{"id":1877822,"date":"2026-04-11T14:15:00","date_gmt":"2026-04-11T11:15:00","guid":{"rendered":"https:\/\/analyse.optim.biz\/?p=1877822"},"modified":"2026-04-11T14:15:00","modified_gmt":"2026-04-11T11:15:00","slug":"dont-miss-these-five-standouts-at-expo-chicago","status":"publish","type":"post","link":"https:\/\/analyse.optim.biz\/?p=1877822","title":{"rendered":"Don\u2019t Miss These Five Standouts at Expo Chicago"},"content":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/01\/EXPO-CHICAGO-2025.-Photo-by-Casey-Kelbaugh-Associates-002.jpg?w=1024&#8243;]<\/p>\n<div class=\"a-content a-content--offset lrv-a-floated-parent lrv-u-font-family-body lrv-u-line-height-normal lrv-u-font-size-18 lrv-u-position-relative\">\n<div class=\"pmc-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe 13th edition of Expo Chicago is currently buzzing as huge squads of museum directors, curators, and collectors have descended on the Windy City this week for the fair. This edition is smaller than years past, with a pared-down group of 130 exhibitors\u2014coming from cities as far-flung as New York, Tokyo, Memphis, London, Buenos Aires, and Lagos\u2014spread across the Navy Pier. \u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cThe scaling down in size allowed for a raising of the bar in terms of the overall quality of presentations. It\u2019s a more manageable size,\u201d John Corbett, co-principal at Chicago gallery Corbett vs. Dempsey, told <em>ARTnews<\/em> on the fair\u2019s first day.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThere\u2019s much to see at the fair, but here are five must-see presentations to catch before the fair closes on Sunday.<\/p>\n<div id=\"pmc-gallery-vertical\">\n<div class=\"c-gallery-vertical-loader u-gallery-app-shell-loader\">\n<ul class=\"pmc-fallback-list-items lrv-a-unstyle-list lrv-u-margin-t-2\">\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Michael Dumontier and Neil Farber at Patel Brown<\/h2>\n<figure><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"267\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/04\/Michael-Dumontier-and-Neil-Farber-at-Patel-Brown.jpg?w=400\" class=\"attachment-medium size-medium\" alt=\"A photo shows an art fair booth with paintings and sculptures of stacks of books\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"267\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/04\/Michael-Dumontier-and-Neil-Farber-at-Patel-Brown.jpg?w=400\" class=\"attachment-medium size-medium\" alt=\"A photo shows an art fair booth with paintings and sculptures of stacks of books\"><figcaption>\n\t\t\t\t\tImage Credit: Courtesy Patel Brown\t\t\t\t<\/figcaption><\/figure>\n<div class=\"pmc-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tBased in Winnipeg, Canada, artist duo Michael Dumontier and Neil Farber previously worked with Marcel Dzama as the Royal Art Lodge collective. Their work in painting and sculpture, combining images and cheeky text, had me laughing out loud: one sculpture of stacked, fictitious books includes one cover whose spine reads \u201cFamous on the Inside.\u201d (Relatable!) Another large painting, built of modular small tile-like paintings, has a panel showing a book titled \u201cItinerant Lothario,\u201d an irresistible verbal combination.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tPatel Brown, which has locations in Toronto and Montreal, is offering small works for as little as $1,000, sculptures for between $5,000 and $20,000, and large paintings for between $15,000 and $40,000.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>The Grammont Missal at Les Enluminures<\/h2>\n<figure><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"285\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/04\/The-Grammont-Missal-ff.-55v-56.jpg?w=400\" class=\"attachment-medium size-medium\" alt=\"A medieval book with Latin text and a painting of a ceremony outside a church on the facing page\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"285\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/04\/The-Grammont-Missal-ff.-55v-56.jpg?w=400\" class=\"attachment-medium size-medium\" alt=\"A medieval book with Latin text and a painting of a ceremony outside a church on the facing page\"><figcaption>\n\t\t\t\t\tImage Credit: Tom VanEynde, for Les Enluminures.\t\t\t\t<\/figcaption><\/figure>\n<div class=\"pmc-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tIf you thought you couldn\u2019t find an illuminated missal from 1500s Belgium at Expo Chicago, a fair much better known for modern and contemporary art, you will be pleasantly surprised at the booth Les Enluminures, a manuscripts dealer with locations in Chicago, New York, and Paris. The gallery, which also participated in TEFAF Maastricht last month, is offering this rare artifact for $575,000. One of two volumes, the other held at a Glasgow library, this 13-inch-high book was created for Jan de Broedere, abbot of the Benedictine abbey of Grammont. Its pages harbor five of what the gallery calls large miniature paintings, and a number of smaller ones. Fascinatingly, the book had over the centuries lost two of its paintings, but the gallery has since able to locate them, in two different private collections. Now, the book is whole again, according to Sandra Hindman, founder and president of Les Enluminures.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Pao Houa Her at Bockley Gallery<\/h2>\n<figure><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"492\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/04\/Pao-Houa-Her-Bockley_Gallery.jpg?w=400\" class=\"attachment-medium size-medium\" alt=\"An elderly Hmong man in a camouflage military outfit poses for the camera.\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"492\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/04\/Pao-Houa-Her-Bockley_Gallery.jpg?w=400\" class=\"attachment-medium size-medium\" alt=\"An elderly Hmong man in a camouflage military outfit poses for the camera.\"><figcaption>\n\t\t\t\t\tImage Credit: Rik Sferra\t\t\t\t<\/figcaption><\/figure>\n<div class=\"pmc-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tPao Houa Her\u2019s parents, members of the Hmong people, fled Laos in mortal danger after siding with the Americans during the Vietnam War. Her portraits\u2014showing men posed in their military regalia, including some of her relatives who fought on the side of the US\u2014are formally simple and emotionally resonant. It\u2019s worth noting that the Lao-American Veterans Association is still fighting for benefits for these men, who were recruited by the CIA and then hung out to dry by American authorities. Likewise, Hmong people were specifically targeted in the recent surge of Immigration and Customs Enforcement officers in the Twin Cities, where Her is now based. \u201cThey were arrested, hunted down,\u201d the artist told <em>ARTnews<\/em>. \u201cAgents raided Hmong-owned businesses.\u201d\u00a0Her large, framed photos, in editions of three, are priced between $12,000 and $17,500.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Robert Nava at Night Gallery<\/h2>\n<figure><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"280\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/04\/Robert-Nava-187_1.jpg?w=400\" class=\"attachment-medium size-medium\" alt=\"A painting shows an orange dragon and a brown dog against a pink background\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"280\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/04\/Robert-Nava-187_1.jpg?w=400\" class=\"attachment-medium size-medium\" alt=\"A painting shows an orange dragon and a brown dog against a pink background\"><figcaption>\n\t\t\t\t\tImage Credit: Jonathan Nesteruk\t\t\t\t<\/figcaption><\/figure>\n<div class=\"pmc-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cIt costs a lot to look this cheap,\u201d Dolly Parton once said. Robert Nava\u2019s paintings may look hectic and hasty, and like the work of a child, but we know it takes hard work and real freedom to let go of our received ideas of competency and correctness. The artist, an East Chicago native, counts the Chicago Imagists as an early inspiration, and, having moved to New York after attending Yale, he also holds Jean-Michel Basquiat as a major influence, Night Gallery founder Davida Nemeroff said.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tCommanding the booth is his <em>Volt Dog, Batteries Dragon<\/em> (2025), in which the titular beasts cavort against a pink ground, accompanied by summary depictions of a tree, a submarine, and bolts of lightning. The canvas is painted in oil and acrylic, with some sections having the feel of an airbrushed piece of graffiti hastily thrown up. He worked on it over two years, according to Nemeroff.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tBy the end of VIP day on Thursday, the gallery had placed paintings by Nava at prices as high as $200,000.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Aliza Nisenbaum at Anton Kern and Regen Projects<\/h2>\n<figure><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"454\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/04\/Aliza-Nisenbaum-132.jpg?w=400\" class=\"attachment-medium size-medium\" alt=\"A stylized painting in mostly red and orange hues shows a mariachi band performing\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"454\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/04\/Aliza-Nisenbaum-132.jpg?w=400\" class=\"attachment-medium size-medium\" alt=\"A stylized painting in mostly red and orange hues shows a mariachi band performing\"><figcaption>\n\t\t\t\t\tImage Credit: Courtesy Anton Kern and Regen Projects\t\t\t\t<\/figcaption><\/figure>\n<div class=\"pmc-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tNew York\u2013based artist Aliza Nisenbaum, who earned her BFA and MFA at the School of the Art Institute of Chicago, will be in the spotlight in a big way this June, when the Obama Presidential Center opens. She\u2019s painted a huge indoor mural in the interior of the Chicago Public Library branch that will set up shop there. On view in this shared booth are her portraits (priced from $20,000 to $200,000), which are the result of a prolonged exchange with her sitters, whom she often depicts numerous times, and who become participants in the work. One shows a mariachi band from Los Angeles that not only performs but also teaches younger generations. Some of the figures who appear in the sprawling Obama mural appear in the portraits in the booth, so eagle-eyes collectors may have chance to own a painting related to Chicago\u2019s next major cultural center.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>[analyse_source url=&#8221;https:\/\/www.artnews.com\/list\/art-news\/market\/five-standouts-expo-chicago-1234780988\/&#8221;]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/01\/EXPO-CHICAGO-2025.-Photo-by-Casey-Kelbaugh-Associates-002.jpg?w=1024&#8243;] The 13th edition of Expo Chicago is currently buzzing as huge squads of museum directors, curators, and collectors have descended on the Windy City this week for the fair. This edition is smaller than years past, with a pared-down group of 130 exhibitors\u2014coming from cities as far-flung as New York, Tokyo, Memphis, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[61,226],"class_list":["post-1877822","post","type-post","status-publish","format-standard","hentry","category-politics","tag-artnews-com","tag-crawlmanager"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1877822","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1877822"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1877822\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1877822"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1877822"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1877822"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}