{"id":1896093,"date":"2026-04-21T15:30:00","date_gmt":"2026-04-21T12:30:00","guid":{"rendered":"https:\/\/analyse.optim.biz\/?p=1896093"},"modified":"2026-04-21T15:30:00","modified_gmt":"2026-04-21T12:30:00","slug":"lynda-roscoe-hartigan-named-smithsonian-american-art-museum-director","status":"publish","type":"post","link":"https:\/\/analyse.optim.biz\/?p=1896093","title":{"rendered":"Lynda Roscoe Hartigan Named Smithsonian American Art Museum Director"},"content":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/04\/Lynda-Roscoe-Hartigan_Courtesy-PEM-Photo-by-Alex-Paul.jpg?w=1024&#8243;]<\/p>\n<div class=\"a-content a-content--offset lrv-a-floated-parent lrv-u-font-family-body lrv-u-line-height-normal lrv-u-font-size-18 lrv-u-position-relative\">\n<div class=\"pmc-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe Smithsonian on Tuesday named Lynda Roscoe Hartigan, currently the executive director and CEO of the Peabody Essex Museum in Salem, Massachusetts, as the next Margaret and Terry Stent Director of the Smithsonian American Art Museum (SAAM). She begins September 8.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tHartigan succeeds Jane Carpenter-Rock, who has led SAAM on an interim basis since September 2024, when Stephanie Stebich was removed as director and reassigned to an advisory role at the Smithsonian Institution. Stebich\u2019s exit followed staff complaints about her management style and what the <em>Washington Post<\/em> reported were years of declining morale. Carpenter-Rock will remain at the museum as deputy director for museum content and outreach.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe appointment is a homecoming for Hartigan, who began her career at SAAM and spent two decades at the institution, eventually rising to chief curator. During that tenure she led an internationally recognized acquisitions initiative that significantly expanded the museum\u2019s holdings of work by modern, contemporary, and self-taught artists. She also worked extensively on folk art and art by Black artists and developed an expertise on Joseph Cornell. In 2006, she organized a survey dedicated to Cornell that appeared at the Peabody Essex Museum, SAAM, and the San Francisco Museum of Modern Art. Hartigan became the Peabody Essex\u2019s first female director when she was appointed in 2021; she joined the museum in 2003 as chief curator since 2003 and was promoted to deputy director in 2016.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tIn a statement, Lonnie G. Bunch III, secretary of the Smithsonian Institution, framed her deep experience with insitution as a reason why she was the right person to lead SAAM into the future. \u201cLynda is a visionary leader whose career reflects a deep commitment to American art, thoughtful scholarship and public engagement,\u201d Bunch said.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tHartigan, in her own statement, said she was \u201chonored to help shape the museum\u2019s next chapters\u201d and described SAAM and its Renwick Gallery as \u201ca place where art encourages meaningful dialogue and connection for audiences from the local to the international.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tHartigan takes over one of the most significant collections of American art in the country, including the nation\u2019s largest holdings of New Deal art, a deep bench of American Impressionist and Gilded Age works, and contemporary craft at the Renwick. The museum reopened its contemporary galleries in 2023 after a two-year closure and a refresh by architect Annabelle Selldorf, with a hang that notably expanded the visibility of Latinx, queer, and Native American artists\u2014a direction that <em>ARTnews<\/em>\u2019s Alex Greenberger credited, in a review at the time, for shifting the museum\u2019s picture of recent American art.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThat shift in focus made SAAM one of the primary targets of President Trump\u2019s March 2025 executive order, in which he said his administration would work to root out any \u201cimproper, divisive, or anti-American ideology\u201d from its various museums. The executive order specifically named SAAM\u2019s then-current show, \u201cThe Shape of Power: Stories of Race and American Sculpture,\u201d as supposed evidence.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tIn December, capping a year of turmoil and political pressure on the Smithsonian, the administration threatened to withhold federal funding, which accounts for roughly 62 percent of the Institution\u2019s budget, unless it complied with outstanding document requests tied to a content review. (Bunch had previously promised to submit to that review while also maintaining the network\u2019s independence from the government. But the administration alleged that the Smithsonian didn\u2019t move quickly enough to turn over documents for the review.)<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \"><\/p>\n<\/div>\n<\/div>\n<p>[analyse_source url=&#8221;https:\/\/www.artnews.com\/art-news\/news\/smithsonian-american-art-museum-director-lynda-roscoe-hartigan-1234782082\/&#8221;]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/04\/Lynda-Roscoe-Hartigan_Courtesy-PEM-Photo-by-Alex-Paul.jpg?w=1024&#8243;] The Smithsonian on Tuesday named Lynda Roscoe Hartigan, currently the executive director and CEO of the Peabody Essex Museum in Salem, Massachusetts, as the next Margaret and Terry Stent Director of the Smithsonian American Art Museum (SAAM). She begins September 8. Hartigan succeeds Jane Carpenter-Rock, who has led SAAM on an interim [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[61,226],"class_list":["post-1896093","post","type-post","status-publish","format-standard","hentry","category-politics","tag-artnews-com","tag-crawlmanager"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1896093","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1896093"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1896093\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1896093"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1896093"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1896093"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}