guy who wrote on this matter and ran raves as an artist. If you read Boulez in some of his reflections you can see how the DJ becomes an artist as such, and maybe the truest form of modern in Adorno&#8217;s sense in his critique of Moses un Aron.<\/div>\n<\/div>\n<div class=\"kg-card kg-cta-card kg-cta-bg-none kg-cta-minimal kg-cta-no-dividers   \" data-layout=\"minimal\">\n<div class=\"kg-cta-content\">\n<div class=\"kg-cta-content-inner\">\n<div class=\"kg-cta-text\">\n<p><span>Commenting privileges are reserved for paid members. <\/span><span>Join us today<\/span><span>!<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<hr>\n<h2 id=\"icymi\">ICYMI<\/h2>\n<figure class=\"kg-card kg-image-card kg-card-hascaption\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/04\/Zacharius-vis-high-res-sRGB-1-1.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><figcaption><span>Rembrandt van Rijn, \u201cThe Vision of Zechariah in the Temple\u201d (1633) (photo Rene Gerritsen, courtesy Rijksmuseum)<\/span><\/figcaption><\/figure>\n<h3 id=\"long-lost-rembrandt-goes-on-display-at-the-rijksmuseum\">Long-Lost Rembrandt Goes on Display at the Rijksmuseum<\/h3>\n<p>Previously misattributed to a pupil of the Dutch Master, the painting was hidden from public view in a private collection for over six decades. | Rhea Nayyar<\/p>\n<ul class=\"post-tags\">\n<li>\n                        Daily Newsletter\n                      <\/li>\n<li>\n                        Newsletter\n                      <\/li>\n<\/ul>\n<\/section>\n<\/article>\n<section class=\"gh-content gh-canvas is-body\">\n<p>MoMA PS1&#8217;s massive survey of local artists, <em>Greater New York<\/em>, happens just once every five years, so it&#8217;s only natural that the show would stir strong emotions &#8230; including ambivalence. Read all about the works <em>Hyperallergic<\/em> loved, didn&#8217;t, and couldn&#8217;t make up their minds about, with contributions from Editor-in-Chief Hakim Bishara, Editor-at-Large Hrag Vartanian, Associate Editor Lisa Yin Zhang, and Staff Writer Rhea Nayyar.<\/p>\n<p>In news, American-French sculptor Barbara Chase-Riboud speaks about her decision to decline an invitation to represent the US at the Venice Biennale as the pavilion \u2014 and its murky, Trump-friendly commissioning entity \u2014 come under intensifying scrutiny. As a reminder, if you&#8217;d like to send a confidential news tip, you may do so at tips@hyperallergic.com, or contact me or a reporter directly.<\/p>\n<p><em>\u2014Valentina Di Liscia, senior editor<\/em><\/p>\n<hr>\n<figure class=\"kg-card kg-image-card kg-card-hascaption\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/04\/Kenneth-Tam-1.jpeg\" class=\"kg-image\" alt loading=\"lazy\" width=\"2000\" height=\"1125\"><figcaption><span>Kenneth Tam, \u201cI\u2019M STAYING HOPEFUL AND STRONG (For Bilal and Salah)\u201d (2026) (photo Hrag Vartanian\/Hyperallergic)<\/span><\/figcaption><\/figure>\n<h3 id=\"what-we-loved-and-didn%E2%80%99t-in-%E2%80%9Cgreater-new-york%E2%80%9D\">What We Loved (And Didn\u2019t) in \u201cGreater New York\u201d<\/h3>\n<p>Plus, the works we\u2019re on the fence about in the massive MoMA PS1 survey. | Hrag Vartanian, Hakim Bishara, Lisa Yin Zhang, Rhea Nayyar<\/p>\n<hr>\n<div class=\"kg-card kg-cta-card kg-cta-bg-white kg-cta-immersive  kg-cta-has-img  \" data-layout=\"immersive\">\n<div class=\"kg-cta-sponsor-label-wrapper\">\n<div class=\"kg-cta-sponsor-label\"><span>SPONSORED<\/span><\/div>\n<\/div>\n<div class=\"kg-cta-content\">\n<div class=\"kg-cta-image-container\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/04\/Newsletter-NYSS-Image.jpg\" alt=\"CTA Image\" data-image-dimensions=\"14173x7972\"><\/div>\n<div class=\"kg-cta-content-inner\">\n<div class=\"kg-cta-text\">\n<p><b><strong>Summer Marathons in Painting and Drawing at the New York Studio School<\/strong><\/b><\/p>\n<p><span>Join an immersive, two-week session and transform your studio practice. Online or in-person.<\/span><\/p>\n<\/div>\n<p>                            Learn more<\/p><\/div>\n<\/div>\n<\/div>\n<hr>\n<h2 id=\"news\">News<\/h2>\n<figure class=\"kg-card kg-image-card kg-card-hascaption\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/04\/image-55-1.png\" class=\"kg-image\" alt loading=\"lazy\" width=\"2000\" height=\"1125\"><figcaption><span>Barbara Chase-Riboud (photo Pascal Le Segretain\/Getty Images)<\/span><\/figcaption><\/figure>\n<ul>\n<li>Artist Barbara Chase-Riboud\u00a0spoke about her decision not to represent the US at the 61st Venice Biennale, noting that now is \u201cnot the moment.\u201d<\/li>\n<li>ArtPhilly plans to unveil a sprawling temporary monument next month honoring Ona Judge, who escaped enslavement by the United States\u2019s first presidential family in 1796.<\/li>\n<li>Works on paper were a highlight at Dumbo Open Studios&#8217;s 10th year event \u2014 not to mention the impromptu conversations and artistic community.<\/li>\n<\/ul>\n<hr>\n<h2 id=\"from-our-critics\">From Our Critics<\/h2>\n<figure class=\"kg-card kg-image-card kg-card-hascaption\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/04\/Gerome_Pygmalion-and-Galatea-2-1-1.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><figcaption><span>Jean-L\u00e9on G\u00e9r\u00f4me, \u201cPygmalion and Galatea\u201d (1890\u201392) (photo Zoe Guy\/Hyperallergic)<\/span><\/figcaption><\/figure>\n<h3 id=\"a-blockbuster-take-on-ovid%E2%80%99s-%E2%80%9Cmetamorphosis%E2%80%9D\">A Blockbuster Take on Ovid\u2019s \u201cMetamorphosis\u201d<\/h3>\n<p>The Rijksmuseum exhibition raises questions about gender, sexuality, and transformation that it is not prepared to answer. | Zoe Guy<\/p>\n<hr>\n<div class=\"kg-card kg-cta-card kg-cta-bg-white kg-cta-immersive  kg-cta-has-img  \" data-layout=\"immersive\">\n<div class=\"kg-cta-sponsor-label-wrapper\">\n<div class=\"kg-cta-sponsor-label\"><span>SPONSORED<\/span><\/div>\n<\/div>\n<div class=\"kg-cta-content\">\n<div class=\"kg-cta-image-container\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/04\/Marsden-Hartley-Newsletter-Image-Ad.jpg\" alt=\"CTA Image\" data-image-dimensions=\"14173x7972\"><\/div>\n<div class=\"kg-cta-content-inner\">\n<div class=\"kg-cta-text\">\n<p><b><strong>The Marsden Hartley Legacy Project Launches Online<\/strong><\/b><\/p>\n<p><span>The first comprehensive catalogue of artworks by acclaimed modernist painter Marsden Hartley is now freely available on the internet.<\/span><\/p>\n<\/div>\n<p>                            Learn more<\/p><\/div>\n<\/div>\n<\/div>\n<hr>\n<h3 id=\"member-comment\">Member Comment<\/h3>\n<p>Adrian Rifkin on Naz Cuguo\u011flu&#8217;s &#8220;The Future of Museums Is a Dance Floor&#8221;: <\/p>\n<div class=\"kg-card kg-callout-card kg-callout-card-yellow\">\n<div class=\"kg-callout-text\">2 things. In the 90s when I was Professor of Fine Art at Leeds I had a v good MA guy who wrote on this matter and ran raves as an artist. If you read Boulez in some of his reflections you can see how the DJ becomes an artist as such, and maybe the truest form of modern in Adorno&#8217;s sense in his critique of Moses un Aron.<\/div>\n<\/div>\n<div class=\"kg-card kg-cta-card kg-cta-bg-none kg-cta-minimal kg-cta-no-dividers   \" data-layout=\"minimal\">\n<div class=\"kg-cta-content\">\n<div class=\"kg-cta-content-inner\">\n<div class=\"kg-cta-text\">\n<p><span>Commenting privileges are reserved for paid members. <\/span><span>Join us today<\/span><span>!<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<hr>\n<h2 id=\"icymi\">ICYMI<\/h2>\n<figure class=\"kg-card kg-image-card kg-card-hascaption\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/2026\/04\/Zacharius-vis-high-res-sRGB-1-1.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><figcaption><span>Rembrandt van Rijn, \u201cThe Vision of Zechariah in the Temple\u201d (1633) (photo Rene Gerritsen, courtesy Rijksmuseum)<\/span><\/figcaption><\/figure>\n<h3 id=\"long-lost-rembrandt-goes-on-display-at-the-rijksmuseum\">Long-Lost Rembrandt Goes on Display at the Rijksmuseum<\/h3>\n<p>Previously misattributed to a pupil of the Dutch Master, the painting was hidden from public view in a private collection for over six decades. | Rhea Nayyar<\/p>\n<ul class=\"post-tags\">\n<li>\n                        Daily Newsletter\n                      <\/li>\n<li>\n                        Newsletter\n                      <\/li>\n<\/ul>\n<\/section>\n<article class=\"gh-card post\">\n<figure class=\"gh-card-image\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/size\/w600\/2026\/04\/DSCF2447--1-.jpg\" alt=\"The International Center of Photography Presents Photobook Fest\" loading=\"lazy\"><\/figure>\n<div class=\"gh-card-wrapper\">\n<h3 class=\"gh-card-title is-title\">The International Center of Photography Presents Photobook Fest<\/h3>\n<p class=\"gh-card-excerpt is-body\">This year\u2019s fest will feature over 80 publishers with a full weekend of workshops, panels, and book signings. May 8\u201310 in Manhattan\u2019s Lower East Side.<\/p>\n<footer class=\"gh-card-meta\"><span class=\"gh-card-author\">International Center of Photography<\/span><\/footer>\n<\/div>\n<\/article>\n<article class=\"gh-card post\">\n<figure class=\"gh-card-image\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/size\/w600\/2026\/04\/BFPL_GraphicRewilding_HyperallergicAdImage.jpg\" alt=\"Art by Graphic Rewilding Blooms at Brookfield Place in New York City\" loading=\"lazy\"><\/figure>\n<div class=\"gh-card-wrapper\">\n<h3 class=\"gh-card-title is-title\">Art by Graphic Rewilding Blooms at Brookfield Place in New York City<\/h3>\n<p class=\"gh-card-excerpt is-body\">Bold and vibrant large-scale installations featuring blossoming flowers celebrate the natural world and bring the outside indoors. <\/p>\n<footer class=\"gh-card-meta\"><span class=\"gh-card-author\">Brookfield Place<\/span><\/footer>\n<\/div>\n<\/article>\n<article class=\"gh-card post\">\n<figure class=\"gh-card-image\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/size\/w600\/2026\/04\/1_BRITTONpushpullhighres_hoz.jpg\" alt=\"Maria Britton: Second Sleep\" loading=\"lazy\"><\/figure>\n<div class=\"gh-card-wrapper\">\n<h3 class=\"gh-card-title is-title\">Maria Britton: Second Sleep<\/h3>\n<p class=\"gh-card-excerpt is-body\">Discarded bedsheets shape portals of reflection, obscuring the past or inviting to imagine what lies beyond in this exhibition at the Halsey Institute of Contemporary Art at the College of Charleston.<\/p>\n<footer class=\"gh-card-meta\"><span class=\"gh-card-author\">The Halsey Institute of Contemporary Art<\/span><\/footer>\n<\/div>\n<\/article>\n<article class=\"gh-card post\">\n<figure class=\"gh-card-image\"><img decoding=\"async\" src=\"https:\/\/storage.ghost.io\/c\/51\/f8\/51f871d8-b6be-4a73-b958-0ca4fff0110a\/content\/images\/size\/w600\/2026\/04\/AlighieroBoettiTuttoc.1988.Embroideryonfabric291_2x48in.-72.4x121.9cm-.CourtesyofMagazzinoItalianArt.PhotobyMarcoAnelli.jpg\" alt=\"Tutto Boetti 1966\u20131993\" loading=\"lazy\"><\/figure>\n<div class=\"gh-card-wrapper\">\n<h3 class=\"gh-card-title is-title\">Tutto Boetti 1966\u20131993<\/h3>\n<p class=\"gh-card-excerpt is-body\">An exhibition of works by Alighiero Boetti at Magazzino Italian Art.<\/p>\n<footer class=\"gh-card-meta\"><span class=\"gh-card-author\">Magazzino Italian Art<\/span><\/footer>\n<\/div>\n<\/article>\n<p>[analyse_source url=&#8221;https:\/\/hyperallergic.com\/roses-and-thorns-of-greater-new-york\/&#8221;]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;&#8221;] Daily Newsletter Roses and Thorns of Greater New York An artist on saying no to the US Biennale pavilion, Dumbo Open Studios turns 10, and the Rijksmuseum takes on Ovid&#8217;s magnum opus. Hyperallergic April 22, 2026\u2014 3 min read MoMA PS1&#8217;s massive survey of local artists, Greater New York, happens just once [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[226,69],"class_list":["post-1897983","post","type-post","status-publish","format-standard","hentry","category-politics","tag-crawlmanager","tag-hyperallergic-com"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1897983","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1897983"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1897983\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1897983"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1897983"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1897983"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}