{"id":1881709,"date":"2026-01-26T00:00:00","date_gmt":"2026-01-25T21:00:00","guid":{"rendered":"https:\/\/analyse.optim.biz\/?p=1881709"},"modified":"2026-01-26T00:00:00","modified_gmt":"2026-01-25T21:00:00","slug":"alexander-calder-un-magicien-des-formes-expose-a-la-fondation-louis-vuitton","status":"publish","type":"post","link":"https:\/\/analyse.optim.biz\/?p=1881709","title":{"rendered":"Alexander Calder, un magicien des formes expos\u00e9 \u00e0 la Fondation Louis Vuitton"},"content":{"rendered":"<div class=\"entry-content\">\n<section class=\"single-header padding-top-s\">\n<div class=\"container\">\n<div class=\"row justify-content-between\">\n<div class=\"col-lg-9 col-xl-8\">\n<div class=\"video-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n<div class=\"container-img desktop\">\n\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"640\" height=\"408\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/04\/PUSH-CALDER-768x490.jpg\" class=\"img-fluid\" alt=\"Alexander Calder, La Grande Vitesse\" loading=\"lazy\">\t\t\t\t\t\t\t\t<\/p>\n<p class=\"number big\">14<\/p>\n<\/p><\/div>\n<div class=\"container-img mobile\">\n\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"640\" height=\"804\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/04\/THUMB-CALDER-1-768x965.jpg\" class=\"img-fluid\" alt=\"Alexander Calder, Morning star\" loading=\"lazy\">\t\t\t\t\t\t\t\t<\/p>\n<p class=\"number big\">14<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"col col-lg-3 col-xl-4 desktop\">\n<div class=\"ad grand-angle desktop\">\n    <!-- \/21730003857\/numero-ad-unit\/numero-grand-angle --><\/p>\n<div id=\"div-gpt-ad-1757063143832-0\" class=\"px-0\">\n<p>            googletag.cmd.push(function () {<br \/>\n                googletag.display(&#8216;div-gpt-ad-1757063143832-0&#8217;);<br \/>\n            });<\/p><\/div>\n<\/div><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/section>\n<section class=\"post-content\">\n<div class=\"container\">\n<div class=\"row g-0 justify-content-between\">\n<div class=\"col-lg-9 col-xl-8 padding-top-s\">\n<p class=\"share-widget\" id=\"share-widget\"><img decoding=\"async\" src=\"https:\/\/numero.com\/wp-content\/themes\/%09%09%09understrap-child-main\/src\/public\/images\/share.svg\" alt=\"share-widget\"><\/p>\n<div class=\"share-icons\" id=\"share-icons\">\n<p class=\"copy-link\"><img decoding=\"async\" src=\"https:\/\/numero.com\/wp-content\/themes\/understrap-child-main\/src\/public\/images\/copy-link.svg\" alt=\"copy-link\"><\/p>\n<p>\t\t\t\t\t\t\t<a href=\"https:\/\/www.facebook.com\/sharer\/sharer.php?u=https:\/\/numero.com\/art\/numero-art\/exposition-alexander-calder-fondation-vuitton\/\" class=\"facebook\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/numero.com\/wp-content\/themes\/understrap-child-main\/src\/public\/images\/facebook.svg\" alt=\"facebook\"><\/a><br \/>\n\t\t\t\t\t\t\t<a href=\"https:\/\/twitter.com\/share?url=https:\/\/numero.com\/art\/numero-art\/exposition-alexander-calder-fondation-vuitton\/\" class=\"twitter\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/numero.com\/wp-content\/themes\/understrap-child-main\/src\/public\/images\/twitter.svg\" alt=\"twitter\"><\/a>\n\t\t\t\t\t\t<\/div>\n<p>\t\t\t\t\t\t<span class id=\"custom-tooltip\">Lien copi\u00e9<\/span><\/p>\n<div class=\"col-lg-10\">\n<div class=\"meta d-flex justify-content-between align-items-center\">\n<div class=\"cat\">\n\t\t\t\t\t\t\t\t\t<a class=\"cat-title\" href=\"https:\/\/numero.com\/category\/art\/numero-art\/\">Num\u00e9ro Art<\/a>\t\t\t\t\t\t\t\t<\/div>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t14 avr 2026\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<h1>Alexander Calder, un magicien des formes expos\u00e9 \u00e0 la Fondation Louis Vuitton<\/h1>\n<div class=\"introduction\">\n<p>L\u2019illustre sculpteur Alexander Calder s\u2019est impos\u00e9 dans l\u2019histoire comme l\u2019incontest\u00e9 po\u00e8te des formes. Ses mobiles et ses stabiles, c\u00e9l\u00e8bres dans le monde entier, ont fait de lui une l\u00e9gende. La Fondation Louis Vuitton lui consacre, jusqu\u2019au 16 ao\u00fbt 2026, une exposition monumentale qui r\u00e9unit pr\u00e8s de 300 \u0153uvres couvrant un demi-si\u00e8cle de cr\u00e9ation. Parmi elles, le mythique <em>Cirque Calder<\/em>, cr\u00e9\u00e9 par l\u2019artiste \u00e0 Paris dans les ann\u00e9es\u00a020, pr\u00eat\u00e9 \u00e0 titre exceptionnel par le Whitney Museum.<\/p>\n<\/div>\n<li class=\"credits d-flex\">\n<p>\n\t\t\t\t\t\t\t\t\t\t\tpar\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/numero.com\/contributeur\/thibaut-wychowanok\/\">Thibaut Wychowanok<\/a>.\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/li>\n<div id=\"ads03\" class=\"mobile\">\n<div class=\"ad-wrapper\">\n<div class=\"ad interscroller desktop\">\n<\/div>\n<p><!-- \/21730003857\/numero-ad-unit\/numero-interscroller --><\/p>\n<div id=\"div-gpt-ad-1757521738078-0\">\n<p>        googletag.cmd.push(function () {<br \/>\n            googletag.display(&#8216;div-gpt-ad-1757521738078-0&#8217;);<br \/>\n        });<\/p>\n<\/div><\/div>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t&lt;!&#8211; <\/p>\n<div class=\"padding-bottom-s\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n<p> &#8211;&gt;<\/p>\n<figure data-wp-context='{\"imageId\":\"69de532637796\"}' data-wp-interactive=\"core\/image\" data-wp-key=\"69de532637796\" class=\"wp-block-image size-full wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"2656\" height=\"3476\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/04\/calder-brass-family.jpg\" alt=\"Alexander Calder, The Brass Family\" class=\"wp-image-827835\"><button class=\"lightbox-trigger\" type=\"button\" aria-haspopup=\"dialog\" aria-label=\"Agrandir\" data-wp-init=\"callbacks.initTriggerButton\" data-wp-on--click=\"actions.showLightbox\" data-wp-style--right=\"state.imageButtonRight\" data-wp-style--top=\"state.imageButtonTop\"><\/p>\n<p>\t\t<\/button><figcaption class=\"wp-element-caption\">Alexander Calder, <em>The Brass Family<\/em> (1929), Fil de laiton et bois peint, 170,2 x 104,5cm. \u00a9 Calder Foundation, New York \/ ADAGP, Paris.<\/figcaption><\/figure>\n<h2 class=\"wp-block-heading\">Alexander Calder, un artiste-sculpteur mythique<\/h2>\n<p>\u00c0 partir du 15 avril 2026, <strong>la Fondation Louis Vuitton<\/strong> consacre l\u2019int\u00e9gralit\u00e9 de ses espaces <strong>au mythe Calder<\/strong>, l\u2019artiste des mobiles et des stabiles expos\u00e9s aujourd\u2019hui dans le monde entier au sein des plus grands mus\u00e9es. \u201cCalder. R\u00eaver en \u00e9quilibre\u201d repr\u00e9sente \u2013 ne serait-ce que par le nombre d\u2019\u0153uvres pr\u00e9sent\u00e9es (<strong>pr\u00e8s de 300<\/strong>) \u2013 une exposition exceptionnelle couvrant un demi-si\u00e8cle de cr\u00e9ation.<\/p>\n<figure data-wp-context='{\"imageId\":\"69de532637bdf\"}' data-wp-interactive=\"core\/image\" data-wp-key=\"69de532637bdf\" class=\"wp-block-image size-full wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"6336\" height=\"7920\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/04\/calder-constellation.jpg\" alt=\"Alexander Calder, Constellation\" class=\"wp-image-827837\"><button class=\"lightbox-trigger\" type=\"button\" aria-haspopup=\"dialog\" aria-label=\"Agrandir\" data-wp-init=\"callbacks.initTriggerButton\" data-wp-on--click=\"actions.showLightbox\" data-wp-style--right=\"state.imageButtonRight\" data-wp-style--top=\"state.imageButtonTop\"><\/p>\n<p>\t\t<\/button><figcaption class=\"wp-element-caption\">Alexander Calder, <em>Constellation<\/em> (1943), Bois, fil de fer et peinture, 72,4 x 45,7 x 27,9 cm. \u00a9 Calder Foundation, New York \/ ADAGP, Paris.<\/figcaption><\/figure>\n<p>Mais, comme le soulignent d\u2019embl\u00e9e les commissaires invit\u00e9s <strong>Dieter Buchhart<\/strong> et <strong>Anna Karina Hofbauer<\/strong>\u00a0: <em>\u201cIl ne s\u2019agit pas tant d\u2019une grande exposition en raison du nombre d\u2019\u0153uvres r\u00e9unies, mais avant tout parce qu\u2019elle rappelle la radicalit\u00e9 et la modernit\u00e9 de Calder, \u00e0 travers des th\u00e9matiques comme le mouvement, la gravit\u00e9, l\u2019espace n\u00e9gatif et positif, le r\u00f4le de la lumi\u00e8re ou du son. <strong>Calder<\/strong> a attaqu\u00e9 l\u2019histoire de l\u2019art et l\u2019a r\u00e9volutionn\u00e9e \u00e0 la suite de Duchamp.\u201d<\/em> L\u2019exposition ne se contente d\u2019ailleurs pas de d\u00e9rouler la chronologie d\u2019un sculpteur devenu iconique, elle tente plut\u00f4t de <strong>restituer l\u2019\u00e9nergie <\/strong>d\u2019une \u0153uvre qui n\u2019a jamais cess\u00e9 d\u2019\u00e9chapper \u00e0 l\u2019immobilit\u00e9. Car <strong>Alexander Calder<\/strong> n\u2019a pas seulement invent\u00e9 les mobiles et les stabiles. <\/p>\n<h2 class=\"wp-block-heading\">Une exposition entre radicalit\u00e9 et modernit\u00e9<\/h2>\n<p>L\u2019\u00e9v\u00e9nement c\u00e9l\u00e8bre \u00e0 la fois le centenaire de l\u2019arriv\u00e9e de l\u2019artiste en France (en 1926) et les cinquante ans de sa disparition. Surtout, il propose une relecture \u2013 ambitieuse donc \u2013 de l\u2019\u0153uvre de <strong>Calder<\/strong>, un sculpteur <strong>am\u00e9ricain profond\u00e9ment francophile<\/strong> et marqu\u00e9 par la modernit\u00e9 europ\u00e9enne\u00a0:<em>\u201cOn peut dire qu\u2019il \u00e9tait un Am\u00e9ricain francophone, sourit Anna Karina Hofbauer. Il a pass\u00e9 environ un tiers de sa vie en France, et c\u2019est ici qu\u2019il est devenu Calder.\u201d<\/em> Dans le <strong>Montparnasse<\/strong> des ann\u00e9es 20, il se nourrit des d\u00e9bats de l\u2019avant-garde. <strong>Calder<\/strong>, surtout, est l\u2019artiste qui a red\u00e9fini la <a href=\"https:\/\/numero.com\/tag\/sculpture\/\" id=\"https:\/\/numero.com\/tag\/sculpture\/\" target=\"_blank\" rel=\"noreferrer noopener\">sculpture<\/a> au 20e si\u00e8cle, notre rapport \u00e0 l\u2019\u0153uvre d\u2019art et une certaine id\u00e9e de la performance artistique. Rien de moins. <\/p>\n<figure data-wp-context='{\"imageId\":\"69de532637fcb\"}' data-wp-interactive=\"core\/image\" data-wp-key=\"69de532637fcb\" class=\"wp-block-image size-full wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"4572\" height=\"4845\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/04\/calder-atelier.jpg\" alt=\"Calder dans son atelier de Roxbury, 1941\" class=\"wp-image-827833\"><button class=\"lightbox-trigger\" type=\"button\" aria-haspopup=\"dialog\" aria-label=\"Agrandir\" data-wp-init=\"callbacks.initTriggerButton\" data-wp-on--click=\"actions.showLightbox\" data-wp-style--right=\"state.imageButtonRight\" data-wp-style--top=\"state.imageButtonTop\"><\/p>\n<p>\t\t<\/button><figcaption class=\"wp-element-caption\">Alexander Calder dans son atelier de Roxbury, 1941<\/figcaption><\/figure>\n<h2 class=\"wp-block-heading\"><em>Le Cirque<\/em> de Calder, expos\u00e9 pour la derni\u00e8re fois<\/h2>\n<p>L\u2019un des points d\u2019orgue de l\u2019exposition est sans aucun doute la pr\u00e9sentation <strong>du <\/strong><em><strong>Cirque Calder<\/strong> <\/em>(1926-1931), pr\u00eat exceptionnel du <strong>Whitney Museum of American Art<\/strong>. <em>\u201cCe sera la derni\u00e8re fois que le Cirque voyage, <\/em>insiste <strong>Dieter Buchhart<\/strong><em>. C\u2019est donc un moment tr\u00e8s particulier pour les Parisiens et pour la France\u00a0: le voir revenir ici une ultime fois.\u201d<\/em> Cr\u00e9\u00e9 \u00e0 Paris \u00e0 la fin des ann\u00e9es 20, ce cirque mod\u00e8le r\u00e9duit est devenu une \u0153uvre mythique. Ici, une vingtaine de figurines bricol\u00e9es \u2014 acrobates, lions, cavaliers\u2026 \u2014 composent <strong>un th\u00e9\u00e2tre miniature<\/strong>. Bouchons de li\u00e8ge, morceaux de cuir, ficelles et fils m\u00e9talliques deviennent trap\u00e9zistes ou chevaux cabr\u00e9s. Mais le secret de cette \u0153uvre ne r\u00e9side pas seulement dans l\u2019ing\u00e9niosit\u00e9 des mat\u00e9riaux.<\/p>\n<p><em>Le Cirque<\/em> (1926-1931) \u00e9tait avant tout une performance. Et surtout une \u00e9tape cl\u00e9 dans l\u2019histoire de l\u2019art. Situ\u00e9 historiquement entre les actions provocatrices <strong>du mouvement Dada<\/strong> et les exp\u00e9riences participatives de <strong>Fluxus<\/strong> dans les ann\u00e9es 60, <em>le Cirque<\/em> (1926-1931) peut \u00eatre consid\u00e9r\u00e9 comme l\u2019une des premi\u00e8res formes de performance artistique moderne. Le public n\u2019y est plus seulement spectateur\u00a0: il r\u00e9agit, rit, participe. <em>\u201cLes visiteurs n\u2019\u00e9taient pas habitu\u00e9s \u00e0 prendre part \u00e0 une \u0153uvre\u201d<\/em>, rappellent les commissaires. \u00c0 une \u00e9poque o\u00f9 le mus\u00e9e restait un lieu d\u2019admiration silencieuse, <strong>Calder<\/strong> brise cette distance et transforme la relation \u00e0 l\u2019art.<\/p>\n<figure data-wp-context='{\"imageId\":\"69de532638393\"}' data-wp-interactive=\"core\/image\" data-wp-key=\"69de532638393\" class=\"wp-block-image size-large wp-lightbox-container\"><img decoding=\"async\" loading=\"lazy\" width=\"1013\" height=\"1024\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/04\/calder1-1013x1024.jpg\" alt=\"Herb Weitman, Calder avec Southern Cross (1963) et\nBack from Rio (1959)\" class=\"wp-image-827845\"><button class=\"lightbox-trigger\" type=\"button\" aria-haspopup=\"dialog\" aria-label=\"Agrandir\" data-wp-init=\"callbacks.initTriggerButton\" data-wp-on--click=\"actions.showLightbox\" data-wp-style--right=\"state.imageButtonRight\" data-wp-style--top=\"state.imageButtonTop\"><\/p>\n<p>\t\t<\/button><figcaption class=\"wp-element-caption\">Herb Weitman, Calder avec <em>Southern Cross <\/em>(1963) et<br \/><em>Back from Rio<\/em> (1959), c. 1963. \u00a9 Calder Foundation, New York \/ ADAGP, Paris.<\/figcaption><\/figure>\n<h2 class=\"wp-block-heading\">Les mobiles de Calder, sculptures en permanente \u00e9volution<\/h2>\n<p>La r\u00e9volution se poursuit bien s\u00fbr avec les mobiles, terme invent\u00e9 par <strong>Marcel Duchamp<\/strong>. Suspendues dans l\u2019espace, ces sculptures abstraites s\u2019animent au moindre souffle. Dans les premi\u00e8res pr\u00e9sentations mus\u00e9ales, le public \u00e9tait m\u00eame invit\u00e9 \u00e0 toucher les \u0153uvres \u2014 <strong>un geste radical<\/strong> pour l\u2019\u00e9poque. La <strong>sculpture<\/strong> cessait d\u2019\u00eatre une relique \u00e0 admirer pour devenir un organisme vivant. L\u2019\u0153uvre n\u2019est plus fixe\u00a0: elle \u00e9volue en permanence. Et parfois, lorsque les \u00e9l\u00e9ments m\u00e9talliques se fr\u00f4lent, un l\u00e9ger tintement survient\u00a0: la sculpture devient aussi un instrument sonore.<\/p>\n<p>Mais avant cela, il y a eu un choc, celui provoqu\u00e9 par une visite de l\u2019atelier de <strong>Piet Mondrian<\/strong>, au d\u00e9but des ann\u00e9es 30. <strong>Calder<\/strong> y d\u00e9couvre un environnement de formes et de couleurs dispos\u00e9es sur les murs. Le tableau devient espace. Le lendemain, il se met \u00e0 produire fr\u00e9n\u00e9tiquement. Tr\u00e8s vite, une question surgit : pourquoi l\u2019art devrait-il rester immobile ?<\/p>\n<figure data-wp-context='{\"imageId\":\"69de53263875e\"}' data-wp-interactive=\"core\/image\" data-wp-key=\"69de53263875e\" class=\"wp-block-image size-full wp-lightbox-container\"><img decoding=\"async\" loading=\"lazy\" width=\"2981\" height=\"3506\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/04\/calder-morning-star.jpg\" alt=\"Alexander Calder, Morning star\" class=\"wp-image-827841\"><button class=\"lightbox-trigger\" type=\"button\" aria-haspopup=\"dialog\" aria-label=\"Agrandir\" data-wp-init=\"callbacks.initTriggerButton\" data-wp-on--click=\"actions.showLightbox\" data-wp-style--right=\"state.imageButtonRight\" data-wp-style--top=\"state.imageButtonTop\"><\/p>\n<p>\t\t<\/button><figcaption class=\"wp-element-caption\">Alexander Calder, <em>Morning Star<\/em> (1943), Feuille de m\u00e9tal peinte, fil d\u2019acier, bois peint, bois brut, 203,2 x 101,6 x 101,6 cm. \u00a9 Calder Foundation, New York \/ ADAGP, Paris<\/figcaption><\/figure>\n<h2 class=\"wp-block-heading\"><em>Calder investit la Fondation de part en part<\/em><\/h2>\n<p>Le dernier niveau de <strong>la Fondation Louis Vuitton<\/strong> rassemble d\u2019ailleurs de grands mobiles install\u00e9s dans un espace largement ouvert. Leurs \u00e9quilibres complexes dialoguent avec les stabiles monumentaux visibles \u00e0 l\u2019ext\u00e9rieur, dans les jardins \u2013 <strong>une premi\u00e8re pour la Fondation !<\/strong> \u2013, et dans la spectaculaire \u201ccath\u00e9drale\u201d imagin\u00e9e par <strong><a href=\"https:\/\/numero.com\/portrait\/frank-gehry\/\" id=\"https:\/\/numero.com\/portrait\/frank-gehry\/\" target=\"_blank\" rel=\"noreferrer noopener\">Frank Gehry<\/a><\/strong>. <\/p>\n<p>Ici, la masse, la gravit\u00e9, l\u2019espace n\u00e9gatif qui entoure la sculpture, et en fait pleinement partie, prennent tout leur sens. <strong>Marcel Duchamp<\/strong> disait que <em>\u201cl\u2019art de Calder est la sublimation d\u2019un arbre dans le vent\u201d<\/em>. L\u2019image para\u00eet \u00e9vidente. Et c\u2019est tout le challenge de l\u2019exposition de <strong>la Fondation Louis Vuitton <\/strong>que d\u2019y demeurer fid\u00e8le. Que rien ne soit fig\u00e9, que tout respire, oscille. Dans un grand mouvement de vie.<\/p>\n<p><em>\u201cCalder. R\u00eaver en \u00e9quilibre\u201d, du 15 avril au 16 ao\u00fbt 2026 \u00e0 <a href=\"https:\/\/www.fondationlouisvuitton.fr\/fr\" target=\"_blank\" rel=\"noreferrer noopener\">la Fondation Louis Vuitton<\/a>, Paris 16e.<\/em><\/p>\n<figure data-wp-context='{\"imageId\":\"69de532638b63\"}' data-wp-interactive=\"core\/image\" data-wp-key=\"69de532638b63\" class=\"wp-block-image size-full wp-lightbox-container\"><img decoding=\"async\" loading=\"lazy\" width=\"7511\" height=\"6057\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/04\/calder-grande-vitesse.jpg\" alt=\"Alexander Calder, La Grande Vitesse\" class=\"wp-image-827839\"><button class=\"lightbox-trigger\" type=\"button\" aria-haspopup=\"dialog\" aria-label=\"Agrandir\" data-wp-init=\"callbacks.initTriggerButton\" data-wp-on--click=\"actions.showLightbox\" data-wp-style--right=\"state.imageButtonRight\" data-wp-style--top=\"state.imageButtonTop\"><\/p>\n<p>\t\t<\/button><figcaption class=\"wp-element-caption\">Alexander Calder, <em>La Grande vitesse <\/em>(maquette interm\u00e9diaire 1:5) (1969). Feuille de m\u00e9tal, boulons et peinture, 259,1 x 342,9 x 236,2 cm. \u00a9 Calder Foundation, New York \/ ADAGP, Paris.<\/figcaption><\/figure>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"col-lg-3\">\n<div class=\"suggested-posts padding-top-s\">\n<div class=\"title\">Recommand\u00e9<\/div>\n<div class=\"post-card\">\n\t\t\t\t\t\t\t\t\t\t<a class=\"post-link d-flex\" href=\"https:\/\/numero.com\/art\/numero-art\/armineh-negahdari-artiste-dessin-le-sang-des-fleurs-portrait\/\"><\/p>\n<div class=\"container-img\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"640\" height=\"804\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2024\/11\/thumb-armineh-negahdari-marcelle-alix-numero-art-768x965.jpg\" class=\"img-fluid\" alt=\"Portrait d'Armineh Negahdari.\" loading=\"lazy\">\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<p class=\"number\">14<\/p>\n<\/p><\/div>\n<div class=\"card-info d-flex\">\n<div>\n<p class=\"cat-title\">Num\u00e9ro Art<\/p>\n<h3 class=\"post-title\">Armineh Negahdari, 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Calder s\u2019est impos\u00e9 dans l\u2019histoire comme l\u2019incontest\u00e9 po\u00e8te des formes. Ses mobiles et ses stabiles, c\u00e9l\u00e8bres dans le monde entier, ont fait de lui une l\u00e9gende. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[226,258],"class_list":["post-1881709","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-crawlmanager","tag-numero-com"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1881709","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1881709"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1881709\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1881709"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1881709"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1881709"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}