{"id":1877413,"date":"2026-04-11T15:00:00","date_gmt":"2026-04-11T12:00:00","guid":{"rendered":"https:\/\/analyse.optim.biz\/?p=1877413"},"modified":"2026-04-11T15:00:00","modified_gmt":"2026-04-11T12:00:00","slug":"your-article-about-ai-doesnt-need-ai-art","status":"publish","type":"post","link":"https:\/\/analyse.optim.biz\/?p=1877413","title":{"rendered":"Your article about AI doesn\u2019t need AI art"},"content":{"rendered":"<p><main id=\"content\"><\/p>\n<div class>\n<article>\n<div class=\"duet--article--lede duet--page-layout--feature-article\">\n<div class=\"duet--ledes--feature-lede olmxu70\">\n<div class=\"olmxu71\">\n<div class=\"olmxu76\">\n<div class=\"bu4cqq5 bu4cqq4\"><\/div>\n<\/div>\n<div class=\"_1ymtmqp7\">\n<div class=\"olmxu72 _1ymtmqp3\">\n<div class=\"olmxu73\">\n<div class=\"_1p1nf4x0 _1p1nf4x2\">\n<div class=\"_1p1nf4x3\"><span class=\"_13g9mks17\"><\/p>\n<ul class=\"_1phh1th0\">\n<li>\n<div id=\"follow-category-breadcrumb-dmcyOmNhdGVnb3J5OjEwMg==\"><button 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_8enl997 _1xwtictb _1xwtict9\">Your article about AI doesn\u2019t need AI art<\/h1>\n<p class=\"duet--article--dangerously-set-cms-markup _8enl99i _8enl99g _1xwtictb _1xwtict1\">\ufeffA New Yorker profile of Sam Altman was accompanied by controversial artwork.<\/p>\n<\/div>\n<div><\/div>\n<\/div>\n<div class=\"_13g9mks2 _13g9mks0 _13g9mks21\">\n<div class=\"_13g9mks9 _13g9mksh\">\n<div class=\"duet--article--article-byline _1xwtictb _114qu8c0\"><span class><span>by<\/span> <!-- --> <span aria-expanded=\"false\" role=\"button\"><span id=\"follow-author-author_byline_lead-dmcyOmF1dGhvclByb2ZpbGU6MTUy\" class=\"t0jcdf0 gnx4pm0 _114qu8c2 _114qu8c4 t0jcdf1\"><span class=\"t0jcdf2\"><span class=\"_1ajq89ke _1ajq89k1 _1ajq89k0\"><\/span><\/span><span>Cath Virginia<\/span><\/span><\/span><\/p>\n<aside id=\"popover-dmcyOmF1dGhvclByb2ZpbGU6MTUy-author_byline_lead\" style=\"position:absolute;left:0;top:0\" class=\"_1wu3rm0 _6ytxv90\" aria-hidden=\"true\">\n<div class=\"_1wu3rm1\"><button class=\"_1wu3rm3\"><title>Close<\/title><\/button><\/p>\n<div class=\"_1bw37384\"><img decoding=\"async\" alt=\"Cath Virginia\" data-chromatic=\"ignore\" loading=\"lazy\" data-nimg=\"fill\" class=\"_1bw37385 x271pn0\" style=\"position:absolute;height:100%;width:100%;left:0;top:0;right:0;bottom:0;color:transparent;background-size:cover;background-position:50% 50%;background-repeat:no-repeat;)\" src=\"https:\/\/platform.theverge.com\/wp-content\/uploads\/sites\/2\/chorus\/author_profile_images\/197009\/BLURPLE_PHOTO_copy.0.jpg?quality=90&amp;strip=all&amp;crop=0%2C0%2C100%2C100&amp;w=2400\"><\/div>\n<div class=\"_1wu3rm5 _1bw37380\">Cath Virginia<\/div>\n<div class=\"_1bw37381\">\n<div class=\"_1bw37382\">Art Director<\/div>\n<\/div>\n<p class=\"fv263x1\">Posts from this author will be added to your daily email digest and your homepage feed.<\/p>\n<p><button class=\"duet--cta--button _1f7jm891 _1f7jm890 fv263x2 _1f7jm89g\"><span><title>Follow<\/title><\/span><span>Follow<\/span><\/button><\/p>\n<p class=\"fv263x4\"><a class=\"fv263x5\" href=\"https:\/\/www.theverge.com\/authors\/cath-virginia\">See All by <!-- -->Cath Virginia<\/a><\/p>\n<\/div>\n<\/aside>\n<p><\/span><\/div>\n<p><span class=\"duet--article--timestamp tvl9dp5 tvl9dp1 tvl9dp0 _1xwtict5 _1xwtictb\"><time datetime=\"2026-04-11T15:00:00+00:00\">Apr 11, 2026, 3:00 PM UTC<\/time><\/span><\/div>\n<div class=\"_13g9mksm _13g9mksw\">\n<div class=\"_13g9mksx _13g9mks15\"><span class=\"_13g9mks16 _13g9mks17\"><\/p>\n<ul class=\"duet--article--share-buttons a8vjfv0\">\n<li>\n<div class=\"a8vjfvo\"><button aria-label=\"Copy link\" class=\"a8vjfv3 a8vjfv1\"><title>Link<\/title><\/button><\/div>\n<\/li>\n<li><button aria-expanded=\"false\" aria-haspopup=\"true\" aria-label=\"Share article\" class=\"a8vjfv3 a8vjfv1\"><title>Share<\/title><\/button><\/li>\n<li>\n<div><button aria-expanded=\"false\" aria-haspopup=\"true\" aria-label=\"Gift 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alt=\"268452_New_Yorker_AI_art_CVirginia3\" data-chromatic=\"ignore\" data-nimg=\"fill\" class=\"x271pn0\" style=\"position:absolute;height:100%;width:100%;left:0;top:0;right:0;bottom:0;color:transparent;background-size:cover;background-position:50% 50%;background-repeat:no-repeat;)\" src=\"https:\/\/platform.theverge.com\/wp-content\/uploads\/sites\/2\/2026\/04\/268452_New_Yorker_AI_art_CVirginia3.jpg?quality=90&amp;strip=all&amp;crop=0%2C0%2C100%2C100&amp;w=2400\"><\/div>\n<div class=\"_1ymtmqpm _1ymtmqpw\"><img decoding=\"async\" alt=\"268452_New_Yorker_AI_art_CVirginia3\" data-chromatic=\"ignore\" data-nimg=\"fill\" class=\"x271pn0\" style=\"position:absolute;height:100%;width:100%;left:0;top:0;right:0;bottom:0;color:transparent;background-size:cover;background-position:50% 50%;background-repeat:no-repeat;)\" src=\"https:\/\/platform.theverge.com\/wp-content\/uploads\/sites\/2\/2026\/04\/268452_New_Yorker_AI_art_CVirginia3.jpg?quality=90&amp;strip=all&amp;crop=16.666666666667%2C0%2C66.666666666667%2C100&amp;w=2400\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"olmxu78\">\n<div class=\"duet--media--caption qama0i0\"><cite class=\"duet--article--dangerously-set-cms-markup _1xwtict2 qama0i5\"> Image: Cath Virginia \/ The Verge, Getty Images<\/cite><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"duet--layout--entry-body-container _1t5ltw90 _1ymtmqp3 _1ymtmqp15\">\n<div class=\"_1t5ltw91\">\n<div class=\"duet--layout--entry-body _9f4de40\">\n<div class=\"duet--ledes--standard-lede-bottom\">\n<div class=\"_1o1f7ku5\">\n<div class=\"_1gmcxs22 _1gmcxs20\">\n<div class=\"_1n017go0 _1n017go1\">\n<div class=\"_1n017go3\"><a class=\"_1n017go6\" href=\"https:\/\/www.theverge.com\/authors\/cath-virginia\"><img decoding=\"async\" alt=\"Cath Virginia\" data-chromatic=\"ignore\" loading=\"lazy\" width=\"36\" height=\"36\" data-nimg=\"1\" class=\"_1n017go4\" style=\"color:transparent\" src=\"https:\/\/platform.theverge.com\/wp-content\/uploads\/sites\/2\/chorus\/author_profile_images\/197009\/BLURPLE_PHOTO_copy.0.jpg?quality=90&amp;strip=all&amp;crop=0%2C0%2C100%2C100&amp;w=96\"><\/a><\/div>\n<div class=\"_1n017go5\"><span aria-expanded=\"false\" role=\"button\"><span id=\"follow-author-standard_article_details-dmcyOmF1dGhvclByb2ZpbGU6MTUy\" class=\"t0jcdf0 gnx4pm0 _114qu8c2 _114qu8c3 t0jcdf1\"><span class=\"t0jcdf2\"><span class=\"_1ajq89k1 _1ajq89k0\"><\/span><\/span><span>Cath Virginia<\/span><\/span><\/span><\/p>\n<aside id=\"popover-dmcyOmF1dGhvclByb2ZpbGU6MTUy-standard_article_details\" style=\"position:absolute;left:0;top:0\" class=\"_1wu3rm0 _6ytxv90\" aria-hidden=\"true\">\n<div class=\"_1wu3rm1\"><button class=\"_1wu3rm3\"><title>Close<\/title><\/button><\/p>\n<div class=\"_1bw37384\"><img decoding=\"async\" alt=\"Cath Virginia\" data-chromatic=\"ignore\" loading=\"lazy\" data-nimg=\"fill\" class=\"_1bw37385 x271pn0\" style=\"position:absolute;height:100%;width:100%;left:0;top:0;right:0;bottom:0;color:transparent;background-size:cover;background-position:50% 50%;background-repeat:no-repeat;)\" src=\"https:\/\/platform.theverge.com\/wp-content\/uploads\/sites\/2\/chorus\/author_profile_images\/197009\/BLURPLE_PHOTO_copy.0.jpg?quality=90&amp;strip=all&amp;crop=0%2C0%2C100%2C100&amp;w=2400\"><\/div>\n<div class=\"_1wu3rm5 _1bw37380\">Cath Virginia<\/div>\n<div class=\"_1bw37381\"><\/div>\n<p class=\"fv263x1\">Posts from this author will be added to your daily email digest and your homepage feed.<\/p>\n<p><button class=\"duet--cta--button _1f7jm891 _1f7jm890 fv263x2 _1f7jm89g\"><span><title>Follow<\/title><\/span><span>Follow<\/span><\/button><\/p>\n<p class=\"fv263x4\"><a class=\"fv263x5\" href=\"https:\/\/www.theverge.com\/authors\/cath-virginia\">See All by <!-- -->Cath Virginia<\/a><\/p>\n<\/div>\n<\/aside>\n<p> <span class=\"duet--article--dangerously-set-cms-markup _1n017go7\">is an art director at The Verge.<\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"zephr-anchor\" class=\"_1ymtmqp11\">\n<div class=\"duet--article--article-body-component\">\n<p class=\"duet--article--dangerously-set-cms-markup duet--article--standard-paragraph _1ymtmqpi _17nnmdy1 _17nnmdy0 _1xwtict1\">The illustration for <a href=\"https:\/\/www.newyorker.com\/magazine\/2026\/04\/13\/sam-altman-may-control-our-future-can-he-be-trusted\"><em>The New Yorker<\/em>\u2019s profile of OpenAI CEO Sam Altman<\/a> is a jump scare. Altman stands in a blue sweater with a blank expression. Around his head hovers a cluster of disembodied faces \u2014 creepy alt-Altmans, their expressions ranging from anger to open-mouthed woe. Some barely look like Altman. One final face rests in his hands. And at the bottom, there\u2019s a disclosure that might spook many illustrators far more: \u201cVisual by David Szauder; Generated using A.I.\u201d<\/p>\n<\/div>\n<div class=\"duet--article--article-body-component\">\n<p class=\"duet--article--dangerously-set-cms-markup duet--article--standard-paragraph _1ymtmqpi _17nnmdy1 _17nnmdy0 _1xwtict1\">Szauder is a mixed-media artist who has been working with collage, video, and generative art processes that predate commercial AI tools for over a decade, and was recently teaching art and technology at Moholy-Nagy University of Art and Design in Budapest. Here, his work leans into the shifty uncanniness of Altman\u2019s two (or more)-facedness. The pained-looking expressions on the faces and a gloss of eerie motion smoothing communicate the central thesis that Altman can\u2019t be trusted. There\u2019s a painterly look to the image, rather than the typical slop-style sickly sheen, but the AI origins are still unmistakable.<\/p>\n<\/div>\n<div class=\"duet--article--article-body-component\">\n<p class=\"duet--article--dangerously-set-cms-markup duet--article--standard-paragraph _1ymtmqpi _17nnmdy1 _17nnmdy0 _1xwtict1\">What does it say for <em>The New Yorker<\/em>, one of America\u2019s most prestigious magazines, to adopt generative AI? At its worst, the technology eliminates any discernable art process, flattening the creator\u2019s intention. It\u2019s a system for making <a href=\"https:\/\/www.404media.co\/brainrot-ai-on-instagram-is-monetizing-the-most-fucked-up-things-you-can-imagine-and-lots-you-cant\/\">pregnant videos of LeBron James<\/a> and <a href=\"https:\/\/knowyourmeme.com\/memes\/italian-brainrot-ai-italian-animals\">Italian Brainrot<\/a>, not creations that rival the work of <em>New Yorker <\/em>illustrators like <a href=\"https:\/\/kadirnelson.com\/magazine-covers-1\">Kadir Nelson<\/a>, <a href=\"https:\/\/www.christophniemann.com\/\">Christoph Niemann<\/a>, or <a href=\"https:\/\/victo-ngai.com\/nyer\">Victo Ngai<\/a>. In Szauder\u2019s hands, it\u2019s far more complicated: one piece of a longer creative process, which apparently includes programming his own AI tools and feeding them archival imagery, like newspaper clippings and family photos.<\/p>\n<\/div>\n<div class=\"duet--article--article-body-component\">\n<p class=\"duet--article--dangerously-set-cms-markup duet--article--standard-paragraph _1ymtmqpi _17nnmdy1 _17nnmdy0 _1xwtict1\">Yet it\u2019s still, in my opinion, a waste of an opportunity. Human artists have designed creative <a href=\"https:\/\/www.wired.com\/story\/made-in-china-the-chinese-creator-who-imitates-ai-slop\/\">parodies of AI slop<\/a>, but AI lacks the necessary self-awareness to parody itself, even with a human behind the wheel. The image relies on the unsettling nature of AI animation to tell its story without really saying anything new about AI imagery or the industry behind it all.<\/p>\n<\/div>\n<div class=\"duet--article--article-body-component\">\n<p class=\"duet--article--dangerously-set-cms-markup duet--article--standard-paragraph _1ymtmqpi _17nnmdy1 _17nnmdy0 _1xwtict1\">When we reached out to Szauder, while he wasn\u2019t specific about which AI tools he used, he did explain the process of the piece in some detail. There is usually a sketch stage prior to delivering any final imagery. <em>The New Yorker<\/em>\u2019s digital design director, Aviva Michaelov, says that Szauder sent around 15 different sketches to senior art director Supriya Kalidas, including the one that eventually led to the final Hydra-esque eldritch monstrosity that can be seen above the article. In an email to us, Szauder writes:<\/p>\n<\/div>\n<div class=\"duet--article--article-body-component\">\n<p class=\"duet--article--dangerously-set-cms-markup duet--article--standard-paragraph _1ymtmqpi _17nnmdy1 _17nnmdy0 _1xwtict1\">\u201cFor the base structure of the final image, I had a clear idea of how I wanted to position the character and its heads. So AI functioned even more as a tool than usual, especially since much of the work focused on shaping the faces, the heads, the portraits, through a combination of classical editing methods (Photoshop, if we want to name it) and AI-based editing. The results were often imperfect or flawed, which required manual correction and refinement. We spent considerable time refining facial expressions, while also developing multiple variations in clothing and repeatedly adjusting the lighting to arrive at the final image.\u201d<\/p>\n<\/div>\n<div class=\"duet--article--article-body-component\">\n<p class=\"duet--article--dangerously-set-cms-markup duet--article--standard-paragraph _1ymtmqpi _17nnmdy1 _17nnmdy0 _1xwtict1\">According to a 2025 article on Szauder from <a href=\"https:\/\/whitehotmagazine.com\/articles\/29-november-21-2025-\/7389\"><em>Whitehot Magazine<\/em><\/a>, he \u201cmanaged to devise his own coding system and programming software to generate images based on a particular prompt or archival image materials he feeds into its design.\u201d He also seems concerned with the moral quandary of traditional AI image generation, using \u201cethically clarified source materials.\u201d<\/p>\n<\/div>\n<div class=\"duet--article--article-body-component\">\n<p class=\"duet--article--dangerously-set-cms-markup duet--article--standard-paragraph _1ymtmqpi _17nnmdy1 _17nnmdy0 _1xwtict1\">As Szauder explained to us, \u201cI strongly believe that even in the age of AI, an image must first be formed in the human mind, not in the machine.\u201d<\/p>\n<\/div>\n<div class=\"duet--article--article-body-component\">\n<p class=\"duet--article--dangerously-set-cms-markup duet--article--standard-paragraph _1ymtmqpi _17nnmdy1 _17nnmdy0 _1xwtict1\">This is a far deeper human touch than goes into much AI-generated work. The ensloppification of newsrooms has been well documented by other <a href=\"https:\/\/www.theverge.com\/24195879\/advon-commerce-ai-sports-illustrated-gannett-product-reviews-spam-seo\"><em>Verge<\/em> writers<\/a>. Great journalists everywhere have been completely replaced by AI or told that, to keep their jobs, they have no choice but to find ways to use it. Our parent company, Vox Media, even has an <a href=\"https:\/\/openai.com\/index\/a-content-and-product-partnership-with-vox-media\/\">agreement with OpenAI<\/a>.<\/p>\n<\/div>\n<div class=\"duet--article--article-body-component\">\n<p class=\"duet--article--dangerously-set-cms-markup duet--article--standard-paragraph _1ymtmqpi _17nnmdy1 _17nnmdy0 _1xwtict1\">The topic (<a href=\"https:\/\/www.theverge.com\/2023\/6\/9\/23752354\/ai-spfbo-cover-art-contest-midjourney-clarkesworld\">and<\/a> <a href=\"https:\/\/www.theverge.com\/2023\/5\/15\/23724102\/sarah-j-maas-ai-generated-book-cover-bloomsbury-house-of-earth-and-blood\">controversies<\/a>) of AI use in illustration is reliably a cortisol spike for most illustrators. It\u2019s not the first time a <a href=\"https:\/\/www.theatlantic.com\/newsletters\/archive\/2022\/08\/twitter-viral-outrage-ai-art\/676842\/\">renowned publication<\/a> has <a href=\"https:\/\/www.cosmopolitan.com\/lifestyle\/a40314356\/dall-e-2-artificial-intelligence-cover\/\">dabbled in AI<\/a>. It\u2019s also not the first time <em>The New Yorker<\/em> has <a href=\"https:\/\/www.newyorker.com\/magazine\/2025\/09\/01\/ai-is-coming-for-culture\">commissioned David Szauder to create an AI animated illustration<\/a>.<\/p>\n<\/div>\n<div class=\"duet--article--article-body-component\">\n<p class=\"duet--article--dangerously-set-cms-markup duet--article--standard-paragraph _1ymtmqpi _17nnmdy1 _17nnmdy0 _1xwtict1\">Here at <em>The Verge<\/em>, we hold a strict policy on the use of AI-generated imagery. We slap a yellow label on any image we publish that\u2019s been generated with AI, and any time we use AI image generation to assist with the creation of an image it is <a href=\"https:\/\/www.theverge.com\/2024\/12\/5\/24306548\/stormy-pyeatte-friend-or-faux-ai-interview\">disclosed, loudly, and with clear justification<\/a>.<\/p>\n<\/div>\n<div class=\"duet--article--article-body-component\">\n<p class=\"duet--article--dangerously-set-cms-markup duet--article--standard-paragraph _1ymtmqpi _17nnmdy1 _17nnmdy0 _1xwtict1\">In many cases, generated images \u2014 particularly those created purely through text prompts, likely the most common method \u2014 strip out the creation process that makes art human. The input from a text field only has so much effect on the output, to the point that AI-generated images created this way can\u2019t be copyrighted. <a href=\"https:\/\/www.theverge.com\/news\/602096\/copyright-office-says-ai-prompting-doesnt-deserve-copyright-protection\">According to a guidance from the US Copyright Office on the legal authorship of AI-generated images<\/a>, \u201cNo matter how many times a prompt is revised and resubmitted, the final output reflects the user\u2019s acceptance of the AI system\u2019s interpretation, rather than authorship of the expression it contains.\u201d<\/p>\n<\/div>\n<div class=\"duet--article--article-body-component\">\n<p class=\"duet--article--dangerously-set-cms-markup duet--article--standard-paragraph _1ymtmqpi _17nnmdy1 _17nnmdy0 _1xwtict1\">The eye of an artist is informed by a lifetime of assembling an internal library of taste, meaning, and intent, none of which are possessed by tools like Midjourney or ChatGPT. The results of image prompts often feel like somebody describing a dream: It\u2019s fascinating when your brain assembles it, but tell another person your surrealist vision about making out with your therapist before all of your teeth turned to dust and disintegrated, and their eyes glaze over until the subject changes back to the weather. A dream becomes worth something (outside of an awkward Zoom call with your therapist) when a human being <a href=\"https:\/\/en.wikipedia.org\/wiki\/The_Dream_(The_Bed)\">makes the effort of translating it into a work of art<\/a> \u2014 it\u2019s not just the idea but the process that makes it compelling.<\/p>\n<\/div>\n<div class=\"duet--article--article-body-component\">\n<p class=\"duet--article--dangerously-set-cms-markup duet--article--standard-paragraph _1ymtmqpi _17nnmdy1 _17nnmdy0 _1xwtict1\">Meanwhile, although we don\u2019t know the statistics for editorial illustrators, AI is <a href=\"https:\/\/www.bloodinthemachine.com\/p\/artists-are-losing-work-wages-and\">definitely stealing art jobs<\/a>. There are some illustrators who, consequently, swear off these tools altogether. Others have found them helpful to stay afloat in a difficult field, like illustrators who experiment with feeding AI image generators <a href=\"https:\/\/www.itsnicethat.com\/features\/shades-of-intelligence-insights-research-creative-industry-ai-151123\">their own work<\/a> or more practical applications like using the AI-powered \u201cremove background\u201d tool in Photoshop. Art budgets are often the first belt tightened at an editorial publication in the throes of a revenue-bleeding death spiral. Freelance work is so atomized that it\u2019s functionally impossible to unionize, and illustration is a trade that is already rife with exploitation, with rates in a race to the bottom. As a former freelance artist, I\u2019m not here to judge David Szauder for his process \u2014 which, again, seems far more involved than the average AI image creator\u2019s.<\/p>\n<\/div>\n<div class=\"duet--article--article-body-component\">\n<p class=\"duet--article--dangerously-set-cms-markup duet--article--standard-paragraph _1ymtmqpi _17nnmdy1 _17nnmdy0 _1xwtict1\">But there\u2019s still the question of whether the Altman piece \u2014 which uses the visual aesthetic of job-stealing, uncanny AI slop to illustrate a Ronan Farrow article about the dark prince of job-stealing, uncanny AI slop \u2014 works. Szauder is doing what countless AI proponents have been calling for: using it as part of a larger artistic toolbox to convey an idea. What are the results?<\/p>\n<\/div>\n<div class=\"duet--article--article-body-component\">\n<p class=\"duet--article--dangerously-set-cms-markup duet--article--standard-paragraph _1ymtmqpi _17nnmdy1 _17nnmdy0 _1xwtict1\">Although I think it basically succeeds in communicating the story, the final image feels like an attempt at metacommentary that, thematically, falls flat. If you weren\u2019t familiar with the telltale signs of AI imagery, you could miss that commentary altogether. Although the image was a dead giveaway for AI origin to me and the rest of our art team, it doesn\u2019t possess any of the more stylistic aspects of some of <a href=\"https:\/\/www.davidarielszauder.com\/the-washington-post\">Szauder\u2019s other work<\/a>, leaving the central visual metaphor to do the idea\u2019s heavy lifting, and giving the whole thing a sickly but slightly boring vibe.<\/p>\n<\/div>\n<div class=\"duet--article--article-body-component\">\n<p class=\"duet--article--dangerously-set-cms-markup duet--article--standard-paragraph _1ymtmqpi _17nnmdy1 _17nnmdy0 _1xwtict1\">The inconsistent likeness on all of the faces (something a portrait illustrator could\u2019ve controlled for) is also a dead giveaway for AI\u2019s limitations, and the synthetic studio backdrop environment makes the whole thing feel like a Lifetouch elementary school photo. The murky intentionality and bland presentation create more questions for the viewer than they do tell the story of Sam Altman\u2019s many faces.<\/p>\n<\/div>\n<div class=\"duet--article--article-body-component\">\n<p class=\"duet--article--dangerously-set-cms-markup duet--article--standard-paragraph _1ymtmqpi _17nnmdy1 _17nnmdy0 _1xwtict1\">By contrast, Szauder\u2019s other <a href=\"https:\/\/www.newyorker.com\/magazine\/2025\/09\/01\/ai-is-coming-for-culture\"><em>New Yorker<\/em> piece<\/a> feels like it comes from more interesting source material. It\u2019s more cinematic, and the squirming texture of the pit\u2019s colorful walls <a href=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/transcoded\/6\/65\/Will_Smith_Eating_Spaghetti_Original.webm\/Will_Smith_Eating_Spaghetti_Original.webm.240p.vp9.webm\">echoes back to the early days of AI<\/a> when the end results were even more chaotic and unpredictable.<\/p>\n<\/div>\n<div class=\"duet--article--article-body-component\">\n<p class=\"duet--article--dangerously-set-cms-markup duet--article--standard-paragraph _1ymtmqpi _17nnmdy1 _17nnmdy0 _1xwtict1\">I don\u2019t want to tell anyone who works in a field as precarious as freelance editorial illustration how they\u2019re supposed to feel about AI. The decision to hire Szauder to illustrate for <em>The New Yorker<\/em> doesn\u2019t scare me, personally. It\u2019s a far more reasoned editorial decision than the \u201cbest writing, anywhere\u201d publication filling its negative space with shrimp Jesuses and <a href=\"https:\/\/www.instagram.com\/reels\/DRuLF3mjm4y\/\">whatever the fuck this is<\/a>. Inviting AI imagery into the pages of a world-renowned publication is definitely a slippery slope, and one that could be seen as normalizing the use of AI across the illustration industry. But <em>The New Yorker<\/em> didn\u2019t create this problem, and it didn\u2019t single-handedly create the conditions of uncertainty illustrators have faced since long before we had gen AI to contend with. Much like the <a href=\"https:\/\/www.newyorker.com\/magazine\/2025\/09\/01\/ai-is-coming-for-culture\">rabbit hole in Szauder\u2019s first <em>New Yorker<\/em> AI image<\/a>, they are stumbling down it just like the rest of us.<\/p>\n<\/div>\n<div class=\"tly2fw0\"><span class=\"tly2fw2\"><strong>Follow topics and authors<\/strong> from this story to see more like this in your personalized homepage feed and to receive email updates.<\/span><\/p>\n<ul class=\"tly2fw3\">\n<li id=\"follow-author-article_footer-dmcyOmF1dGhvclByb2ZpbGU6MTUy\"><span aria-expanded=\"false\" role=\"button\"><span class=\"gnx4pm0 _4hoiss4 _1xwtict5 _1618ekm0\"><span class=\"_1ajq89k1 _1ajq89k0\"><\/span><span class=\"_1618ekm8\">Cath Virginia<\/span><\/span><\/span><br \/>\n<aside id=\"popover-dmcyOmF1dGhvclByb2ZpbGU6MTUy-article_footer\" style=\"position:absolute;left:0;top:0\" class=\"_1wu3rm0 _6ytxv90\" aria-hidden=\"true\">\n<div class=\"_1wu3rm1\"><button 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decoding=\"async\" alt=\"Microsoft starts removing Copilot buttons from Windows 11 apps\" data-chromatic=\"ignore\" loading=\"lazy\" data-nimg=\"fill\" class=\"x271pn0\" style=\"position:absolute;height:100%;width:100%;left:0;top:0;right:0;bottom:0;color:transparent;background-size:cover;background-position:50% 50%;background-repeat:no-repeat;)\" src=\"https:\/\/platform.theverge.com\/wp-content\/uploads\/sites\/2\/2026\/04\/copilotbutton.jpg?quality=90&amp;strip=all&amp;crop=0%2C0%2C100%2C100&amp;w=2400\"><\/div>\n<div class>\n<div class=\"_184mfto4\">\n<div>\n<div>\n<div class><\/div>\n<div>\n<div class=\"_1xwtict9 _1pm20r57 _1pm20r50\"><a class=\"_1lkmsmo0 _1lkmsmo4 _1lkmsmo5\" href=\"https:\/\/www.theverge.com\/news\/909640\/microsoft-removing-copilot-windows-11-buttons\">Microsoft starts removing Copilot buttons from Windows 11 apps<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"_1owd142\">\n<div class=\"duet--content-cards--content-card _1ufh7nr1 _1ufh7nr0 _1lkmsmo3 _1ufh7nrj _1ufh7nr5\">\n<div class=\"_1ufh7nr7 _1ufh7nr6 _1ufh7nrc _1ufh7nrh _10f040q3\"><img decoding=\"async\" alt=\"How Iran out-shitposted the White House\" data-chromatic=\"ignore\" loading=\"lazy\" data-nimg=\"fill\" class=\"_1ufh7nrf x271pn0\" style=\"position:absolute;height:100%;width:100%;left:0;top:0;right:0;bottom:0;color:transparent;background-size:cover;background-position:50% 50%;background-repeat:no-repeat;)\" src=\"https:\/\/platform.theverge.com\/wp-content\/uploads\/sites\/2\/2026\/04\/Vrg_illo_k_radtke_shitpost_iran_white_house.jpg?quality=90&amp;strip=all&amp;crop=24.9265625%2C0%2C60%2C100&amp;w=2400\"><img decoding=\"async\" alt=\"How Iran out-shitposted the White House\" data-chromatic=\"ignore\" loading=\"lazy\" data-nimg=\"fill\" class=\"_1ufh7nrg x271pn0\" style=\"position:absolute;height:100%;width:100%;left:0;top:0;right:0;bottom:0;color:transparent;background-size:cover;background-position:50% 50%;background-repeat:no-repeat;)\" src=\"https:\/\/platform.theverge.com\/wp-content\/uploads\/sites\/2\/2026\/04\/Vrg_illo_k_radtke_shitpost_iran_white_house.jpg?quality=90&amp;strip=all&amp;crop=5%2C0%2C90%2C100&amp;w=2400\"><\/div>\n<div class=\"_1ufh7nri\">\n<div>\n<div>\n<div class><\/div>\n<div>\n<div class=\"_1xwtict9 _1pm20r53 _1pm20r50\"><a class=\"_1lkmsmo0 _1lkmsmo4\" href=\"https:\/\/www.theverge.com\/policy\/910401\/iran-war-propaganda-blackout-lego-ai-slop\">How Iran out-shitposted the White House<\/a><\/div>\n<\/div>\n<div class=\"_2xqpwjd _2xqpwj0\"><span><span class=\"_1lldluw2 _1xwtict5\"><span><span>Sarah Jeong<\/span><\/span><\/span><\/span><span class=\"duet--article--timestamp tvl9dp2 tvl9dp0 _1xwtict5 _1ymtmqps\"><time datetime=\"2026-04-11T13:00:00+00:00\">Two hours ago<\/time><\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"duet--content-cards--content-card _1ufh7nr1 _1ufh7nr0 _1lkmsmo3 _1ufh7nr5\">\n<div class=\"_1ufh7nr7 _1ufh7nr6 _1ufh7nrc _1ufh7nrh _10f040q3\"><img decoding=\"async\" alt=\"20-year-old man arrested for allegedly throwing a Molotov cocktail at Sam Altman\u2019s house\" data-chromatic=\"ignore\" loading=\"lazy\" data-nimg=\"fill\" class=\"_1ufh7nrf x271pn0\" style=\"position:absolute;height:100%;width:100%;left:0;top:0;right:0;bottom:0;color:transparent;background-size:cover;background-position:50% 50%;background-repeat:no-repeat;)\" src=\"https:\/\/platform.theverge.com\/wp-content\/uploads\/sites\/2\/2026\/04\/gettyimages-1778705436.jpg?quality=90&amp;strip=all&amp;crop=14.97461928934%2C0%2C70.05076142132%2C100&amp;w=2400\"><img decoding=\"async\" alt=\"20-year-old man arrested for allegedly throwing a Molotov cocktail at Sam Altman\u2019s house\" data-chromatic=\"ignore\" loading=\"lazy\" data-nimg=\"fill\" class=\"_1ufh7nrg x271pn0\" style=\"position:absolute;height:100%;width:100%;left:0;top:0;right:0;bottom:0;color:transparent;background-size:cover;background-position:50% 50%;background-repeat:no-repeat;)\" src=\"https:\/\/platform.theverge.com\/wp-content\/uploads\/sites\/2\/2026\/04\/gettyimages-1778705436.jpg?quality=90&amp;strip=all&amp;crop=0%2C2.4154589371981%2C100%2C95.169082125604&amp;w=2400\"><\/div>\n<div class=\"_1ufh7nri\">\n<div>\n<div>\n<div class><\/div>\n<div>\n<div class=\"_1xwtict9 _1pm20r53 _1pm20r50\"><a class=\"_1lkmsmo0 _1lkmsmo4\" href=\"https:\/\/www.theverge.com\/ai-artificial-intelligence\/910393\/openai-sam-altman-house-molotov-cocktail\">20-year-old man arrested for allegedly throwing a Molotov cocktail at Sam Altman\u2019s house<\/a><\/div>\n<\/div>\n<div class=\"_2xqpwjd _2xqpwj0\"><span><span class=\"_1lldluw2 _1xwtict5\"><span><span>Stevie Bonifield<\/span><\/span><\/span><\/span><span class=\"duet--article--timestamp tvl9dp2 tvl9dp0 _1xwtict5 _1ymtmqps\"><time datetime=\"2026-04-10T20:16:57+00:00\">Apr 10<\/time><\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"duet--content-cards--content-card _1ufh7nr1 _1ufh7nr0 _1lkmsmo3 _1ufh7nr5\">\n<div class=\"_1ufh7nr7 _1ufh7nr6 _1ufh7nrc _1ufh7nrh _10f040q3\"><img decoding=\"async\" alt=\"The Iranian Lego AI video creators credit their virality to \u2018heart\u2019\" data-chromatic=\"ignore\" loading=\"lazy\" data-nimg=\"fill\" class=\"_1ufh7nrf x271pn0\" style=\"position:absolute;height:100%;width:100%;left:0;top:0;right:0;bottom:0;color:transparent;background-size:cover;background-position:50% 50%;background-repeat:no-repeat;)\" src=\"https:\/\/platform.theverge.com\/wp-content\/uploads\/sites\/2\/2026\/04\/LEGO_IRAN.jpg?quality=90&amp;strip=all&amp;crop=16.666666666667%2C0%2C66.666666666667%2C100&amp;w=2400\"><img decoding=\"async\" alt=\"The Iranian Lego AI video creators credit their virality to \u2018heart\u2019\" data-chromatic=\"ignore\" loading=\"lazy\" data-nimg=\"fill\" class=\"_1ufh7nrg x271pn0\" style=\"position:absolute;height:100%;width:100%;left:0;top:0;right:0;bottom:0;color:transparent;background-size:cover;background-position:50% 50%;background-repeat:no-repeat;)\" src=\"https:\/\/platform.theverge.com\/wp-content\/uploads\/sites\/2\/2026\/04\/LEGO_IRAN.jpg?quality=90&amp;strip=all&amp;crop=0%2C0%2C100%2C100&amp;w=2400\"><\/div>\n<div class=\"_1ufh7nri\">\n<div>\n<div>\n<div class><\/div>\n<div>\n<div class=\"_1xwtict9 _1pm20r53 _1pm20r50\"><a class=\"_1lkmsmo0 _1lkmsmo4\" href=\"https:\/\/www.theverge.com\/ai-artificial-intelligence\/909948\/explosive-media-lego-iran-war-trump-netanyahu\">The Iranian Lego AI video creators credit their virality to \u2018heart\u2019<\/a><\/div>\n<\/div>\n<div class=\"_2xqpwjd _2xqpwj0\"><span><span class=\"_1lldluw2 _1xwtict5\"><span><span>Charles Pulliam-Moore<\/span><\/span><\/span><\/span><span class=\"duet--article--timestamp tvl9dp2 tvl9dp0 _1xwtict5 _1ymtmqps\"><time datetime=\"2026-04-10T17:30:00+00:00\">Apr 10<\/time><\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"duet--content-cards--content-card _1ufh7nr1 _1ufh7nr0 _1lkmsmo3 _1ufh7nr5\">\n<div class=\"_1ufh7nr7 _1ufh7nr6 _1ufh7nrc _1ufh7nrh _10f040q3\"><img decoding=\"async\" alt=\"Fear and loathing at OpenAI\" data-chromatic=\"ignore\" loading=\"lazy\" data-nimg=\"fill\" class=\"_1ufh7nrf x271pn0\" style=\"position:absolute;height:100%;width:100%;left:0;top:0;right:0;bottom:0;color:transparent;background-size:cover;background-position:50% 50%;background-repeat:no-repeat;)\" src=\"https:\/\/platform.theverge.com\/wp-content\/uploads\/sites\/2\/2026\/04\/VRG_VST_0410_Site.jpg?quality=90&amp;strip=all&amp;crop=16.666666666667%2C0%2C66.666666666667%2C100&amp;w=2400\"><img decoding=\"async\" alt=\"Fear and loathing at OpenAI\" data-chromatic=\"ignore\" loading=\"lazy\" data-nimg=\"fill\" class=\"_1ufh7nrg x271pn0\" style=\"position:absolute;height:100%;width:100%;left:0;top:0;right:0;bottom:0;color:transparent;background-size:cover;background-position:50% 50%;background-repeat:no-repeat;)\" src=\"https:\/\/platform.theverge.com\/wp-content\/uploads\/sites\/2\/2026\/04\/VRG_VST_0410_Site.jpg?quality=90&amp;strip=all&amp;crop=0%2C0%2C100%2C100&amp;w=2400\"><\/div>\n<div class=\"_1ufh7nri\">\n<div>\n<div>\n<div class><\/div>\n<div>\n<div class=\"_1xwtict9 _1pm20r53 _1pm20r50\"><a class=\"_1lkmsmo0 _1lkmsmo4\" href=\"https:\/\/www.theverge.com\/podcast\/909621\/openai-sam-altman-drama-vergecast\">Fear and loathing at OpenAI<\/a><\/div>\n<\/div>\n<div class=\"_2xqpwjd _2xqpwj0\"><span><span class=\"_1lldluw2 _1xwtict5\"><span><span>David Pierce<\/span><\/span><\/span><\/span><span class=\"duet--article--timestamp tvl9dp2 tvl9dp0 _1xwtict5 _1ymtmqps\"><time datetime=\"2026-04-10T12:23:18+00:00\">Apr 10<\/time><\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"duet--content-cards--content-card _1ufh7nr1 _1ufh7nr0 _1lkmsmo3 _1ufh7nr5\">\n<div class=\"_1ufh7nr7 _1ufh7nr6 _1ufh7nrc _1ufh7nrh _10f040q3\"><img decoding=\"async\" alt=\"Gen Z\u2019s love-hate relationship with AI\" data-chromatic=\"ignore\" loading=\"lazy\" data-nimg=\"fill\" class=\"_1ufh7nrf x271pn0\" style=\"position:absolute;height:100%;width:100%;left:0;top:0;right:0;bottom:0;color:transparent;background-size:cover;background-position:50% 50%;background-repeat:no-repeat;)\" src=\"https:\/\/platform.theverge.com\/wp-content\/uploads\/sites\/2\/2026\/04\/STK414_AI_CVIRGINIA_2_A.jpg?quality=90&amp;strip=all&amp;crop=16.666666666667%2C0%2C66.666666666667%2C100&amp;w=2400\"><img decoding=\"async\" alt=\"Gen Z\u2019s love-hate relationship with AI\" data-chromatic=\"ignore\" loading=\"lazy\" data-nimg=\"fill\" class=\"_1ufh7nrg x271pn0\" style=\"position:absolute;height:100%;width:100%;left:0;top:0;right:0;bottom:0;color:transparent;background-size:cover;background-position:50% 50%;background-repeat:no-repeat;)\" src=\"https:\/\/platform.theverge.com\/wp-content\/uploads\/sites\/2\/2026\/04\/STK414_AI_CVIRGINIA_2_A.jpg?quality=90&amp;strip=all&amp;crop=0%2C0%2C100%2C100&amp;w=2400\"><\/div>\n<div class=\"_1ufh7nri\">\n<div>\n<div>\n<div class><\/div>\n<div>\n<div class=\"_1xwtict9 _1pm20r53 _1pm20r50\"><a class=\"_1lkmsmo0 _1lkmsmo4\" href=\"https:\/\/www.theverge.com\/ai-artificial-intelligence\/909687\/gen-z-doesnt-like-ai-gallup\">Gen Z\u2019s love-hate relationship with AI<\/a><\/div>\n<\/div>\n<div class=\"_2xqpwjd _2xqpwj0\"><span><span class=\"_1lldluw2 _1xwtict5\"><span><span>Robert Hart<\/span><\/span><\/span><\/span><span class=\"duet--article--timestamp tvl9dp2 tvl9dp0 _1xwtict5 _1ymtmqps\"><time datetime=\"2026-04-10T11:23:28+00:00\">Apr 10<\/time><\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"duet--content-cards--content-card _1ufh7nr1 _1ufh7nr0 _1lkmsmo3 _1ufh7nrk _1ufh7nrl _1ufh7nr5\">\n<div class=\"_1ufh7nr7 _1ufh7nr6 _1ufh7nrc _1ufh7nrh _10f040q3\"><img decoding=\"async\" alt=\"Microsoft starts removing Copilot buttons from Windows 11 apps\" data-chromatic=\"ignore\" loading=\"lazy\" data-nimg=\"fill\" class=\"_1ufh7nrf x271pn0\" style=\"position:absolute;height:100%;width:100%;left:0;top:0;right:0;bottom:0;color:transparent;background-size:cover;background-position:50% 50%;background-repeat:no-repeat;)\" src=\"https:\/\/platform.theverge.com\/wp-content\/uploads\/sites\/2\/2026\/04\/copilotbutton.jpg?quality=90&amp;strip=all&amp;crop=16.666666666667%2C0%2C66.666666666667%2C100&amp;w=2400\"><img decoding=\"async\" alt=\"Microsoft starts removing Copilot buttons from Windows 11 apps\" data-chromatic=\"ignore\" loading=\"lazy\" data-nimg=\"fill\" class=\"_1ufh7nrg x271pn0\" style=\"position:absolute;height:100%;width:100%;left:0;top:0;right:0;bottom:0;color:transparent;background-size:cover;background-position:50% 50%;background-repeat:no-repeat;)\" src=\"https:\/\/platform.theverge.com\/wp-content\/uploads\/sites\/2\/2026\/04\/copilotbutton.jpg?quality=90&amp;strip=all&amp;crop=0%2C0%2C100%2C100&amp;w=2400\"><\/div>\n<div class=\"_1ufh7nri\">\n<div>\n<div>\n<div class><\/div>\n<div>\n<div class=\"_1xwtict9 _1pm20r53 _1pm20r50\"><a class=\"_1lkmsmo0 _1lkmsmo4\" href=\"https:\/\/www.theverge.com\/news\/909640\/microsoft-removing-copilot-windows-11-buttons\">Microsoft starts removing Copilot buttons from Windows 11 apps<\/a><\/div>\n<\/div>\n<div class=\"_2xqpwjd _2xqpwj0\"><span><span class=\"_1lldluw2 _1xwtict5\"><span><span>Tom Warren<\/span><\/span><\/span><\/span><span class=\"duet--article--timestamp tvl9dp2 tvl9dp0 _1xwtict5 _1ymtmqps\"><time datetime=\"2026-04-10T09:22:06+00:00\">Apr 10<\/time><\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"duet--ad--native-ad-linkset _8tvx5m4 _8tvx5m5 _8tvx5ma hidden\" data-native-ad-id=\"container\">\n<div>\n<div class=\"visually-hidden\">\n<div class=\"dynamic-native-ad-native_ad_linkset_link\"><\/div>\n<\/div>\n<p><a href=\"https:\/\/www.theverge.com\/\" aria-label=\"Advertisement\"><\/p>\n<div class>\n<div class=\"_8tvx5m7\"><span data-native-ad-id=\"preamble\" class=\"_8tvx5m8 _8tvx5m9\">Advertiser Content From<\/span><\/p>\n<div><img data-native-ad-id=\"logo\" src alt=\"Sponsor Logo\" class=\"_8tvx5mg\"><\/div>\n<\/div>\n<p class=\"_8tvx5mj\" data-native-ad-id=\"title\">This is the title for the native ad<\/p>\n<\/div>\n<p><\/a><\/div>\n<\/div>\n<\/div>\n<div class=\"n5bh2k6\">\n<div class=\"duet--layout--header-pattern mq7s702\">\n<div class=\"mq7s703\">\n<div class=\"duet--layout--page-header wh8b410\">\n<div class=\"wh8b41j wh8b41f\">\n<h2 class=\"duet--article--dangerously-set-cms-markup wh8b41o wh8b41m _1xwtict2\">Top Stories<\/h2>\n<\/div>\n<div class=\"sticky-nav-trigger\"><\/div>\n<\/div>\n<\/div>\n<div class=\"mq7s704\">\n<div class=\"duet--content-cards--content-card _1ufh7nr0 _1lkmsmo3 _1ufh7nrj _1ufh7nr5\">\n<div class=\"_1ufh7nri\">\n<div>\n<div>\n<div class>\n<div class=\"_2xqpwj4 _2xqpwj0\"><span class=\"duet--article--timestamp tvl9dp7 tvl9dp0 _1xwtict5\"><time datetime=\"2026-04-10T13:01:55+00:00\">Apr 10<\/time><\/span><\/div>\n<\/div>\n<div>\n<div class=\"_1xwtict9 _1pm20r57 _1pm20r50\"><a class=\"_1lkmsmo0 _1lkmsmo4 _1lkmsmo5\" href=\"https:\/\/www.theverge.com\/design\/909710\/artemis-ii-orion-capsule-interior-design\">Interior design at 25,000 mph<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"duet--content-cards--content-card _1ufh7nr0 _1lkmsmo3 _1ufh7nr5\">\n<div class=\"_1ufh7nri\">\n<div>\n<div>\n<div class>\n<div class=\"_2xqpwj4 _2xqpwj0\"><span class=\"duet--article--timestamp tvl9dp7 tvl9dp0 _1xwtict5\"><time datetime=\"2026-04-11T14:00:00+00:00\">An hour ago<\/time><\/span><\/div>\n<\/div>\n<div>\n<div class=\"_1xwtict9 _1pm20r57 _1pm20r50\"><a class=\"_1lkmsmo0 _1lkmsmo4 _1lkmsmo5\" href=\"https:\/\/www.theverge.com\/ai-artificial-intelligence\/910008\/fawn-friends-ai-companion\">My baby deer plushie told me that Mitski\u2019s dad was a CIA operative<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"duet--content-cards--content-card _1ufh7nr0 _1lkmsmo3 _1ufh7nr5\">\n<div class=\"_1ufh7nri\">\n<div>\n<div>\n<div class>\n<div class=\"_2xqpwj4 _2xqpwj0\"><span class=\"duet--article--timestamp tvl9dp7 tvl9dp0 _1xwtict5\"><time datetime=\"2026-04-11T13:00:00+00:00\">Two hours ago<\/time><\/span><\/div>\n<\/div>\n<div>\n<div class=\"_1xwtict9 _1pm20r57 _1pm20r50\"><a class=\"_1lkmsmo0 _1lkmsmo4 _1lkmsmo5\" href=\"https:\/\/www.theverge.com\/policy\/910401\/iran-war-propaganda-blackout-lego-ai-slop\">How Iran out-shitposted the White House<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"duet--content-cards--content-card _1ufh7nr0 _1lkmsmo3 _1ufh7nr5\">\n<div class=\"_1ufh7nri\">\n<div>\n<div>\n<div class>\n<div class=\"_2xqpwj4 _2xqpwj0\"><span class=\"duet--article--timestamp tvl9dp7 tvl9dp0 _1xwtict5\"><time datetime=\"2026-04-11T11:00:00+00:00\">11:00 AM UTC<\/time><\/span><\/div>\n<\/div>\n<div>\n<div class=\"_1xwtict9 _1pm20r57 _1pm20r50\"><a class=\"_1lkmsmo0 _1lkmsmo4 _1lkmsmo5\" href=\"https:\/\/www.theverge.com\/transportation\/909480\/solid-state-battery-donut-lab-ev-china\">Is the \u2018Holy Grail of batteries\u2019 finally ready to bless us with its presence?<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"duet--content-cards--content-card _1ufh7nr0 _1lkmsmo3 _1ufh7nr5\">\n<div class=\"_1ufh7nri\">\n<div>\n<div>\n<div class>\n<div class=\"_2xqpwj4 _2xqpwj0\"><span class=\"duet--article--timestamp tvl9dp7 tvl9dp0 _1xwtict5\"><time datetime=\"2026-04-10T17:30:00+00:00\">Apr 10<\/time><\/span><\/div>\n<\/div>\n<div>\n<div class=\"_1xwtict9 _1pm20r57 _1pm20r50\"><a class=\"_1lkmsmo0 _1lkmsmo4 _1lkmsmo5\" href=\"https:\/\/www.theverge.com\/ai-artificial-intelligence\/909948\/explosive-media-lego-iran-war-trump-netanyahu\">The Iranian Lego AI video creators credit their virality to \u2018heart\u2019<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"duet--content-cards--content-card _1ufh7nr0 _1lkmsmo3 _1ufh7nrk _1ufh7nrl _1ufh7nr5\">\n<div class=\"_1ufh7nri\">\n<div>\n<div>\n<div class>\n<div class=\"_2xqpwj4 _2xqpwj0\"><span class=\"duet--article--timestamp tvl9dp7 tvl9dp0 _1xwtict5\"><time datetime=\"2026-04-10T14:00:00+00:00\">Apr 10<\/time><\/span><\/div>\n<\/div>\n<div>\n<div class=\"_1xwtict9 _1pm20r57 _1pm20r50\"><a class=\"_1lkmsmo0 _1lkmsmo4 _1lkmsmo5\" href=\"https:\/\/www.theverge.com\/column\/909736\/optimizer-whoop-oura-wearable-hype-cycle\">Why your Whoop might tell you to up your testosterone<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p><\/main><\/p>\n","protected":false},"excerpt":{"rendered":"<p>AI Close AI Posts from this topic will be added to your daily email digest and your homepage feed. FollowFollow See All AI Your article about AI doesn\u2019t need AI art \ufeffA New Yorker profile of Sam Altman was accompanied by controversial artwork. by Cath Virginia Close Cath Virginia Art Director Posts from this author [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[226,250],"class_list":["post-1877413","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-crawlmanager","tag-theverge-com"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1877413","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1877413"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1877413\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1877413"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1877413"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1877413"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}