{"id":1879309,"date":"2026-04-12T15:52:06","date_gmt":"2026-04-12T12:52:06","guid":{"rendered":"https:\/\/analyse.optim.biz\/?p=1879309"},"modified":"2026-04-12T15:52:06","modified_gmt":"2026-04-12T12:52:06","slug":"cum-petreceau-pastele-boierii-si-mahalagiii-din-bucuresti-specialist-o-sarbatoare-a-credintei-si","status":"publish","type":"post","link":"https:\/\/analyse.optim.biz\/?p=1879309","title":{"rendered":"Cum petreceau Pa\u0219tele boierii \u0219i mahalagiii din Bucure\u0219ti. Specialist: \u201eO s\u0103rb\u0103toare a credin\u021bei \u0219i&#8230;"},"content":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;https:\/\/cdn.adh.reperio.news\/image-d\/d489f829-4659-4c15-820c-c4a21c002ba7\/index.jpeg?p=f%3Djpeg%26w%3D1200%26h%3D630%26r%3Dcover&#8221;]<\/p>\n<article class=\"svelte-t0js42\">\n<nav>\n<ul class=\"breadcrump svelte-xauq0s\">\n<li class=\"svelte-xauq0s\"><a href=\"\/\" title=\"Adev\u0103rul\" class=\"svelte-xauq0s\">Home<\/a><\/li>\n<li class=\"svelte-xauq0s\"><a href=\"\/stil-de-viata\" class=\"svelte-xauq0s\">Stil de via\u021b\u0103<\/a><\/li>\n<li class=\"svelte-xauq0s\"><a href=\"\/stil-de-viata\/magazin\" class=\"svelte-xauq0s\">Magazin<\/a><\/li>\n<li class=\"svelte-xauq0s\"><a href=\"https:\/\/adevarul.ro\/stil-de-viata\/magazin\/cum-petreceau-pastele-boierii-si-mahalagiii-din-2521806.html\" class=\"svelte-xauq0s\">Cum petreceau Pa\u0219tele boierii \u0219i mahalagiii din Bucure\u0219ti. Specialist: \u201eO s\u0103rb\u0103toare a credin\u021bei \u0219i rafinamentului urban\u201c<\/a><\/li>\n<\/ul>\n<\/nav>\n<p><main class=\"svelte-t0js42\"><\/p>\n<p>Odat\u0103<br \/>\ncu trecerea veacurilor, Pa\u0219tele a \u00eensemnat pentru bucure\u0219teni mai mult dec\u00e2t<br \/>\nou\u0103 ro\u0219ii, o lum\u00e2nare aprins\u0103 \u0219i o mas\u0103 \u00een familie. Muzeograful Ionu\u021b Alexandru<br \/>\nBanu de la Muzeul de Art\u0103 Popular\u0103 \u201eDr. Nicolae Minovici\u201c poveste\u0219te pentru \u201eWeekend Adev\u0103rul\u201c cum s\u0103rb\u0103toreau \u00cenvierea Domnului elita<br \/>\nbucure\u0219tean\u0103, dar \u0219i lumea din mahalale.<\/p>\n<div class=\"container-image  svelte-jd4qiv\"><source type=\"image\/webp\" srcset=\"https:\/\/cdn.adh.reperio.news\/image-d\/d489f829-4659-4c15-820c-c4a21c002ba7\/index.jpeg?p=a%3D1%26co%3D1.05%26w%3D1400%26h%3D750%26r%3Dcontain%26f%3Dwebp 1400w\" media=\"(min-width: 1400px)\" \/><\/p>\n<div class=\"caption\">Slujba Invierii la Stavropoleos de Aman, Theodor &#8211; Muzeul Municipiului Bucuresti<\/div>\n<\/div>\n<p><b>\u201eWeekend<\/b><b> Adev\u0103rul\u201c: Cum<br \/>\ns\u0103rb\u0103toreau Pa\u0219tele bucure\u0219tenii? De c\u00e2nd avem cele mai vechi tradi\u021bii?<\/b><\/p>\n<p><b>Ionu\u021b<br \/>\nAlexandru Banu<\/b><b>:<\/b> S\u0103rb\u0103toarea Pascal\u0103 are r\u0103d\u0103cini<br \/>\nad\u00e2nci \u00een tradi\u021bia ortodox\u0103 \u0219i \u00een obiceiurile comunitare urbane, conturate \u00eenc\u0103<br \/>\ndin perioada medieval\u0103, dar documentate mai consistent \u00eencep\u00e2nd cu secolele<br \/>\nXVII \u0219i XVIII. Cele mai vechi m\u0103rturii scrise provin din cronici, \u00eensemn\u0103ri de<br \/>\nc\u0103l\u0103torie \u0219i documente ecleziastice, care descriu at\u00e2t ritualurile religioase,<br \/>\nc\u00e2t \u0219i dimensiunea social\u0103 a s\u0103rb\u0103torii. \u00cen epoca fanariot\u0103, Pa\u0219tele era una<br \/>\ndintre cele mai importante s\u0103rb\u0103tori ale anului, marc\u00e2nd nu doar un moment<br \/>\nliturgic central, \u00cenvierea lui Hristos, ci \u0219i o perioad\u0103 de \u00eent\u00e2lnire social\u0103.<br \/>\nParticiparea la slujba de la miezul nop\u021bii, oficiat\u0103 \u00een biserici precum<br \/>\nBiserica Curtea Veche sau Biserica Stavropoleos, era generalizat\u0103, iar Lumina<br \/>\nadus\u0103 acas\u0103 simboliza continuitatea vie\u021bii \u0219i protec\u021bia divin\u0103. Obiceiurile<br \/>\npascale includeau vopsirea ou\u0103lor, predominant \u00een ro\u0219u, care era un simbol al<br \/>\nsacrificiului \u0219i al rena\u0219terii, preg\u0103tirea cozonacilor \u0219i a mielului, precum \u0219i<br \/>\nschimbul de daruri. De asemenea, mesele festive aveau un caracter comunitar,<br \/>\nreunind familii extinse \u0219i vecini, reflect\u00e2nd structura social\u0103 a mahalalelor<br \/>\nbucure\u0219tene.<\/p>\n<p><b>Cum<br \/>\npetreceau domni\u021bele \u0219i cavalerii, dar tovar\u0103\u0219ele \u0219i tovar\u0103\u0219ii? <\/b><\/p>\n<p>Modalit\u0103\u021bile<br \/>\nde petrecere a Pa\u0219telui \u00een Bucure\u0219ti au variat semnificativ \u00een func\u021bie de epoc\u0103<br \/>\n\u0219i de contextul politic, social sau militar, reflect\u00e2nd transform\u0103rile profunde<br \/>\nale societ\u0103\u021bii rom\u00e2ne\u0219ti. Burghezia celebra Pa\u0219tele \u00eentr-un registru rafinat \u0219i<br \/>\nceremonial. Dup\u0103 participarea la slujba de \u00cenviere, desf\u0103\u0219urat\u0103 \u00een biserici<br \/>\nimportante precum Kretzulescu, urma o succesiune de vizite protocolare, dineuri<br \/>\n\u0219i baluri. Tinerii din \u00eenalta societate se \u00eent\u00e2lneau \u00een saloane sau \u00een gr\u0103dini<br \/>\npublice, unde conversa\u021bia, muzica \u0219i dansul constituiau formele dominante de<br \/>\nsocializare. Relat\u0103rile lui Constantin Bacalba\u0219a eviden\u021biaz\u0103 caracterul<br \/>\nostentativ al acestor \u00eent\u00e2lniri, \u00een care vestimenta\u021bia \u0219i eticheta aveau un rol<br \/>\nesen\u021bial \u00een afirmarea statutului social. \u00cen perioada comunist\u0103, limbajul \u0219i<br \/>\npracticile sociale se transform\u0103, iar tovar\u0103\u0219ele \u0219i tovar\u0103\u0219ii reflect\u0103 noua<br \/>\nideologie oficial\u0103. De\u0219i statul promova un discurs secular \u0219i, uneori,<br \/>\nrestrictiv fa\u021b\u0103 de manifest\u0103rile religioase, Pa\u0219tele nu a disp\u0103rut din via\u021ba<br \/>\ncotidian\u0103. \u00cen mediul privat, familiile continuau s\u0103 respecte tradi\u021biile,<br \/>\nparticiparea la slujbe, adesea discret, masa festiv\u0103, ciocnitul ou\u0103lor. \u00cen<br \/>\nparalel, statul \u00eencuraja forme alternative de petrecere a timpului liber:<br \/>\nie\u0219iri colective, excursii organizate prin sindicate sau reuniuni laice.<\/p>\n<div class=\"container-image  svelte-jd4qiv\"><source type=\"image\/webp\" srcset=\"https:\/\/cdn.adh.reperio.news\/image-2\/29cce493-5946-4129-92e9-3adff7c9c8b9\/index.jpeg?p=a%3D1%26co%3D1.05%26w%3D1400%26h%3D750%26r%3Dcontain%26f%3Dwebp 1400w\" media=\"(min-width: 1400px)\" \/><\/p>\n<div class=\"caption\">Ionu\u021b Banu (arhiv\u0103 personal\u0103)<\/div>\n<\/div>\n<p><b>Cum<br \/>\nerau S\u0103rb\u0103torile Pascale \u00een vreme de r\u0103zboi?<\/b><\/p>\n<p>\u00cen vreme<br \/>\nde r\u0103zboi, \u00een special \u00een contextul celor dou\u0103 conflagra\u021bii mondiale, Pa\u0219tele a<br \/>\nfost marcat de austeritate \u0219i tensiune. Bucure\u0219tiul, ocupat sau amenin\u021bat, \u00ee\u0219i<br \/>\nreducea fastul obi\u0219nuit. Mesele erau modeste din cauza penuriei alimentare, iar<br \/>\nmulte familii erau separate. Cu toate acestea, dimensiunea religioas\u0103 devenea<br \/>\nadesea mai intens\u0103: participarea la slujbe \u0219i simbolistica \u00cenvierii c\u0103p\u0103tau<br \/>\nvalen\u021be de speran\u021b\u0103 \u0219i rezilien\u021b\u0103. M\u0103rturii din epoc\u0103 descriu solda\u021bi care<br \/>\ns\u0103rb\u0103toreau Pa\u0219tele pe front, improviz\u00e2nd ritualuri religioase \u0219i \u00eemp\u0103r\u021bind<br \/>\nalimente simple, \u00een timp ce \u00een ora\u0219e, inclusiv \u00een Bucure\u0219ti, oamenii \u00eencercau<br \/>\ns\u0103 p\u0103streze m\u0103car elementele esen\u021biale ale tradi\u021biei: ou\u0103 ro\u0219ii, o lum\u00e2nare<br \/>\naprins\u0103, o mas\u0103 \u00een familie.<\/p>\n<h2>Masa de Pa\u0219te, cu tot tac\u00e2mul de reguli<\/h2>\n<p><b>Pa\u0219tele<br \/>\nnu este despre m\u00e2ncare \u0219i \u00eendestulare, ci despre credin\u021b\u0103 \u0219i apropiere \u00eentre<br \/>\noameni \u2013 iar aici avem tradi\u021bionalele vizite la rude, la na\u0219i. Ce cadouri se<br \/>\nduceau?<\/b><\/p>\n<p>Vizitele<br \/>\nla rude, fini sau na\u0219i reprezentau un ritual social bine codificat, mai ales \u00een<br \/>\nmediul urban precum Bucure\u0219ti. \u00cen mod tradi\u021bional, darurile pascale aveau un<br \/>\ncaracter simbolic \u0219i, adesea, alimentar, fiind legate direct de semnifica\u021bia<br \/>\ns\u0103rb\u0103torii, ou\u0103 ro\u0219ii, cozonac \u0219i pasc\u0103, carne de miel \u015fi vin. \u00cen rela\u021bia<br \/>\nspecific\u0103 dintre fini \u0219i na\u0219i, darurile aveau \u0219i o dimensiune ritual\u0103. Finii<br \/>\nmergeau \u201ecu plocon\u201c, adic\u0103 duceau un co\u0219 sau o tav\u0103 acoperit\u0103 cu \u0219tergar,<br \/>\ncon\u021bin\u00e2nd produse pascale, uneori completate cu lum\u00e2n\u0103ri, fe\u021be de mas\u0103 sau<br \/>\ncadouri pentru cei mici din familia gazd\u0103. \u00cen mediile mai \u00eenst\u0103rite, aceste<br \/>\ndaruri puteau c\u0103p\u0103ta o form\u0103 mai elaborate, cutii cu bomboane fine, obiecte<br \/>\ndecorative sau chiar parfumuri, \u00eens\u0103 structura simbolic\u0103 r\u0103m\u00e2nea aceea\u0219i: darul<br \/>\ntrebuia s\u0103 fie o expresie a respectului \u0219i a leg\u0103turii dintre familii, nu un<br \/>\nact ostentativ.<\/p>\n<p><b>Ce se<br \/>\nm\u00e2nca de Pa\u0219te? <\/b><\/p>\n<p>\u00cen<br \/>\ngeneral, aceast\u0103 mas\u0103 combina elemente religioase, obiceiuri rurale \u0219i<br \/>\ninfluen\u021be urbane, mai ales \u00eencep\u00e2nd cu secolul al XIX-lea. Elementele centrale<br \/>\nale mesei pascale erau: ou\u0103le ro\u0219ii, consumate primele, dup\u0103 ciocnitul ritual<br \/>\n\u201eHristos a \u00eenviat!\u201c &#8211; \u201eAdev\u0103rat a \u00eenviat!\u201c, acestea simbolizau Via\u021ba \u0219i<br \/>\n\u00cenvierea. Carnea de miel \u2013 preparatul definitoriu al s\u0103rb\u0103torii, cu multiple<br \/>\nforme culinare: friptur\u0103 la cuptor, drob (un preparat specific din organe de<br \/>\nmiel cu verde\u021buri), bor\u0219 sau ciorb\u0103 de miel. Consumul mielului avea o<br \/>\nsemnifica\u021bie biblic\u0103. Pasca, un preparat dulce din aluat dospit, cu umplutur\u0103<br \/>\nde br\u00e2nz\u0103, ou\u0103 \u0219i stafide, adesea sfin\u021bit la biseric\u0103 \u00eenainte de a fi consumat.<br \/>\nCozonacul, desert festiv, bogat, cu nuc\u0103, cacao \u015fi rahat, devenit \u00een mediul<br \/>\nurban un simbol al statutului gospod\u0103resc \u0219i al rafinamentului culinar. Alte<br \/>\npreparate frecvente includeau: br\u00e2nzeturi \u0219i ou\u0103, mezeluri de cas\u0103, \u00een<br \/>\nfamiliile \u00eenst\u0103rite sau \u00een mahalale, unde sacrificarea animalelor era comun\u0103,<br \/>\nsalate \u0219i garnituri \u2013 mai ales \u00een epoca modern\u0103, c\u00e2nd influen\u021bele occidentale<br \/>\nau diversificat meniul. Masa \u00eencepea adesea cu gustarea alimentelor sfin\u021bite la<br \/>\nbiseric\u0103: ou\u0103, pasc\u0103, uneori carne, \u00eentr-un gest care \u00eembina dimensiunea<br \/>\nliturgic\u0103 cu cea domestic\u0103. \u00cen familiile tradi\u021bionale exista o anumit\u0103 ordine a<br \/>\nconsumului \u0219i chiar reguli de comportament, reflect\u00e2nd respectul fa\u021b\u0103 de<br \/>\ns\u0103rb\u0103toare. \u00cen mediile urbane mai rafinate din secolul al XIX-lea, descrise de<br \/>\nautori precum Constantin Bacalba\u0219a, mesele de Pa\u0219te puteau deveni adev\u0103rate<br \/>\nbanchete, incluz\u00e2nd \u0219i preparate de inspira\u021bie fran\u021buzeasc\u0103 sau oriental\u0103, dar<br \/>\nf\u0103r\u0103 a pierde nucleul tradi\u021bional.<\/p>\n<p><b>Poate<br \/>\nCap\u0219a scotea o pr\u0103jitur\u0103 nou\u0103&#8230;<\/b><\/p>\n<p>\u00cen<br \/>\nBucure\u0219tiul modern de la sf\u00e2r\u0219itul secolului al XIX-lea \u0219i \u00eenceputul secolului<br \/>\nXX, s\u0103rb\u0103toarea Pa\u0219telui \u00eembina dimensiunea religioas\u0103 cu rafinamentul vie\u021bii<br \/>\nurbane, inclusiv prin gesturi culturale \u0219i mondene. Casa Cap\u0219a, centrul elitei<br \/>\nbucure\u0219tene, era cunoscut\u0103 pentru capacitatea de a introduce deserturi noi \u0219i<br \/>\nsofisticate, inspirate din cofet\u0103ria francez\u0103. Nu cunoa\u0219tem date sau documente<br \/>\ncare s\u0103 reflecte faptul c\u0103 \u00een perioada pascal\u0103 Casa Cap\u0219a crea produse<br \/>\nspeciale. \u00cens\u0103, \u00een perioada Pa\u0219telui, vitrinele se adaptau sezonului: ou\u0103 de<br \/>\nciocolat\u0103, figurine dulci \u0219i pr\u0103jituri decorate festiv contribuiau la atmosfera<br \/>\ns\u0103rb\u0103torii.<\/p>\n<div class=\"container-image  svelte-jd4qiv\"><source type=\"image\/webp\" srcset=\"https:\/\/cdn.adh.reperio.news\/image-4\/4ad85e84-cf74-451a-9dd4-60a14e7b9972\/index.jpeg?p=a%3D1%26co%3D1.05%26w%3D1400%26h%3D750%26r%3Dcontain%26f%3Dwebp 1400w\" media=\"(min-width: 1400px)\" \/><\/p>\n<div class=\"caption\">Tr\u0103sur\u0103 anul 1900 (colec\u021bie personal\u0103)<\/div>\n<\/div>\n<p><a class=\"related-inline svelte-1t8qpgs\" data-gtrack='{\"event\":\"utm_click\",\"data\":{\"event_category\":\"article_related\"}}' href=\"https:\/\/adevarul.ro\/stil-de-viata\/magazin\/istoria-capsa-povestea-copiilor-unui-cojocar-care-2340994.html\" title=\"Alt articol de interes pentru tine\"><span class=\"inline-title svelte-1t8qpgs\">Istoria Cap\u0219a. Povestea copiilor unui cojocar care au \u00eenceput afacerea \u201eLa doi fra\u021bi\u201c \u0219i au avut cea mai cunoscut\u0103 cofet\u0103rie a Bucure\u0219tilor VIDEO <\/span><\/a><\/p>\n<h2>Lumina Sf\u00e2nt\u0103 de la bisericile Capitalei<\/h2>\n<p><b>Unde se<br \/>\n\u021bineau slujbele<\/b><b> de \u00cenviere?<\/b><\/p>\n<p>Slujbele<br \/>\nde Pa\u0219te reprezentau \u00eens\u0103 nucleul s\u0103rb\u0103torii. \u00cen Bucure\u0219ti, acestea aveau loc<br \/>\n\u00een toate bisericile ortodoxe, dar c\u00e2teva l\u0103ca\u0219uri atr\u0103geau un public numeros \u0219i<br \/>\ndivers: Catedrala Mitropolitan\u0103 era centrul oficial al vie\u021bii religioase, unde<br \/>\nparticipa adesea \u0219i elita politic\u0103; Biserica Kretzulescu, frecventat\u0103 de lumea<br \/>\nbun\u0103 din centrul ora\u0219ului; <a href=\"https:\/\/adevarul.ro\/stil-de-viata\/cultura\/stavropoleos-biserica-icoana-istoria-mai-putin-2403596.html\">Biserica Stavropoleos,<\/a> apreciat\u0103 pentru atmosfera sa<br \/>\naparte \u0219i tradi\u021bia veche, monastic\u0103. Momentul central era slujba de la miezul<br \/>\nnop\u021bii, c\u00e2nd credincio\u0219ii primeau Lumina \u0219i participau la procesiunea din jurul<br \/>\nbisericii, urmat\u0103 de \u00eentoarcerea acas\u0103 cu lum\u00e2narea aprins\u0103, un gest cu<br \/>\nputernic\u0103 \u00eenc\u0103rc\u0103tur\u0103 simbolic\u0103.<\/p>\n<p><b>Se<br \/>\ntrimiteau vederi, felicit\u0103ri?<\/b><\/p>\n<p>\u00cen ceea<br \/>\nce prive\u0219te coresponden\u021ba pascal\u0103, trimiterea de vederi \u0219i felicit\u0103ri devine un<br \/>\nobicei larg r\u0103sp\u00e2ndit \u00een perioada interbelic\u0103, pe fondul dezvolt\u0103rii<br \/>\nserviciilor po\u0219tale \u0219i al culturii urbane. Acestea aveau at\u00e2t imagini<br \/>\nreligioase \u2013 scene picturale ale \u00cenvierii, biserici \u2013, c\u00e2t \u0219i reprezent\u0103ri<br \/>\nidilice, copii, flori, ou\u0103 decorate. Mesajele erau, \u00een general, formale \u0219i<br \/>\n\u00eenc\u0103rcate de simbolism religios. Printre formulele frecvente se reg\u0103seau: \u201eHristos<br \/>\na \u00eenviat! Cu ocazia Sfintelor S\u0103rb\u0103tori, v\u0103 doresc s\u0103n\u0103tate \u0219i bucurii al\u0103turi<br \/>\nde cei dragi\u201c, \u201eSfintele Pa\u0219ti s\u0103 v\u0103 aduc\u0103 lumin\u0103 \u00een suflet \u0219i \u00eemplinirea<br \/>\ndorin\u021belor\u201c, \u201e\u00cenvierea Domnului s\u0103 v\u0103 g\u0103seasc\u0103 \u00een pace \u0219i armonie\u201c. \u00cen mediile<br \/>\nmai apropiate, mesajele puteau deveni mai personale, dar p\u0103strau aproape<br \/>\n\u00eentotdeauna referin\u021ba la lumin\u0103, speran\u021b\u0103 \u0219i rena\u0219tere. <\/p>\n<h2>Haine noi \u0219i o halvi\u021b\u0103<\/h2>\n<p><b>Se<br \/>\nobi\u0219nuia ca de Pa\u0219te s\u0103 se plece \u0219i \u00een vilegiatur\u0103 \u00een afara \u021b\u0103rii?<\/b><\/p>\n<p>Practica<br \/>\nvilegiaturii de Pa\u0219te \u00een afara \u021b\u0103rii a existat \u00een Bucure\u0219ti, \u00eens\u0103 nu a fost una<br \/>\ngeneralizat\u0103, ci specific\u0103 elitei, \u00eencep\u00e2nd cu a doua jum\u0103tate a secolului al<br \/>\nXIX-lea \u0219i \u00een perioada interbelic\u0103. Pentru majoritatea popula\u021biei, Pa\u0219tele<br \/>\nr\u0103m\u00e2nea o s\u0103rb\u0103toare profund\u0103, centrat\u0103 pe familie, biseric\u0103 \u0219i vizite rituale.<br \/>\n\u00cen schimb, pentru categoriile \u00eenst\u0103rite, mobilitatea crescut\u0103 \u0219i deschiderea<br \/>\nc\u0103tre Occident au favorizat apari\u021bia unor obiceiuri de tip cosmopolit, inclusiv<br \/>\nc\u0103l\u0103toriile de s\u0103rb\u0103tori. Destina\u021biile preferate erau marile capitale \u0219i<br \/>\nsta\u021biuni europene, precum Paris, Viena, Roma sau Nisa. Alegerea acestor locuri<br \/>\n\u021binea at\u00e2t de prestigiul cultural, c\u00e2t \u0219i de infrastructura turistic\u0103 deja bine<br \/>\ndezvoltat\u0103. Totu\u0219i, chiar \u0219i \u00een aceste cazuri, dimensiunea religioas\u0103 nu era<br \/>\ncomplet abandonat\u0103. Cei afla\u021bi \u00een str\u0103in\u0103tate participau adesea la slujbe \u00een<br \/>\nbiserici ortodoxe locale sau, \u00een lipsa acestora, \u00een l\u0103ca\u0219uri catolice,<br \/>\nadapt\u00e2ndu-\u0219i practica religioas\u0103 la context. Relat\u0103rile unor memoriali\u0219ti<br \/>\nprecum Ion Ghica \u015fi Radu Rosetti sugereaz\u0103 c\u0103 aceste deplas\u0103ri aveau \u0219i o<br \/>\ndimensiune de prestigiu social: a petrece s\u0103rb\u0103torile \u00een str\u0103in\u0103tate devenea un<br \/>\nsemn al statutului \u0219i al apartenen\u021bei la o cultur\u0103 cosmopolit\u0103. <\/p>\n<h2>Iepura\u0219ul \u201ea s\u0103rit\u201c \u00een ograda cu tradi\u021bii<\/h2>\n<p><b>Ce<br \/>\n\u00eensemna pentru copii <\/b><b>Pa\u0219tele? Eu \u00eemi aduc aminte c\u0103 trebuia neap\u0103rat s\u0103 merg la biseric\u0103<br \/>\ns\u0103 m\u0103 \u00eemp\u0103rt\u0103\u0219esc \u0219i \u00eentotdeauna primeam ceva nou.<\/b><\/p>\n<p>Pentru<br \/>\ncopii, Pa\u0219tele avea o semnifica\u021bie distinct\u0103, situat\u0103 la intersec\u021bia dintre<br \/>\ndisciplin\u0103 religioas\u0103, ritual familial \u0219i bucurie simbolic\u0103. \u00cen Bucure\u0219tiul de<br \/>\nalt\u0103dat\u0103, experien\u021ba copil\u0103riei \u00een timpul s\u0103rb\u0103torii era atent modelat\u0103 de<br \/>\nfamilie \u0219i de normele comunit\u0103\u021bii. Copiii erau preg\u0103ti\u021bi \u00een perioada Postului<br \/>\nMare pentru spovedanie \u0219i \u00eemp\u0103rt\u0103\u0219anie, iar participarea la slujba de \u00cenviere<br \/>\nnu era op\u021bional\u0103, ci parte a form\u0103rii morale. \u00cemp\u0103rt\u0103\u0219ania avea nu doar un sens<br \/>\nteologic, ci \u0219i unul pedagogic: introducea copilul \u00een ritmul vie\u021bii spirituale<br \/>\n\u0219i \u00een disciplina comunit\u0103\u021bii ortodoxe. Totodat\u0103, copiii participau activ la<br \/>\nvopsirea ou\u0103lor, uneori ajut\u00e2nd la decorarea lor, preg\u0103tirea co\u0219ului pentru<br \/>\nsfin\u021bit, ciocnitul ou\u0103lor, care devenea un joc cu reguli \u0219i formule bine<br \/>\nstabilite. \u00cen multe familii exista obiceiul hainelor noi. Acesta nu era doar un<br \/>\ngest de r\u0103sf\u0103\u021b, ci avea o simbolistic\u0103 profund\u0103: re\u00eennoirea, puritatea \u0219i<br \/>\n\u00eenceputul unui ciclu nou. A primi \u201eceva nou\u201c de Pa\u0219te era echivalentul unei<br \/>\nini\u021bieri simbolice \u00een bucuria s\u0103rb\u0103torii. Cadourile celor mici erau modeste,<br \/>\ndar \u00eenc\u0103rcate de sens: haine sau \u00eenc\u0103l\u021b\u0103minte; dulciuri (cozonac, pr\u0103jituri,<br \/>\nmai t\u00e2rziu ciocolat\u0103), ou\u0103 decorate, uneori p\u0103strate ca obiecte de colec\u021bie. La<br \/>\n\u00eenceputul secolului XX, influen\u021bele occidentale au adus treptat \u0219i ideea unor<br \/>\nmici surprize sau \u201edaruri ascunse\u201c, \u00eens\u0103 acestea nu au \u00eenlocuit nucleul<br \/>\ntradi\u021bional. Nu \u00een ultimul r\u00e2nd, Pa\u0219tele era pentru copii o s\u0103rb\u0103toare a<br \/>\napartenen\u021bei: vizitele la rude, \u00eent\u00e2lnirile cu verii, atmosfera de familie<br \/>\nextins\u0103. Spre deosebire de alte momente ale anului, copilul era integrat deplin<br \/>\n\u00een via\u021ba comunit\u0103\u021bii, particip\u00e2nd at\u00e2t la sacru, c\u00e2t \u0219i la social.<\/p>\n<p><a class=\"related-inline svelte-1t8qpgs\" data-gtrack='{\"event\":\"utm_click\",\"data\":{\"event_category\":\"article_related\"}}' href=\"https:\/\/adevarul.ro\/stil-de-viata\/cultura\/stavropoleos-biserica-icoana-istoria-mai-putin-2403596.html\" title=\"Alt articol de interes pentru tine\"><span class=\"inline-title svelte-1t8qpgs\">Stavropoleos, biserica-icoan\u0103. Istoria mai pu\u021bin \u0219tiut\u0103 a l\u0103ca\u0219ului de cult ridicat de un c\u0103lug\u0103r grec \u00een urm\u0103 cu trei secole<\/span><\/a><\/p>\n<p><b>De<br \/>\nc\u00e2nd e \u201es\u0103rb\u0103toarea b\u0103tutului halvi\u0163ei\u201c? Dar iepura\u0219ii?<\/b><\/p>\n<p>Tradi\u021biile<br \/>\npascale legate de \u201eb\u0103tutul halvi\u021bei\u201c \u0219i de iepura\u0219 au intrat \u00een cultura<br \/>\nbucure\u0219tean\u0103 prin influen\u021be urbane \u0219i occidentale, dar cu origini \u0219i<br \/>\nsemnifica\u021bii diferite. \u201eB\u0103tutul halvi\u021bei\u201c este un obicei specific zonei urbane<br \/>\ndin Bucure\u0219ti, atestat documentar abia \u00een secolul XIX, odat\u0103 cu r\u0103sp\u00e2ndirea<br \/>\ncofet\u0103riilor \u0219i a dulciurilor orientale. Halvi\u021ba, de origine oriental\u0103, era un<br \/>\ndesert dens \u0219i dulce, iar obiceiul de a o \u201ebate\u201c sau a o modela pentru masa de<br \/>\nPa\u0219te avea at\u00e2t un rol practic, prepararea \u0219i \u00eemp\u0103r\u021birea desertului, c\u00e2t \u0219i<br \/>\nunul simbolic: sugereaz\u0103 fertilitate, prosperitate \u0219i bucurie colectiv\u0103.<br \/>\nIni\u021bial, aceast\u0103 practic\u0103 era specific\u0103 familiilor urbane cu mijloace materiale<br \/>\nmai bune, care aveau acces la ingrediente precum nuca, mierea \u015fi susanul. Iepura\u0219ul<br \/>\nde Pa\u0219te are o origine complet diferit\u0103 \u0219i mai recent\u0103. El provine din<br \/>\ntradi\u021biile germanice \u0219i protestante, fiind adus \u00een Rom\u00e2nia \u00een special \u00een<br \/>\nperioada interbelic\u0103, odat\u0103 cu influen\u021bele culturale europene asupra burgheziei<br \/>\nbucure\u0219tene. Iepura\u0219ul simbolizeaz\u0103 fertilitatea \u0219i rena\u0219terea naturii, un<br \/>\nsimbol preluat mai degrab\u0103 din folclorul occidental dec\u00e2t din cel rom\u00e2nesc<br \/>\ntradi\u021bional. <\/p>\n<p><b>Muzeul<br \/>\nMunicipiului Bucure\u0219ti are o colec\u021bie impresionant\u0103 de ou\u0103 \u00eencondeiate. Ce ne<br \/>\npute\u021bi spune despre ea? <\/b><\/p>\n<p>Colec\u021bia<br \/>\nde ou\u0103 \u00eencondeiate de la Muzeul de Art\u0103 Popular\u0103 \u201eDr. Nicolae Minovici\u201c din structura Muzeului<br \/>\nMunicipiului Bucure\u0219ti este una generoas\u0103, alc\u0103tuit\u0103 din peste 200 de ou\u0103<br \/>\n\u00eencondeiate din diverse regiuni etnografice ale \u021b\u0103rii, precum Bucovina,<br \/>\nMuntenia, Oltenia \u0219i \u021aara B\u00e2rsei. Colec\u021bia a fost adunat\u0103 de dr. Nicolae<br \/>\nMinovici pe parcursul a aproximativ patru decenii, reflect\u00e2nd at\u00e2t tehnica<br \/>\npopular\u0103 tradi\u021bional\u0103, c\u00e2t \u0219i diversitatea simbolisticii folosite \u00een arta<br \/>\n\u021b\u0103r\u0103neasc\u0103 rom\u00e2neasc\u0103. Ou\u0103le sunt decorate cu motive tradi\u021bionale variate,<br \/>\nprintre care geometrice, florale, vegetale, zoomorfe \u0219i antropomorfe.<br \/>\nSimbolurile reflect\u0103 credin\u021be, mituri \u0219i elemente ale vie\u021bii rurale, de la<br \/>\n\u201ecalea r\u0103t\u0103cit\u0103\u201c sau \u201ecalea robilor\u201c, \u201ebr\u00e2ul Maicii Domnului\u201c, \u201ecrucea Pa\u0219telui\u201c,<br \/>\n\u201eochiul\u201c \u0219i \u201eporumbelul\u201c, care sunt simboluri ale Duhului Sf\u00e2nt, \u201escara\u201c, un<br \/>\nsimbol al ascensiunii la ceruri. Cu un motiv mai special este cel cu figura<br \/>\n\u021b\u0103r\u0103ncu\u021bei care toarce sau cel cu reprezentarea horei. Nu lipsesc ou\u0103le cu<br \/>\ninscrip\u021bii, precum un simplu \u0219i plin de \u00eensemn\u0103tate \u201eHristos a \u00eenviat!\u201c. De-a<br \/>\nlungul timpului, colec\u021bia a atras vizitatori interesa\u021bi de me\u0219te\u0219ugul<br \/>\ntradi\u021bional rom\u00e2nesc, studen\u021bi \u0219i cercet\u0103tori \u00een domeniul etnografiei \u0219i artei<br \/>\npopulare din Europa, dar \u0219i public larg, mai ales \u00een preajma Pa\u0219telui, c\u00e2nd<br \/>\ninteresul pentru tradi\u021biile legate de ou\u0103le \u00eencondeiate este crescut. <\/p>\n<p><\/main><\/p>\n<footer class=\"svelte-t0js42\">\n<div class=\"related-wrap related-footer svelte-1t8qpgs\"><span class=\"related-label svelte-1t8qpgs\">Cite\u0219te \u0219i<\/span><a class=\"related svelte-1t8qpgs\" data-gtrack='{\"event\":\"utm_click\",\"data\":{\"event_category\":\"article_related\"}}' href=\"https:\/\/adevarul.ro\/stil-de-viata\/cultura\/camil-ressu-artistul-care-a-socat-clica-2423668.html\" title=\"Alt articol de interes pentru tine\"><img decoding=\"async\" class=\"thumb svelte-1t8qpgs\" src=\"https:\/\/cdn.adh.reperio.news\/image-0\/08be650c-15df-473e-a576-c487a9a7f781\/index.jpeg\" alt loading=\"lazy\" width=\"80\" height=\"54\"><span class=\"title svelte-1t8qpgs\">Camil Ressu, artistul care a \u0219ocat \u201eclica liberal-takist\u0103\u201c cu o singur\u0103 pictur\u0103: \u201etoate gurile creionate cu ro\u015fu au \u00eent\u00e2mpinat-o cu r\u00e2njet umed de impertinen\u0163\u0103\u201c<\/span><\/a><\/div>\n<div class=\"meta svelte-t0js42\">\n<div class=\"authors svelte-t0js42\"><a href=\"\/author\/790\" rel=\"author\" class=\"svelte-t0js42\">Mariana Iancu<\/a><\/div>\n<div class=\"tags svelte-12okeyl\"><span class=\"tags-label metaFont svelte-12okeyl\">Cite\u0219te mai multe despre<\/span><\/p>\n<div class=\"tags-list svelte-12okeyl\"><a href=\"\/tag\/interviu\" title=\"Ultimele \u0219tiri despre interviu\" class=\"tag-pill svelte-12okeyl\">interviu<\/a><\/div>\n<\/div>\n<\/div>\n<p><a class=\"moreFromCategory svelte-t0js42\" href=\"\/stil-de-viata\/magazin\" title=\"Magazin\">Mai multe din <strong class=\"svelte-t0js42\">Magazin<\/strong> \u203a<\/a><\/footer>\n<\/article>\n<p>[analyse_source url=&#8221;https:\/\/adevarul.ro\/stil-de-viata\/magazin\/cum-petreceau-pastele-boierii-si-mahalagiii-din-2521806.html&#8221;]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;https:\/\/cdn.adh.reperio.news\/image-d\/d489f829-4659-4c15-820c-c4a21c002ba7\/index.jpeg?p=f%3Djpeg%26w%3D1200%26h%3D630%26r%3Dcover&#8221;] Home Stil de via\u021b\u0103 Magazin Cum petreceau Pa\u0219tele boierii \u0219i mahalagiii din Bucure\u0219ti. Specialist: \u201eO s\u0103rb\u0103toare a credin\u021bei \u0219i rafinamentului urban\u201c Odat\u0103 cu trecerea veacurilor, Pa\u0219tele a \u00eensemnat pentru bucure\u0219teni mai mult dec\u00e2t ou\u0103 ro\u0219ii, o lum\u00e2nare aprins\u0103 \u0219i o mas\u0103 \u00een familie. Muzeograful Ionu\u021b Alexandru Banu de la Muzeul de Art\u0103 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[89],"tags":[19,226],"class_list":["post-1879309","post","type-post","status-publish","format-standard","hentry","category-romania","tag-adevarul","tag-crawlmanager"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1879309","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1879309"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1879309\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1879309"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1879309"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1879309"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}