{"id":1888073,"date":"2026-03-28T02:26:00","date_gmt":"2026-03-27T23:26:00","guid":{"rendered":"https:\/\/analyse.optim.biz\/?p=1888073"},"modified":"2026-03-28T02:26:00","modified_gmt":"2026-03-27T23:26:00","slug":"lexposition-du-prix-reiffers-initiatives-racontee-par-bernard-blistene","status":"publish","type":"post","link":"https:\/\/analyse.optim.biz\/?p=1888073","title":{"rendered":"L\u2019exposition du Prix Reiffers Initiatives racont\u00e9e par Bernard Blist\u00e8ne"},"content":{"rendered":"<div class=\"entry-content\">\n<section class=\"single-header padding-top-s\">\n<div class=\"container\">\n<div class=\"row justify-content-between\">\n<div class=\"col-lg-9 col-xl-8\">\n<div class=\"video-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n<div class=\"container-img desktop\">\n\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"640\" height=\"408\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/04\/PUSH-PRIX-REIFFERS-768x490.jpg\" class=\"img-fluid\" alt=\"Vue de l'exposition Trafiquer l'inconnu, Prix Reiffers Initiatives 2026.\" loading=\"lazy\">\t\t\t\t\t\t\t\t<\/p>\n<p class=\"number big\">17<\/p>\n<\/p><\/div>\n<div class=\"container-img mobile\">\n\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"640\" height=\"800\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/04\/THUMB-PRIX-REIFFERS-2026-768x960.jpg\" class=\"img-fluid\" alt=\"Douk Saga, boucan dans le cosmos (2025), Ibrahim Me\u00eft\u00e9 Sikely.\" loading=\"lazy\">\t\t\t\t\t\t\t\t<\/p>\n<p class=\"number big\">17<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"col col-lg-3 col-xl-4 desktop\">\n<div class=\"ad grand-angle desktop\">\n    <!-- \/21730003857\/numero-ad-unit\/numero-grand-angle --><\/p>\n<div id=\"div-gpt-ad-1757063143832-0\" class=\"px-0\">\n<p>            googletag.cmd.push(function () {<br \/>\n                googletag.display(&#8216;div-gpt-ad-1757063143832-0&#8217;);<br \/>\n            });<\/p><\/div>\n<\/div><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/section>\n<section class=\"post-content\">\n<div class=\"container\">\n<div class=\"row g-0 justify-content-between\">\n<div class=\"col-lg-9 col-xl-8 padding-top-s\">\n<p class=\"share-widget\" id=\"share-widget\"><img decoding=\"async\" src=\"https:\/\/numero.com\/wp-content\/themes\/%09%09%09understrap-child-main\/src\/public\/images\/share.svg\" alt=\"share-widget\"><\/p>\n<div class=\"share-icons\" id=\"share-icons\">\n<p class=\"copy-link\"><img decoding=\"async\" src=\"https:\/\/numero.com\/wp-content\/themes\/understrap-child-main\/src\/public\/images\/copy-link.svg\" alt=\"copy-link\"><\/p>\n<p>\t\t\t\t\t\t\t<a href=\"https:\/\/www.facebook.com\/sharer\/sharer.php?u=https:\/\/numero.com\/art\/numero-art\/exposition-prix-reiffers-initiatives-2026-trafiquer-linconnu\/\" class=\"facebook\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/numero.com\/wp-content\/themes\/understrap-child-main\/src\/public\/images\/facebook.svg\" alt=\"facebook\"><\/a><br \/>\n\t\t\t\t\t\t\t<a href=\"https:\/\/twitter.com\/share?url=https:\/\/numero.com\/art\/numero-art\/exposition-prix-reiffers-initiatives-2026-trafiquer-linconnu\/\" class=\"twitter\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/numero.com\/wp-content\/themes\/understrap-child-main\/src\/public\/images\/twitter.svg\" alt=\"twitter\"><\/a>\n\t\t\t\t\t\t<\/div>\n<p>\t\t\t\t\t\t<span class id=\"custom-tooltip\">Lien copi\u00e9<\/span><\/p>\n<div class=\"col-lg-10\">\n<div class=\"meta d-flex justify-content-between align-items-center\">\n<div class=\"cat\">\n\t\t\t\t\t\t\t\t\t<a class=\"cat-title\" href=\"https:\/\/numero.com\/category\/art\/numero-art\/\">Num\u00e9ro Art<\/a>\t\t\t\t\t\t\t\t<\/div>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t17 avr 2026\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<h1>L\u2019exposition du Prix Reiffers Initiatives racont\u00e9e par Bernard Blist\u00e8ne<\/h1>\n<div class=\"introduction\">\n<p>Jusqu\u2019au 6 juin 2026, Reiffers Initiatives pr\u00e9sente \u201cTrafiquer l\u2019inconnu\u201d, l\u2019exposition de la cinqui\u00e8me \u00e9dition du Prix Reiffers Initiatives, r\u00e9unissant huit artistes de la jeune sc\u00e8ne contemporaine s\u00e9lectionn\u00e9s par son comit\u00e9 artistique d\u2019exception. Orchestr\u00e9e par le commissaire Bernard Blist\u00e8ne, l\u2019exposition investit l\u2019espace du 30 rue des Acacias et met en lumi\u00e8re un talent \u00e9mergent, distingu\u00e9 \u00e0 l\u2019issue du vernissage, ainsi qu\u2019une mention sp\u00e9ciale introduite cette ann\u00e9e. Plong\u00e9e dans les salles de cette fascinante exposition, guid\u00e9 par le conservateur et ancien directeur du Centre Pompidou.<\/p>\n<p>Par <span style=\"text-decoration: underline\"><strong>Bernard Blist\u00e8ne<\/strong><\/span>.<\/p>\n<\/div>\n<div id=\"ads03\" class=\"mobile\">\n<div class=\"ad-wrapper\">\n<div class=\"ad interscroller desktop\">\n<\/div>\n<p><!-- \/21730003857\/numero-ad-unit\/numero-interscroller --><\/p>\n<div id=\"div-gpt-ad-1757521738078-0\" class=\"ads-pub\">\n<p>        googletag.cmd.push(function () {<br \/>\n            googletag.display(&#8216;div-gpt-ad-1757521738078-0&#8217;);<br \/>\n        });<\/p>\n<\/div><\/div>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t&lt;!&#8211; <\/p>\n<div class=\"padding-bottom-s\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n<p> &#8211;&gt;<\/p>\n<figure data-wp-context='{\"imageId\":\"69e254897921b\"}' data-wp-interactive=\"core\/image\" data-wp-key=\"69e254897921b\" class=\"wp-block-image size-large wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/04\/Exposition-Prix-Reiffers-Trafiquer-linconnu1-1024x683.jpg\" alt=\"Vue de l'exposition Trafiquer l'inconnu, Prix Reiffers Initiatives 2026\" class=\"wp-image-830924\"><button class=\"lightbox-trigger\" type=\"button\" aria-haspopup=\"dialog\" aria-label=\"Agrandir\" data-wp-init=\"callbacks.initTriggerButton\" data-wp-on--click=\"actions.showLightbox\" data-wp-style--right=\"state.imageButtonRight\" data-wp-style--top=\"state.imageButtonTop\"><\/p>\n<p>\t\t<\/button><figcaption class=\"wp-element-caption\">Vue de l\u2019exposition \u201cTrafiquer l\u2019inconnu\u201d, Prix Reiffers Initiatives 2026. \u00a9 Philippe Garcia. <\/figcaption><\/figure>\n<h2 class=\"wp-block-heading\">Plong\u00e9e dans l\u2019univers singulier de huit artistes<\/h2>\n<p>Ils sont huit<strong> <\/strong>artistes, hommes et femmes r\u00e9unis ici. Ils travaillent en France et se retrouvent pour cette exposition, sans doute sans se conna\u00eetre. Et ils ont \u00e9t\u00e9 choisis par <strong>dix membres invit\u00e9s par<\/strong> <strong>Reiffers Initiatives<\/strong> pour le jury du prix d\u00e9cern\u00e9 cette ann\u00e9e. <strong>Thibaut Wychowanok <\/strong>m\u2019a demand\u00e9 si j\u2019aimerais pr\u00e9senter leurs \u0153uvres dans le beau cadre de la fondation. Comment refuser ? Comment ne pas saisir l\u2019occasion de trafiquer l\u2019inconnu pour trouver du nouveau ?<\/p>\n<p>Aussi, <strong>comment pr\u00e9senter huit artistes singuliers<\/strong>, fruits de la s\u00e9lection de dix<strong> <\/strong>personnalit\u00e9s venues d\u2019horizons diff\u00e9rents ? Comment se mettre d\u2019accord sur certaines \u0153uvres et des crit\u00e8res dont on mesure d\u2019embl\u00e9e qu\u2019ils conjuguent une dimension explicite ou implicite ? La question peut sembler banale, tant elle revient au fil d\u2019expositions de groupes o\u00f9 l\u2019id\u00e9e du choix rev\u00eat une dimension n\u00e9cessairement subjective. Mais <strong>s\u00e9lectionner est en soi un engagement<\/strong>, un geste charg\u00e9 de signification. Et toute s\u00e9lection impose et participe de ce que <strong>Michel Foucault<\/strong> appelle <em>\u201cun m\u00e9canisme de tri et une distribution du savoir\u201d<\/em>. Plus encore, il y a quelque impudence \u00e0 s\u2019arroger ce tri, \u00e0 produire les \u00e9l\u00e9ments d\u2019une m\u00e9moire s\u00e9lective.<\/p>\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure data-wp-context='{\"imageId\":\"69e25489796bc\"}' data-wp-interactive=\"core\/image\" data-wp-key=\"69e25489796bc\" class=\"wp-block-image size-large wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"819\" height=\"1024\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" data-id=\"830942\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/04\/Exposition-Prix-Reiffers-Trafiquer-linconnu10-819x1024.jpg\" alt=\"Vue de l'exposition Trafiquer l'inconnu, Prix Reiffers Initiatives 2026\" class=\"wp-image-830942\"><button class=\"lightbox-trigger\" type=\"button\" aria-haspopup=\"dialog\" aria-label=\"Agrandir\" data-wp-init=\"callbacks.initTriggerButton\" data-wp-on--click=\"actions.showLightbox\" data-wp-style--right=\"state.imageButtonRight\" data-wp-style--top=\"state.imageButtonTop\"><\/p>\n<p>\t\t<\/button><figcaption class=\"wp-element-caption\"><em>Untitled<\/em> (2026), Arthur Marie.  \u00a9 Philippe Garcia.<\/figcaption><\/figure>\n<figure data-wp-context='{\"imageId\":\"69e25489799c2\"}' data-wp-interactive=\"core\/image\" data-wp-key=\"69e25489799c2\" class=\"wp-block-image size-large wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"819\" height=\"1024\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" data-id=\"830944\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/04\/Exposition-Prix-Reiffers-Trafiquer-linconnu11-819x1024.jpg\" alt=\"Vue de l'exposition Trafiquer l'inconnu, Prix Reiffers Initiatives 2026\" class=\"wp-image-830944\"><button class=\"lightbox-trigger\" type=\"button\" aria-haspopup=\"dialog\" aria-label=\"Agrandir\" data-wp-init=\"callbacks.initTriggerButton\" data-wp-on--click=\"actions.showLightbox\" data-wp-style--right=\"state.imageButtonRight\" data-wp-style--top=\"state.imageButtonTop\"><\/p>\n<p>\t\t<\/button><figcaption class=\"wp-element-caption\">\u0152uvre de Khaled Jarada. Vue de l\u2019exposition \u201cTrafiquer l\u2019inconnu\u201d, Prix Reiffers Initiatives 2026. \u00a9 Philippe Garcia. <\/figcaption><\/figure>\n<\/figure>\n<h2 class=\"wp-block-heading\">Trafiquer l\u2019inconnu pour trouver du nouveau <\/h2>\n<p>Pour autant, choisir s\u2019impose \u00e0 nous tant la cr\u00e9ation est vaste, au point que nous ne pouvons qu\u2019en saisir des fragments. L\u2019id\u00e9e de s\u00e9lectionner rel\u00e8ve bien en cela d\u2019une activit\u00e9 critique, comme celle d\u2019orchestrer la mise en sc\u00e8ne de ces choix que je m\u2019autorise et \u00e0 laquelle je m\u2019att\u00e8le ici. Huit artistes donc, choisis par dix personnalit\u00e9s dont je respecte les engagements. <strong>Ces huit artistes forment une constellation<\/strong>. Entretiennent-ils pour autant <em>\u201cun r\u00e9seau secret de correspondances\u201d<\/em> telles que <strong>Walter Benjamin<\/strong> le sugg\u00e8re ? Ce r\u00e9seau serait l\u2019air du temps, <strong>le monde tel qu\u2019il se donne \u00e0 nous dans sa violence aujourd\u2019hui inextricable<\/strong>.<\/p>\n<p>S\u2019il me fallait d\u00e9gager une premi\u00e8re id\u00e9e face aux \u0153uvres qu\u2019il m\u2019est propos\u00e9 d\u2019exposer, ce serait sans doute celle d\u2019une violence comme condition de l\u2019histoire, une histoire qui \u2013 comme le dit Hegel \u2013 ne se construit que par conflits et contradictions, par oppositions entre diff\u00e9rentes forces : la violence comme un moment du devenir historique, <strong>la violence comme moteur de l\u2019histoire<\/strong>. Une violence latente qui, dans les \u0153uvres r\u00e9unies ici, devient visible, mais aussi une violence diffuse o\u00f9 <strong>la domination s\u2019exerce de mani\u00e8re sourde tant par les normes, le langage ou les institutions<\/strong> qui les abritent. Au demeurant, les abritent-elles ?<\/p>\n<figure data-wp-context='{\"imageId\":\"69e2548979e59\"}' data-wp-interactive=\"core\/image\" data-wp-key=\"69e2548979e59\" class=\"wp-block-image size-large wp-lightbox-container\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"683\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/04\/Exposition-Prix-Reiffers-Trafiquer-linconnu8-1024x683.jpg\" alt=\"Vue de l'exposition Trafiquer l'inconnu, Prix Reiffers Initiatives 2026\" class=\"wp-image-830938\"><button class=\"lightbox-trigger\" type=\"button\" aria-haspopup=\"dialog\" aria-label=\"Agrandir\" data-wp-init=\"callbacks.initTriggerButton\" data-wp-on--click=\"actions.showLightbox\" data-wp-style--right=\"state.imageButtonRight\" data-wp-style--top=\"state.imageButtonTop\"><\/p>\n<p>\t\t<\/button><figcaption class=\"wp-element-caption\">Vue de l\u2019exposition \u201cTrafiquer l\u2019inconnu\u201d, Prix Reiffers Initiatives 2026. \u00a9 Philippe Garcia. <\/figcaption><\/figure>\n<h2 class=\"wp-block-heading\">Une lecture de la violence contemporaine<\/h2>\n<p>\u00c0 regarder les \u0153uvres qui me font face, je me demande encore <strong>comment l\u2019<a href=\"https:\/\/numero.com\/category\/art\/\" id=\"https:\/\/numero.com\/category\/art\/\" target=\"_blank\" rel=\"noreferrer noopener\">art<\/a> repr\u00e9sente, d\u00e9voile ou transforme la violence du monde.<\/strong> Je me demande comment une image me secoue, comment elle me met face \u00e0 une forme convulsive, comment celle-ci devient un langage plastique. Ici, dans les \u0153uvres r\u00e9unies, pas de distance froide, pas d\u2019anesth\u00e9sie mais quelque chose qui me rappelle ce qu\u2019Adorno souligne lorsqu\u2019il nous dit<strong> combien l\u2019art moderne porte la trace des catastrophes <\/strong>historiques. Il est clair qu\u2019il en est toujours de m\u00eame, que l\u2019art du temps pr\u00e9sent ne supprime \u00e9videmment pas la violence d\u2019un monde jamais apais\u00e9, mais qu\u2019il emp\u00eache qu\u2019elle reste sans langage.<\/p>\n<p>Je ne sais pourtant dire si <strong>l\u2019art<\/strong> de notre temps pr\u00e9sent montre la violence ou si, au contraire, comme on veut le penser, il<strong> invente des formes possibles de r\u00e9paration<\/strong>. Me revient l\u2019adage nietzsch\u00e9en paradoxal que je cite \u00e0 l\u2019envi : <em>\u201cl\u2019art nous est donn\u00e9 pour ne pas mourir de la v\u00e9rit\u00e9\u201d<\/em>. Car, \u00e0 scruter chaque image, je ne peux m\u2019extraire de la conviction que le monde \u2013 humain, social, symbolique \u2013 est endommag\u00e9. Est-ce \u00e0 dire que l\u2019art peut cependant le rendre habitable ? Est-ce \u00e0 dire que l\u2019action humaine peut r\u00e9introduire du commencement, de ce commencement qu\u2019Hannah Arendt s\u2019efforce d\u2019esp\u00e9rer pour \u00e9viter que la destruction ne devienne irr\u00e9versible ? Je regarde les \u0153uvres qui sont rassembl\u00e9es et je me dis qu\u2019elles portent sans doute toutes en elles <strong>le refus de l\u2019indiff\u00e9rence<\/strong>.<\/p>\n<figure data-wp-context='{\"imageId\":\"69e254897a215\"}' data-wp-interactive=\"core\/image\" data-wp-key=\"69e254897a215\" class=\"wp-block-image size-large wp-lightbox-container\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"683\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/04\/Exposition-Prix-Reiffers-Trafiquer-linconnu5-1024x683.jpg\" alt=\"Vue de l'exposition Trafiquer l'inconnu, Prix Reiffers Initiatives 2026\" class=\"wp-image-830932\"><button class=\"lightbox-trigger\" type=\"button\" aria-haspopup=\"dialog\" aria-label=\"Agrandir\" data-wp-init=\"callbacks.initTriggerButton\" data-wp-on--click=\"actions.showLightbox\" data-wp-style--right=\"state.imageButtonRight\" data-wp-style--top=\"state.imageButtonTop\"><\/p>\n<p>\t\t<\/button><figcaption class=\"wp-element-caption\">Vue de l\u2019exposition \u201cTrafiquer l\u2019inconnu\u201d, Prix Reiffers Initiatives 2026. \u00a9 Philippe Garcia. <\/figcaption><\/figure>\n<h2 class=\"wp-block-heading\">L\u2019art face au r\u00e9el<\/h2>\n<p>Mais alors, s\u2019agit-il de r\u00e9pondre ou de consoler ? S\u2019agit-il de rouvrir <em>\u201cla possibilit\u00e9 d\u2019un avenir\u201d <\/em>dans un monde bless\u00e9 ? S\u2019agit-il de<strong> trouver les moyens que ce monde puisse \u00eatre partageable<\/strong> ? Et s\u2019agit-il du devoir de l\u2019artiste ? Ou peut-\u00eatre, lorsque le monde semble ne plus pouvoir \u00eatre r\u00e9par\u00e9, de nous aider \u00e0 continuer de vivre en lui ? <\/p>\n<p>La cr\u00e9ation nous parle du soin, elle nous engage d\u00e9sormais non pas tant \u00e0 r\u00e9parer ce qui est d\u00e9truit mais peut-\u00eatre \u00e0 <strong>nous mettre devant une forme de responsabilit\u00e9<\/strong> face \u00e0 cette vuln\u00e9rabilit\u00e9 ind\u00e9fectible qui nous \u00e9treint ? Alors me revient \u00e0 l\u2019esprit la question que la philosophie ne cesse de nous poser : le monde a-t-il besoin de nous pour tenir, ou bien sommes-nous seulement de passage en lui ?<\/p>\n<figure data-wp-context='{\"imageId\":\"69e254897a5f5\"}' data-wp-interactive=\"core\/image\" data-wp-key=\"69e254897a5f5\" class=\"wp-block-image size-large wp-lightbox-container\"><img decoding=\"async\" loading=\"lazy\" width=\"819\" height=\"1024\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/04\/Exposition-Prix-Reiffers-Trafiquer-linconnu3-819x1024.jpg\" alt=\"Vue de l'exposition Trafiquer l'inconnu, Prix Reiffers Initiatives 2026\" class=\"wp-image-830928\"><button class=\"lightbox-trigger\" type=\"button\" aria-haspopup=\"dialog\" aria-label=\"Agrandir\" data-wp-init=\"callbacks.initTriggerButton\" data-wp-on--click=\"actions.showLightbox\" data-wp-style--right=\"state.imageButtonRight\" data-wp-style--top=\"state.imageButtonTop\"><\/p>\n<p>\t\t<\/button><figcaption class=\"wp-element-caption\"><em>La Hagra (The Powerpuff Girls),<\/em> (2025), Ibrahim Me\u00eft\u00e9 Sikely. \u00a9 Philippe Garcia. <\/figcaption><\/figure>\n<h2 class=\"wp-block-heading\">Des \u0153uvres comme autant de strates et de r\u00e9cits entrem\u00eal\u00e9s\u2026<\/h2>\n<p>De l\u2019art, j\u2019attends qu\u2019il m\u2019ouvre <strong>un horizon de sens<\/strong>. Je sais sans doute que le monde ne d\u00e9pend pas de nous pour exister, mais je sais aussi qu\u2019il d\u00e9pend de nous pour \u00eatre compris et nomm\u00e9. Je sais aujourd\u2019hui avec Bruno Latour qu\u2019<strong>habiter la terre suppose de construire un r\u00e9seau de relations et<\/strong> <strong>d\u2019attentions<\/strong> pour \u00e9chapper \u00e0 la fragilit\u00e9 qui menace. Et certaines \u0153uvres rassembl\u00e9es pour cette exposition me sugg\u00e8rent combien cette condition sensible est au c\u0153ur du propos des artistes invit\u00e9s. Car l\u2019art est toujours l\u00e0 pour m\u2019aider \u00e0 <strong>faire l\u2019exp\u00e9rience de la pr\u00e9carit\u00e9<\/strong>, \u00e0 y porter mon attention.<\/p>\n<p>Oui, l\u2019attention est peut-\u00eatre la forme la plus \u00e9l\u00e9mentaire du soin que nous puissions porter au monde. Voyez ainsi ces \u0153uvres ! Les mat\u00e9riaux qui les composent, les formes qu\u2019elles dessinent, les mati\u00e8res qui se superposent comme <strong>autant de strates et de r\u00e9cits entrem\u00eal\u00e9s<\/strong>. Voyez ces images et ce que l\u2019une des artistes pr\u00e9sent\u00e9es appelle \u201cla relation entre la mati\u00e8re et la conscience\u201d. La m\u00eame artiste, plus loin, \u00e9voquant la tradition bouddhiste zen vient nous dire que <em>\u201cla sortie est \u00e0 l\u2019int\u00e9rieur\u201d<\/em>.<\/p>\n<figure data-wp-context='{\"imageId\":\"69e254897aa08\"}' data-wp-interactive=\"core\/image\" data-wp-key=\"69e254897aa08\" class=\"wp-block-image size-large wp-lightbox-container\"><img decoding=\"async\" loading=\"lazy\" width=\"819\" height=\"1024\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/04\/Exposition-Prix-Reiffers-Trafiquer-linconnu9-819x1024.jpg\" alt=\"Vue de l'exposition Trafiquer l'inconnu, Prix Reiffers Initiatives 2026\" class=\"wp-image-830940\"><button class=\"lightbox-trigger\" type=\"button\" aria-haspopup=\"dialog\" aria-label=\"Agrandir\" data-wp-init=\"callbacks.initTriggerButton\" data-wp-on--click=\"actions.showLightbox\" data-wp-style--right=\"state.imageButtonRight\" data-wp-style--top=\"state.imageButtonTop\"><\/p>\n<p>\t\t<\/button><figcaption class=\"wp-element-caption\"><em>Bid (Bite),<\/em> 2025, Eva Helene Pade. \u00a9 Philippe Garcia. <\/figcaption><\/figure>\n<h2 class=\"wp-block-heading\">Le corps sous toutes ses formes<\/h2>\n<p>Plus loin, je regarde ces \u0153uvres impr\u00e9gn\u00e9es de cette <em>\u201cagitation des foules\u201d<\/em>, o\u00f9 <strong>des corps s\u2019entrelacent, telles des formes embras\u00e9es<\/strong>. Je vois aussi surgir d\u2019autres images, r\u00e9miniscences d\u2019une peinture pass\u00e9e o\u00f9 quelques<strong> figures mythologiques<\/strong> semblent me ramener \u00e0 la vision violente et tum\u00e9fi\u00e9e d\u2019un univers m\u00ealant satires et mystiques. Plus loin encore, le trait acerbe et sombre de <strong>figures surgies du clair-obscur <\/strong>dessine des instants suspendus.<\/p>\n<p>Ailleurs, des silhouettes intemporelles telles des pr\u00e9sences \u00e0 <strong>l\u2019identit\u00e9 parfois ind\u00e9finissable,<\/strong> sugg\u00e8rent une expression du temps o\u00f9 la figure parait en suspens, mani\u00e8re de rendre visible l\u2019\u00e9ph\u00e9m\u00e8re de corps insaisissables \u00e0 la pr\u00e9sence incertaine. Autant d\u2019images d\u2019avant la chute, autant de corps vuln\u00e9rables entre exp\u00e9rience individuelle et collective, solitaire et partag\u00e9e. Des corps comme ancrages mat\u00e9riels pour penser l\u2019\u00eatre contemporain, <strong>des corps se contorsionnant tels des \u00e9quilibristes<\/strong>, des corps errants et d\u2019autres fragment\u00e9s mais des corps comme pr\u00e9sences sublim\u00e9es, espaces entre r\u00e9alit\u00e9 et projection, r\u00e9el et repr\u00e9sentation.<\/p>\n<figure data-wp-context='{\"imageId\":\"69e254897ae12\"}' data-wp-interactive=\"core\/image\" data-wp-key=\"69e254897ae12\" class=\"wp-block-image size-large wp-lightbox-container\"><img decoding=\"async\" loading=\"lazy\" width=\"819\" height=\"1024\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/04\/Exposition-Prix-Reiffers-Trafiquer-linconnu4-819x1024.jpg\" alt=\"Vue de l'exposition Trafiquer l'inconnu, Prix Reiffers Initiatives 2026\" class=\"wp-image-830930\"><button class=\"lightbox-trigger\" type=\"button\" aria-haspopup=\"dialog\" aria-label=\"Agrandir\" data-wp-init=\"callbacks.initTriggerButton\" data-wp-on--click=\"actions.showLightbox\" data-wp-style--right=\"state.imageButtonRight\" data-wp-style--top=\"state.imageButtonTop\"><\/p>\n<p>\t\t<\/button><figcaption class=\"wp-element-caption\"><em>Nautilius<\/em> (2025), Stanislava Kovalcikova. \u00a9 Philippe Garcia.<\/figcaption><\/figure>\n<h2 class=\"wp-block-heading\">Transformer la fragilit\u00e9 en \u00e9n\u00e9rgie cr\u00e9atrice<\/h2>\n<p>Le corps enfin, entre l\u2019avant et l\u2019apr\u00e8s, entre le r\u00e9el et sa projection, entre l\u2019existence v\u00e9cue et l\u2019image qu\u2019elle impose. Sur d\u2019autres toiles, un corps maquill\u00e9, transform\u00e9, amplifi\u00e9 et sans doute ritualis\u00e9, telle une mani\u00e8re de prolonger la m\u00e9moire, de sublimer le geste et de prendre soin du monde et de soi, un corps comme v\u00e9ritable m\u00e9dium artistique o\u00f9<strong> chaque trait, couleur ou texture devient un geste perceptible<\/strong> qui rend le fragile tout \u00e0 la fois visible et vivant et met en lumi\u00e8re la solitude de l\u2019\u00eatre et sa pr\u00e9sence singuli\u00e8re, expos\u00e9e et transform\u00e9e, distincte et identifiable entre toutes, exub\u00e9rante telle <strong>une vitalit\u00e9 rayonnante, carnavalesque et clownesque<\/strong>, qui exc\u00e8de la mesure et se donne au regard embras\u00e9 comme affirmation de vie.<\/p>\n<p>On aura remarqu\u00e9 que je ne donne pas un nom aux diff\u00e9rentes s\u00e9quences que je reconnais ici et que je me refuse \u00e0 r\u00e9duire chacune des \u0153uvres pr\u00e9sent\u00e9es \u00e0 un signe unique. C\u2019est que l\u2019<a href=\"https:\/\/numero.com\/tag\/exposition\/\" id=\"https:\/\/numero.com\/tag\/exposition\/\" target=\"_blank\" rel=\"noreferrer noopener\">exposition<\/a> qui les rassemble les transfigure et nous conduit \u00e0 <strong>les regarder ensemble<\/strong>, tant pour ce que chacune donne \u00e0 voir que pour ce qu\u2019elles rassemblent ici r\u00e9unies. Je ne dirai surtout pas que toutes se ressemblent mais que toutes en tout cas semblent<strong> transformer la fragilit\u00e9 en \u00e9nergie cr\u00e9atrice<\/strong>, comme si l\u2019art \u00e9tablissait une relation entre exub\u00e9rance et m\u00e9lancolie. C\u2019est l\u00e0, sans doute, <strong>un paradoxe inextinguible <\/strong>o\u00f9 les formes les plus exub\u00e9rantes naissent d\u2019une conscience aigu\u00eb de la fragilit\u00e9 du monde.<\/p>\n<figure data-wp-context='{\"imageId\":\"69e254897b1ca\"}' data-wp-interactive=\"core\/image\" data-wp-key=\"69e254897b1ca\" class=\"wp-block-image size-large wp-lightbox-container\"><img decoding=\"async\" loading=\"lazy\" width=\"819\" height=\"1024\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/04\/Exposition-Prix-Reiffers-Trafiquer-linconnu2-819x1024.jpg\" alt=\"Vue de l'exposition Trafiquer l'inconnu, Prix Reiffers Initiatives 2026\" class=\"wp-image-830926\"><button class=\"lightbox-trigger\" type=\"button\" aria-haspopup=\"dialog\" aria-label=\"Agrandir\" data-wp-init=\"callbacks.initTriggerButton\" data-wp-on--click=\"actions.showLightbox\" data-wp-style--right=\"state.imageButtonRight\" data-wp-style--top=\"state.imageButtonTop\"><\/p>\n<p>\t\t<\/button><figcaption class=\"wp-element-caption\">Vue de l\u2019exposition \u201cTrafiquer l\u2019inconnu\u201d, Prix Reiffers Initiatives 2026. \u00a9 Philippe Garcia. <\/figcaption><\/figure>\n<h2 class=\"wp-block-heading\">Paysages d\u00e9sol\u00e9s et \u0153uvres tactiles<\/h2>\n<p>Pourtant, d\u2019autres propositions rassembl\u00e9es pour cette exposition semblent venir \u00e9chapper au tronc commun que je m\u2019efforce de reconnaitre. Voyez <strong>ces vastes paysages d\u00e9sol\u00e9s<\/strong>, semblables \u00e0 ceux invent\u00e9s par J. G. Ballard, dans lesquels ces architectures semblent les miroirs de l\u2019esprit et le reflet de la psych\u00e9 humaine. Ils sont des \u00e9tats mentaux mais peut-\u00eatre encore des paysages de la catastrophe, <strong>des sortes d\u2019\u00e9cosyst\u00e8mes psychologiques <\/strong>o\u00f9 notre modernit\u00e9 semble avoir produit ses propres paysages suspendus dans un temps \u00e9trange et mena\u00e7ant.<\/p>\n<p>Voyez enfin ces \u0153uvres sur lesquelles un regard trop furtif voudra reconnaitre les seules formes abstraites qui composent cet ensemble. Des \u0153uvres, telles des formes sensibles et tactiles \u00e0 la fois, invitant le visiteur \u2013 je ne dis pas seulement \u201cle regardeur\u201d \u2013 \u00e0 <strong>une exp\u00e9rience physique et sensuelle<\/strong>, aux confins du tactile. Ici, quelque chose d\u2019une exp\u00e9rience autre, mettant notre corps en \u00e9moi, nous enjoint \u00e0 franchir les limites de la repr\u00e9sentation et \u00e0 appr\u00e9hender l\u2019exp\u00e9rience esth\u00e9tique dans sa perception sensible : l\u2019art, cette fois encore, telle une forme de la connaissance incarn\u00e9e, nous menant \u00e0 acc\u00e9der \u00e0 ce que Merleau-Ponty d\u00e9signe comme <em>\u201cla texture sensible du monde\u201d<\/em>.<\/p>\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-4 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure data-wp-context='{\"imageId\":\"69e254897b5ba\"}' data-wp-interactive=\"core\/image\" data-wp-key=\"69e254897b5ba\" class=\"wp-block-image size-large wp-lightbox-container\"><img decoding=\"async\" loading=\"lazy\" width=\"819\" height=\"1024\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" data-id=\"830936\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/04\/Exposition-Prix-Reiffers-Trafiquer-linconnu7-819x1024.jpg\" alt=\"Vue de l'exposition Trafiquer l'inconnu, Prix Reiffers Initiatives 2026\" class=\"wp-image-830936\"><button class=\"lightbox-trigger\" type=\"button\" aria-haspopup=\"dialog\" aria-label=\"Agrandir\" data-wp-init=\"callbacks.initTriggerButton\" data-wp-on--click=\"actions.showLightbox\" data-wp-style--right=\"state.imageButtonRight\" data-wp-style--top=\"state.imageButtonTop\"><\/p>\n<p>\t\t<\/button><figcaption class=\"wp-element-caption\"><em>Consciousness Transference I\/. <\/em>(2026), Minh Lan Tran. \u00a9 Philippe Garcia.<\/figcaption><\/figure>\n<figure data-wp-context='{\"imageId\":\"69e254897b8b2\"}' data-wp-interactive=\"core\/image\" data-wp-key=\"69e254897b8b2\" class=\"wp-block-image size-large wp-lightbox-container\"><img decoding=\"async\" loading=\"lazy\" width=\"819\" height=\"1024\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" data-id=\"830934\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/04\/Exposition-Prix-Reiffers-Trafiquer-linconnu6-819x1024.jpg\" alt=\"Vue de l'exposition Trafiquer l'inconnu, Prix Reiffers Initiatives 2026\" class=\"wp-image-830934\"><button class=\"lightbox-trigger\" type=\"button\" aria-haspopup=\"dialog\" aria-label=\"Agrandir\" data-wp-init=\"callbacks.initTriggerButton\" data-wp-on--click=\"actions.showLightbox\" data-wp-style--right=\"state.imageButtonRight\" data-wp-style--top=\"state.imageButtonTop\"><\/p>\n<p>\t\t<\/button><figcaption class=\"wp-element-caption\">Vue de l\u2019exposition \u201cTrafiquer l\u2019inconnu\u201d, Prix Reiffers Initiatives 2026. \u00a9 Philippe Garcia. <\/figcaption><\/figure>\n<\/figure>\n<h2 class=\"wp-block-heading\">Une exp\u00e9rience \u00e0 vivre et ressentir \u00e0 Reiffers Initiatives<\/h2>\n<p>\u00c9voquant les enjeux de la pr\u00e9sente installation, <strong>Emma Lavigne <\/strong>et moi discutons de l\u2019art contemporain. Comment le d\u00e9finir ? Comment en appr\u00e9hender les enjeux ? Et comment y chercher toujours et encore, autre chose que l\u2019incessante description des malheurs du monde ? <\/p>\n<p>Emma m\u2019engage \u00e0 lire et relire <strong>Giorgio Agamben<\/strong> et me met sous les yeux ce fragment magnifique de l\u2019un de ses grands textes qu\u2019elle-m\u00eame convoque pour une exposition : <em>\u201cLe contemporain, \u00e9crit le philosophe, est celui qui fixe le regard sur son temps pour en percevoir non les lumi\u00e8res mais l\u2019obscurit\u00e9. Tous les temps sont obscurs pour ceux qui en \u00e9prouvent la contemporan\u00e9it\u00e9. Le contemporain est donc celui qui sait voir cette obscurit\u00e9, qui est en mesure d\u2019\u00e9crire en trempant la plume dans les t\u00e9n\u00e8bres du pr\u00e9sent.\u201d<\/em> Je ne saurais mieux dire. Aussi, je crois sage de ne rien ajouter.<\/p>\n<p><em>\u201cTrafiquer l\u2019inconnu\u201d, exposition jusqu\u2019au 6 juin 2026 \u00e0\u00a0<a href=\"https:\/\/www.reiffersartinitiatives.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Reiffers Initiatives<\/a>, 30 rue des Acacias, Paris 17e.<\/em><\/p>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"col-lg-3\">\n<div class=\"suggested-posts padding-top-s\">\n<div class=\"title\">Recommand\u00e9<\/div>\n<div class=\"post-card\">\n\t\t\t\t\t\t\t\t\t\t<a class=\"post-link d-flex\" href=\"https:\/\/numero.com\/mode\/le-diner-de-babeth-djian-2026-pour-l-association-aem\/\"><\/p>\n<div class=\"container-img\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"640\" height=\"804\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/03\/thumb-association-aem-DELPHINE-ARNAULT-BABETH-DJIAN-FARIDA-KHELFA-CARLA-BRUNI-768x965.jpg\" class=\"img-fluid\" alt loading=\"lazy\">\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<p 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newsletter<\/button>\t\t<\/p>\n<section class=\"related-posts post-list padding-top-m padding-bottom-s\">\n<div class=\"container\">\n<h2 class=\"title mx-auto\">\u00c0 lire aussi<\/h2>\n<div class=\"row\">\n<div class=\"col-lg-3\">\n<div class=\"post-card desktop\">\n\t\t\t\t\t\t\t\t\t\t<a class=\"post-link\" href=\"https:\/\/numero.com\/art\/numero-art\/exposition-alexander-calder-fondation-vuitton\/\"><\/p>\n<div class=\"container-img\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"640\" height=\"804\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/04\/THUMB-CALDER-2-768x965.jpg\" class=\"img-fluid\" alt=\"Vue d'installation de l'exposition &quot;Calder. 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R\u00eaver en \u00e9quilibre&quot;, Fondation Louis Vuitton\" loading=\"lazy\">\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<div class=\"number\">14<\/div>\n<\/p><\/div>\n<div class=\"card-info d-flex\">\n<div>\n<p class=\"cat-title\">Num\u00e9ro Art<\/p>\n<h3 class=\"post-title\">Alexander Calder, un magicien des formes expos\u00e9 \u00e0 la Fondation Louis Vuitton<\/h3>\n<\/p><\/div>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t14 avr 2026\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/div>\n<\/p><\/div>\n<div class=\"col-lg-3\">\n<div class=\"post-card desktop\">\n\t\t\t\t\t\t\t\t\t\t<a class=\"post-link\" href=\"https:\/\/numero.com\/art\/numero-art\/armineh-negahdari-artiste-dessin-le-sang-des-fleurs-portrait\/\"><\/p>\n<div class=\"container-img\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"640\" height=\"804\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2024\/11\/thumb-armineh-negahdari-marcelle-alix-numero-art-768x965.jpg\" class=\"img-fluid\" alt=\"Portrait d'Armineh Negahdari.\" loading=\"lazy\">\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<div class=\"number\">14<\/div>\n<\/p><\/div>\n<div class=\"card-info\">\n<div class=\"meta d-flex justify-content-between\">\n<p class=\"cat-title\">Num\u00e9ro Art<\/p>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t14 avr 2026\t\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<div class=\"post-title\">Armineh Negahdari, l\u2019artiste qui figure et d\u00e9figure la nature humaine \u00e0 la Fondation Louis Vuitton<\/div>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/div>\n<div class=\"post-card mobile\">\n\t\t\t\t\t\t\t\t\t\t<a class=\"post-link d-flex\" href=\"https:\/\/numero.com\/art\/numero-art\/armineh-negahdari-artiste-dessin-le-sang-des-fleurs-portrait\/\"><\/p>\n<div class=\"container-img\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"640\" height=\"804\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2024\/11\/thumb-armineh-negahdari-marcelle-alix-numero-art-768x965.jpg\" class=\"img-fluid\" alt=\"Portrait d'Armineh Negahdari.\" loading=\"lazy\">\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<div class=\"number\">14<\/div>\n<\/p><\/div>\n<div class=\"card-info d-flex\">\n<div>\n<p class=\"cat-title\">Num\u00e9ro Art<\/p>\n<h3 class=\"post-title\">Armineh Negahdari, l\u2019artiste qui figure et d\u00e9figure la nature humaine \u00e0 la Fondation Louis Vuitton<\/h3>\n<\/p><\/div>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t14 avr 2026\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/div>\n<\/p><\/div>\n<div class=\"col-lg-3\">\n<div class=\"post-card desktop\">\n\t\t\t\t\t\t\t\t\t\t<a class=\"post-link\" href=\"https:\/\/numero.com\/mode\/defile-maison-margiela-shanghai-glenn-martens\/\"><\/p>\n<div class=\"container-img\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"640\" height=\"804\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/04\/MARGIELA-THUMB-768x965.jpg\" class=\"img-fluid\" alt loading=\"lazy\">\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<div class=\"number\">02<\/div>\n<\/p><\/div>\n<div class=\"card-info\">\n<div class=\"meta d-flex justify-content-between\">\n<p class=\"cat-title\">Mode<\/p>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t2 avr 2026\t\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<div class=\"post-title\">Glenn Martens au sommet de son art avec le d\u00e9fil\u00e9 Maison Margiela \u00e0 Shanghai<\/div>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/div>\n<div class=\"post-card mobile\">\n\t\t\t\t\t\t\t\t\t\t<a class=\"post-link d-flex\" href=\"https:\/\/numero.com\/mode\/defile-maison-margiela-shanghai-glenn-martens\/\"><\/p>\n<div class=\"container-img\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"640\" height=\"804\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/04\/MARGIELA-THUMB-768x965.jpg\" class=\"img-fluid\" alt loading=\"lazy\">\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<div class=\"number\">02<\/div>\n<\/p><\/div>\n<div class=\"card-info d-flex\">\n<div>\n<p class=\"cat-title\">Mode<\/p>\n<h3 class=\"post-title\">Glenn Martens au sommet de son art avec le d\u00e9fil\u00e9 Maison Margiela \u00e0 Shanghai<\/h3>\n<\/p><\/div>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t2 avr 2026\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/div>\n<\/p><\/div>\n<div class=\"col-lg-3\">\n<div class=\"post-card desktop\">\n\t\t\t\t\t\t\t\t\t\t<a class=\"post-link\" href=\"https:\/\/numero.com\/art\/numero-art\/quelle-philosophie-japonaise-inspire-la-nouvelle-exposition-du-19m\/\"><\/p>\n<div class=\"container-img\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"640\" height=\"804\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/03\/19M-THUMB-768x965.jpg\" class=\"img-fluid\" alt=\"Vue de l'exposition &quot;Beyond our Horizons : de Tokyo \u00e0 Paris&quot; au 19M.\" loading=\"lazy\">\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<div class=\"number\">25<\/div>\n<\/p><\/div>\n<div class=\"card-info\">\n<div class=\"meta d-flex justify-content-between\">\n<p class=\"cat-title\">Num\u00e9ro Art<\/p>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t25 mars 2026\t\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<div class=\"post-title\">Quelle philosophie japonaise inspire la nouvelle exposition du 19M ?<\/div>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/div>\n<div class=\"post-card mobile\">\n\t\t\t\t\t\t\t\t\t\t<a class=\"post-link d-flex\" href=\"https:\/\/numero.com\/art\/numero-art\/quelle-philosophie-japonaise-inspire-la-nouvelle-exposition-du-19m\/\"><\/p>\n<div class=\"container-img\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"640\" height=\"804\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/03\/19M-THUMB-768x965.jpg\" class=\"img-fluid\" alt=\"Vue de l'exposition &quot;Beyond our Horizons : de Tokyo \u00e0 Paris&quot; au 19M.\" loading=\"lazy\">\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<div class=\"number\">25<\/div>\n<\/p><\/div>\n<div class=\"card-info d-flex\">\n<div>\n<p class=\"cat-title\">Num\u00e9ro Art<\/p>\n<h3 class=\"post-title\">Quelle philosophie japonaise inspire la nouvelle exposition du 19M ?<\/h3>\n<\/p><\/div>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t25 mars 2026\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/section>\n<div class=\"padding-bottom-s\">\n<div class=\"ad banner desktop\">\n<div class=\"container\">\n<div class=\"row\">\n            <!-- \/21730003857\/numero-ad-unit\/numero-banner-1 --><\/p>\n<div id=\"div-gpt-ad-1757006327907-0\" style=\"min-width: 350px\">\n<p>                    googletag.cmd.push(function () {<br \/>\n                        googletag.display(&#8216;div-gpt-ad-1757006327907-0&#8217;);<br \/>\n                    });<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div><\/div>\n<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"<p>17 17 googletag.cmd.push(function () { googletag.display(&#8216;div-gpt-ad-1757063143832-0&#8217;); }); Lien copi\u00e9 Num\u00e9ro Art 17 avr 2026 L\u2019exposition du Prix Reiffers Initiatives racont\u00e9e par Bernard Blist\u00e8ne Jusqu\u2019au 6 juin 2026, Reiffers Initiatives pr\u00e9sente \u201cTrafiquer l\u2019inconnu\u201d, l\u2019exposition de la cinqui\u00e8me \u00e9dition du Prix Reiffers Initiatives, r\u00e9unissant huit artistes de la jeune sc\u00e8ne contemporaine s\u00e9lectionn\u00e9s par son comit\u00e9 artistique d\u2019exception. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[226,258],"class_list":["post-1888073","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-crawlmanager","tag-numero-com"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1888073","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1888073"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1888073\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1888073"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1888073"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1888073"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}