Chris Brown, \u201cRun It\u201d<\/h2>\n\n\n\tAs the opening yells from \u201cRun It!\u201d blare through the speakers, the stage immediately illuminates. The backup dancers, similar to the music video, frantically run from both sides of the stage and even hop fences to get into position. Noticeably, there is a concentration of them in the middle of the figurative \u201cdance floor.\u201d It looks like they might be establishing sides for a dance battle, but instead, Brown struts through the middle of them. The \u201cRun It!\u201d intro is extended, with no Juelz Santana verse, to build up anticipation. Finally, CB and all of the dancers are facing the audience, dancing in sync while he begins his verse.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cGimme That\u201d<\/h2>\n\n\n\t\u201cRun It!\u201d was Breezy\u2019s introduction to the world and \u201cGimme That,\u201d the third single from his self-titled debut album, showed he could churn out hits off rip. The two records almost go hand-in-hand, so it would only make sense for him to go right into this.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cYo (Excuse Me Miss)\u201d<\/h2>\n\n\n\tChris should stick to this era of his career. A fine lady walks through the crowd while he\u2019s dancing, stops every man in his tracks, and he focuses on courting her while the backup dancers look on.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cAin\u2019t No Way (You Won\u2019t Love Me)\u201d<\/h2>\n\n\n\t\u201cAin\u2019t No Way\u201d is one of his cult favorites. It has hit appeal, without the hit packaging, but fans love it so much that it would send them all into a frenzy.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cShe Ain\u2019t You\u201d<\/h2>\n\n\n\t\u201cShe Ain\u2019t You\u201d has a somewhat similar BPM, and somewhat continues the story of \u201cYo\u201d and \u201cAin\u2019t No Way.\u201d He could even play with the lighting a bit to convey a sense of chaos. CB is with one girl, but his mind is on who he wants more.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cDeuces\u201d<\/h2>\n\n\n\tAnd when it\u2019s time to cut someone loose, he\u2019s got to chuck up the deuce. This is another record where he could play a long intro and show off the dance moves people have grown to love him for. Put an LED screen to use and flash \u201cDeuces\u201d incessantly with two peace emojis flanking the word.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cWith You\u201d<\/h2>\n\n\n\tNow, being a top tier R&B\/soul and pop performer, you know Brown is going to have a live band present. Put a heavy focus on the acoustic instruments, let him take a seat on a staged staircase, and really show off his vocals with a moving rendition of \u201cWith You.\u201d\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cSay Goodbye\u201d<\/h2>\n\n\n\tSadly, all good things must come to an end. Let the piano keys take over the venue as Chris performs an emotional, slower dance routine. One can easily envision some spins building up to the portion of the song where his vocals crescendo. And if he could get some fake rain, that would put this over the top.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cNo BS\u201d<\/h2>\n\n\n\tNow, he can show the relatable journey of a single man who tries to find recovery in the next person. \u201cNo BS\u201d can be him projecting his trauma and triggers onto another woman, but instead putting the onus on her to ensure their night goes smoothly. The backup dancers here should appropriately be an all-women cast and the lights should absolutely dim.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cDon\u2019t Judge Me\u201d<\/h2>\n\n\n\tThough he is seeking a drama-free night of sensual splendor, he can\u2019t run from his emotions. As the lights brighten a bit, he emotes to one woman about letting the past remain there and focusing on what they can do in that very moment.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cPoppin\u201d<\/h2>\n\n\n\tAs he gets on the same accord with said lady, the lights dim again, and he breaks out the body rolls. Once he catches a whine from a fair maiden, he sings this song directly to her, mimicking the conversation that takes place in the lusty cut.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cTake You Down\u201d<\/h2>\n\n\n\tNow here is where his set hits one of its peaks. The stage crew position a bed or landing pad for he and the woman to lie down on, and they live up to this all-time bedroom anthem. The lighting completely blacks out everything around them, leaving room for the spotlight to illuminate him and the woman as they roll around into different positions that mimic wrestling moves. The crowd will likely erupt here so that he can drag it out plenty.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cUnder the Influence\u201d<\/h2>\n\n\n\tEventually, Brown stands up and realizes that he is a bit out of sorts, because some spirits charged his romantic evening. Strobe lights would be great here, along with CB and his dancers almost stumbling all over the stage before abruptly getting upright and going into group choreography.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cResiduals\u201d<\/h2>\n\n\n\tChris continues regaining his full consciousness and reflecting on what he has been through, ultimately questioning if this lifestyle is right for him. He takes center stage alone and opens \u201cResiduals,\u201d ultimately walking to each side of the stage and singing directly to fans.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cStrip\u201d<\/h2>\n\n\n\tHey, rehabilitation isn\u2019t instant. Even as he ponders his life and what the proper thing to do next is, he reverts back to what he was doing before. The lady backup dancers return to stage and in more revealing outfits, and he moves throughout them while they strut their stuff.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cI Can Transform Ya\u201d<\/h2>\n\n\n\tEventually, he chooses one and now it is time to convince her that he is worth her time. This would be a cool opportunity to flash some Transformers<\/em>-inspired graphics on the screen and maybe even have his dancer come out in robotic clothing.<\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\n\u201cWall to Wall\u201d<\/h2>\n\n\n\tNow, the tough part about being a heartthrob is having a wandering eye. So while he continues dancing with the current object of his affection, women flood the stage and try to take his attention off of her. Nonetheless, he Harlem shakes through the pressure.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cLook at Me Now\u201d<\/h2>\n\n\n\tAnother major aspect of his romancing is letting the woman know everything he can offer. Brown pulls out a stack of money from his pocket, as do all of the dancers for \u201cLook At Me Now.\u201d Additionally, money signs appear on the LED screen in the background. After all, it ain\u2019t trickin\u2019 if you got it.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cKiss Kiss\u201d<\/h2>\n\n\n\tWhen it seems like Chris Breezy has won the lady over, he hits a Tiger Woods fist pump that lets right into a striking dance set to \u201cLook At Me Now.\u201d The thumping production and synths match his every move, but it is his animated vocals that steal the show. However, he\u2019s got some haters encircling him as the record draws to its closing.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cLoyal\u201d<\/h2>\n\n\n\tInstead of feeling threatened, Chris doubles down on his boasting. He dances in front of every jealous dude, reminding them that they simply didn\u2019t have enough to secure the loyalty of the woman they were pursuing, especially not in comparison to him. A spotlight following him as he goes from guy-to-guy would be the nail in the coffin.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cSensational\u201d<\/h2>\n\n\n\tCB eventually remembers the assignment and gets back to his lady, while men and women dancers join them all on stage for paired choreography. And now with everyone seeming like happy campers, they can all party together.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cYeah 3x\u201d<\/h2>\n\n\n\t\u201cYeah 3x\u201d is the ideal intro to the most upbeat portion of this set. There is a lot of jumping around, flashing colorful lights and crowd engagement.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cForever\u201d<\/h2>\n\n\n\t\u201cForever,\u201d one of his best songs of all-time, can serve as one of the most intricate dance numbers. The race-against-time feel of the production would lend itself to visuals that mimic a car driving 90 miles per hour through a tunnel.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cFine China\u201d<\/h2>\n\n\n\tIt\u2019s not a Chris Brown performance if he doesn\u2019t pay homage to Michael Jackson. The \u201cFine China\u201d introduction gets extended as he picks up a black and white fedora and vest, and performs Michael-inspired choreography. The vocals take a backseat here as he recalls his classic MJ tribute from 2010.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cGo Crazy\u201d<\/h2>\n\n\n\tNow it\u2019s time for the home stretch. The party vibes shift back to hip-hop, but the energy doesn\u2019t diminish. This dance number is more for his crew than him, as Chris walks around the stage singing and holding out the microphone for fans to handle Young Thug\u2019s portions.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cNo Guidance\u201d<\/h2>\n\n\n\tThe final song, however, is all for CB. Picture the \u201cNo Guidance\u201d video and all of the choreography he did there, and then everything he can do during the beat break, given how apt he is at freestyling. This would be the ideal closer to his set before fans get to take a breath, maybe grab some drinks, and prepare for what Usher has cooked up.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\nUsher, \u201cU Don\u2019t Have to Call\u201d<\/h2>\n\n\n\tNow, for the main event. Everyone knows the opening notes to \u201cU Don\u2019t Have To Call,\u201d so the beat can hit with the lights out to build anticipation for Usher pulling up to the stage. As the lights come on, his dance crew appears first, leaving him space in the middle. Being such a superstar and showman, he deserves one of those entrances where an act rises up from under the stage. However, fans hear his voice before they see him, delivering the classic \u201cAfter tonight, don\u2019t leave your girl round me\u201d lines. Finally, he is out and gets into the first verse.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cU Remind Me\u201d<\/h2>\n\n\n\tIf you\u2019re going to start with 8701<\/em>, you might as well keep it there. Ursher takes some time to talk to the crowd and thank for them for joining this special evening. For him, it is not just a celebration, but an opportunity to remind fans of the impact they have had on his illustrious career. Speaking of reminders, the highly musical \u201cU Remind Me\u201d begins to play as he gets into position. He stands behind a microphone stand and delivers an impassioned rendition of the hit song while women dancers encircle him.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\n\u201cBad Girl\u201d<\/h2>\n\n\n\tAnd if it is time for the ladies, then he has to acknowledge the good and the bad that comes with romance. The energetic choreography of the past two records gets swapped for slower, smoother movements when \u201cBad Girl\u201d hits. The lighting gets a bit darker, to align with the concept. However, given how the term also refers to a woman\u2019s beauty, it is far from a somber occasion. He continually looks left and right while singing, acknowledging that he is among a sea of striking femme fatales.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cCaught Up\u201d<\/h2>\n\n\n\tWith so much temptation around him, it is easy to get overwhelmed. Thus, \u201cBad Girl\u201d and the scenario presented provide a great launch point to get into the frantic \u201cCaught Up.\u201d The men return to the stage for synchronized dance moves with the women. Meanwhile, Usher maneuvers around the stage frazzled, trying to maintain his composure while unsure of who to give his full attention to.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cI Don\u2019t Mind\u201d<\/h2>\n\n\n\tNow, he\u2019s certainly not new to the game. So, while he wants to make the right pick, he understands he may not be the only man on the women\u2019s minds either. Thus, he jumps into \u201cI Don\u2019t Mind.\u201d One by one, he moves from lady to lady, enjoying the fleeting moments he has with them, before moving on. It would be really cool if the lights could flash in and out, and each time they come on, he is with somebody new.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cShe Came to Give It to You\u201d<\/h2>\n\n\n\tAs the song winds down, Usher gets into a pseudo huddle with the men on stage to pass on his wisdom. He\u2019s made his rounds with the women dancers and understands what they bring to the table, so he doesn\u2019t want the fellas caught off guard. And thus, we have the affirming \u201cShe Came To Give It To You.\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cOMG\u201d<\/h2>\n\n\n\tThere\u2019s one girl that he can\u2019t seem to get his mind off of, so while the fellas all pick their matches, he ends up with the lead backup dancer among women. This sets off the peak energy portion of his set, leaning into his pop and house ventures.<\/p>\n
\n\tWill.i.am\u2019s voice consumes the venue as the introduction of \u201cOMG\u201d comes on, and the Atlanta legend gets his mack on. \u201cOMG\u201d features some of the most intricate and animated choreography of the entire set, with unique four-counts and partner routines. And it\u2019s just the beginning.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cDJ Got Us Fallin in Love\u201d<\/h2>\n\n\n\tUsher is more caught up than ever before. He realizes it\u2019s not just the woman he is with and how they fit together so well on the dance floor, but the music being played that\u2019s curating that environment for them. During a pause, he shouts out his tour DJ, which is an alley-oop to himself since it\u2019s all his songs. He asks the DJ to play something else to keep the vibes high, and the next song is none other than \u201cDJ Got Us Fallin In Love.\u201d It is as meta as meta can get.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cLove in This Club\u201d<\/h2>\n\n\n\tUltimately, he has to remember what the mission is. So in true party fashion, the vibe shifts into something slower, more sensual. Both Usher and the object of his affection understand where the night can go next, but they don\u2019t even want to wait. They slow grind and caress each other\u2019s skin as \u201cLove In This Club\u201d blasts through the venue speakers.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cThere Goes My Baby\u201d<\/h2>\n\n\n\tAnd that\u2019s it. It is over for him, he has reached peak infatuation. As \u201cThere Goes My Baby\u201d comes on next, he struts around the stage with his lady on his arm, showing her off for all to see. He even flexes her to the crowd, including women who wish they were in her position.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cClimax\u201d<\/h2>\n\n\n\tUnfortunately, that moment of bliss is finite. While his actions signal he wants to make more of their newfound bond, the lady was just having a fun night on the town. They have an expiration date coming as soon as her Uber arrives, and a slim chance of any kind of future. In other words, they\u2019re going nowhere fast because they hit their \u201cClimax.\u201d He has this realization as the beginning of \u201cClimax\u201d hits with electric synths and thumping drums, mimicking a heartbeat.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cThe Matrimony\u201d<\/h2>\n\n\n\tAfter realizing they had different intentions, the 47-year-old heartthrob makes a last-ditch effort to secure more than just a passionate night on the dance floor. He breaks out into a solo version of \u201cThe Matrimony,\u201d which is bold and premature, but signals just how invested he got in a short period of time. He returns to the microphone stand, and leads the crowd in a unified effort of the classic chorus. <\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cSuperstar\u201d<\/h2>\n\n\n\tUsher realizes his attempts are futile and throws up one more Hail Mary with a powerful performance of \u201cSuperstar.\u201d His tone and expressions conveys that he is willing to completely submit to her, despite being the Renaissance man that he is. He asks the crowd to help him out again because there\u2019s strength in numbers. It is ultimately unsuccessful as the woman is long gone, but he is more focused on feeling the love from the audience than a woman he barely knew.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cMy Way\u201d<\/h2>\n\n\n\tUsher continues this guided karaoke, taking it back to 1997 with \u201cMy Way.\u201d He asks the crowd how long they have been fans of his and says he\u2019s going to test it again later in the show, but for now, they can have this. After the song, he talks to the crowd about how he takes pride in doing his career his way and highlights another man who did the same, his partner-in-crime on the tour: Chris Breezy. He speaks about their diverse array of songs, and while they both got the crowd deep in their feelings, they hope they have a good time through it all. Breezy walks onto the stage and tells Unc he\u2019s talking too much because the fans want to party. And boom, they get into their joint section of the show.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\nChris Brown & Usher, \u201cParty\u201d<\/h2>\n\n\n\tNothing else needs to be said. \u201cParty\u201d begins and Usher sings while Breezy shows off his dance moves. The backup crew returns to the stage once again, hyping each other up and truly conveying the essence of a function. There is a special part here where Ush and Brown do some duo choreography as well, which will be a lasting memory for the fans.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cIt Depends (Remix)\u201d<\/h2>\n\n\n\t\u201cParty\u201d ends and Usher says he has to give CB his flowers, saying he has always been a fan and happy to be a brother throughout his career. Though they haven\u2019t collaborated a lot, he has valued each time they have been on a record together. Breezy says that they haven\u2019t missed when working together, especially their most recent track. And with this, the remix to \u201cIt Depends\u201d comes on.<\/p>\n
\n\tWith Usher\u2019s verse first and some very meta lines, the beat drops out various times so the moments he mentions can get their full attention. They harmonize on the chorus and continue their duo routines, making the record feel larger than life.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cNew Flame\u201d<\/h2>\n\n\n\tAfter \u201cIt Depends,\u201d Breezy says he has a personal favorite of the songs they have done together. Usher asks him which one, and Brown simply says \u201cit\u2019s hot,\u201d which leads into \u201cNew Flame.\u201d Their backup dancers throw them each a towel to fully capture the essence of the record, and the women move to the front of the stage for a special dance number with the two superstars.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cBack to Sleep (Remix)\u201d<\/h2>\n\n\n\tUltimately, this is an R&B concert, so they both show appreciation for their women fans in particular. And fittingly, for their last record together, they go into the remix of \u201cBack To Sleep.\u201d<\/p>\n
\n\tAfter the song ends, the duo exchanges kind words about one another, shake hands and hug. Breezy tells the fans he\u2019s going to leave them in the trusted hands of Usher as he continues the messaging of \u201cBack To Sleep.\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\nUsher (Solo), \u201cLovers and Friends\u201d<\/h2>\n\n\n\tUsher says he wants to stay in the grown and sexy realm for a bit. The lights go down and there is a brief pause. Abruptly, \u201cLovers And Friends\u201d comes on. As the beat progresses, the lighting slowly brightens to reveal Usher in the middle of the stage once again with his cast of women dancers. This song doesn\u2019t go for too long, but it is another signature moment for all in attendance.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cNice & Slow\u201d<\/h2>\n\n\n\tUsher reminds the crowd that he was going to test them on their knowledge of his music from 1997. After \u201cLovers And Friends\u201d comes to a close, he goes into an acapella version of the legendary first few lines of \u201cNice & Slow.\u201d He continues to test the crowd, muting himself for certain parts of the song while fans scream the lyrics to their hearts\u2019 desire. And then when it\u2019s time for the chorus, the band joins in for the highest level of karaoke one has ever experienced.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cYou Make Me Wanna\u201d<\/h2>\n\n\n\t1997 doesn\u2019t stop here, either. \u201cYou Make Me Wanna\u201d raises the energy a bit, and Usher dances as if he is 19 again. Of course, he is briefly joined by his crew of dancers but this song doesn\u2019t last long either, because there is something weighing heavily on his heart.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cU Got It Bad\u201d<\/h2>\n\n\n\tHe steps to the front of the stage again, with the back lighting dimming to show only him. He delivers one of the most emotional vocal performances of the night to \u201cU Got It Bad,\u201d prompting crowd engagement for the very heartfelt lyrics.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cBurn\u201d<\/h2>\n\n\n\tHe continues this somber portion of the show with a quick transition into \u201cBurn.\u201d Flames raise up from the stage and appear on an LED screen in the background. He removes the microphone from the stand, walking across the stage and clutching his chest as he belts the lyrics. It is truly gripping.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cMy Boo\u201d<\/h2>\n\n\n\tAnd if legendary vocal performances are what\u2019s moving the people, it only makes sense to go into \u201cMy Boo\u201d next. He continues occupying all sides of the stage, pointing to women in the crowd and holding the microphone out so they can sing Alicia Keys\u2019 part of the song.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cConfessions\u201d<\/h2>\n\n\n\tUsher says he\u2019s enjoyed the night he\u2019s had with the fans and Breezy, and that he wants to perform two of his most important songs ever to put the cherry on top. With everyone doing the mental math of what he hasn\u2019t performed yet, they\u2019re naturally expecting either \u201cConfessions Part II\u201d or \u201cYeah!\u201d However, he fakes them out with the first \u201cConfessions\u201d and builds up to a crescendo kicking things into high gear.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cConfessions Part II\u201d<\/h2>\n\n\n\t\u201cConfessions Pt. II\u201d starts and fans have a Pavlovian response. They scream, they cheer, iPhone lights illuminate the venue and Usher smirks because he knows he played it right. Strobe lights come on, the band\u2019s volume is raised and everything is perfect.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cYeah!\u201d<\/h2>\n\n\n\tAnd finally, the conclusion. \u201cYeah!\u201d is so powerful that even Chris Brown has to come back onstage one more time to create a moment bigger than his legendary backflip to \u201cMarch Madness.\u201d However, Usher won\u2019t let himself be outdone to his smash hit, and we get a dance battle that could never be topped. Ultimately, they remember the purpose of the tour, and close the record by hitting the A-Town Stomp together.<\/p>\n
\n\tUltimately, whatever they choose to do will be great. But taking fans on an audio-visual journey, capturing all of the feelings they have provided over the years, and finishing the night on Usher\u2019s signature hits would be the closest thing to a dream set come to life.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
[analyse_source url=”https:\/\/www.billboard.com\/lists\/chris-brown-usher-raymond-brown-tour-dream-setlist\/”]<\/p>\n","protected":false},"excerpt":{"rendered":"
[analyse_image type=”featured” src=”https:\/\/www.billboard.com\/wp-content\/uploads\/2026\/04\/P103R8ZZ-e1775835550108.jpg?w=1024″] For years, fans have fantasy-booked the Usher and Chris Brown Verzuz. And while it seems like it will never happen, it makes complete sense.\u00a0 The King of 2000s R&B taking on the King of 2010s R&B, both of whom are still going strong, would probably be the best battle Swizz Beatz and […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[48,226],"class_list":["post-1876442","post","type-post","status-publish","format-standard","hentry","category-politics","tag-billboard-com","tag-crawlmanager"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1876442","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1876442"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1876442\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1876442"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1876442"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1876442"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n\tAs the opening yells from \u201cRun It!\u201d blare through the speakers, the stage immediately illuminates. The backup dancers, similar to the music video, frantically run from both sides of the stage and even hop fences to get into position. Noticeably, there is a concentration of them in the middle of the figurative \u201cdance floor.\u201d It looks like they might be establishing sides for a dance battle, but instead, Brown struts through the middle of them. The \u201cRun It!\u201d intro is extended, with no Juelz Santana verse, to build up anticipation. Finally, CB and all of the dancers are facing the audience, dancing in sync while he begins his verse.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
\u201cGimme That\u201d<\/h2>\n\n\n\t\u201cRun It!\u201d was Breezy\u2019s introduction to the world and \u201cGimme That,\u201d the third single from his self-titled debut album, showed he could churn out hits off rip. The two records almost go hand-in-hand, so it would only make sense for him to go right into this.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cYo (Excuse Me Miss)\u201d<\/h2>\n\n\n\tChris should stick to this era of his career. A fine lady walks through the crowd while he\u2019s dancing, stops every man in his tracks, and he focuses on courting her while the backup dancers look on.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cAin\u2019t No Way (You Won\u2019t Love Me)\u201d<\/h2>\n\n\n\t\u201cAin\u2019t No Way\u201d is one of his cult favorites. It has hit appeal, without the hit packaging, but fans love it so much that it would send them all into a frenzy.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cShe Ain\u2019t You\u201d<\/h2>\n\n\n\t\u201cShe Ain\u2019t You\u201d has a somewhat similar BPM, and somewhat continues the story of \u201cYo\u201d and \u201cAin\u2019t No Way.\u201d He could even play with the lighting a bit to convey a sense of chaos. CB is with one girl, but his mind is on who he wants more.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cDeuces\u201d<\/h2>\n\n\n\tAnd when it\u2019s time to cut someone loose, he\u2019s got to chuck up the deuce. This is another record where he could play a long intro and show off the dance moves people have grown to love him for. Put an LED screen to use and flash \u201cDeuces\u201d incessantly with two peace emojis flanking the word.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cWith You\u201d<\/h2>\n\n\n\tNow, being a top tier R&B\/soul and pop performer, you know Brown is going to have a live band present. Put a heavy focus on the acoustic instruments, let him take a seat on a staged staircase, and really show off his vocals with a moving rendition of \u201cWith You.\u201d\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cSay Goodbye\u201d<\/h2>\n\n\n\tSadly, all good things must come to an end. Let the piano keys take over the venue as Chris performs an emotional, slower dance routine. One can easily envision some spins building up to the portion of the song where his vocals crescendo. And if he could get some fake rain, that would put this over the top.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cNo BS\u201d<\/h2>\n\n\n\tNow, he can show the relatable journey of a single man who tries to find recovery in the next person. \u201cNo BS\u201d can be him projecting his trauma and triggers onto another woman, but instead putting the onus on her to ensure their night goes smoothly. The backup dancers here should appropriately be an all-women cast and the lights should absolutely dim.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cDon\u2019t Judge Me\u201d<\/h2>\n\n\n\tThough he is seeking a drama-free night of sensual splendor, he can\u2019t run from his emotions. As the lights brighten a bit, he emotes to one woman about letting the past remain there and focusing on what they can do in that very moment.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cPoppin\u201d<\/h2>\n\n\n\tAs he gets on the same accord with said lady, the lights dim again, and he breaks out the body rolls. Once he catches a whine from a fair maiden, he sings this song directly to her, mimicking the conversation that takes place in the lusty cut.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cTake You Down\u201d<\/h2>\n\n\n\tNow here is where his set hits one of its peaks. The stage crew position a bed or landing pad for he and the woman to lie down on, and they live up to this all-time bedroom anthem. The lighting completely blacks out everything around them, leaving room for the spotlight to illuminate him and the woman as they roll around into different positions that mimic wrestling moves. The crowd will likely erupt here so that he can drag it out plenty.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cUnder the Influence\u201d<\/h2>\n\n\n\tEventually, Brown stands up and realizes that he is a bit out of sorts, because some spirits charged his romantic evening. Strobe lights would be great here, along with CB and his dancers almost stumbling all over the stage before abruptly getting upright and going into group choreography.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cResiduals\u201d<\/h2>\n\n\n\tChris continues regaining his full consciousness and reflecting on what he has been through, ultimately questioning if this lifestyle is right for him. He takes center stage alone and opens \u201cResiduals,\u201d ultimately walking to each side of the stage and singing directly to fans.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cStrip\u201d<\/h2>\n\n\n\tHey, rehabilitation isn\u2019t instant. Even as he ponders his life and what the proper thing to do next is, he reverts back to what he was doing before. The lady backup dancers return to stage and in more revealing outfits, and he moves throughout them while they strut their stuff.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cI Can Transform Ya\u201d<\/h2>\n\n\n\tEventually, he chooses one and now it is time to convince her that he is worth her time. This would be a cool opportunity to flash some Transformers<\/em>-inspired graphics on the screen and maybe even have his dancer come out in robotic clothing.<\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\n\u201cWall to Wall\u201d<\/h2>\n\n\n\tNow, the tough part about being a heartthrob is having a wandering eye. So while he continues dancing with the current object of his affection, women flood the stage and try to take his attention off of her. Nonetheless, he Harlem shakes through the pressure.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cLook at Me Now\u201d<\/h2>\n\n\n\tAnother major aspect of his romancing is letting the woman know everything he can offer. Brown pulls out a stack of money from his pocket, as do all of the dancers for \u201cLook At Me Now.\u201d Additionally, money signs appear on the LED screen in the background. After all, it ain\u2019t trickin\u2019 if you got it.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cKiss Kiss\u201d<\/h2>\n\n\n\tWhen it seems like Chris Breezy has won the lady over, he hits a Tiger Woods fist pump that lets right into a striking dance set to \u201cLook At Me Now.\u201d The thumping production and synths match his every move, but it is his animated vocals that steal the show. However, he\u2019s got some haters encircling him as the record draws to its closing.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cLoyal\u201d<\/h2>\n\n\n\tInstead of feeling threatened, Chris doubles down on his boasting. He dances in front of every jealous dude, reminding them that they simply didn\u2019t have enough to secure the loyalty of the woman they were pursuing, especially not in comparison to him. A spotlight following him as he goes from guy-to-guy would be the nail in the coffin.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cSensational\u201d<\/h2>\n\n\n\tCB eventually remembers the assignment and gets back to his lady, while men and women dancers join them all on stage for paired choreography. And now with everyone seeming like happy campers, they can all party together.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cYeah 3x\u201d<\/h2>\n\n\n\t\u201cYeah 3x\u201d is the ideal intro to the most upbeat portion of this set. There is a lot of jumping around, flashing colorful lights and crowd engagement.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cForever\u201d<\/h2>\n\n\n\t\u201cForever,\u201d one of his best songs of all-time, can serve as one of the most intricate dance numbers. The race-against-time feel of the production would lend itself to visuals that mimic a car driving 90 miles per hour through a tunnel.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cFine China\u201d<\/h2>\n\n\n\tIt\u2019s not a Chris Brown performance if he doesn\u2019t pay homage to Michael Jackson. The \u201cFine China\u201d introduction gets extended as he picks up a black and white fedora and vest, and performs Michael-inspired choreography. The vocals take a backseat here as he recalls his classic MJ tribute from 2010.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cGo Crazy\u201d<\/h2>\n\n\n\tNow it\u2019s time for the home stretch. The party vibes shift back to hip-hop, but the energy doesn\u2019t diminish. This dance number is more for his crew than him, as Chris walks around the stage singing and holding out the microphone for fans to handle Young Thug\u2019s portions.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cNo Guidance\u201d<\/h2>\n\n\n\tThe final song, however, is all for CB. Picture the \u201cNo Guidance\u201d video and all of the choreography he did there, and then everything he can do during the beat break, given how apt he is at freestyling. This would be the ideal closer to his set before fans get to take a breath, maybe grab some drinks, and prepare for what Usher has cooked up.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\nUsher, \u201cU Don\u2019t Have to Call\u201d<\/h2>\n\n\n\tNow, for the main event. Everyone knows the opening notes to \u201cU Don\u2019t Have To Call,\u201d so the beat can hit with the lights out to build anticipation for Usher pulling up to the stage. As the lights come on, his dance crew appears first, leaving him space in the middle. Being such a superstar and showman, he deserves one of those entrances where an act rises up from under the stage. However, fans hear his voice before they see him, delivering the classic \u201cAfter tonight, don\u2019t leave your girl round me\u201d lines. Finally, he is out and gets into the first verse.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cU Remind Me\u201d<\/h2>\n\n\n\tIf you\u2019re going to start with 8701<\/em>, you might as well keep it there. Ursher takes some time to talk to the crowd and thank for them for joining this special evening. For him, it is not just a celebration, but an opportunity to remind fans of the impact they have had on his illustrious career. Speaking of reminders, the highly musical \u201cU Remind Me\u201d begins to play as he gets into position. He stands behind a microphone stand and delivers an impassioned rendition of the hit song while women dancers encircle him.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\n\u201cBad Girl\u201d<\/h2>\n\n\n\tAnd if it is time for the ladies, then he has to acknowledge the good and the bad that comes with romance. The energetic choreography of the past two records gets swapped for slower, smoother movements when \u201cBad Girl\u201d hits. The lighting gets a bit darker, to align with the concept. However, given how the term also refers to a woman\u2019s beauty, it is far from a somber occasion. He continually looks left and right while singing, acknowledging that he is among a sea of striking femme fatales.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cCaught Up\u201d<\/h2>\n\n\n\tWith so much temptation around him, it is easy to get overwhelmed. Thus, \u201cBad Girl\u201d and the scenario presented provide a great launch point to get into the frantic \u201cCaught Up.\u201d The men return to the stage for synchronized dance moves with the women. Meanwhile, Usher maneuvers around the stage frazzled, trying to maintain his composure while unsure of who to give his full attention to.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cI Don\u2019t Mind\u201d<\/h2>\n\n\n\tNow, he\u2019s certainly not new to the game. So, while he wants to make the right pick, he understands he may not be the only man on the women\u2019s minds either. Thus, he jumps into \u201cI Don\u2019t Mind.\u201d One by one, he moves from lady to lady, enjoying the fleeting moments he has with them, before moving on. It would be really cool if the lights could flash in and out, and each time they come on, he is with somebody new.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cShe Came to Give It to You\u201d<\/h2>\n\n\n\tAs the song winds down, Usher gets into a pseudo huddle with the men on stage to pass on his wisdom. He\u2019s made his rounds with the women dancers and understands what they bring to the table, so he doesn\u2019t want the fellas caught off guard. And thus, we have the affirming \u201cShe Came To Give It To You.\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cOMG\u201d<\/h2>\n\n\n\tThere\u2019s one girl that he can\u2019t seem to get his mind off of, so while the fellas all pick their matches, he ends up with the lead backup dancer among women. This sets off the peak energy portion of his set, leaning into his pop and house ventures.<\/p>\n
\n\tWill.i.am\u2019s voice consumes the venue as the introduction of \u201cOMG\u201d comes on, and the Atlanta legend gets his mack on. \u201cOMG\u201d features some of the most intricate and animated choreography of the entire set, with unique four-counts and partner routines. And it\u2019s just the beginning.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cDJ Got Us Fallin in Love\u201d<\/h2>\n\n\n\tUsher is more caught up than ever before. He realizes it\u2019s not just the woman he is with and how they fit together so well on the dance floor, but the music being played that\u2019s curating that environment for them. During a pause, he shouts out his tour DJ, which is an alley-oop to himself since it\u2019s all his songs. He asks the DJ to play something else to keep the vibes high, and the next song is none other than \u201cDJ Got Us Fallin In Love.\u201d It is as meta as meta can get.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cLove in This Club\u201d<\/h2>\n\n\n\tUltimately, he has to remember what the mission is. So in true party fashion, the vibe shifts into something slower, more sensual. Both Usher and the object of his affection understand where the night can go next, but they don\u2019t even want to wait. They slow grind and caress each other\u2019s skin as \u201cLove In This Club\u201d blasts through the venue speakers.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cThere Goes My Baby\u201d<\/h2>\n\n\n\tAnd that\u2019s it. It is over for him, he has reached peak infatuation. As \u201cThere Goes My Baby\u201d comes on next, he struts around the stage with his lady on his arm, showing her off for all to see. He even flexes her to the crowd, including women who wish they were in her position.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cClimax\u201d<\/h2>\n\n\n\tUnfortunately, that moment of bliss is finite. While his actions signal he wants to make more of their newfound bond, the lady was just having a fun night on the town. They have an expiration date coming as soon as her Uber arrives, and a slim chance of any kind of future. In other words, they\u2019re going nowhere fast because they hit their \u201cClimax.\u201d He has this realization as the beginning of \u201cClimax\u201d hits with electric synths and thumping drums, mimicking a heartbeat.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cThe Matrimony\u201d<\/h2>\n\n\n\tAfter realizing they had different intentions, the 47-year-old heartthrob makes a last-ditch effort to secure more than just a passionate night on the dance floor. He breaks out into a solo version of \u201cThe Matrimony,\u201d which is bold and premature, but signals just how invested he got in a short period of time. He returns to the microphone stand, and leads the crowd in a unified effort of the classic chorus. <\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cSuperstar\u201d<\/h2>\n\n\n\tUsher realizes his attempts are futile and throws up one more Hail Mary with a powerful performance of \u201cSuperstar.\u201d His tone and expressions conveys that he is willing to completely submit to her, despite being the Renaissance man that he is. He asks the crowd to help him out again because there\u2019s strength in numbers. It is ultimately unsuccessful as the woman is long gone, but he is more focused on feeling the love from the audience than a woman he barely knew.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cMy Way\u201d<\/h2>\n\n\n\tUsher continues this guided karaoke, taking it back to 1997 with \u201cMy Way.\u201d He asks the crowd how long they have been fans of his and says he\u2019s going to test it again later in the show, but for now, they can have this. After the song, he talks to the crowd about how he takes pride in doing his career his way and highlights another man who did the same, his partner-in-crime on the tour: Chris Breezy. He speaks about their diverse array of songs, and while they both got the crowd deep in their feelings, they hope they have a good time through it all. Breezy walks onto the stage and tells Unc he\u2019s talking too much because the fans want to party. And boom, they get into their joint section of the show.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\nChris Brown & Usher, \u201cParty\u201d<\/h2>\n\n\n\tNothing else needs to be said. \u201cParty\u201d begins and Usher sings while Breezy shows off his dance moves. The backup crew returns to the stage once again, hyping each other up and truly conveying the essence of a function. There is a special part here where Ush and Brown do some duo choreography as well, which will be a lasting memory for the fans.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cIt Depends (Remix)\u201d<\/h2>\n\n\n\t\u201cParty\u201d ends and Usher says he has to give CB his flowers, saying he has always been a fan and happy to be a brother throughout his career. Though they haven\u2019t collaborated a lot, he has valued each time they have been on a record together. Breezy says that they haven\u2019t missed when working together, especially their most recent track. And with this, the remix to \u201cIt Depends\u201d comes on.<\/p>\n
\n\tWith Usher\u2019s verse first and some very meta lines, the beat drops out various times so the moments he mentions can get their full attention. They harmonize on the chorus and continue their duo routines, making the record feel larger than life.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cNew Flame\u201d<\/h2>\n\n\n\tAfter \u201cIt Depends,\u201d Breezy says he has a personal favorite of the songs they have done together. Usher asks him which one, and Brown simply says \u201cit\u2019s hot,\u201d which leads into \u201cNew Flame.\u201d Their backup dancers throw them each a towel to fully capture the essence of the record, and the women move to the front of the stage for a special dance number with the two superstars.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cBack to Sleep (Remix)\u201d<\/h2>\n\n\n\tUltimately, this is an R&B concert, so they both show appreciation for their women fans in particular. And fittingly, for their last record together, they go into the remix of \u201cBack To Sleep.\u201d<\/p>\n
\n\tAfter the song ends, the duo exchanges kind words about one another, shake hands and hug. Breezy tells the fans he\u2019s going to leave them in the trusted hands of Usher as he continues the messaging of \u201cBack To Sleep.\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\nUsher (Solo), \u201cLovers and Friends\u201d<\/h2>\n\n\n\tUsher says he wants to stay in the grown and sexy realm for a bit. The lights go down and there is a brief pause. Abruptly, \u201cLovers And Friends\u201d comes on. As the beat progresses, the lighting slowly brightens to reveal Usher in the middle of the stage once again with his cast of women dancers. This song doesn\u2019t go for too long, but it is another signature moment for all in attendance.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cNice & Slow\u201d<\/h2>\n\n\n\tUsher reminds the crowd that he was going to test them on their knowledge of his music from 1997. After \u201cLovers And Friends\u201d comes to a close, he goes into an acapella version of the legendary first few lines of \u201cNice & Slow.\u201d He continues to test the crowd, muting himself for certain parts of the song while fans scream the lyrics to their hearts\u2019 desire. And then when it\u2019s time for the chorus, the band joins in for the highest level of karaoke one has ever experienced.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cYou Make Me Wanna\u201d<\/h2>\n\n\n\t1997 doesn\u2019t stop here, either. \u201cYou Make Me Wanna\u201d raises the energy a bit, and Usher dances as if he is 19 again. Of course, he is briefly joined by his crew of dancers but this song doesn\u2019t last long either, because there is something weighing heavily on his heart.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cU Got It Bad\u201d<\/h2>\n\n\n\tHe steps to the front of the stage again, with the back lighting dimming to show only him. He delivers one of the most emotional vocal performances of the night to \u201cU Got It Bad,\u201d prompting crowd engagement for the very heartfelt lyrics.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cBurn\u201d<\/h2>\n\n\n\tHe continues this somber portion of the show with a quick transition into \u201cBurn.\u201d Flames raise up from the stage and appear on an LED screen in the background. He removes the microphone from the stand, walking across the stage and clutching his chest as he belts the lyrics. It is truly gripping.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cMy Boo\u201d<\/h2>\n\n\n\tAnd if legendary vocal performances are what\u2019s moving the people, it only makes sense to go into \u201cMy Boo\u201d next. He continues occupying all sides of the stage, pointing to women in the crowd and holding the microphone out so they can sing Alicia Keys\u2019 part of the song.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cConfessions\u201d<\/h2>\n\n\n\tUsher says he\u2019s enjoyed the night he\u2019s had with the fans and Breezy, and that he wants to perform two of his most important songs ever to put the cherry on top. With everyone doing the mental math of what he hasn\u2019t performed yet, they\u2019re naturally expecting either \u201cConfessions Part II\u201d or \u201cYeah!\u201d However, he fakes them out with the first \u201cConfessions\u201d and builds up to a crescendo kicking things into high gear.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cConfessions Part II\u201d<\/h2>\n\n\n\t\u201cConfessions Pt. II\u201d starts and fans have a Pavlovian response. They scream, they cheer, iPhone lights illuminate the venue and Usher smirks because he knows he played it right. Strobe lights come on, the band\u2019s volume is raised and everything is perfect.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cYeah!\u201d<\/h2>\n\n\n\tAnd finally, the conclusion. \u201cYeah!\u201d is so powerful that even Chris Brown has to come back onstage one more time to create a moment bigger than his legendary backflip to \u201cMarch Madness.\u201d However, Usher won\u2019t let himself be outdone to his smash hit, and we get a dance battle that could never be topped. Ultimately, they remember the purpose of the tour, and close the record by hitting the A-Town Stomp together.<\/p>\n
\n\tUltimately, whatever they choose to do will be great. But taking fans on an audio-visual journey, capturing all of the feelings they have provided over the years, and finishing the night on Usher\u2019s signature hits would be the closest thing to a dream set come to life.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
[analyse_source url=”https:\/\/www.billboard.com\/lists\/chris-brown-usher-raymond-brown-tour-dream-setlist\/”]<\/p>\n","protected":false},"excerpt":{"rendered":"
[analyse_image type=”featured” src=”https:\/\/www.billboard.com\/wp-content\/uploads\/2026\/04\/P103R8ZZ-e1775835550108.jpg?w=1024″] For years, fans have fantasy-booked the Usher and Chris Brown Verzuz. And while it seems like it will never happen, it makes complete sense.\u00a0 The King of 2000s R&B taking on the King of 2010s R&B, both of whom are still going strong, would probably be the best battle Swizz Beatz and […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[48,226],"class_list":["post-1876442","post","type-post","status-publish","format-standard","hentry","category-politics","tag-billboard-com","tag-crawlmanager"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1876442","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1876442"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1876442\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1876442"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1876442"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1876442"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n\t\u201cRun It!\u201d was Breezy\u2019s introduction to the world and \u201cGimme That,\u201d the third single from his self-titled debut album, showed he could churn out hits off rip. The two records almost go hand-in-hand, so it would only make sense for him to go right into this.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
\u201cYo (Excuse Me Miss)\u201d<\/h2>\n\n\n\tChris should stick to this era of his career. A fine lady walks through the crowd while he\u2019s dancing, stops every man in his tracks, and he focuses on courting her while the backup dancers look on.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cAin\u2019t No Way (You Won\u2019t Love Me)\u201d<\/h2>\n\n\n\t\u201cAin\u2019t No Way\u201d is one of his cult favorites. It has hit appeal, without the hit packaging, but fans love it so much that it would send them all into a frenzy.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cShe Ain\u2019t You\u201d<\/h2>\n\n\n\t\u201cShe Ain\u2019t You\u201d has a somewhat similar BPM, and somewhat continues the story of \u201cYo\u201d and \u201cAin\u2019t No Way.\u201d He could even play with the lighting a bit to convey a sense of chaos. CB is with one girl, but his mind is on who he wants more.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cDeuces\u201d<\/h2>\n\n\n\tAnd when it\u2019s time to cut someone loose, he\u2019s got to chuck up the deuce. This is another record where he could play a long intro and show off the dance moves people have grown to love him for. Put an LED screen to use and flash \u201cDeuces\u201d incessantly with two peace emojis flanking the word.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cWith You\u201d<\/h2>\n\n\n\tNow, being a top tier R&B\/soul and pop performer, you know Brown is going to have a live band present. Put a heavy focus on the acoustic instruments, let him take a seat on a staged staircase, and really show off his vocals with a moving rendition of \u201cWith You.\u201d\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cSay Goodbye\u201d<\/h2>\n\n\n\tSadly, all good things must come to an end. Let the piano keys take over the venue as Chris performs an emotional, slower dance routine. One can easily envision some spins building up to the portion of the song where his vocals crescendo. And if he could get some fake rain, that would put this over the top.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cNo BS\u201d<\/h2>\n\n\n\tNow, he can show the relatable journey of a single man who tries to find recovery in the next person. \u201cNo BS\u201d can be him projecting his trauma and triggers onto another woman, but instead putting the onus on her to ensure their night goes smoothly. The backup dancers here should appropriately be an all-women cast and the lights should absolutely dim.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cDon\u2019t Judge Me\u201d<\/h2>\n\n\n\tThough he is seeking a drama-free night of sensual splendor, he can\u2019t run from his emotions. As the lights brighten a bit, he emotes to one woman about letting the past remain there and focusing on what they can do in that very moment.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cPoppin\u201d<\/h2>\n\n\n\tAs he gets on the same accord with said lady, the lights dim again, and he breaks out the body rolls. Once he catches a whine from a fair maiden, he sings this song directly to her, mimicking the conversation that takes place in the lusty cut.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cTake You Down\u201d<\/h2>\n\n\n\tNow here is where his set hits one of its peaks. The stage crew position a bed or landing pad for he and the woman to lie down on, and they live up to this all-time bedroom anthem. The lighting completely blacks out everything around them, leaving room for the spotlight to illuminate him and the woman as they roll around into different positions that mimic wrestling moves. The crowd will likely erupt here so that he can drag it out plenty.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cUnder the Influence\u201d<\/h2>\n\n\n\tEventually, Brown stands up and realizes that he is a bit out of sorts, because some spirits charged his romantic evening. Strobe lights would be great here, along with CB and his dancers almost stumbling all over the stage before abruptly getting upright and going into group choreography.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cResiduals\u201d<\/h2>\n\n\n\tChris continues regaining his full consciousness and reflecting on what he has been through, ultimately questioning if this lifestyle is right for him. He takes center stage alone and opens \u201cResiduals,\u201d ultimately walking to each side of the stage and singing directly to fans.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cStrip\u201d<\/h2>\n\n\n\tHey, rehabilitation isn\u2019t instant. Even as he ponders his life and what the proper thing to do next is, he reverts back to what he was doing before. The lady backup dancers return to stage and in more revealing outfits, and he moves throughout them while they strut their stuff.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cI Can Transform Ya\u201d<\/h2>\n\n\n\tEventually, he chooses one and now it is time to convince her that he is worth her time. This would be a cool opportunity to flash some Transformers<\/em>-inspired graphics on the screen and maybe even have his dancer come out in robotic clothing.<\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\n\u201cWall to Wall\u201d<\/h2>\n\n\n\tNow, the tough part about being a heartthrob is having a wandering eye. So while he continues dancing with the current object of his affection, women flood the stage and try to take his attention off of her. Nonetheless, he Harlem shakes through the pressure.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cLook at Me Now\u201d<\/h2>\n\n\n\tAnother major aspect of his romancing is letting the woman know everything he can offer. Brown pulls out a stack of money from his pocket, as do all of the dancers for \u201cLook At Me Now.\u201d Additionally, money signs appear on the LED screen in the background. After all, it ain\u2019t trickin\u2019 if you got it.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cKiss Kiss\u201d<\/h2>\n\n\n\tWhen it seems like Chris Breezy has won the lady over, he hits a Tiger Woods fist pump that lets right into a striking dance set to \u201cLook At Me Now.\u201d The thumping production and synths match his every move, but it is his animated vocals that steal the show. However, he\u2019s got some haters encircling him as the record draws to its closing.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cLoyal\u201d<\/h2>\n\n\n\tInstead of feeling threatened, Chris doubles down on his boasting. He dances in front of every jealous dude, reminding them that they simply didn\u2019t have enough to secure the loyalty of the woman they were pursuing, especially not in comparison to him. A spotlight following him as he goes from guy-to-guy would be the nail in the coffin.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cSensational\u201d<\/h2>\n\n\n\tCB eventually remembers the assignment and gets back to his lady, while men and women dancers join them all on stage for paired choreography. And now with everyone seeming like happy campers, they can all party together.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cYeah 3x\u201d<\/h2>\n\n\n\t\u201cYeah 3x\u201d is the ideal intro to the most upbeat portion of this set. There is a lot of jumping around, flashing colorful lights and crowd engagement.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cForever\u201d<\/h2>\n\n\n\t\u201cForever,\u201d one of his best songs of all-time, can serve as one of the most intricate dance numbers. The race-against-time feel of the production would lend itself to visuals that mimic a car driving 90 miles per hour through a tunnel.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cFine China\u201d<\/h2>\n\n\n\tIt\u2019s not a Chris Brown performance if he doesn\u2019t pay homage to Michael Jackson. The \u201cFine China\u201d introduction gets extended as he picks up a black and white fedora and vest, and performs Michael-inspired choreography. The vocals take a backseat here as he recalls his classic MJ tribute from 2010.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cGo Crazy\u201d<\/h2>\n\n\n\tNow it\u2019s time for the home stretch. The party vibes shift back to hip-hop, but the energy doesn\u2019t diminish. This dance number is more for his crew than him, as Chris walks around the stage singing and holding out the microphone for fans to handle Young Thug\u2019s portions.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cNo Guidance\u201d<\/h2>\n\n\n\tThe final song, however, is all for CB. Picture the \u201cNo Guidance\u201d video and all of the choreography he did there, and then everything he can do during the beat break, given how apt he is at freestyling. This would be the ideal closer to his set before fans get to take a breath, maybe grab some drinks, and prepare for what Usher has cooked up.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\nUsher, \u201cU Don\u2019t Have to Call\u201d<\/h2>\n\n\n\tNow, for the main event. Everyone knows the opening notes to \u201cU Don\u2019t Have To Call,\u201d so the beat can hit with the lights out to build anticipation for Usher pulling up to the stage. As the lights come on, his dance crew appears first, leaving him space in the middle. Being such a superstar and showman, he deserves one of those entrances where an act rises up from under the stage. However, fans hear his voice before they see him, delivering the classic \u201cAfter tonight, don\u2019t leave your girl round me\u201d lines. Finally, he is out and gets into the first verse.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cU Remind Me\u201d<\/h2>\n\n\n\tIf you\u2019re going to start with 8701<\/em>, you might as well keep it there. Ursher takes some time to talk to the crowd and thank for them for joining this special evening. For him, it is not just a celebration, but an opportunity to remind fans of the impact they have had on his illustrious career. Speaking of reminders, the highly musical \u201cU Remind Me\u201d begins to play as he gets into position. He stands behind a microphone stand and delivers an impassioned rendition of the hit song while women dancers encircle him.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\n\u201cBad Girl\u201d<\/h2>\n\n\n\tAnd if it is time for the ladies, then he has to acknowledge the good and the bad that comes with romance. The energetic choreography of the past two records gets swapped for slower, smoother movements when \u201cBad Girl\u201d hits. The lighting gets a bit darker, to align with the concept. However, given how the term also refers to a woman\u2019s beauty, it is far from a somber occasion. He continually looks left and right while singing, acknowledging that he is among a sea of striking femme fatales.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cCaught Up\u201d<\/h2>\n\n\n\tWith so much temptation around him, it is easy to get overwhelmed. Thus, \u201cBad Girl\u201d and the scenario presented provide a great launch point to get into the frantic \u201cCaught Up.\u201d The men return to the stage for synchronized dance moves with the women. Meanwhile, Usher maneuvers around the stage frazzled, trying to maintain his composure while unsure of who to give his full attention to.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cI Don\u2019t Mind\u201d<\/h2>\n\n\n\tNow, he\u2019s certainly not new to the game. So, while he wants to make the right pick, he understands he may not be the only man on the women\u2019s minds either. Thus, he jumps into \u201cI Don\u2019t Mind.\u201d One by one, he moves from lady to lady, enjoying the fleeting moments he has with them, before moving on. It would be really cool if the lights could flash in and out, and each time they come on, he is with somebody new.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cShe Came to Give It to You\u201d<\/h2>\n\n\n\tAs the song winds down, Usher gets into a pseudo huddle with the men on stage to pass on his wisdom. He\u2019s made his rounds with the women dancers and understands what they bring to the table, so he doesn\u2019t want the fellas caught off guard. And thus, we have the affirming \u201cShe Came To Give It To You.\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cOMG\u201d<\/h2>\n\n\n\tThere\u2019s one girl that he can\u2019t seem to get his mind off of, so while the fellas all pick their matches, he ends up with the lead backup dancer among women. This sets off the peak energy portion of his set, leaning into his pop and house ventures.<\/p>\n
\n\tWill.i.am\u2019s voice consumes the venue as the introduction of \u201cOMG\u201d comes on, and the Atlanta legend gets his mack on. \u201cOMG\u201d features some of the most intricate and animated choreography of the entire set, with unique four-counts and partner routines. And it\u2019s just the beginning.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cDJ Got Us Fallin in Love\u201d<\/h2>\n\n\n\tUsher is more caught up than ever before. He realizes it\u2019s not just the woman he is with and how they fit together so well on the dance floor, but the music being played that\u2019s curating that environment for them. During a pause, he shouts out his tour DJ, which is an alley-oop to himself since it\u2019s all his songs. He asks the DJ to play something else to keep the vibes high, and the next song is none other than \u201cDJ Got Us Fallin In Love.\u201d It is as meta as meta can get.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cLove in This Club\u201d<\/h2>\n\n\n\tUltimately, he has to remember what the mission is. So in true party fashion, the vibe shifts into something slower, more sensual. Both Usher and the object of his affection understand where the night can go next, but they don\u2019t even want to wait. They slow grind and caress each other\u2019s skin as \u201cLove In This Club\u201d blasts through the venue speakers.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cThere Goes My Baby\u201d<\/h2>\n\n\n\tAnd that\u2019s it. It is over for him, he has reached peak infatuation. As \u201cThere Goes My Baby\u201d comes on next, he struts around the stage with his lady on his arm, showing her off for all to see. He even flexes her to the crowd, including women who wish they were in her position.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cClimax\u201d<\/h2>\n\n\n\tUnfortunately, that moment of bliss is finite. While his actions signal he wants to make more of their newfound bond, the lady was just having a fun night on the town. They have an expiration date coming as soon as her Uber arrives, and a slim chance of any kind of future. In other words, they\u2019re going nowhere fast because they hit their \u201cClimax.\u201d He has this realization as the beginning of \u201cClimax\u201d hits with electric synths and thumping drums, mimicking a heartbeat.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cThe Matrimony\u201d<\/h2>\n\n\n\tAfter realizing they had different intentions, the 47-year-old heartthrob makes a last-ditch effort to secure more than just a passionate night on the dance floor. He breaks out into a solo version of \u201cThe Matrimony,\u201d which is bold and premature, but signals just how invested he got in a short period of time. He returns to the microphone stand, and leads the crowd in a unified effort of the classic chorus. <\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cSuperstar\u201d<\/h2>\n\n\n\tUsher realizes his attempts are futile and throws up one more Hail Mary with a powerful performance of \u201cSuperstar.\u201d His tone and expressions conveys that he is willing to completely submit to her, despite being the Renaissance man that he is. He asks the crowd to help him out again because there\u2019s strength in numbers. It is ultimately unsuccessful as the woman is long gone, but he is more focused on feeling the love from the audience than a woman he barely knew.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cMy Way\u201d<\/h2>\n\n\n\tUsher continues this guided karaoke, taking it back to 1997 with \u201cMy Way.\u201d He asks the crowd how long they have been fans of his and says he\u2019s going to test it again later in the show, but for now, they can have this. After the song, he talks to the crowd about how he takes pride in doing his career his way and highlights another man who did the same, his partner-in-crime on the tour: Chris Breezy. He speaks about their diverse array of songs, and while they both got the crowd deep in their feelings, they hope they have a good time through it all. Breezy walks onto the stage and tells Unc he\u2019s talking too much because the fans want to party. And boom, they get into their joint section of the show.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\nChris Brown & Usher, \u201cParty\u201d<\/h2>\n\n\n\tNothing else needs to be said. \u201cParty\u201d begins and Usher sings while Breezy shows off his dance moves. The backup crew returns to the stage once again, hyping each other up and truly conveying the essence of a function. There is a special part here where Ush and Brown do some duo choreography as well, which will be a lasting memory for the fans.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cIt Depends (Remix)\u201d<\/h2>\n\n\n\t\u201cParty\u201d ends and Usher says he has to give CB his flowers, saying he has always been a fan and happy to be a brother throughout his career. Though they haven\u2019t collaborated a lot, he has valued each time they have been on a record together. Breezy says that they haven\u2019t missed when working together, especially their most recent track. And with this, the remix to \u201cIt Depends\u201d comes on.<\/p>\n
\n\tWith Usher\u2019s verse first and some very meta lines, the beat drops out various times so the moments he mentions can get their full attention. They harmonize on the chorus and continue their duo routines, making the record feel larger than life.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cNew Flame\u201d<\/h2>\n\n\n\tAfter \u201cIt Depends,\u201d Breezy says he has a personal favorite of the songs they have done together. Usher asks him which one, and Brown simply says \u201cit\u2019s hot,\u201d which leads into \u201cNew Flame.\u201d Their backup dancers throw them each a towel to fully capture the essence of the record, and the women move to the front of the stage for a special dance number with the two superstars.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cBack to Sleep (Remix)\u201d<\/h2>\n\n\n\tUltimately, this is an R&B concert, so they both show appreciation for their women fans in particular. And fittingly, for their last record together, they go into the remix of \u201cBack To Sleep.\u201d<\/p>\n
\n\tAfter the song ends, the duo exchanges kind words about one another, shake hands and hug. Breezy tells the fans he\u2019s going to leave them in the trusted hands of Usher as he continues the messaging of \u201cBack To Sleep.\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\nUsher (Solo), \u201cLovers and Friends\u201d<\/h2>\n\n\n\tUsher says he wants to stay in the grown and sexy realm for a bit. The lights go down and there is a brief pause. Abruptly, \u201cLovers And Friends\u201d comes on. As the beat progresses, the lighting slowly brightens to reveal Usher in the middle of the stage once again with his cast of women dancers. This song doesn\u2019t go for too long, but it is another signature moment for all in attendance.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cNice & Slow\u201d<\/h2>\n\n\n\tUsher reminds the crowd that he was going to test them on their knowledge of his music from 1997. After \u201cLovers And Friends\u201d comes to a close, he goes into an acapella version of the legendary first few lines of \u201cNice & Slow.\u201d He continues to test the crowd, muting himself for certain parts of the song while fans scream the lyrics to their hearts\u2019 desire. And then when it\u2019s time for the chorus, the band joins in for the highest level of karaoke one has ever experienced.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cYou Make Me Wanna\u201d<\/h2>\n\n\n\t1997 doesn\u2019t stop here, either. \u201cYou Make Me Wanna\u201d raises the energy a bit, and Usher dances as if he is 19 again. Of course, he is briefly joined by his crew of dancers but this song doesn\u2019t last long either, because there is something weighing heavily on his heart.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cU Got It Bad\u201d<\/h2>\n\n\n\tHe steps to the front of the stage again, with the back lighting dimming to show only him. He delivers one of the most emotional vocal performances of the night to \u201cU Got It Bad,\u201d prompting crowd engagement for the very heartfelt lyrics.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cBurn\u201d<\/h2>\n\n\n\tHe continues this somber portion of the show with a quick transition into \u201cBurn.\u201d Flames raise up from the stage and appear on an LED screen in the background. He removes the microphone from the stand, walking across the stage and clutching his chest as he belts the lyrics. It is truly gripping.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cMy Boo\u201d<\/h2>\n\n\n\tAnd if legendary vocal performances are what\u2019s moving the people, it only makes sense to go into \u201cMy Boo\u201d next. He continues occupying all sides of the stage, pointing to women in the crowd and holding the microphone out so they can sing Alicia Keys\u2019 part of the song.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cConfessions\u201d<\/h2>\n\n\n\tUsher says he\u2019s enjoyed the night he\u2019s had with the fans and Breezy, and that he wants to perform two of his most important songs ever to put the cherry on top. With everyone doing the mental math of what he hasn\u2019t performed yet, they\u2019re naturally expecting either \u201cConfessions Part II\u201d or \u201cYeah!\u201d However, he fakes them out with the first \u201cConfessions\u201d and builds up to a crescendo kicking things into high gear.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cConfessions Part II\u201d<\/h2>\n\n\n\t\u201cConfessions Pt. II\u201d starts and fans have a Pavlovian response. They scream, they cheer, iPhone lights illuminate the venue and Usher smirks because he knows he played it right. Strobe lights come on, the band\u2019s volume is raised and everything is perfect.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cYeah!\u201d<\/h2>\n\n\n\tAnd finally, the conclusion. \u201cYeah!\u201d is so powerful that even Chris Brown has to come back onstage one more time to create a moment bigger than his legendary backflip to \u201cMarch Madness.\u201d However, Usher won\u2019t let himself be outdone to his smash hit, and we get a dance battle that could never be topped. Ultimately, they remember the purpose of the tour, and close the record by hitting the A-Town Stomp together.<\/p>\n
\n\tUltimately, whatever they choose to do will be great. But taking fans on an audio-visual journey, capturing all of the feelings they have provided over the years, and finishing the night on Usher\u2019s signature hits would be the closest thing to a dream set come to life.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
[analyse_source url=”https:\/\/www.billboard.com\/lists\/chris-brown-usher-raymond-brown-tour-dream-setlist\/”]<\/p>\n","protected":false},"excerpt":{"rendered":"
[analyse_image type=”featured” src=”https:\/\/www.billboard.com\/wp-content\/uploads\/2026\/04\/P103R8ZZ-e1775835550108.jpg?w=1024″] For years, fans have fantasy-booked the Usher and Chris Brown Verzuz. And while it seems like it will never happen, it makes complete sense.\u00a0 The King of 2000s R&B taking on the King of 2010s R&B, both of whom are still going strong, would probably be the best battle Swizz Beatz and […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[48,226],"class_list":["post-1876442","post","type-post","status-publish","format-standard","hentry","category-politics","tag-billboard-com","tag-crawlmanager"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1876442","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1876442"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1876442\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1876442"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1876442"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1876442"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n\tChris should stick to this era of his career. A fine lady walks through the crowd while he\u2019s dancing, stops every man in his tracks, and he focuses on courting her while the backup dancers look on.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
\u201cAin\u2019t No Way (You Won\u2019t Love Me)\u201d<\/h2>\n\n\n\t\u201cAin\u2019t No Way\u201d is one of his cult favorites. It has hit appeal, without the hit packaging, but fans love it so much that it would send them all into a frenzy.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cShe Ain\u2019t You\u201d<\/h2>\n\n\n\t\u201cShe Ain\u2019t You\u201d has a somewhat similar BPM, and somewhat continues the story of \u201cYo\u201d and \u201cAin\u2019t No Way.\u201d He could even play with the lighting a bit to convey a sense of chaos. CB is with one girl, but his mind is on who he wants more.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cDeuces\u201d<\/h2>\n\n\n\tAnd when it\u2019s time to cut someone loose, he\u2019s got to chuck up the deuce. This is another record where he could play a long intro and show off the dance moves people have grown to love him for. Put an LED screen to use and flash \u201cDeuces\u201d incessantly with two peace emojis flanking the word.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cWith You\u201d<\/h2>\n\n\n\tNow, being a top tier R&B\/soul and pop performer, you know Brown is going to have a live band present. Put a heavy focus on the acoustic instruments, let him take a seat on a staged staircase, and really show off his vocals with a moving rendition of \u201cWith You.\u201d\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cSay Goodbye\u201d<\/h2>\n\n\n\tSadly, all good things must come to an end. Let the piano keys take over the venue as Chris performs an emotional, slower dance routine. One can easily envision some spins building up to the portion of the song where his vocals crescendo. And if he could get some fake rain, that would put this over the top.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cNo BS\u201d<\/h2>\n\n\n\tNow, he can show the relatable journey of a single man who tries to find recovery in the next person. \u201cNo BS\u201d can be him projecting his trauma and triggers onto another woman, but instead putting the onus on her to ensure their night goes smoothly. The backup dancers here should appropriately be an all-women cast and the lights should absolutely dim.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cDon\u2019t Judge Me\u201d<\/h2>\n\n\n\tThough he is seeking a drama-free night of sensual splendor, he can\u2019t run from his emotions. As the lights brighten a bit, he emotes to one woman about letting the past remain there and focusing on what they can do in that very moment.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cPoppin\u201d<\/h2>\n\n\n\tAs he gets on the same accord with said lady, the lights dim again, and he breaks out the body rolls. Once he catches a whine from a fair maiden, he sings this song directly to her, mimicking the conversation that takes place in the lusty cut.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cTake You Down\u201d<\/h2>\n\n\n\tNow here is where his set hits one of its peaks. The stage crew position a bed or landing pad for he and the woman to lie down on, and they live up to this all-time bedroom anthem. The lighting completely blacks out everything around them, leaving room for the spotlight to illuminate him and the woman as they roll around into different positions that mimic wrestling moves. The crowd will likely erupt here so that he can drag it out plenty.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cUnder the Influence\u201d<\/h2>\n\n\n\tEventually, Brown stands up and realizes that he is a bit out of sorts, because some spirits charged his romantic evening. Strobe lights would be great here, along with CB and his dancers almost stumbling all over the stage before abruptly getting upright and going into group choreography.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cResiduals\u201d<\/h2>\n\n\n\tChris continues regaining his full consciousness and reflecting on what he has been through, ultimately questioning if this lifestyle is right for him. He takes center stage alone and opens \u201cResiduals,\u201d ultimately walking to each side of the stage and singing directly to fans.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cStrip\u201d<\/h2>\n\n\n\tHey, rehabilitation isn\u2019t instant. Even as he ponders his life and what the proper thing to do next is, he reverts back to what he was doing before. The lady backup dancers return to stage and in more revealing outfits, and he moves throughout them while they strut their stuff.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cI Can Transform Ya\u201d<\/h2>\n\n\n\tEventually, he chooses one and now it is time to convince her that he is worth her time. This would be a cool opportunity to flash some Transformers<\/em>-inspired graphics on the screen and maybe even have his dancer come out in robotic clothing.<\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\n\u201cWall to Wall\u201d<\/h2>\n\n\n\tNow, the tough part about being a heartthrob is having a wandering eye. So while he continues dancing with the current object of his affection, women flood the stage and try to take his attention off of her. Nonetheless, he Harlem shakes through the pressure.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cLook at Me Now\u201d<\/h2>\n\n\n\tAnother major aspect of his romancing is letting the woman know everything he can offer. Brown pulls out a stack of money from his pocket, as do all of the dancers for \u201cLook At Me Now.\u201d Additionally, money signs appear on the LED screen in the background. After all, it ain\u2019t trickin\u2019 if you got it.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cKiss Kiss\u201d<\/h2>\n\n\n\tWhen it seems like Chris Breezy has won the lady over, he hits a Tiger Woods fist pump that lets right into a striking dance set to \u201cLook At Me Now.\u201d The thumping production and synths match his every move, but it is his animated vocals that steal the show. However, he\u2019s got some haters encircling him as the record draws to its closing.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cLoyal\u201d<\/h2>\n\n\n\tInstead of feeling threatened, Chris doubles down on his boasting. He dances in front of every jealous dude, reminding them that they simply didn\u2019t have enough to secure the loyalty of the woman they were pursuing, especially not in comparison to him. A spotlight following him as he goes from guy-to-guy would be the nail in the coffin.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cSensational\u201d<\/h2>\n\n\n\tCB eventually remembers the assignment and gets back to his lady, while men and women dancers join them all on stage for paired choreography. And now with everyone seeming like happy campers, they can all party together.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cYeah 3x\u201d<\/h2>\n\n\n\t\u201cYeah 3x\u201d is the ideal intro to the most upbeat portion of this set. There is a lot of jumping around, flashing colorful lights and crowd engagement.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cForever\u201d<\/h2>\n\n\n\t\u201cForever,\u201d one of his best songs of all-time, can serve as one of the most intricate dance numbers. The race-against-time feel of the production would lend itself to visuals that mimic a car driving 90 miles per hour through a tunnel.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cFine China\u201d<\/h2>\n\n\n\tIt\u2019s not a Chris Brown performance if he doesn\u2019t pay homage to Michael Jackson. The \u201cFine China\u201d introduction gets extended as he picks up a black and white fedora and vest, and performs Michael-inspired choreography. The vocals take a backseat here as he recalls his classic MJ tribute from 2010.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cGo Crazy\u201d<\/h2>\n\n\n\tNow it\u2019s time for the home stretch. The party vibes shift back to hip-hop, but the energy doesn\u2019t diminish. This dance number is more for his crew than him, as Chris walks around the stage singing and holding out the microphone for fans to handle Young Thug\u2019s portions.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cNo Guidance\u201d<\/h2>\n\n\n\tThe final song, however, is all for CB. Picture the \u201cNo Guidance\u201d video and all of the choreography he did there, and then everything he can do during the beat break, given how apt he is at freestyling. This would be the ideal closer to his set before fans get to take a breath, maybe grab some drinks, and prepare for what Usher has cooked up.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\nUsher, \u201cU Don\u2019t Have to Call\u201d<\/h2>\n\n\n\tNow, for the main event. Everyone knows the opening notes to \u201cU Don\u2019t Have To Call,\u201d so the beat can hit with the lights out to build anticipation for Usher pulling up to the stage. As the lights come on, his dance crew appears first, leaving him space in the middle. Being such a superstar and showman, he deserves one of those entrances where an act rises up from under the stage. However, fans hear his voice before they see him, delivering the classic \u201cAfter tonight, don\u2019t leave your girl round me\u201d lines. Finally, he is out and gets into the first verse.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cU Remind Me\u201d<\/h2>\n\n\n\tIf you\u2019re going to start with 8701<\/em>, you might as well keep it there. Ursher takes some time to talk to the crowd and thank for them for joining this special evening. For him, it is not just a celebration, but an opportunity to remind fans of the impact they have had on his illustrious career. Speaking of reminders, the highly musical \u201cU Remind Me\u201d begins to play as he gets into position. He stands behind a microphone stand and delivers an impassioned rendition of the hit song while women dancers encircle him.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\n\u201cBad Girl\u201d<\/h2>\n\n\n\tAnd if it is time for the ladies, then he has to acknowledge the good and the bad that comes with romance. The energetic choreography of the past two records gets swapped for slower, smoother movements when \u201cBad Girl\u201d hits. The lighting gets a bit darker, to align with the concept. However, given how the term also refers to a woman\u2019s beauty, it is far from a somber occasion. He continually looks left and right while singing, acknowledging that he is among a sea of striking femme fatales.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cCaught Up\u201d<\/h2>\n\n\n\tWith so much temptation around him, it is easy to get overwhelmed. Thus, \u201cBad Girl\u201d and the scenario presented provide a great launch point to get into the frantic \u201cCaught Up.\u201d The men return to the stage for synchronized dance moves with the women. Meanwhile, Usher maneuvers around the stage frazzled, trying to maintain his composure while unsure of who to give his full attention to.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cI Don\u2019t Mind\u201d<\/h2>\n\n\n\tNow, he\u2019s certainly not new to the game. So, while he wants to make the right pick, he understands he may not be the only man on the women\u2019s minds either. Thus, he jumps into \u201cI Don\u2019t Mind.\u201d One by one, he moves from lady to lady, enjoying the fleeting moments he has with them, before moving on. It would be really cool if the lights could flash in and out, and each time they come on, he is with somebody new.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cShe Came to Give It to You\u201d<\/h2>\n\n\n\tAs the song winds down, Usher gets into a pseudo huddle with the men on stage to pass on his wisdom. He\u2019s made his rounds with the women dancers and understands what they bring to the table, so he doesn\u2019t want the fellas caught off guard. And thus, we have the affirming \u201cShe Came To Give It To You.\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cOMG\u201d<\/h2>\n\n\n\tThere\u2019s one girl that he can\u2019t seem to get his mind off of, so while the fellas all pick their matches, he ends up with the lead backup dancer among women. This sets off the peak energy portion of his set, leaning into his pop and house ventures.<\/p>\n
\n\tWill.i.am\u2019s voice consumes the venue as the introduction of \u201cOMG\u201d comes on, and the Atlanta legend gets his mack on. \u201cOMG\u201d features some of the most intricate and animated choreography of the entire set, with unique four-counts and partner routines. And it\u2019s just the beginning.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cDJ Got Us Fallin in Love\u201d<\/h2>\n\n\n\tUsher is more caught up than ever before. He realizes it\u2019s not just the woman he is with and how they fit together so well on the dance floor, but the music being played that\u2019s curating that environment for them. During a pause, he shouts out his tour DJ, which is an alley-oop to himself since it\u2019s all his songs. He asks the DJ to play something else to keep the vibes high, and the next song is none other than \u201cDJ Got Us Fallin In Love.\u201d It is as meta as meta can get.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cLove in This Club\u201d<\/h2>\n\n\n\tUltimately, he has to remember what the mission is. So in true party fashion, the vibe shifts into something slower, more sensual. Both Usher and the object of his affection understand where the night can go next, but they don\u2019t even want to wait. They slow grind and caress each other\u2019s skin as \u201cLove In This Club\u201d blasts through the venue speakers.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cThere Goes My Baby\u201d<\/h2>\n\n\n\tAnd that\u2019s it. It is over for him, he has reached peak infatuation. As \u201cThere Goes My Baby\u201d comes on next, he struts around the stage with his lady on his arm, showing her off for all to see. He even flexes her to the crowd, including women who wish they were in her position.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cClimax\u201d<\/h2>\n\n\n\tUnfortunately, that moment of bliss is finite. While his actions signal he wants to make more of their newfound bond, the lady was just having a fun night on the town. They have an expiration date coming as soon as her Uber arrives, and a slim chance of any kind of future. In other words, they\u2019re going nowhere fast because they hit their \u201cClimax.\u201d He has this realization as the beginning of \u201cClimax\u201d hits with electric synths and thumping drums, mimicking a heartbeat.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cThe Matrimony\u201d<\/h2>\n\n\n\tAfter realizing they had different intentions, the 47-year-old heartthrob makes a last-ditch effort to secure more than just a passionate night on the dance floor. He breaks out into a solo version of \u201cThe Matrimony,\u201d which is bold and premature, but signals just how invested he got in a short period of time. He returns to the microphone stand, and leads the crowd in a unified effort of the classic chorus. <\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cSuperstar\u201d<\/h2>\n\n\n\tUsher realizes his attempts are futile and throws up one more Hail Mary with a powerful performance of \u201cSuperstar.\u201d His tone and expressions conveys that he is willing to completely submit to her, despite being the Renaissance man that he is. He asks the crowd to help him out again because there\u2019s strength in numbers. It is ultimately unsuccessful as the woman is long gone, but he is more focused on feeling the love from the audience than a woman he barely knew.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cMy Way\u201d<\/h2>\n\n\n\tUsher continues this guided karaoke, taking it back to 1997 with \u201cMy Way.\u201d He asks the crowd how long they have been fans of his and says he\u2019s going to test it again later in the show, but for now, they can have this. After the song, he talks to the crowd about how he takes pride in doing his career his way and highlights another man who did the same, his partner-in-crime on the tour: Chris Breezy. He speaks about their diverse array of songs, and while they both got the crowd deep in their feelings, they hope they have a good time through it all. Breezy walks onto the stage and tells Unc he\u2019s talking too much because the fans want to party. And boom, they get into their joint section of the show.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\nChris Brown & Usher, \u201cParty\u201d<\/h2>\n\n\n\tNothing else needs to be said. \u201cParty\u201d begins and Usher sings while Breezy shows off his dance moves. The backup crew returns to the stage once again, hyping each other up and truly conveying the essence of a function. There is a special part here where Ush and Brown do some duo choreography as well, which will be a lasting memory for the fans.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cIt Depends (Remix)\u201d<\/h2>\n\n\n\t\u201cParty\u201d ends and Usher says he has to give CB his flowers, saying he has always been a fan and happy to be a brother throughout his career. Though they haven\u2019t collaborated a lot, he has valued each time they have been on a record together. Breezy says that they haven\u2019t missed when working together, especially their most recent track. And with this, the remix to \u201cIt Depends\u201d comes on.<\/p>\n
\n\tWith Usher\u2019s verse first and some very meta lines, the beat drops out various times so the moments he mentions can get their full attention. They harmonize on the chorus and continue their duo routines, making the record feel larger than life.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cNew Flame\u201d<\/h2>\n\n\n\tAfter \u201cIt Depends,\u201d Breezy says he has a personal favorite of the songs they have done together. Usher asks him which one, and Brown simply says \u201cit\u2019s hot,\u201d which leads into \u201cNew Flame.\u201d Their backup dancers throw them each a towel to fully capture the essence of the record, and the women move to the front of the stage for a special dance number with the two superstars.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cBack to Sleep (Remix)\u201d<\/h2>\n\n\n\tUltimately, this is an R&B concert, so they both show appreciation for their women fans in particular. And fittingly, for their last record together, they go into the remix of \u201cBack To Sleep.\u201d<\/p>\n
\n\tAfter the song ends, the duo exchanges kind words about one another, shake hands and hug. Breezy tells the fans he\u2019s going to leave them in the trusted hands of Usher as he continues the messaging of \u201cBack To Sleep.\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\nUsher (Solo), \u201cLovers and Friends\u201d<\/h2>\n\n\n\tUsher says he wants to stay in the grown and sexy realm for a bit. The lights go down and there is a brief pause. Abruptly, \u201cLovers And Friends\u201d comes on. As the beat progresses, the lighting slowly brightens to reveal Usher in the middle of the stage once again with his cast of women dancers. This song doesn\u2019t go for too long, but it is another signature moment for all in attendance.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cNice & Slow\u201d<\/h2>\n\n\n\tUsher reminds the crowd that he was going to test them on their knowledge of his music from 1997. After \u201cLovers And Friends\u201d comes to a close, he goes into an acapella version of the legendary first few lines of \u201cNice & Slow.\u201d He continues to test the crowd, muting himself for certain parts of the song while fans scream the lyrics to their hearts\u2019 desire. And then when it\u2019s time for the chorus, the band joins in for the highest level of karaoke one has ever experienced.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cYou Make Me Wanna\u201d<\/h2>\n\n\n\t1997 doesn\u2019t stop here, either. \u201cYou Make Me Wanna\u201d raises the energy a bit, and Usher dances as if he is 19 again. Of course, he is briefly joined by his crew of dancers but this song doesn\u2019t last long either, because there is something weighing heavily on his heart.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cU Got It Bad\u201d<\/h2>\n\n\n\tHe steps to the front of the stage again, with the back lighting dimming to show only him. He delivers one of the most emotional vocal performances of the night to \u201cU Got It Bad,\u201d prompting crowd engagement for the very heartfelt lyrics.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cBurn\u201d<\/h2>\n\n\n\tHe continues this somber portion of the show with a quick transition into \u201cBurn.\u201d Flames raise up from the stage and appear on an LED screen in the background. He removes the microphone from the stand, walking across the stage and clutching his chest as he belts the lyrics. It is truly gripping.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cMy Boo\u201d<\/h2>\n\n\n\tAnd if legendary vocal performances are what\u2019s moving the people, it only makes sense to go into \u201cMy Boo\u201d next. He continues occupying all sides of the stage, pointing to women in the crowd and holding the microphone out so they can sing Alicia Keys\u2019 part of the song.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cConfessions\u201d<\/h2>\n\n\n\tUsher says he\u2019s enjoyed the night he\u2019s had with the fans and Breezy, and that he wants to perform two of his most important songs ever to put the cherry on top. With everyone doing the mental math of what he hasn\u2019t performed yet, they\u2019re naturally expecting either \u201cConfessions Part II\u201d or \u201cYeah!\u201d However, he fakes them out with the first \u201cConfessions\u201d and builds up to a crescendo kicking things into high gear.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cConfessions Part II\u201d<\/h2>\n\n\n\t\u201cConfessions Pt. II\u201d starts and fans have a Pavlovian response. They scream, they cheer, iPhone lights illuminate the venue and Usher smirks because he knows he played it right. Strobe lights come on, the band\u2019s volume is raised and everything is perfect.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cYeah!\u201d<\/h2>\n\n\n\tAnd finally, the conclusion. \u201cYeah!\u201d is so powerful that even Chris Brown has to come back onstage one more time to create a moment bigger than his legendary backflip to \u201cMarch Madness.\u201d However, Usher won\u2019t let himself be outdone to his smash hit, and we get a dance battle that could never be topped. Ultimately, they remember the purpose of the tour, and close the record by hitting the A-Town Stomp together.<\/p>\n
\n\tUltimately, whatever they choose to do will be great. But taking fans on an audio-visual journey, capturing all of the feelings they have provided over the years, and finishing the night on Usher\u2019s signature hits would be the closest thing to a dream set come to life.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
[analyse_source url=”https:\/\/www.billboard.com\/lists\/chris-brown-usher-raymond-brown-tour-dream-setlist\/”]<\/p>\n","protected":false},"excerpt":{"rendered":"
[analyse_image type=”featured” src=”https:\/\/www.billboard.com\/wp-content\/uploads\/2026\/04\/P103R8ZZ-e1775835550108.jpg?w=1024″] For years, fans have fantasy-booked the Usher and Chris Brown Verzuz. And while it seems like it will never happen, it makes complete sense.\u00a0 The King of 2000s R&B taking on the King of 2010s R&B, both of whom are still going strong, would probably be the best battle Swizz Beatz and […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[48,226],"class_list":["post-1876442","post","type-post","status-publish","format-standard","hentry","category-politics","tag-billboard-com","tag-crawlmanager"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1876442","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1876442"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1876442\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1876442"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1876442"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1876442"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n\t\u201cAin\u2019t No Way\u201d is one of his cult favorites. It has hit appeal, without the hit packaging, but fans love it so much that it would send them all into a frenzy.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
\u201cShe Ain\u2019t You\u201d<\/h2>\n\n\n\t\u201cShe Ain\u2019t You\u201d has a somewhat similar BPM, and somewhat continues the story of \u201cYo\u201d and \u201cAin\u2019t No Way.\u201d He could even play with the lighting a bit to convey a sense of chaos. CB is with one girl, but his mind is on who he wants more.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cDeuces\u201d<\/h2>\n\n\n\tAnd when it\u2019s time to cut someone loose, he\u2019s got to chuck up the deuce. This is another record where he could play a long intro and show off the dance moves people have grown to love him for. Put an LED screen to use and flash \u201cDeuces\u201d incessantly with two peace emojis flanking the word.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cWith You\u201d<\/h2>\n\n\n\tNow, being a top tier R&B\/soul and pop performer, you know Brown is going to have a live band present. Put a heavy focus on the acoustic instruments, let him take a seat on a staged staircase, and really show off his vocals with a moving rendition of \u201cWith You.\u201d\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cSay Goodbye\u201d<\/h2>\n\n\n\tSadly, all good things must come to an end. Let the piano keys take over the venue as Chris performs an emotional, slower dance routine. One can easily envision some spins building up to the portion of the song where his vocals crescendo. And if he could get some fake rain, that would put this over the top.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cNo BS\u201d<\/h2>\n\n\n\tNow, he can show the relatable journey of a single man who tries to find recovery in the next person. \u201cNo BS\u201d can be him projecting his trauma and triggers onto another woman, but instead putting the onus on her to ensure their night goes smoothly. The backup dancers here should appropriately be an all-women cast and the lights should absolutely dim.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cDon\u2019t Judge Me\u201d<\/h2>\n\n\n\tThough he is seeking a drama-free night of sensual splendor, he can\u2019t run from his emotions. As the lights brighten a bit, he emotes to one woman about letting the past remain there and focusing on what they can do in that very moment.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cPoppin\u201d<\/h2>\n\n\n\tAs he gets on the same accord with said lady, the lights dim again, and he breaks out the body rolls. Once he catches a whine from a fair maiden, he sings this song directly to her, mimicking the conversation that takes place in the lusty cut.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cTake You Down\u201d<\/h2>\n\n\n\tNow here is where his set hits one of its peaks. The stage crew position a bed or landing pad for he and the woman to lie down on, and they live up to this all-time bedroom anthem. The lighting completely blacks out everything around them, leaving room for the spotlight to illuminate him and the woman as they roll around into different positions that mimic wrestling moves. The crowd will likely erupt here so that he can drag it out plenty.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cUnder the Influence\u201d<\/h2>\n\n\n\tEventually, Brown stands up and realizes that he is a bit out of sorts, because some spirits charged his romantic evening. Strobe lights would be great here, along with CB and his dancers almost stumbling all over the stage before abruptly getting upright and going into group choreography.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cResiduals\u201d<\/h2>\n\n\n\tChris continues regaining his full consciousness and reflecting on what he has been through, ultimately questioning if this lifestyle is right for him. He takes center stage alone and opens \u201cResiduals,\u201d ultimately walking to each side of the stage and singing directly to fans.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cStrip\u201d<\/h2>\n\n\n\tHey, rehabilitation isn\u2019t instant. Even as he ponders his life and what the proper thing to do next is, he reverts back to what he was doing before. The lady backup dancers return to stage and in more revealing outfits, and he moves throughout them while they strut their stuff.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cI Can Transform Ya\u201d<\/h2>\n\n\n\tEventually, he chooses one and now it is time to convince her that he is worth her time. This would be a cool opportunity to flash some Transformers<\/em>-inspired graphics on the screen and maybe even have his dancer come out in robotic clothing.<\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\n\u201cWall to Wall\u201d<\/h2>\n\n\n\tNow, the tough part about being a heartthrob is having a wandering eye. So while he continues dancing with the current object of his affection, women flood the stage and try to take his attention off of her. Nonetheless, he Harlem shakes through the pressure.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cLook at Me Now\u201d<\/h2>\n\n\n\tAnother major aspect of his romancing is letting the woman know everything he can offer. Brown pulls out a stack of money from his pocket, as do all of the dancers for \u201cLook At Me Now.\u201d Additionally, money signs appear on the LED screen in the background. After all, it ain\u2019t trickin\u2019 if you got it.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cKiss Kiss\u201d<\/h2>\n\n\n\tWhen it seems like Chris Breezy has won the lady over, he hits a Tiger Woods fist pump that lets right into a striking dance set to \u201cLook At Me Now.\u201d The thumping production and synths match his every move, but it is his animated vocals that steal the show. However, he\u2019s got some haters encircling him as the record draws to its closing.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cLoyal\u201d<\/h2>\n\n\n\tInstead of feeling threatened, Chris doubles down on his boasting. He dances in front of every jealous dude, reminding them that they simply didn\u2019t have enough to secure the loyalty of the woman they were pursuing, especially not in comparison to him. A spotlight following him as he goes from guy-to-guy would be the nail in the coffin.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cSensational\u201d<\/h2>\n\n\n\tCB eventually remembers the assignment and gets back to his lady, while men and women dancers join them all on stage for paired choreography. And now with everyone seeming like happy campers, they can all party together.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cYeah 3x\u201d<\/h2>\n\n\n\t\u201cYeah 3x\u201d is the ideal intro to the most upbeat portion of this set. There is a lot of jumping around, flashing colorful lights and crowd engagement.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cForever\u201d<\/h2>\n\n\n\t\u201cForever,\u201d one of his best songs of all-time, can serve as one of the most intricate dance numbers. The race-against-time feel of the production would lend itself to visuals that mimic a car driving 90 miles per hour through a tunnel.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cFine China\u201d<\/h2>\n\n\n\tIt\u2019s not a Chris Brown performance if he doesn\u2019t pay homage to Michael Jackson. The \u201cFine China\u201d introduction gets extended as he picks up a black and white fedora and vest, and performs Michael-inspired choreography. The vocals take a backseat here as he recalls his classic MJ tribute from 2010.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cGo Crazy\u201d<\/h2>\n\n\n\tNow it\u2019s time for the home stretch. The party vibes shift back to hip-hop, but the energy doesn\u2019t diminish. This dance number is more for his crew than him, as Chris walks around the stage singing and holding out the microphone for fans to handle Young Thug\u2019s portions.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cNo Guidance\u201d<\/h2>\n\n\n\tThe final song, however, is all for CB. Picture the \u201cNo Guidance\u201d video and all of the choreography he did there, and then everything he can do during the beat break, given how apt he is at freestyling. This would be the ideal closer to his set before fans get to take a breath, maybe grab some drinks, and prepare for what Usher has cooked up.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\nUsher, \u201cU Don\u2019t Have to Call\u201d<\/h2>\n\n\n\tNow, for the main event. Everyone knows the opening notes to \u201cU Don\u2019t Have To Call,\u201d so the beat can hit with the lights out to build anticipation for Usher pulling up to the stage. As the lights come on, his dance crew appears first, leaving him space in the middle. Being such a superstar and showman, he deserves one of those entrances where an act rises up from under the stage. However, fans hear his voice before they see him, delivering the classic \u201cAfter tonight, don\u2019t leave your girl round me\u201d lines. Finally, he is out and gets into the first verse.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cU Remind Me\u201d<\/h2>\n\n\n\tIf you\u2019re going to start with 8701<\/em>, you might as well keep it there. Ursher takes some time to talk to the crowd and thank for them for joining this special evening. For him, it is not just a celebration, but an opportunity to remind fans of the impact they have had on his illustrious career. Speaking of reminders, the highly musical \u201cU Remind Me\u201d begins to play as he gets into position. He stands behind a microphone stand and delivers an impassioned rendition of the hit song while women dancers encircle him.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\n\u201cBad Girl\u201d<\/h2>\n\n\n\tAnd if it is time for the ladies, then he has to acknowledge the good and the bad that comes with romance. The energetic choreography of the past two records gets swapped for slower, smoother movements when \u201cBad Girl\u201d hits. The lighting gets a bit darker, to align with the concept. However, given how the term also refers to a woman\u2019s beauty, it is far from a somber occasion. He continually looks left and right while singing, acknowledging that he is among a sea of striking femme fatales.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cCaught Up\u201d<\/h2>\n\n\n\tWith so much temptation around him, it is easy to get overwhelmed. Thus, \u201cBad Girl\u201d and the scenario presented provide a great launch point to get into the frantic \u201cCaught Up.\u201d The men return to the stage for synchronized dance moves with the women. Meanwhile, Usher maneuvers around the stage frazzled, trying to maintain his composure while unsure of who to give his full attention to.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cI Don\u2019t Mind\u201d<\/h2>\n\n\n\tNow, he\u2019s certainly not new to the game. So, while he wants to make the right pick, he understands he may not be the only man on the women\u2019s minds either. Thus, he jumps into \u201cI Don\u2019t Mind.\u201d One by one, he moves from lady to lady, enjoying the fleeting moments he has with them, before moving on. It would be really cool if the lights could flash in and out, and each time they come on, he is with somebody new.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cShe Came to Give It to You\u201d<\/h2>\n\n\n\tAs the song winds down, Usher gets into a pseudo huddle with the men on stage to pass on his wisdom. He\u2019s made his rounds with the women dancers and understands what they bring to the table, so he doesn\u2019t want the fellas caught off guard. And thus, we have the affirming \u201cShe Came To Give It To You.\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cOMG\u201d<\/h2>\n\n\n\tThere\u2019s one girl that he can\u2019t seem to get his mind off of, so while the fellas all pick their matches, he ends up with the lead backup dancer among women. This sets off the peak energy portion of his set, leaning into his pop and house ventures.<\/p>\n
\n\tWill.i.am\u2019s voice consumes the venue as the introduction of \u201cOMG\u201d comes on, and the Atlanta legend gets his mack on. \u201cOMG\u201d features some of the most intricate and animated choreography of the entire set, with unique four-counts and partner routines. And it\u2019s just the beginning.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cDJ Got Us Fallin in Love\u201d<\/h2>\n\n\n\tUsher is more caught up than ever before. He realizes it\u2019s not just the woman he is with and how they fit together so well on the dance floor, but the music being played that\u2019s curating that environment for them. During a pause, he shouts out his tour DJ, which is an alley-oop to himself since it\u2019s all his songs. He asks the DJ to play something else to keep the vibes high, and the next song is none other than \u201cDJ Got Us Fallin In Love.\u201d It is as meta as meta can get.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cLove in This Club\u201d<\/h2>\n\n\n\tUltimately, he has to remember what the mission is. So in true party fashion, the vibe shifts into something slower, more sensual. Both Usher and the object of his affection understand where the night can go next, but they don\u2019t even want to wait. They slow grind and caress each other\u2019s skin as \u201cLove In This Club\u201d blasts through the venue speakers.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cThere Goes My Baby\u201d<\/h2>\n\n\n\tAnd that\u2019s it. It is over for him, he has reached peak infatuation. As \u201cThere Goes My Baby\u201d comes on next, he struts around the stage with his lady on his arm, showing her off for all to see. He even flexes her to the crowd, including women who wish they were in her position.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cClimax\u201d<\/h2>\n\n\n\tUnfortunately, that moment of bliss is finite. While his actions signal he wants to make more of their newfound bond, the lady was just having a fun night on the town. They have an expiration date coming as soon as her Uber arrives, and a slim chance of any kind of future. In other words, they\u2019re going nowhere fast because they hit their \u201cClimax.\u201d He has this realization as the beginning of \u201cClimax\u201d hits with electric synths and thumping drums, mimicking a heartbeat.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cThe Matrimony\u201d<\/h2>\n\n\n\tAfter realizing they had different intentions, the 47-year-old heartthrob makes a last-ditch effort to secure more than just a passionate night on the dance floor. He breaks out into a solo version of \u201cThe Matrimony,\u201d which is bold and premature, but signals just how invested he got in a short period of time. He returns to the microphone stand, and leads the crowd in a unified effort of the classic chorus. <\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cSuperstar\u201d<\/h2>\n\n\n\tUsher realizes his attempts are futile and throws up one more Hail Mary with a powerful performance of \u201cSuperstar.\u201d His tone and expressions conveys that he is willing to completely submit to her, despite being the Renaissance man that he is. He asks the crowd to help him out again because there\u2019s strength in numbers. It is ultimately unsuccessful as the woman is long gone, but he is more focused on feeling the love from the audience than a woman he barely knew.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cMy Way\u201d<\/h2>\n\n\n\tUsher continues this guided karaoke, taking it back to 1997 with \u201cMy Way.\u201d He asks the crowd how long they have been fans of his and says he\u2019s going to test it again later in the show, but for now, they can have this. After the song, he talks to the crowd about how he takes pride in doing his career his way and highlights another man who did the same, his partner-in-crime on the tour: Chris Breezy. He speaks about their diverse array of songs, and while they both got the crowd deep in their feelings, they hope they have a good time through it all. Breezy walks onto the stage and tells Unc he\u2019s talking too much because the fans want to party. And boom, they get into their joint section of the show.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\nChris Brown & Usher, \u201cParty\u201d<\/h2>\n\n\n\tNothing else needs to be said. \u201cParty\u201d begins and Usher sings while Breezy shows off his dance moves. The backup crew returns to the stage once again, hyping each other up and truly conveying the essence of a function. There is a special part here where Ush and Brown do some duo choreography as well, which will be a lasting memory for the fans.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cIt Depends (Remix)\u201d<\/h2>\n\n\n\t\u201cParty\u201d ends and Usher says he has to give CB his flowers, saying he has always been a fan and happy to be a brother throughout his career. Though they haven\u2019t collaborated a lot, he has valued each time they have been on a record together. Breezy says that they haven\u2019t missed when working together, especially their most recent track. And with this, the remix to \u201cIt Depends\u201d comes on.<\/p>\n
\n\tWith Usher\u2019s verse first and some very meta lines, the beat drops out various times so the moments he mentions can get their full attention. They harmonize on the chorus and continue their duo routines, making the record feel larger than life.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cNew Flame\u201d<\/h2>\n\n\n\tAfter \u201cIt Depends,\u201d Breezy says he has a personal favorite of the songs they have done together. Usher asks him which one, and Brown simply says \u201cit\u2019s hot,\u201d which leads into \u201cNew Flame.\u201d Their backup dancers throw them each a towel to fully capture the essence of the record, and the women move to the front of the stage for a special dance number with the two superstars.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cBack to Sleep (Remix)\u201d<\/h2>\n\n\n\tUltimately, this is an R&B concert, so they both show appreciation for their women fans in particular. And fittingly, for their last record together, they go into the remix of \u201cBack To Sleep.\u201d<\/p>\n
\n\tAfter the song ends, the duo exchanges kind words about one another, shake hands and hug. Breezy tells the fans he\u2019s going to leave them in the trusted hands of Usher as he continues the messaging of \u201cBack To Sleep.\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\nUsher (Solo), \u201cLovers and Friends\u201d<\/h2>\n\n\n\tUsher says he wants to stay in the grown and sexy realm for a bit. The lights go down and there is a brief pause. Abruptly, \u201cLovers And Friends\u201d comes on. As the beat progresses, the lighting slowly brightens to reveal Usher in the middle of the stage once again with his cast of women dancers. This song doesn\u2019t go for too long, but it is another signature moment for all in attendance.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cNice & Slow\u201d<\/h2>\n\n\n\tUsher reminds the crowd that he was going to test them on their knowledge of his music from 1997. After \u201cLovers And Friends\u201d comes to a close, he goes into an acapella version of the legendary first few lines of \u201cNice & Slow.\u201d He continues to test the crowd, muting himself for certain parts of the song while fans scream the lyrics to their hearts\u2019 desire. And then when it\u2019s time for the chorus, the band joins in for the highest level of karaoke one has ever experienced.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cYou Make Me Wanna\u201d<\/h2>\n\n\n\t1997 doesn\u2019t stop here, either. \u201cYou Make Me Wanna\u201d raises the energy a bit, and Usher dances as if he is 19 again. Of course, he is briefly joined by his crew of dancers but this song doesn\u2019t last long either, because there is something weighing heavily on his heart.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cU Got It Bad\u201d<\/h2>\n\n\n\tHe steps to the front of the stage again, with the back lighting dimming to show only him. He delivers one of the most emotional vocal performances of the night to \u201cU Got It Bad,\u201d prompting crowd engagement for the very heartfelt lyrics.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cBurn\u201d<\/h2>\n\n\n\tHe continues this somber portion of the show with a quick transition into \u201cBurn.\u201d Flames raise up from the stage and appear on an LED screen in the background. He removes the microphone from the stand, walking across the stage and clutching his chest as he belts the lyrics. It is truly gripping.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cMy Boo\u201d<\/h2>\n\n\n\tAnd if legendary vocal performances are what\u2019s moving the people, it only makes sense to go into \u201cMy Boo\u201d next. He continues occupying all sides of the stage, pointing to women in the crowd and holding the microphone out so they can sing Alicia Keys\u2019 part of the song.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cConfessions\u201d<\/h2>\n\n\n\tUsher says he\u2019s enjoyed the night he\u2019s had with the fans and Breezy, and that he wants to perform two of his most important songs ever to put the cherry on top. With everyone doing the mental math of what he hasn\u2019t performed yet, they\u2019re naturally expecting either \u201cConfessions Part II\u201d or \u201cYeah!\u201d However, he fakes them out with the first \u201cConfessions\u201d and builds up to a crescendo kicking things into high gear.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cConfessions Part II\u201d<\/h2>\n\n\n\t\u201cConfessions Pt. II\u201d starts and fans have a Pavlovian response. They scream, they cheer, iPhone lights illuminate the venue and Usher smirks because he knows he played it right. Strobe lights come on, the band\u2019s volume is raised and everything is perfect.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
- \n
\n\u201cYeah!\u201d<\/h2>\n\n\n\tAnd finally, the conclusion. \u201cYeah!\u201d is so powerful that even Chris Brown has to come back onstage one more time to create a moment bigger than his legendary backflip to \u201cMarch Madness.\u201d However, Usher won\u2019t let himself be outdone to his smash hit, and we get a dance battle that could never be topped. Ultimately, they remember the purpose of the tour, and close the record by hitting the A-Town Stomp together.<\/p>\n
\n\tUltimately, whatever they choose to do will be great. But taking fans on an audio-visual journey, capturing all of the feelings they have provided over the years, and finishing the night on Usher\u2019s signature hits would be the closest thing to a dream set come to life.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
[analyse_source url=”https:\/\/www.billboard.com\/lists\/chris-brown-usher-raymond-brown-tour-dream-setlist\/”]<\/p>\n","protected":false},"excerpt":{"rendered":"
[analyse_image type=”featured” src=”https:\/\/www.billboard.com\/wp-content\/uploads\/2026\/04\/P103R8ZZ-e1775835550108.jpg?w=1024″] For years, fans have fantasy-booked the Usher and Chris Brown Verzuz. And while it seems like it will never happen, it makes complete sense.\u00a0 The King of 2000s R&B taking on the King of 2010s R&B, both of whom are still going strong, would probably be the best battle Swizz Beatz and […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[48,226],"class_list":["post-1876442","post","type-post","status-publish","format-standard","hentry","category-politics","tag-billboard-com","tag-crawlmanager"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1876442","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1876442"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1876442\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1876442"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1876442"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1876442"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n\t\u201cShe Ain\u2019t You\u201d has a somewhat similar BPM, and somewhat continues the story of \u201cYo\u201d and \u201cAin\u2019t No Way.\u201d He could even play with the lighting a bit to convey a sense of chaos. CB is with one girl, but his mind is on who he wants more.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
\u201cDeuces\u201d<\/h2>\n\n\n\tAnd when it\u2019s time to cut someone loose, he\u2019s got to chuck up the deuce. This is another record where he could play a long intro and show off the dance moves people have grown to love him for. Put an LED screen to use and flash \u201cDeuces\u201d incessantly with two peace emojis flanking the word.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cWith You\u201d<\/h2>\n\n\n\tNow, being a top tier R&B\/soul and pop performer, you know Brown is going to have a live band present. Put a heavy focus on the acoustic instruments, let him take a seat on a staged staircase, and really show off his vocals with a moving rendition of \u201cWith You.\u201d\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cSay Goodbye\u201d<\/h2>\n\n\n\tSadly, all good things must come to an end. Let the piano keys take over the venue as Chris performs an emotional, slower dance routine. One can easily envision some spins building up to the portion of the song where his vocals crescendo. And if he could get some fake rain, that would put this over the top.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cNo BS\u201d<\/h2>\n\n\n\tNow, he can show the relatable journey of a single man who tries to find recovery in the next person. \u201cNo BS\u201d can be him projecting his trauma and triggers onto another woman, but instead putting the onus on her to ensure their night goes smoothly. The backup dancers here should appropriately be an all-women cast and the lights should absolutely dim.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cDon\u2019t Judge Me\u201d<\/h2>\n\n\n\tThough he is seeking a drama-free night of sensual splendor, he can\u2019t run from his emotions. As the lights brighten a bit, he emotes to one woman about letting the past remain there and focusing on what they can do in that very moment.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cPoppin\u201d<\/h2>\n\n\n\tAs he gets on the same accord with said lady, the lights dim again, and he breaks out the body rolls. Once he catches a whine from a fair maiden, he sings this song directly to her, mimicking the conversation that takes place in the lusty cut.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cTake You Down\u201d<\/h2>\n\n\n\tNow here is where his set hits one of its peaks. The stage crew position a bed or landing pad for he and the woman to lie down on, and they live up to this all-time bedroom anthem. The lighting completely blacks out everything around them, leaving room for the spotlight to illuminate him and the woman as they roll around into different positions that mimic wrestling moves. The crowd will likely erupt here so that he can drag it out plenty.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cUnder the Influence\u201d<\/h2>\n\n\n\tEventually, Brown stands up and realizes that he is a bit out of sorts, because some spirits charged his romantic evening. Strobe lights would be great here, along with CB and his dancers almost stumbling all over the stage before abruptly getting upright and going into group choreography.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cResiduals\u201d<\/h2>\n\n\n\tChris continues regaining his full consciousness and reflecting on what he has been through, ultimately questioning if this lifestyle is right for him. He takes center stage alone and opens \u201cResiduals,\u201d ultimately walking to each side of the stage and singing directly to fans.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cStrip\u201d<\/h2>\n\n\n\tHey, rehabilitation isn\u2019t instant. Even as he ponders his life and what the proper thing to do next is, he reverts back to what he was doing before. The lady backup dancers return to stage and in more revealing outfits, and he moves throughout them while they strut their stuff.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cI Can Transform Ya\u201d<\/h2>\n\n\n\tEventually, he chooses one and now it is time to convince her that he is worth her time. This would be a cool opportunity to flash some Transformers<\/em>-inspired graphics on the screen and maybe even have his dancer come out in robotic clothing.<\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\n\u201cWall to Wall\u201d<\/h2>\n\n\n\tNow, the tough part about being a heartthrob is having a wandering eye. So while he continues dancing with the current object of his affection, women flood the stage and try to take his attention off of her. Nonetheless, he Harlem shakes through the pressure.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cLook at Me Now\u201d<\/h2>\n\n\n\tAnother major aspect of his romancing is letting the woman know everything he can offer. Brown pulls out a stack of money from his pocket, as do all of the dancers for \u201cLook At Me Now.\u201d Additionally, money signs appear on the LED screen in the background. After all, it ain\u2019t trickin\u2019 if you got it.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cKiss Kiss\u201d<\/h2>\n\n\n\tWhen it seems like Chris Breezy has won the lady over, he hits a Tiger Woods fist pump that lets right into a striking dance set to \u201cLook At Me Now.\u201d The thumping production and synths match his every move, but it is his animated vocals that steal the show. However, he\u2019s got some haters encircling him as the record draws to its closing.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cLoyal\u201d<\/h2>\n\n\n\tInstead of feeling threatened, Chris doubles down on his boasting. He dances in front of every jealous dude, reminding them that they simply didn\u2019t have enough to secure the loyalty of the woman they were pursuing, especially not in comparison to him. A spotlight following him as he goes from guy-to-guy would be the nail in the coffin.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
- \n
\n\u201cSensational\u201d<\/h2>\n\n\n\tCB eventually remembers the assignment and gets back to his lady, while men and women dancers join them all on stage for paired choreography. And now with everyone seeming like happy campers, they can all party together.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cYeah 3x\u201d<\/h2>\n\n\n\t\u201cYeah 3x\u201d is the ideal intro to the most upbeat portion of this set. There is a lot of jumping around, flashing colorful lights and crowd engagement.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cForever\u201d<\/h2>\n\n\n\t\u201cForever,\u201d one of his best songs of all-time, can serve as one of the most intricate dance numbers. The race-against-time feel of the production would lend itself to visuals that mimic a car driving 90 miles per hour through a tunnel.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cFine China\u201d<\/h2>\n\n\n\tIt\u2019s not a Chris Brown performance if he doesn\u2019t pay homage to Michael Jackson. The \u201cFine China\u201d introduction gets extended as he picks up a black and white fedora and vest, and performs Michael-inspired choreography. The vocals take a backseat here as he recalls his classic MJ tribute from 2010.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cGo Crazy\u201d<\/h2>\n\n\n\tNow it\u2019s time for the home stretch. The party vibes shift back to hip-hop, but the energy doesn\u2019t diminish. This dance number is more for his crew than him, as Chris walks around the stage singing and holding out the microphone for fans to handle Young Thug\u2019s portions.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cNo Guidance\u201d<\/h2>\n\n\n\tThe final song, however, is all for CB. Picture the \u201cNo Guidance\u201d video and all of the choreography he did there, and then everything he can do during the beat break, given how apt he is at freestyling. This would be the ideal closer to his set before fans get to take a breath, maybe grab some drinks, and prepare for what Usher has cooked up.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\nUsher, \u201cU Don\u2019t Have to Call\u201d<\/h2>\n\n\n\tNow, for the main event. Everyone knows the opening notes to \u201cU Don\u2019t Have To Call,\u201d so the beat can hit with the lights out to build anticipation for Usher pulling up to the stage. As the lights come on, his dance crew appears first, leaving him space in the middle. Being such a superstar and showman, he deserves one of those entrances where an act rises up from under the stage. However, fans hear his voice before they see him, delivering the classic \u201cAfter tonight, don\u2019t leave your girl round me\u201d lines. Finally, he is out and gets into the first verse.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cU Remind Me\u201d<\/h2>\n\n\n\tIf you\u2019re going to start with 8701<\/em>, you might as well keep it there. Ursher takes some time to talk to the crowd and thank for them for joining this special evening. For him, it is not just a celebration, but an opportunity to remind fans of the impact they have had on his illustrious career. Speaking of reminders, the highly musical \u201cU Remind Me\u201d begins to play as he gets into position. He stands behind a microphone stand and delivers an impassioned rendition of the hit song while women dancers encircle him.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\n\u201cBad Girl\u201d<\/h2>\n\n\n\tAnd if it is time for the ladies, then he has to acknowledge the good and the bad that comes with romance. The energetic choreography of the past two records gets swapped for slower, smoother movements when \u201cBad Girl\u201d hits. The lighting gets a bit darker, to align with the concept. However, given how the term also refers to a woman\u2019s beauty, it is far from a somber occasion. He continually looks left and right while singing, acknowledging that he is among a sea of striking femme fatales.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cCaught Up\u201d<\/h2>\n\n\n\tWith so much temptation around him, it is easy to get overwhelmed. Thus, \u201cBad Girl\u201d and the scenario presented provide a great launch point to get into the frantic \u201cCaught Up.\u201d The men return to the stage for synchronized dance moves with the women. Meanwhile, Usher maneuvers around the stage frazzled, trying to maintain his composure while unsure of who to give his full attention to.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cI Don\u2019t Mind\u201d<\/h2>\n\n\n\tNow, he\u2019s certainly not new to the game. So, while he wants to make the right pick, he understands he may not be the only man on the women\u2019s minds either. Thus, he jumps into \u201cI Don\u2019t Mind.\u201d One by one, he moves from lady to lady, enjoying the fleeting moments he has with them, before moving on. It would be really cool if the lights could flash in and out, and each time they come on, he is with somebody new.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cShe Came to Give It to You\u201d<\/h2>\n\n\n\tAs the song winds down, Usher gets into a pseudo huddle with the men on stage to pass on his wisdom. He\u2019s made his rounds with the women dancers and understands what they bring to the table, so he doesn\u2019t want the fellas caught off guard. And thus, we have the affirming \u201cShe Came To Give It To You.\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cOMG\u201d<\/h2>\n\n\n\tThere\u2019s one girl that he can\u2019t seem to get his mind off of, so while the fellas all pick their matches, he ends up with the lead backup dancer among women. This sets off the peak energy portion of his set, leaning into his pop and house ventures.<\/p>\n
\n\tWill.i.am\u2019s voice consumes the venue as the introduction of \u201cOMG\u201d comes on, and the Atlanta legend gets his mack on. \u201cOMG\u201d features some of the most intricate and animated choreography of the entire set, with unique four-counts and partner routines. And it\u2019s just the beginning.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cDJ Got Us Fallin in Love\u201d<\/h2>\n\n\n\tUsher is more caught up than ever before. He realizes it\u2019s not just the woman he is with and how they fit together so well on the dance floor, but the music being played that\u2019s curating that environment for them. During a pause, he shouts out his tour DJ, which is an alley-oop to himself since it\u2019s all his songs. He asks the DJ to play something else to keep the vibes high, and the next song is none other than \u201cDJ Got Us Fallin In Love.\u201d It is as meta as meta can get.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cLove in This Club\u201d<\/h2>\n\n\n\tUltimately, he has to remember what the mission is. So in true party fashion, the vibe shifts into something slower, more sensual. Both Usher and the object of his affection understand where the night can go next, but they don\u2019t even want to wait. They slow grind and caress each other\u2019s skin as \u201cLove In This Club\u201d blasts through the venue speakers.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cThere Goes My Baby\u201d<\/h2>\n\n\n\tAnd that\u2019s it. It is over for him, he has reached peak infatuation. As \u201cThere Goes My Baby\u201d comes on next, he struts around the stage with his lady on his arm, showing her off for all to see. He even flexes her to the crowd, including women who wish they were in her position.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cClimax\u201d<\/h2>\n\n\n\tUnfortunately, that moment of bliss is finite. While his actions signal he wants to make more of their newfound bond, the lady was just having a fun night on the town. They have an expiration date coming as soon as her Uber arrives, and a slim chance of any kind of future. In other words, they\u2019re going nowhere fast because they hit their \u201cClimax.\u201d He has this realization as the beginning of \u201cClimax\u201d hits with electric synths and thumping drums, mimicking a heartbeat.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cThe Matrimony\u201d<\/h2>\n\n\n\tAfter realizing they had different intentions, the 47-year-old heartthrob makes a last-ditch effort to secure more than just a passionate night on the dance floor. He breaks out into a solo version of \u201cThe Matrimony,\u201d which is bold and premature, but signals just how invested he got in a short period of time. He returns to the microphone stand, and leads the crowd in a unified effort of the classic chorus. <\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cSuperstar\u201d<\/h2>\n\n\n\tUsher realizes his attempts are futile and throws up one more Hail Mary with a powerful performance of \u201cSuperstar.\u201d His tone and expressions conveys that he is willing to completely submit to her, despite being the Renaissance man that he is. He asks the crowd to help him out again because there\u2019s strength in numbers. It is ultimately unsuccessful as the woman is long gone, but he is more focused on feeling the love from the audience than a woman he barely knew.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cMy Way\u201d<\/h2>\n\n\n\tUsher continues this guided karaoke, taking it back to 1997 with \u201cMy Way.\u201d He asks the crowd how long they have been fans of his and says he\u2019s going to test it again later in the show, but for now, they can have this. After the song, he talks to the crowd about how he takes pride in doing his career his way and highlights another man who did the same, his partner-in-crime on the tour: Chris Breezy. He speaks about their diverse array of songs, and while they both got the crowd deep in their feelings, they hope they have a good time through it all. Breezy walks onto the stage and tells Unc he\u2019s talking too much because the fans want to party. And boom, they get into their joint section of the show.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\nChris Brown & Usher, \u201cParty\u201d<\/h2>\n\n\n\tNothing else needs to be said. \u201cParty\u201d begins and Usher sings while Breezy shows off his dance moves. The backup crew returns to the stage once again, hyping each other up and truly conveying the essence of a function. There is a special part here where Ush and Brown do some duo choreography as well, which will be a lasting memory for the fans.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cIt Depends (Remix)\u201d<\/h2>\n\n\n\t\u201cParty\u201d ends and Usher says he has to give CB his flowers, saying he has always been a fan and happy to be a brother throughout his career. Though they haven\u2019t collaborated a lot, he has valued each time they have been on a record together. Breezy says that they haven\u2019t missed when working together, especially their most recent track. And with this, the remix to \u201cIt Depends\u201d comes on.<\/p>\n
\n\tWith Usher\u2019s verse first and some very meta lines, the beat drops out various times so the moments he mentions can get their full attention. They harmonize on the chorus and continue their duo routines, making the record feel larger than life.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cNew Flame\u201d<\/h2>\n\n\n\tAfter \u201cIt Depends,\u201d Breezy says he has a personal favorite of the songs they have done together. Usher asks him which one, and Brown simply says \u201cit\u2019s hot,\u201d which leads into \u201cNew Flame.\u201d Their backup dancers throw them each a towel to fully capture the essence of the record, and the women move to the front of the stage for a special dance number with the two superstars.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cBack to Sleep (Remix)\u201d<\/h2>\n\n\n\tUltimately, this is an R&B concert, so they both show appreciation for their women fans in particular. And fittingly, for their last record together, they go into the remix of \u201cBack To Sleep.\u201d<\/p>\n
\n\tAfter the song ends, the duo exchanges kind words about one another, shake hands and hug. Breezy tells the fans he\u2019s going to leave them in the trusted hands of Usher as he continues the messaging of \u201cBack To Sleep.\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\nUsher (Solo), \u201cLovers and Friends\u201d<\/h2>\n\n\n\tUsher says he wants to stay in the grown and sexy realm for a bit. The lights go down and there is a brief pause. Abruptly, \u201cLovers And Friends\u201d comes on. As the beat progresses, the lighting slowly brightens to reveal Usher in the middle of the stage once again with his cast of women dancers. This song doesn\u2019t go for too long, but it is another signature moment for all in attendance.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cNice & Slow\u201d<\/h2>\n\n\n\tUsher reminds the crowd that he was going to test them on their knowledge of his music from 1997. After \u201cLovers And Friends\u201d comes to a close, he goes into an acapella version of the legendary first few lines of \u201cNice & Slow.\u201d He continues to test the crowd, muting himself for certain parts of the song while fans scream the lyrics to their hearts\u2019 desire. And then when it\u2019s time for the chorus, the band joins in for the highest level of karaoke one has ever experienced.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cYou Make Me Wanna\u201d<\/h2>\n\n\n\t1997 doesn\u2019t stop here, either. \u201cYou Make Me Wanna\u201d raises the energy a bit, and Usher dances as if he is 19 again. Of course, he is briefly joined by his crew of dancers but this song doesn\u2019t last long either, because there is something weighing heavily on his heart.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cU Got It Bad\u201d<\/h2>\n\n\n\tHe steps to the front of the stage again, with the back lighting dimming to show only him. He delivers one of the most emotional vocal performances of the night to \u201cU Got It Bad,\u201d prompting crowd engagement for the very heartfelt lyrics.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cBurn\u201d<\/h2>\n\n\n\tHe continues this somber portion of the show with a quick transition into \u201cBurn.\u201d Flames raise up from the stage and appear on an LED screen in the background. He removes the microphone from the stand, walking across the stage and clutching his chest as he belts the lyrics. It is truly gripping.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cMy Boo\u201d<\/h2>\n\n\n\tAnd if legendary vocal performances are what\u2019s moving the people, it only makes sense to go into \u201cMy Boo\u201d next. He continues occupying all sides of the stage, pointing to women in the crowd and holding the microphone out so they can sing Alicia Keys\u2019 part of the song.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cConfessions\u201d<\/h2>\n\n\n\tUsher says he\u2019s enjoyed the night he\u2019s had with the fans and Breezy, and that he wants to perform two of his most important songs ever to put the cherry on top. With everyone doing the mental math of what he hasn\u2019t performed yet, they\u2019re naturally expecting either \u201cConfessions Part II\u201d or \u201cYeah!\u201d However, he fakes them out with the first \u201cConfessions\u201d and builds up to a crescendo kicking things into high gear.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cConfessions Part II\u201d<\/h2>\n\n\n\t\u201cConfessions Pt. II\u201d starts and fans have a Pavlovian response. They scream, they cheer, iPhone lights illuminate the venue and Usher smirks because he knows he played it right. Strobe lights come on, the band\u2019s volume is raised and everything is perfect.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cYeah!\u201d<\/h2>\n\n\n\tAnd finally, the conclusion. \u201cYeah!\u201d is so powerful that even Chris Brown has to come back onstage one more time to create a moment bigger than his legendary backflip to \u201cMarch Madness.\u201d However, Usher won\u2019t let himself be outdone to his smash hit, and we get a dance battle that could never be topped. Ultimately, they remember the purpose of the tour, and close the record by hitting the A-Town Stomp together.<\/p>\n
\n\tUltimately, whatever they choose to do will be great. But taking fans on an audio-visual journey, capturing all of the feelings they have provided over the years, and finishing the night on Usher\u2019s signature hits would be the closest thing to a dream set come to life.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
[analyse_source url=”https:\/\/www.billboard.com\/lists\/chris-brown-usher-raymond-brown-tour-dream-setlist\/”]<\/p>\n","protected":false},"excerpt":{"rendered":"
[analyse_image type=”featured” src=”https:\/\/www.billboard.com\/wp-content\/uploads\/2026\/04\/P103R8ZZ-e1775835550108.jpg?w=1024″] For years, fans have fantasy-booked the Usher and Chris Brown Verzuz. And while it seems like it will never happen, it makes complete sense.\u00a0 The King of 2000s R&B taking on the King of 2010s R&B, both of whom are still going strong, would probably be the best battle Swizz Beatz and […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[48,226],"class_list":["post-1876442","post","type-post","status-publish","format-standard","hentry","category-politics","tag-billboard-com","tag-crawlmanager"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1876442","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1876442"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1876442\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1876442"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1876442"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1876442"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n\tAnd when it\u2019s time to cut someone loose, he\u2019s got to chuck up the deuce. This is another record where he could play a long intro and show off the dance moves people have grown to love him for. Put an LED screen to use and flash \u201cDeuces\u201d incessantly with two peace emojis flanking the word.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
\u201cWith You\u201d<\/h2>\n\n\n\tNow, being a top tier R&B\/soul and pop performer, you know Brown is going to have a live band present. Put a heavy focus on the acoustic instruments, let him take a seat on a staged staircase, and really show off his vocals with a moving rendition of \u201cWith You.\u201d\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cSay Goodbye\u201d<\/h2>\n\n\n\tSadly, all good things must come to an end. Let the piano keys take over the venue as Chris performs an emotional, slower dance routine. One can easily envision some spins building up to the portion of the song where his vocals crescendo. And if he could get some fake rain, that would put this over the top.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cNo BS\u201d<\/h2>\n\n\n\tNow, he can show the relatable journey of a single man who tries to find recovery in the next person. \u201cNo BS\u201d can be him projecting his trauma and triggers onto another woman, but instead putting the onus on her to ensure their night goes smoothly. The backup dancers here should appropriately be an all-women cast and the lights should absolutely dim.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cDon\u2019t Judge Me\u201d<\/h2>\n\n\n\tThough he is seeking a drama-free night of sensual splendor, he can\u2019t run from his emotions. As the lights brighten a bit, he emotes to one woman about letting the past remain there and focusing on what they can do in that very moment.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cPoppin\u201d<\/h2>\n\n\n\tAs he gets on the same accord with said lady, the lights dim again, and he breaks out the body rolls. Once he catches a whine from a fair maiden, he sings this song directly to her, mimicking the conversation that takes place in the lusty cut.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cTake You Down\u201d<\/h2>\n\n\n\tNow here is where his set hits one of its peaks. The stage crew position a bed or landing pad for he and the woman to lie down on, and they live up to this all-time bedroom anthem. The lighting completely blacks out everything around them, leaving room for the spotlight to illuminate him and the woman as they roll around into different positions that mimic wrestling moves. The crowd will likely erupt here so that he can drag it out plenty.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cUnder the Influence\u201d<\/h2>\n\n\n\tEventually, Brown stands up and realizes that he is a bit out of sorts, because some spirits charged his romantic evening. Strobe lights would be great here, along with CB and his dancers almost stumbling all over the stage before abruptly getting upright and going into group choreography.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cResiduals\u201d<\/h2>\n\n\n\tChris continues regaining his full consciousness and reflecting on what he has been through, ultimately questioning if this lifestyle is right for him. He takes center stage alone and opens \u201cResiduals,\u201d ultimately walking to each side of the stage and singing directly to fans.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cStrip\u201d<\/h2>\n\n\n\tHey, rehabilitation isn\u2019t instant. Even as he ponders his life and what the proper thing to do next is, he reverts back to what he was doing before. The lady backup dancers return to stage and in more revealing outfits, and he moves throughout them while they strut their stuff.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cI Can Transform Ya\u201d<\/h2>\n\n\n\tEventually, he chooses one and now it is time to convince her that he is worth her time. This would be a cool opportunity to flash some Transformers<\/em>-inspired graphics on the screen and maybe even have his dancer come out in robotic clothing.<\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\n\u201cWall to Wall\u201d<\/h2>\n\n\n\tNow, the tough part about being a heartthrob is having a wandering eye. So while he continues dancing with the current object of his affection, women flood the stage and try to take his attention off of her. Nonetheless, he Harlem shakes through the pressure.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cLook at Me Now\u201d<\/h2>\n\n\n\tAnother major aspect of his romancing is letting the woman know everything he can offer. Brown pulls out a stack of money from his pocket, as do all of the dancers for \u201cLook At Me Now.\u201d Additionally, money signs appear on the LED screen in the background. After all, it ain\u2019t trickin\u2019 if you got it.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cKiss Kiss\u201d<\/h2>\n\n\n\tWhen it seems like Chris Breezy has won the lady over, he hits a Tiger Woods fist pump that lets right into a striking dance set to \u201cLook At Me Now.\u201d The thumping production and synths match his every move, but it is his animated vocals that steal the show. However, he\u2019s got some haters encircling him as the record draws to its closing.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cLoyal\u201d<\/h2>\n\n\n\tInstead of feeling threatened, Chris doubles down on his boasting. He dances in front of every jealous dude, reminding them that they simply didn\u2019t have enough to secure the loyalty of the woman they were pursuing, especially not in comparison to him. A spotlight following him as he goes from guy-to-guy would be the nail in the coffin.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cSensational\u201d<\/h2>\n\n\n\tCB eventually remembers the assignment and gets back to his lady, while men and women dancers join them all on stage for paired choreography. And now with everyone seeming like happy campers, they can all party together.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cYeah 3x\u201d<\/h2>\n\n\n\t\u201cYeah 3x\u201d is the ideal intro to the most upbeat portion of this set. There is a lot of jumping around, flashing colorful lights and crowd engagement.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cForever\u201d<\/h2>\n\n\n\t\u201cForever,\u201d one of his best songs of all-time, can serve as one of the most intricate dance numbers. The race-against-time feel of the production would lend itself to visuals that mimic a car driving 90 miles per hour through a tunnel.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cFine China\u201d<\/h2>\n\n\n\tIt\u2019s not a Chris Brown performance if he doesn\u2019t pay homage to Michael Jackson. The \u201cFine China\u201d introduction gets extended as he picks up a black and white fedora and vest, and performs Michael-inspired choreography. The vocals take a backseat here as he recalls his classic MJ tribute from 2010.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cGo Crazy\u201d<\/h2>\n\n\n\tNow it\u2019s time for the home stretch. The party vibes shift back to hip-hop, but the energy doesn\u2019t diminish. This dance number is more for his crew than him, as Chris walks around the stage singing and holding out the microphone for fans to handle Young Thug\u2019s portions.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cNo Guidance\u201d<\/h2>\n\n\n\tThe final song, however, is all for CB. Picture the \u201cNo Guidance\u201d video and all of the choreography he did there, and then everything he can do during the beat break, given how apt he is at freestyling. This would be the ideal closer to his set before fans get to take a breath, maybe grab some drinks, and prepare for what Usher has cooked up.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\nUsher, \u201cU Don\u2019t Have to Call\u201d<\/h2>\n\n\n\tNow, for the main event. Everyone knows the opening notes to \u201cU Don\u2019t Have To Call,\u201d so the beat can hit with the lights out to build anticipation for Usher pulling up to the stage. As the lights come on, his dance crew appears first, leaving him space in the middle. Being such a superstar and showman, he deserves one of those entrances where an act rises up from under the stage. However, fans hear his voice before they see him, delivering the classic \u201cAfter tonight, don\u2019t leave your girl round me\u201d lines. Finally, he is out and gets into the first verse.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cU Remind Me\u201d<\/h2>\n\n\n\tIf you\u2019re going to start with 8701<\/em>, you might as well keep it there. Ursher takes some time to talk to the crowd and thank for them for joining this special evening. For him, it is not just a celebration, but an opportunity to remind fans of the impact they have had on his illustrious career. Speaking of reminders, the highly musical \u201cU Remind Me\u201d begins to play as he gets into position. He stands behind a microphone stand and delivers an impassioned rendition of the hit song while women dancers encircle him.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\n\u201cBad Girl\u201d<\/h2>\n\n\n\tAnd if it is time for the ladies, then he has to acknowledge the good and the bad that comes with romance. The energetic choreography of the past two records gets swapped for slower, smoother movements when \u201cBad Girl\u201d hits. The lighting gets a bit darker, to align with the concept. However, given how the term also refers to a woman\u2019s beauty, it is far from a somber occasion. He continually looks left and right while singing, acknowledging that he is among a sea of striking femme fatales.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cCaught Up\u201d<\/h2>\n\n\n\tWith so much temptation around him, it is easy to get overwhelmed. Thus, \u201cBad Girl\u201d and the scenario presented provide a great launch point to get into the frantic \u201cCaught Up.\u201d The men return to the stage for synchronized dance moves with the women. Meanwhile, Usher maneuvers around the stage frazzled, trying to maintain his composure while unsure of who to give his full attention to.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cI Don\u2019t Mind\u201d<\/h2>\n\n\n\tNow, he\u2019s certainly not new to the game. So, while he wants to make the right pick, he understands he may not be the only man on the women\u2019s minds either. Thus, he jumps into \u201cI Don\u2019t Mind.\u201d One by one, he moves from lady to lady, enjoying the fleeting moments he has with them, before moving on. It would be really cool if the lights could flash in and out, and each time they come on, he is with somebody new.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cShe Came to Give It to You\u201d<\/h2>\n\n\n\tAs the song winds down, Usher gets into a pseudo huddle with the men on stage to pass on his wisdom. He\u2019s made his rounds with the women dancers and understands what they bring to the table, so he doesn\u2019t want the fellas caught off guard. And thus, we have the affirming \u201cShe Came To Give It To You.\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cOMG\u201d<\/h2>\n\n\n\tThere\u2019s one girl that he can\u2019t seem to get his mind off of, so while the fellas all pick their matches, he ends up with the lead backup dancer among women. This sets off the peak energy portion of his set, leaning into his pop and house ventures.<\/p>\n
\n\tWill.i.am\u2019s voice consumes the venue as the introduction of \u201cOMG\u201d comes on, and the Atlanta legend gets his mack on. \u201cOMG\u201d features some of the most intricate and animated choreography of the entire set, with unique four-counts and partner routines. And it\u2019s just the beginning.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cDJ Got Us Fallin in Love\u201d<\/h2>\n\n\n\tUsher is more caught up than ever before. He realizes it\u2019s not just the woman he is with and how they fit together so well on the dance floor, but the music being played that\u2019s curating that environment for them. During a pause, he shouts out his tour DJ, which is an alley-oop to himself since it\u2019s all his songs. He asks the DJ to play something else to keep the vibes high, and the next song is none other than \u201cDJ Got Us Fallin In Love.\u201d It is as meta as meta can get.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cLove in This Club\u201d<\/h2>\n\n\n\tUltimately, he has to remember what the mission is. So in true party fashion, the vibe shifts into something slower, more sensual. Both Usher and the object of his affection understand where the night can go next, but they don\u2019t even want to wait. They slow grind and caress each other\u2019s skin as \u201cLove In This Club\u201d blasts through the venue speakers.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cThere Goes My Baby\u201d<\/h2>\n\n\n\tAnd that\u2019s it. It is over for him, he has reached peak infatuation. As \u201cThere Goes My Baby\u201d comes on next, he struts around the stage with his lady on his arm, showing her off for all to see. He even flexes her to the crowd, including women who wish they were in her position.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cClimax\u201d<\/h2>\n\n\n\tUnfortunately, that moment of bliss is finite. While his actions signal he wants to make more of their newfound bond, the lady was just having a fun night on the town. They have an expiration date coming as soon as her Uber arrives, and a slim chance of any kind of future. In other words, they\u2019re going nowhere fast because they hit their \u201cClimax.\u201d He has this realization as the beginning of \u201cClimax\u201d hits with electric synths and thumping drums, mimicking a heartbeat.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cThe Matrimony\u201d<\/h2>\n\n\n\tAfter realizing they had different intentions, the 47-year-old heartthrob makes a last-ditch effort to secure more than just a passionate night on the dance floor. He breaks out into a solo version of \u201cThe Matrimony,\u201d which is bold and premature, but signals just how invested he got in a short period of time. He returns to the microphone stand, and leads the crowd in a unified effort of the classic chorus. <\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cSuperstar\u201d<\/h2>\n\n\n\tUsher realizes his attempts are futile and throws up one more Hail Mary with a powerful performance of \u201cSuperstar.\u201d His tone and expressions conveys that he is willing to completely submit to her, despite being the Renaissance man that he is. He asks the crowd to help him out again because there\u2019s strength in numbers. It is ultimately unsuccessful as the woman is long gone, but he is more focused on feeling the love from the audience than a woman he barely knew.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cMy Way\u201d<\/h2>\n\n\n\tUsher continues this guided karaoke, taking it back to 1997 with \u201cMy Way.\u201d He asks the crowd how long they have been fans of his and says he\u2019s going to test it again later in the show, but for now, they can have this. After the song, he talks to the crowd about how he takes pride in doing his career his way and highlights another man who did the same, his partner-in-crime on the tour: Chris Breezy. He speaks about their diverse array of songs, and while they both got the crowd deep in their feelings, they hope they have a good time through it all. Breezy walks onto the stage and tells Unc he\u2019s talking too much because the fans want to party. And boom, they get into their joint section of the show.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\nChris Brown & Usher, \u201cParty\u201d<\/h2>\n\n\n\tNothing else needs to be said. \u201cParty\u201d begins and Usher sings while Breezy shows off his dance moves. The backup crew returns to the stage once again, hyping each other up and truly conveying the essence of a function. There is a special part here where Ush and Brown do some duo choreography as well, which will be a lasting memory for the fans.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cIt Depends (Remix)\u201d<\/h2>\n\n\n\t\u201cParty\u201d ends and Usher says he has to give CB his flowers, saying he has always been a fan and happy to be a brother throughout his career. Though they haven\u2019t collaborated a lot, he has valued each time they have been on a record together. Breezy says that they haven\u2019t missed when working together, especially their most recent track. And with this, the remix to \u201cIt Depends\u201d comes on.<\/p>\n
\n\tWith Usher\u2019s verse first and some very meta lines, the beat drops out various times so the moments he mentions can get their full attention. They harmonize on the chorus and continue their duo routines, making the record feel larger than life.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cNew Flame\u201d<\/h2>\n\n\n\tAfter \u201cIt Depends,\u201d Breezy says he has a personal favorite of the songs they have done together. Usher asks him which one, and Brown simply says \u201cit\u2019s hot,\u201d which leads into \u201cNew Flame.\u201d Their backup dancers throw them each a towel to fully capture the essence of the record, and the women move to the front of the stage for a special dance number with the two superstars.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cBack to Sleep (Remix)\u201d<\/h2>\n\n\n\tUltimately, this is an R&B concert, so they both show appreciation for their women fans in particular. And fittingly, for their last record together, they go into the remix of \u201cBack To Sleep.\u201d<\/p>\n
\n\tAfter the song ends, the duo exchanges kind words about one another, shake hands and hug. Breezy tells the fans he\u2019s going to leave them in the trusted hands of Usher as he continues the messaging of \u201cBack To Sleep.\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\nUsher (Solo), \u201cLovers and Friends\u201d<\/h2>\n\n\n\tUsher says he wants to stay in the grown and sexy realm for a bit. The lights go down and there is a brief pause. Abruptly, \u201cLovers And Friends\u201d comes on. As the beat progresses, the lighting slowly brightens to reveal Usher in the middle of the stage once again with his cast of women dancers. This song doesn\u2019t go for too long, but it is another signature moment for all in attendance.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cNice & Slow\u201d<\/h2>\n\n\n\tUsher reminds the crowd that he was going to test them on their knowledge of his music from 1997. After \u201cLovers And Friends\u201d comes to a close, he goes into an acapella version of the legendary first few lines of \u201cNice & Slow.\u201d He continues to test the crowd, muting himself for certain parts of the song while fans scream the lyrics to their hearts\u2019 desire. And then when it\u2019s time for the chorus, the band joins in for the highest level of karaoke one has ever experienced.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cYou Make Me Wanna\u201d<\/h2>\n\n\n\t1997 doesn\u2019t stop here, either. \u201cYou Make Me Wanna\u201d raises the energy a bit, and Usher dances as if he is 19 again. Of course, he is briefly joined by his crew of dancers but this song doesn\u2019t last long either, because there is something weighing heavily on his heart.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cU Got It Bad\u201d<\/h2>\n\n\n\tHe steps to the front of the stage again, with the back lighting dimming to show only him. He delivers one of the most emotional vocal performances of the night to \u201cU Got It Bad,\u201d prompting crowd engagement for the very heartfelt lyrics.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cBurn\u201d<\/h2>\n\n\n\tHe continues this somber portion of the show with a quick transition into \u201cBurn.\u201d Flames raise up from the stage and appear on an LED screen in the background. He removes the microphone from the stand, walking across the stage and clutching his chest as he belts the lyrics. It is truly gripping.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cMy Boo\u201d<\/h2>\n\n\n\tAnd if legendary vocal performances are what\u2019s moving the people, it only makes sense to go into \u201cMy Boo\u201d next. He continues occupying all sides of the stage, pointing to women in the crowd and holding the microphone out so they can sing Alicia Keys\u2019 part of the song.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cConfessions\u201d<\/h2>\n\n\n\tUsher says he\u2019s enjoyed the night he\u2019s had with the fans and Breezy, and that he wants to perform two of his most important songs ever to put the cherry on top. With everyone doing the mental math of what he hasn\u2019t performed yet, they\u2019re naturally expecting either \u201cConfessions Part II\u201d or \u201cYeah!\u201d However, he fakes them out with the first \u201cConfessions\u201d and builds up to a crescendo kicking things into high gear.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cConfessions Part II\u201d<\/h2>\n\n\n\t\u201cConfessions Pt. II\u201d starts and fans have a Pavlovian response. They scream, they cheer, iPhone lights illuminate the venue and Usher smirks because he knows he played it right. Strobe lights come on, the band\u2019s volume is raised and everything is perfect.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
- \n
\n\u201cYeah!\u201d<\/h2>\n\n\n\tAnd finally, the conclusion. \u201cYeah!\u201d is so powerful that even Chris Brown has to come back onstage one more time to create a moment bigger than his legendary backflip to \u201cMarch Madness.\u201d However, Usher won\u2019t let himself be outdone to his smash hit, and we get a dance battle that could never be topped. Ultimately, they remember the purpose of the tour, and close the record by hitting the A-Town Stomp together.<\/p>\n
\n\tUltimately, whatever they choose to do will be great. But taking fans on an audio-visual journey, capturing all of the feelings they have provided over the years, and finishing the night on Usher\u2019s signature hits would be the closest thing to a dream set come to life.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
[analyse_source url=”https:\/\/www.billboard.com\/lists\/chris-brown-usher-raymond-brown-tour-dream-setlist\/”]<\/p>\n","protected":false},"excerpt":{"rendered":"
[analyse_image type=”featured” src=”https:\/\/www.billboard.com\/wp-content\/uploads\/2026\/04\/P103R8ZZ-e1775835550108.jpg?w=1024″] For years, fans have fantasy-booked the Usher and Chris Brown Verzuz. And while it seems like it will never happen, it makes complete sense.\u00a0 The King of 2000s R&B taking on the King of 2010s R&B, both of whom are still going strong, would probably be the best battle Swizz Beatz and […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[48,226],"class_list":["post-1876442","post","type-post","status-publish","format-standard","hentry","category-politics","tag-billboard-com","tag-crawlmanager"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1876442","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1876442"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1876442\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1876442"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1876442"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1876442"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n\tNow, being a top tier R&B\/soul and pop performer, you know Brown is going to have a live band present. Put a heavy focus on the acoustic instruments, let him take a seat on a staged staircase, and really show off his vocals with a moving rendition of \u201cWith You.\u201d\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
\u201cSay Goodbye\u201d<\/h2>\n\n\n\tSadly, all good things must come to an end. Let the piano keys take over the venue as Chris performs an emotional, slower dance routine. One can easily envision some spins building up to the portion of the song where his vocals crescendo. And if he could get some fake rain, that would put this over the top.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cNo BS\u201d<\/h2>\n\n\n\tNow, he can show the relatable journey of a single man who tries to find recovery in the next person. \u201cNo BS\u201d can be him projecting his trauma and triggers onto another woman, but instead putting the onus on her to ensure their night goes smoothly. The backup dancers here should appropriately be an all-women cast and the lights should absolutely dim.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cDon\u2019t Judge Me\u201d<\/h2>\n\n\n\tThough he is seeking a drama-free night of sensual splendor, he can\u2019t run from his emotions. As the lights brighten a bit, he emotes to one woman about letting the past remain there and focusing on what they can do in that very moment.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cPoppin\u201d<\/h2>\n\n\n\tAs he gets on the same accord with said lady, the lights dim again, and he breaks out the body rolls. Once he catches a whine from a fair maiden, he sings this song directly to her, mimicking the conversation that takes place in the lusty cut.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cTake You Down\u201d<\/h2>\n\n\n\tNow here is where his set hits one of its peaks. The stage crew position a bed or landing pad for he and the woman to lie down on, and they live up to this all-time bedroom anthem. The lighting completely blacks out everything around them, leaving room for the spotlight to illuminate him and the woman as they roll around into different positions that mimic wrestling moves. The crowd will likely erupt here so that he can drag it out plenty.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cUnder the Influence\u201d<\/h2>\n\n\n\tEventually, Brown stands up and realizes that he is a bit out of sorts, because some spirits charged his romantic evening. Strobe lights would be great here, along with CB and his dancers almost stumbling all over the stage before abruptly getting upright and going into group choreography.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cResiduals\u201d<\/h2>\n\n\n\tChris continues regaining his full consciousness and reflecting on what he has been through, ultimately questioning if this lifestyle is right for him. He takes center stage alone and opens \u201cResiduals,\u201d ultimately walking to each side of the stage and singing directly to fans.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cStrip\u201d<\/h2>\n\n\n\tHey, rehabilitation isn\u2019t instant. Even as he ponders his life and what the proper thing to do next is, he reverts back to what he was doing before. The lady backup dancers return to stage and in more revealing outfits, and he moves throughout them while they strut their stuff.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cI Can Transform Ya\u201d<\/h2>\n\n\n\tEventually, he chooses one and now it is time to convince her that he is worth her time. This would be a cool opportunity to flash some Transformers<\/em>-inspired graphics on the screen and maybe even have his dancer come out in robotic clothing.<\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\n\u201cWall to Wall\u201d<\/h2>\n\n\n\tNow, the tough part about being a heartthrob is having a wandering eye. So while he continues dancing with the current object of his affection, women flood the stage and try to take his attention off of her. Nonetheless, he Harlem shakes through the pressure.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cLook at Me Now\u201d<\/h2>\n\n\n\tAnother major aspect of his romancing is letting the woman know everything he can offer. Brown pulls out a stack of money from his pocket, as do all of the dancers for \u201cLook At Me Now.\u201d Additionally, money signs appear on the LED screen in the background. After all, it ain\u2019t trickin\u2019 if you got it.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cKiss Kiss\u201d<\/h2>\n\n\n\tWhen it seems like Chris Breezy has won the lady over, he hits a Tiger Woods fist pump that lets right into a striking dance set to \u201cLook At Me Now.\u201d The thumping production and synths match his every move, but it is his animated vocals that steal the show. However, he\u2019s got some haters encircling him as the record draws to its closing.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cLoyal\u201d<\/h2>\n\n\n\tInstead of feeling threatened, Chris doubles down on his boasting. He dances in front of every jealous dude, reminding them that they simply didn\u2019t have enough to secure the loyalty of the woman they were pursuing, especially not in comparison to him. A spotlight following him as he goes from guy-to-guy would be the nail in the coffin.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cSensational\u201d<\/h2>\n\n\n\tCB eventually remembers the assignment and gets back to his lady, while men and women dancers join them all on stage for paired choreography. And now with everyone seeming like happy campers, they can all party together.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cYeah 3x\u201d<\/h2>\n\n\n\t\u201cYeah 3x\u201d is the ideal intro to the most upbeat portion of this set. There is a lot of jumping around, flashing colorful lights and crowd engagement.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cForever\u201d<\/h2>\n\n\n\t\u201cForever,\u201d one of his best songs of all-time, can serve as one of the most intricate dance numbers. The race-against-time feel of the production would lend itself to visuals that mimic a car driving 90 miles per hour through a tunnel.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cFine China\u201d<\/h2>\n\n\n\tIt\u2019s not a Chris Brown performance if he doesn\u2019t pay homage to Michael Jackson. The \u201cFine China\u201d introduction gets extended as he picks up a black and white fedora and vest, and performs Michael-inspired choreography. The vocals take a backseat here as he recalls his classic MJ tribute from 2010.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cGo Crazy\u201d<\/h2>\n\n\n\tNow it\u2019s time for the home stretch. The party vibes shift back to hip-hop, but the energy doesn\u2019t diminish. This dance number is more for his crew than him, as Chris walks around the stage singing and holding out the microphone for fans to handle Young Thug\u2019s portions.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cNo Guidance\u201d<\/h2>\n\n\n\tThe final song, however, is all for CB. Picture the \u201cNo Guidance\u201d video and all of the choreography he did there, and then everything he can do during the beat break, given how apt he is at freestyling. This would be the ideal closer to his set before fans get to take a breath, maybe grab some drinks, and prepare for what Usher has cooked up.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\nUsher, \u201cU Don\u2019t Have to Call\u201d<\/h2>\n\n\n\tNow, for the main event. Everyone knows the opening notes to \u201cU Don\u2019t Have To Call,\u201d so the beat can hit with the lights out to build anticipation for Usher pulling up to the stage. As the lights come on, his dance crew appears first, leaving him space in the middle. Being such a superstar and showman, he deserves one of those entrances where an act rises up from under the stage. However, fans hear his voice before they see him, delivering the classic \u201cAfter tonight, don\u2019t leave your girl round me\u201d lines. Finally, he is out and gets into the first verse.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cU Remind Me\u201d<\/h2>\n\n\n\tIf you\u2019re going to start with 8701<\/em>, you might as well keep it there. Ursher takes some time to talk to the crowd and thank for them for joining this special evening. For him, it is not just a celebration, but an opportunity to remind fans of the impact they have had on his illustrious career. Speaking of reminders, the highly musical \u201cU Remind Me\u201d begins to play as he gets into position. He stands behind a microphone stand and delivers an impassioned rendition of the hit song while women dancers encircle him.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\n\u201cBad Girl\u201d<\/h2>\n\n\n\tAnd if it is time for the ladies, then he has to acknowledge the good and the bad that comes with romance. The energetic choreography of the past two records gets swapped for slower, smoother movements when \u201cBad Girl\u201d hits. The lighting gets a bit darker, to align with the concept. However, given how the term also refers to a woman\u2019s beauty, it is far from a somber occasion. He continually looks left and right while singing, acknowledging that he is among a sea of striking femme fatales.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cCaught Up\u201d<\/h2>\n\n\n\tWith so much temptation around him, it is easy to get overwhelmed. Thus, \u201cBad Girl\u201d and the scenario presented provide a great launch point to get into the frantic \u201cCaught Up.\u201d The men return to the stage for synchronized dance moves with the women. Meanwhile, Usher maneuvers around the stage frazzled, trying to maintain his composure while unsure of who to give his full attention to.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cI Don\u2019t Mind\u201d<\/h2>\n\n\n\tNow, he\u2019s certainly not new to the game. So, while he wants to make the right pick, he understands he may not be the only man on the women\u2019s minds either. Thus, he jumps into \u201cI Don\u2019t Mind.\u201d One by one, he moves from lady to lady, enjoying the fleeting moments he has with them, before moving on. It would be really cool if the lights could flash in and out, and each time they come on, he is with somebody new.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cShe Came to Give It to You\u201d<\/h2>\n\n\n\tAs the song winds down, Usher gets into a pseudo huddle with the men on stage to pass on his wisdom. He\u2019s made his rounds with the women dancers and understands what they bring to the table, so he doesn\u2019t want the fellas caught off guard. And thus, we have the affirming \u201cShe Came To Give It To You.\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cOMG\u201d<\/h2>\n\n\n\tThere\u2019s one girl that he can\u2019t seem to get his mind off of, so while the fellas all pick their matches, he ends up with the lead backup dancer among women. This sets off the peak energy portion of his set, leaning into his pop and house ventures.<\/p>\n
\n\tWill.i.am\u2019s voice consumes the venue as the introduction of \u201cOMG\u201d comes on, and the Atlanta legend gets his mack on. \u201cOMG\u201d features some of the most intricate and animated choreography of the entire set, with unique four-counts and partner routines. And it\u2019s just the beginning.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cDJ Got Us Fallin in Love\u201d<\/h2>\n\n\n\tUsher is more caught up than ever before. He realizes it\u2019s not just the woman he is with and how they fit together so well on the dance floor, but the music being played that\u2019s curating that environment for them. During a pause, he shouts out his tour DJ, which is an alley-oop to himself since it\u2019s all his songs. He asks the DJ to play something else to keep the vibes high, and the next song is none other than \u201cDJ Got Us Fallin In Love.\u201d It is as meta as meta can get.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cLove in This Club\u201d<\/h2>\n\n\n\tUltimately, he has to remember what the mission is. So in true party fashion, the vibe shifts into something slower, more sensual. Both Usher and the object of his affection understand where the night can go next, but they don\u2019t even want to wait. They slow grind and caress each other\u2019s skin as \u201cLove In This Club\u201d blasts through the venue speakers.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cThere Goes My Baby\u201d<\/h2>\n\n\n\tAnd that\u2019s it. It is over for him, he has reached peak infatuation. As \u201cThere Goes My Baby\u201d comes on next, he struts around the stage with his lady on his arm, showing her off for all to see. He even flexes her to the crowd, including women who wish they were in her position.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cClimax\u201d<\/h2>\n\n\n\tUnfortunately, that moment of bliss is finite. While his actions signal he wants to make more of their newfound bond, the lady was just having a fun night on the town. They have an expiration date coming as soon as her Uber arrives, and a slim chance of any kind of future. In other words, they\u2019re going nowhere fast because they hit their \u201cClimax.\u201d He has this realization as the beginning of \u201cClimax\u201d hits with electric synths and thumping drums, mimicking a heartbeat.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cThe Matrimony\u201d<\/h2>\n\n\n\tAfter realizing they had different intentions, the 47-year-old heartthrob makes a last-ditch effort to secure more than just a passionate night on the dance floor. He breaks out into a solo version of \u201cThe Matrimony,\u201d which is bold and premature, but signals just how invested he got in a short period of time. He returns to the microphone stand, and leads the crowd in a unified effort of the classic chorus. <\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cSuperstar\u201d<\/h2>\n\n\n\tUsher realizes his attempts are futile and throws up one more Hail Mary with a powerful performance of \u201cSuperstar.\u201d His tone and expressions conveys that he is willing to completely submit to her, despite being the Renaissance man that he is. He asks the crowd to help him out again because there\u2019s strength in numbers. It is ultimately unsuccessful as the woman is long gone, but he is more focused on feeling the love from the audience than a woman he barely knew.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cMy Way\u201d<\/h2>\n\n\n\tUsher continues this guided karaoke, taking it back to 1997 with \u201cMy Way.\u201d He asks the crowd how long they have been fans of his and says he\u2019s going to test it again later in the show, but for now, they can have this. After the song, he talks to the crowd about how he takes pride in doing his career his way and highlights another man who did the same, his partner-in-crime on the tour: Chris Breezy. He speaks about their diverse array of songs, and while they both got the crowd deep in their feelings, they hope they have a good time through it all. Breezy walks onto the stage and tells Unc he\u2019s talking too much because the fans want to party. And boom, they get into their joint section of the show.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\nChris Brown & Usher, \u201cParty\u201d<\/h2>\n\n\n\tNothing else needs to be said. \u201cParty\u201d begins and Usher sings while Breezy shows off his dance moves. The backup crew returns to the stage once again, hyping each other up and truly conveying the essence of a function. There is a special part here where Ush and Brown do some duo choreography as well, which will be a lasting memory for the fans.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cIt Depends (Remix)\u201d<\/h2>\n\n\n\t\u201cParty\u201d ends and Usher says he has to give CB his flowers, saying he has always been a fan and happy to be a brother throughout his career. Though they haven\u2019t collaborated a lot, he has valued each time they have been on a record together. Breezy says that they haven\u2019t missed when working together, especially their most recent track. And with this, the remix to \u201cIt Depends\u201d comes on.<\/p>\n
\n\tWith Usher\u2019s verse first and some very meta lines, the beat drops out various times so the moments he mentions can get their full attention. They harmonize on the chorus and continue their duo routines, making the record feel larger than life.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cNew Flame\u201d<\/h2>\n\n\n\tAfter \u201cIt Depends,\u201d Breezy says he has a personal favorite of the songs they have done together. Usher asks him which one, and Brown simply says \u201cit\u2019s hot,\u201d which leads into \u201cNew Flame.\u201d Their backup dancers throw them each a towel to fully capture the essence of the record, and the women move to the front of the stage for a special dance number with the two superstars.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cBack to Sleep (Remix)\u201d<\/h2>\n\n\n\tUltimately, this is an R&B concert, so they both show appreciation for their women fans in particular. And fittingly, for their last record together, they go into the remix of \u201cBack To Sleep.\u201d<\/p>\n
\n\tAfter the song ends, the duo exchanges kind words about one another, shake hands and hug. Breezy tells the fans he\u2019s going to leave them in the trusted hands of Usher as he continues the messaging of \u201cBack To Sleep.\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\nUsher (Solo), \u201cLovers and Friends\u201d<\/h2>\n\n\n\tUsher says he wants to stay in the grown and sexy realm for a bit. The lights go down and there is a brief pause. Abruptly, \u201cLovers And Friends\u201d comes on. As the beat progresses, the lighting slowly brightens to reveal Usher in the middle of the stage once again with his cast of women dancers. This song doesn\u2019t go for too long, but it is another signature moment for all in attendance.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cNice & Slow\u201d<\/h2>\n\n\n\tUsher reminds the crowd that he was going to test them on their knowledge of his music from 1997. After \u201cLovers And Friends\u201d comes to a close, he goes into an acapella version of the legendary first few lines of \u201cNice & Slow.\u201d He continues to test the crowd, muting himself for certain parts of the song while fans scream the lyrics to their hearts\u2019 desire. And then when it\u2019s time for the chorus, the band joins in for the highest level of karaoke one has ever experienced.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cYou Make Me Wanna\u201d<\/h2>\n\n\n\t1997 doesn\u2019t stop here, either. \u201cYou Make Me Wanna\u201d raises the energy a bit, and Usher dances as if he is 19 again. Of course, he is briefly joined by his crew of dancers but this song doesn\u2019t last long either, because there is something weighing heavily on his heart.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cU Got It Bad\u201d<\/h2>\n\n\n\tHe steps to the front of the stage again, with the back lighting dimming to show only him. He delivers one of the most emotional vocal performances of the night to \u201cU Got It Bad,\u201d prompting crowd engagement for the very heartfelt lyrics.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cBurn\u201d<\/h2>\n\n\n\tHe continues this somber portion of the show with a quick transition into \u201cBurn.\u201d Flames raise up from the stage and appear on an LED screen in the background. He removes the microphone from the stand, walking across the stage and clutching his chest as he belts the lyrics. It is truly gripping.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cMy Boo\u201d<\/h2>\n\n\n\tAnd if legendary vocal performances are what\u2019s moving the people, it only makes sense to go into \u201cMy Boo\u201d next. He continues occupying all sides of the stage, pointing to women in the crowd and holding the microphone out so they can sing Alicia Keys\u2019 part of the song.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cConfessions\u201d<\/h2>\n\n\n\tUsher says he\u2019s enjoyed the night he\u2019s had with the fans and Breezy, and that he wants to perform two of his most important songs ever to put the cherry on top. With everyone doing the mental math of what he hasn\u2019t performed yet, they\u2019re naturally expecting either \u201cConfessions Part II\u201d or \u201cYeah!\u201d However, he fakes them out with the first \u201cConfessions\u201d and builds up to a crescendo kicking things into high gear.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cConfessions Part II\u201d<\/h2>\n\n\n\t\u201cConfessions Pt. II\u201d starts and fans have a Pavlovian response. They scream, they cheer, iPhone lights illuminate the venue and Usher smirks because he knows he played it right. Strobe lights come on, the band\u2019s volume is raised and everything is perfect.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cYeah!\u201d<\/h2>\n\n\n\tAnd finally, the conclusion. \u201cYeah!\u201d is so powerful that even Chris Brown has to come back onstage one more time to create a moment bigger than his legendary backflip to \u201cMarch Madness.\u201d However, Usher won\u2019t let himself be outdone to his smash hit, and we get a dance battle that could never be topped. Ultimately, they remember the purpose of the tour, and close the record by hitting the A-Town Stomp together.<\/p>\n
\n\tUltimately, whatever they choose to do will be great. But taking fans on an audio-visual journey, capturing all of the feelings they have provided over the years, and finishing the night on Usher\u2019s signature hits would be the closest thing to a dream set come to life.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
[analyse_source url=”https:\/\/www.billboard.com\/lists\/chris-brown-usher-raymond-brown-tour-dream-setlist\/”]<\/p>\n","protected":false},"excerpt":{"rendered":"
[analyse_image type=”featured” src=”https:\/\/www.billboard.com\/wp-content\/uploads\/2026\/04\/P103R8ZZ-e1775835550108.jpg?w=1024″] For years, fans have fantasy-booked the Usher and Chris Brown Verzuz. And while it seems like it will never happen, it makes complete sense.\u00a0 The King of 2000s R&B taking on the King of 2010s R&B, both of whom are still going strong, would probably be the best battle Swizz Beatz and […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[48,226],"class_list":["post-1876442","post","type-post","status-publish","format-standard","hentry","category-politics","tag-billboard-com","tag-crawlmanager"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1876442","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1876442"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1876442\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1876442"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1876442"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1876442"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n\tSadly, all good things must come to an end. Let the piano keys take over the venue as Chris performs an emotional, slower dance routine. One can easily envision some spins building up to the portion of the song where his vocals crescendo. And if he could get some fake rain, that would put this over the top.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
\u201cNo BS\u201d<\/h2>\n\n\n\tNow, he can show the relatable journey of a single man who tries to find recovery in the next person. \u201cNo BS\u201d can be him projecting his trauma and triggers onto another woman, but instead putting the onus on her to ensure their night goes smoothly. The backup dancers here should appropriately be an all-women cast and the lights should absolutely dim.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
- \n
\n\u201cDon\u2019t Judge Me\u201d<\/h2>\n\n\n\tThough he is seeking a drama-free night of sensual splendor, he can\u2019t run from his emotions. As the lights brighten a bit, he emotes to one woman about letting the past remain there and focusing on what they can do in that very moment.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
- \n
\n\u201cPoppin\u201d<\/h2>\n\n\n\tAs he gets on the same accord with said lady, the lights dim again, and he breaks out the body rolls. Once he catches a whine from a fair maiden, he sings this song directly to her, mimicking the conversation that takes place in the lusty cut.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cTake You Down\u201d<\/h2>\n\n\n\tNow here is where his set hits one of its peaks. The stage crew position a bed or landing pad for he and the woman to lie down on, and they live up to this all-time bedroom anthem. The lighting completely blacks out everything around them, leaving room for the spotlight to illuminate him and the woman as they roll around into different positions that mimic wrestling moves. The crowd will likely erupt here so that he can drag it out plenty.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cUnder the Influence\u201d<\/h2>\n\n\n\tEventually, Brown stands up and realizes that he is a bit out of sorts, because some spirits charged his romantic evening. Strobe lights would be great here, along with CB and his dancers almost stumbling all over the stage before abruptly getting upright and going into group choreography.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cResiduals\u201d<\/h2>\n\n\n\tChris continues regaining his full consciousness and reflecting on what he has been through, ultimately questioning if this lifestyle is right for him. He takes center stage alone and opens \u201cResiduals,\u201d ultimately walking to each side of the stage and singing directly to fans.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
- \n
\n\u201cStrip\u201d<\/h2>\n\n\n\tHey, rehabilitation isn\u2019t instant. Even as he ponders his life and what the proper thing to do next is, he reverts back to what he was doing before. The lady backup dancers return to stage and in more revealing outfits, and he moves throughout them while they strut their stuff.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cI Can Transform Ya\u201d<\/h2>\n\n\n\tEventually, he chooses one and now it is time to convince her that he is worth her time. This would be a cool opportunity to flash some Transformers<\/em>-inspired graphics on the screen and maybe even have his dancer come out in robotic clothing.<\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\n\u201cWall to Wall\u201d<\/h2>\n\n\n\tNow, the tough part about being a heartthrob is having a wandering eye. So while he continues dancing with the current object of his affection, women flood the stage and try to take his attention off of her. Nonetheless, he Harlem shakes through the pressure.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cLook at Me Now\u201d<\/h2>\n\n\n\tAnother major aspect of his romancing is letting the woman know everything he can offer. Brown pulls out a stack of money from his pocket, as do all of the dancers for \u201cLook At Me Now.\u201d Additionally, money signs appear on the LED screen in the background. After all, it ain\u2019t trickin\u2019 if you got it.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cKiss Kiss\u201d<\/h2>\n\n\n\tWhen it seems like Chris Breezy has won the lady over, he hits a Tiger Woods fist pump that lets right into a striking dance set to \u201cLook At Me Now.\u201d The thumping production and synths match his every move, but it is his animated vocals that steal the show. However, he\u2019s got some haters encircling him as the record draws to its closing.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cLoyal\u201d<\/h2>\n\n\n\tInstead of feeling threatened, Chris doubles down on his boasting. He dances in front of every jealous dude, reminding them that they simply didn\u2019t have enough to secure the loyalty of the woman they were pursuing, especially not in comparison to him. A spotlight following him as he goes from guy-to-guy would be the nail in the coffin.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
- \n
\n\u201cSensational\u201d<\/h2>\n\n\n\tCB eventually remembers the assignment and gets back to his lady, while men and women dancers join them all on stage for paired choreography. And now with everyone seeming like happy campers, they can all party together.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cYeah 3x\u201d<\/h2>\n\n\n\t\u201cYeah 3x\u201d is the ideal intro to the most upbeat portion of this set. There is a lot of jumping around, flashing colorful lights and crowd engagement.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cForever\u201d<\/h2>\n\n\n\t\u201cForever,\u201d one of his best songs of all-time, can serve as one of the most intricate dance numbers. The race-against-time feel of the production would lend itself to visuals that mimic a car driving 90 miles per hour through a tunnel.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cFine China\u201d<\/h2>\n\n\n\tIt\u2019s not a Chris Brown performance if he doesn\u2019t pay homage to Michael Jackson. The \u201cFine China\u201d introduction gets extended as he picks up a black and white fedora and vest, and performs Michael-inspired choreography. The vocals take a backseat here as he recalls his classic MJ tribute from 2010.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
- \n
\n\u201cGo Crazy\u201d<\/h2>\n\n\n\tNow it\u2019s time for the home stretch. The party vibes shift back to hip-hop, but the energy doesn\u2019t diminish. This dance number is more for his crew than him, as Chris walks around the stage singing and holding out the microphone for fans to handle Young Thug\u2019s portions.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cNo Guidance\u201d<\/h2>\n\n\n\tThe final song, however, is all for CB. Picture the \u201cNo Guidance\u201d video and all of the choreography he did there, and then everything he can do during the beat break, given how apt he is at freestyling. This would be the ideal closer to his set before fans get to take a breath, maybe grab some drinks, and prepare for what Usher has cooked up.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\nUsher, \u201cU Don\u2019t Have to Call\u201d<\/h2>\n\n\n\tNow, for the main event. Everyone knows the opening notes to \u201cU Don\u2019t Have To Call,\u201d so the beat can hit with the lights out to build anticipation for Usher pulling up to the stage. As the lights come on, his dance crew appears first, leaving him space in the middle. Being such a superstar and showman, he deserves one of those entrances where an act rises up from under the stage. However, fans hear his voice before they see him, delivering the classic \u201cAfter tonight, don\u2019t leave your girl round me\u201d lines. Finally, he is out and gets into the first verse.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cU Remind Me\u201d<\/h2>\n\n\n\tIf you\u2019re going to start with 8701<\/em>, you might as well keep it there. Ursher takes some time to talk to the crowd and thank for them for joining this special evening. For him, it is not just a celebration, but an opportunity to remind fans of the impact they have had on his illustrious career. Speaking of reminders, the highly musical \u201cU Remind Me\u201d begins to play as he gets into position. He stands behind a microphone stand and delivers an impassioned rendition of the hit song while women dancers encircle him.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\n\u201cBad Girl\u201d<\/h2>\n\n\n\tAnd if it is time for the ladies, then he has to acknowledge the good and the bad that comes with romance. The energetic choreography of the past two records gets swapped for slower, smoother movements when \u201cBad Girl\u201d hits. The lighting gets a bit darker, to align with the concept. However, given how the term also refers to a woman\u2019s beauty, it is far from a somber occasion. He continually looks left and right while singing, acknowledging that he is among a sea of striking femme fatales.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cCaught Up\u201d<\/h2>\n\n\n\tWith so much temptation around him, it is easy to get overwhelmed. Thus, \u201cBad Girl\u201d and the scenario presented provide a great launch point to get into the frantic \u201cCaught Up.\u201d The men return to the stage for synchronized dance moves with the women. Meanwhile, Usher maneuvers around the stage frazzled, trying to maintain his composure while unsure of who to give his full attention to.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cI Don\u2019t Mind\u201d<\/h2>\n\n\n\tNow, he\u2019s certainly not new to the game. So, while he wants to make the right pick, he understands he may not be the only man on the women\u2019s minds either. Thus, he jumps into \u201cI Don\u2019t Mind.\u201d One by one, he moves from lady to lady, enjoying the fleeting moments he has with them, before moving on. It would be really cool if the lights could flash in and out, and each time they come on, he is with somebody new.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cShe Came to Give It to You\u201d<\/h2>\n\n\n\tAs the song winds down, Usher gets into a pseudo huddle with the men on stage to pass on his wisdom. He\u2019s made his rounds with the women dancers and understands what they bring to the table, so he doesn\u2019t want the fellas caught off guard. And thus, we have the affirming \u201cShe Came To Give It To You.\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cOMG\u201d<\/h2>\n\n\n\tThere\u2019s one girl that he can\u2019t seem to get his mind off of, so while the fellas all pick their matches, he ends up with the lead backup dancer among women. This sets off the peak energy portion of his set, leaning into his pop and house ventures.<\/p>\n
\n\tWill.i.am\u2019s voice consumes the venue as the introduction of \u201cOMG\u201d comes on, and the Atlanta legend gets his mack on. \u201cOMG\u201d features some of the most intricate and animated choreography of the entire set, with unique four-counts and partner routines. And it\u2019s just the beginning.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cDJ Got Us Fallin in Love\u201d<\/h2>\n\n\n\tUsher is more caught up than ever before. He realizes it\u2019s not just the woman he is with and how they fit together so well on the dance floor, but the music being played that\u2019s curating that environment for them. During a pause, he shouts out his tour DJ, which is an alley-oop to himself since it\u2019s all his songs. He asks the DJ to play something else to keep the vibes high, and the next song is none other than \u201cDJ Got Us Fallin In Love.\u201d It is as meta as meta can get.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cLove in This Club\u201d<\/h2>\n\n\n\tUltimately, he has to remember what the mission is. So in true party fashion, the vibe shifts into something slower, more sensual. Both Usher and the object of his affection understand where the night can go next, but they don\u2019t even want to wait. They slow grind and caress each other\u2019s skin as \u201cLove In This Club\u201d blasts through the venue speakers.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cThere Goes My Baby\u201d<\/h2>\n\n\n\tAnd that\u2019s it. It is over for him, he has reached peak infatuation. As \u201cThere Goes My Baby\u201d comes on next, he struts around the stage with his lady on his arm, showing her off for all to see. He even flexes her to the crowd, including women who wish they were in her position.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cClimax\u201d<\/h2>\n\n\n\tUnfortunately, that moment of bliss is finite. While his actions signal he wants to make more of their newfound bond, the lady was just having a fun night on the town. They have an expiration date coming as soon as her Uber arrives, and a slim chance of any kind of future. In other words, they\u2019re going nowhere fast because they hit their \u201cClimax.\u201d He has this realization as the beginning of \u201cClimax\u201d hits with electric synths and thumping drums, mimicking a heartbeat.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cThe Matrimony\u201d<\/h2>\n\n\n\tAfter realizing they had different intentions, the 47-year-old heartthrob makes a last-ditch effort to secure more than just a passionate night on the dance floor. He breaks out into a solo version of \u201cThe Matrimony,\u201d which is bold and premature, but signals just how invested he got in a short period of time. He returns to the microphone stand, and leads the crowd in a unified effort of the classic chorus. <\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cSuperstar\u201d<\/h2>\n\n\n\tUsher realizes his attempts are futile and throws up one more Hail Mary with a powerful performance of \u201cSuperstar.\u201d His tone and expressions conveys that he is willing to completely submit to her, despite being the Renaissance man that he is. He asks the crowd to help him out again because there\u2019s strength in numbers. It is ultimately unsuccessful as the woman is long gone, but he is more focused on feeling the love from the audience than a woman he barely knew.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cMy Way\u201d<\/h2>\n\n\n\tUsher continues this guided karaoke, taking it back to 1997 with \u201cMy Way.\u201d He asks the crowd how long they have been fans of his and says he\u2019s going to test it again later in the show, but for now, they can have this. After the song, he talks to the crowd about how he takes pride in doing his career his way and highlights another man who did the same, his partner-in-crime on the tour: Chris Breezy. He speaks about their diverse array of songs, and while they both got the crowd deep in their feelings, they hope they have a good time through it all. Breezy walks onto the stage and tells Unc he\u2019s talking too much because the fans want to party. And boom, they get into their joint section of the show.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\nChris Brown & Usher, \u201cParty\u201d<\/h2>\n\n\n\tNothing else needs to be said. \u201cParty\u201d begins and Usher sings while Breezy shows off his dance moves. The backup crew returns to the stage once again, hyping each other up and truly conveying the essence of a function. There is a special part here where Ush and Brown do some duo choreography as well, which will be a lasting memory for the fans.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cIt Depends (Remix)\u201d<\/h2>\n\n\n\t\u201cParty\u201d ends and Usher says he has to give CB his flowers, saying he has always been a fan and happy to be a brother throughout his career. Though they haven\u2019t collaborated a lot, he has valued each time they have been on a record together. Breezy says that they haven\u2019t missed when working together, especially their most recent track. And with this, the remix to \u201cIt Depends\u201d comes on.<\/p>\n
\n\tWith Usher\u2019s verse first and some very meta lines, the beat drops out various times so the moments he mentions can get their full attention. They harmonize on the chorus and continue their duo routines, making the record feel larger than life.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cNew Flame\u201d<\/h2>\n\n\n\tAfter \u201cIt Depends,\u201d Breezy says he has a personal favorite of the songs they have done together. Usher asks him which one, and Brown simply says \u201cit\u2019s hot,\u201d which leads into \u201cNew Flame.\u201d Their backup dancers throw them each a towel to fully capture the essence of the record, and the women move to the front of the stage for a special dance number with the two superstars.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cBack to Sleep (Remix)\u201d<\/h2>\n\n\n\tUltimately, this is an R&B concert, so they both show appreciation for their women fans in particular. And fittingly, for their last record together, they go into the remix of \u201cBack To Sleep.\u201d<\/p>\n
\n\tAfter the song ends, the duo exchanges kind words about one another, shake hands and hug. Breezy tells the fans he\u2019s going to leave them in the trusted hands of Usher as he continues the messaging of \u201cBack To Sleep.\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\nUsher (Solo), \u201cLovers and Friends\u201d<\/h2>\n\n\n\tUsher says he wants to stay in the grown and sexy realm for a bit. The lights go down and there is a brief pause. Abruptly, \u201cLovers And Friends\u201d comes on. As the beat progresses, the lighting slowly brightens to reveal Usher in the middle of the stage once again with his cast of women dancers. This song doesn\u2019t go for too long, but it is another signature moment for all in attendance.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cNice & Slow\u201d<\/h2>\n\n\n\tUsher reminds the crowd that he was going to test them on their knowledge of his music from 1997. After \u201cLovers And Friends\u201d comes to a close, he goes into an acapella version of the legendary first few lines of \u201cNice & Slow.\u201d He continues to test the crowd, muting himself for certain parts of the song while fans scream the lyrics to their hearts\u2019 desire. And then when it\u2019s time for the chorus, the band joins in for the highest level of karaoke one has ever experienced.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cYou Make Me Wanna\u201d<\/h2>\n\n\n\t1997 doesn\u2019t stop here, either. \u201cYou Make Me Wanna\u201d raises the energy a bit, and Usher dances as if he is 19 again. Of course, he is briefly joined by his crew of dancers but this song doesn\u2019t last long either, because there is something weighing heavily on his heart.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cU Got It Bad\u201d<\/h2>\n\n\n\tHe steps to the front of the stage again, with the back lighting dimming to show only him. He delivers one of the most emotional vocal performances of the night to \u201cU Got It Bad,\u201d prompting crowd engagement for the very heartfelt lyrics.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cBurn\u201d<\/h2>\n\n\n\tHe continues this somber portion of the show with a quick transition into \u201cBurn.\u201d Flames raise up from the stage and appear on an LED screen in the background. He removes the microphone from the stand, walking across the stage and clutching his chest as he belts the lyrics. It is truly gripping.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cMy Boo\u201d<\/h2>\n\n\n\tAnd if legendary vocal performances are what\u2019s moving the people, it only makes sense to go into \u201cMy Boo\u201d next. He continues occupying all sides of the stage, pointing to women in the crowd and holding the microphone out so they can sing Alicia Keys\u2019 part of the song.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cConfessions\u201d<\/h2>\n\n\n\tUsher says he\u2019s enjoyed the night he\u2019s had with the fans and Breezy, and that he wants to perform two of his most important songs ever to put the cherry on top. With everyone doing the mental math of what he hasn\u2019t performed yet, they\u2019re naturally expecting either \u201cConfessions Part II\u201d or \u201cYeah!\u201d However, he fakes them out with the first \u201cConfessions\u201d and builds up to a crescendo kicking things into high gear.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cConfessions Part II\u201d<\/h2>\n\n\n\t\u201cConfessions Pt. II\u201d starts and fans have a Pavlovian response. They scream, they cheer, iPhone lights illuminate the venue and Usher smirks because he knows he played it right. Strobe lights come on, the band\u2019s volume is raised and everything is perfect.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cYeah!\u201d<\/h2>\n\n\n\tAnd finally, the conclusion. \u201cYeah!\u201d is so powerful that even Chris Brown has to come back onstage one more time to create a moment bigger than his legendary backflip to \u201cMarch Madness.\u201d However, Usher won\u2019t let himself be outdone to his smash hit, and we get a dance battle that could never be topped. Ultimately, they remember the purpose of the tour, and close the record by hitting the A-Town Stomp together.<\/p>\n
\n\tUltimately, whatever they choose to do will be great. But taking fans on an audio-visual journey, capturing all of the feelings they have provided over the years, and finishing the night on Usher\u2019s signature hits would be the closest thing to a dream set come to life.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
[analyse_source url=”https:\/\/www.billboard.com\/lists\/chris-brown-usher-raymond-brown-tour-dream-setlist\/”]<\/p>\n","protected":false},"excerpt":{"rendered":"
[analyse_image type=”featured” src=”https:\/\/www.billboard.com\/wp-content\/uploads\/2026\/04\/P103R8ZZ-e1775835550108.jpg?w=1024″] For years, fans have fantasy-booked the Usher and Chris Brown Verzuz. And while it seems like it will never happen, it makes complete sense.\u00a0 The King of 2000s R&B taking on the King of 2010s R&B, both of whom are still going strong, would probably be the best battle Swizz Beatz and […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[48,226],"class_list":["post-1876442","post","type-post","status-publish","format-standard","hentry","category-politics","tag-billboard-com","tag-crawlmanager"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1876442","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1876442"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1876442\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1876442"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1876442"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1876442"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n\tNow, he can show the relatable journey of a single man who tries to find recovery in the next person. \u201cNo BS\u201d can be him projecting his trauma and triggers onto another woman, but instead putting the onus on her to ensure their night goes smoothly. The backup dancers here should appropriately be an all-women cast and the lights should absolutely dim.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
\u201cDon\u2019t Judge Me\u201d<\/h2>\n\n\n\tThough he is seeking a drama-free night of sensual splendor, he can\u2019t run from his emotions. As the lights brighten a bit, he emotes to one woman about letting the past remain there and focusing on what they can do in that very moment.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cPoppin\u201d<\/h2>\n\n\n\tAs he gets on the same accord with said lady, the lights dim again, and he breaks out the body rolls. Once he catches a whine from a fair maiden, he sings this song directly to her, mimicking the conversation that takes place in the lusty cut.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cTake You Down\u201d<\/h2>\n\n\n\tNow here is where his set hits one of its peaks. The stage crew position a bed or landing pad for he and the woman to lie down on, and they live up to this all-time bedroom anthem. The lighting completely blacks out everything around them, leaving room for the spotlight to illuminate him and the woman as they roll around into different positions that mimic wrestling moves. The crowd will likely erupt here so that he can drag it out plenty.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cUnder the Influence\u201d<\/h2>\n\n\n\tEventually, Brown stands up and realizes that he is a bit out of sorts, because some spirits charged his romantic evening. Strobe lights would be great here, along with CB and his dancers almost stumbling all over the stage before abruptly getting upright and going into group choreography.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cResiduals\u201d<\/h2>\n\n\n\tChris continues regaining his full consciousness and reflecting on what he has been through, ultimately questioning if this lifestyle is right for him. He takes center stage alone and opens \u201cResiduals,\u201d ultimately walking to each side of the stage and singing directly to fans.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cStrip\u201d<\/h2>\n\n\n\tHey, rehabilitation isn\u2019t instant. Even as he ponders his life and what the proper thing to do next is, he reverts back to what he was doing before. The lady backup dancers return to stage and in more revealing outfits, and he moves throughout them while they strut their stuff.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cI Can Transform Ya\u201d<\/h2>\n\n\n\tEventually, he chooses one and now it is time to convince her that he is worth her time. This would be a cool opportunity to flash some Transformers<\/em>-inspired graphics on the screen and maybe even have his dancer come out in robotic clothing.<\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\n\u201cWall to Wall\u201d<\/h2>\n\n\n\tNow, the tough part about being a heartthrob is having a wandering eye. So while he continues dancing with the current object of his affection, women flood the stage and try to take his attention off of her. Nonetheless, he Harlem shakes through the pressure.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cLook at Me Now\u201d<\/h2>\n\n\n\tAnother major aspect of his romancing is letting the woman know everything he can offer. Brown pulls out a stack of money from his pocket, as do all of the dancers for \u201cLook At Me Now.\u201d Additionally, money signs appear on the LED screen in the background. After all, it ain\u2019t trickin\u2019 if you got it.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cKiss Kiss\u201d<\/h2>\n\n\n\tWhen it seems like Chris Breezy has won the lady over, he hits a Tiger Woods fist pump that lets right into a striking dance set to \u201cLook At Me Now.\u201d The thumping production and synths match his every move, but it is his animated vocals that steal the show. However, he\u2019s got some haters encircling him as the record draws to its closing.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cLoyal\u201d<\/h2>\n\n\n\tInstead of feeling threatened, Chris doubles down on his boasting. He dances in front of every jealous dude, reminding them that they simply didn\u2019t have enough to secure the loyalty of the woman they were pursuing, especially not in comparison to him. A spotlight following him as he goes from guy-to-guy would be the nail in the coffin.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cSensational\u201d<\/h2>\n\n\n\tCB eventually remembers the assignment and gets back to his lady, while men and women dancers join them all on stage for paired choreography. And now with everyone seeming like happy campers, they can all party together.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cYeah 3x\u201d<\/h2>\n\n\n\t\u201cYeah 3x\u201d is the ideal intro to the most upbeat portion of this set. There is a lot of jumping around, flashing colorful lights and crowd engagement.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cForever\u201d<\/h2>\n\n\n\t\u201cForever,\u201d one of his best songs of all-time, can serve as one of the most intricate dance numbers. The race-against-time feel of the production would lend itself to visuals that mimic a car driving 90 miles per hour through a tunnel.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cFine China\u201d<\/h2>\n\n\n\tIt\u2019s not a Chris Brown performance if he doesn\u2019t pay homage to Michael Jackson. The \u201cFine China\u201d introduction gets extended as he picks up a black and white fedora and vest, and performs Michael-inspired choreography. The vocals take a backseat here as he recalls his classic MJ tribute from 2010.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cGo Crazy\u201d<\/h2>\n\n\n\tNow it\u2019s time for the home stretch. The party vibes shift back to hip-hop, but the energy doesn\u2019t diminish. This dance number is more for his crew than him, as Chris walks around the stage singing and holding out the microphone for fans to handle Young Thug\u2019s portions.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cNo Guidance\u201d<\/h2>\n\n\n\tThe final song, however, is all for CB. Picture the \u201cNo Guidance\u201d video and all of the choreography he did there, and then everything he can do during the beat break, given how apt he is at freestyling. This would be the ideal closer to his set before fans get to take a breath, maybe grab some drinks, and prepare for what Usher has cooked up.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\nUsher, \u201cU Don\u2019t Have to Call\u201d<\/h2>\n\n\n\tNow, for the main event. Everyone knows the opening notes to \u201cU Don\u2019t Have To Call,\u201d so the beat can hit with the lights out to build anticipation for Usher pulling up to the stage. As the lights come on, his dance crew appears first, leaving him space in the middle. Being such a superstar and showman, he deserves one of those entrances where an act rises up from under the stage. However, fans hear his voice before they see him, delivering the classic \u201cAfter tonight, don\u2019t leave your girl round me\u201d lines. Finally, he is out and gets into the first verse.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cU Remind Me\u201d<\/h2>\n\n\n\tIf you\u2019re going to start with 8701<\/em>, you might as well keep it there. Ursher takes some time to talk to the crowd and thank for them for joining this special evening. For him, it is not just a celebration, but an opportunity to remind fans of the impact they have had on his illustrious career. Speaking of reminders, the highly musical \u201cU Remind Me\u201d begins to play as he gets into position. He stands behind a microphone stand and delivers an impassioned rendition of the hit song while women dancers encircle him.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\n\u201cBad Girl\u201d<\/h2>\n\n\n\tAnd if it is time for the ladies, then he has to acknowledge the good and the bad that comes with romance. The energetic choreography of the past two records gets swapped for slower, smoother movements when \u201cBad Girl\u201d hits. The lighting gets a bit darker, to align with the concept. However, given how the term also refers to a woman\u2019s beauty, it is far from a somber occasion. He continually looks left and right while singing, acknowledging that he is among a sea of striking femme fatales.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cCaught Up\u201d<\/h2>\n\n\n\tWith so much temptation around him, it is easy to get overwhelmed. Thus, \u201cBad Girl\u201d and the scenario presented provide a great launch point to get into the frantic \u201cCaught Up.\u201d The men return to the stage for synchronized dance moves with the women. Meanwhile, Usher maneuvers around the stage frazzled, trying to maintain his composure while unsure of who to give his full attention to.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cI Don\u2019t Mind\u201d<\/h2>\n\n\n\tNow, he\u2019s certainly not new to the game. So, while he wants to make the right pick, he understands he may not be the only man on the women\u2019s minds either. Thus, he jumps into \u201cI Don\u2019t Mind.\u201d One by one, he moves from lady to lady, enjoying the fleeting moments he has with them, before moving on. It would be really cool if the lights could flash in and out, and each time they come on, he is with somebody new.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cShe Came to Give It to You\u201d<\/h2>\n\n\n\tAs the song winds down, Usher gets into a pseudo huddle with the men on stage to pass on his wisdom. He\u2019s made his rounds with the women dancers and understands what they bring to the table, so he doesn\u2019t want the fellas caught off guard. And thus, we have the affirming \u201cShe Came To Give It To You.\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cOMG\u201d<\/h2>\n\n\n\tThere\u2019s one girl that he can\u2019t seem to get his mind off of, so while the fellas all pick their matches, he ends up with the lead backup dancer among women. This sets off the peak energy portion of his set, leaning into his pop and house ventures.<\/p>\n
\n\tWill.i.am\u2019s voice consumes the venue as the introduction of \u201cOMG\u201d comes on, and the Atlanta legend gets his mack on. \u201cOMG\u201d features some of the most intricate and animated choreography of the entire set, with unique four-counts and partner routines. And it\u2019s just the beginning.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cDJ Got Us Fallin in Love\u201d<\/h2>\n\n\n\tUsher is more caught up than ever before. He realizes it\u2019s not just the woman he is with and how they fit together so well on the dance floor, but the music being played that\u2019s curating that environment for them. During a pause, he shouts out his tour DJ, which is an alley-oop to himself since it\u2019s all his songs. He asks the DJ to play something else to keep the vibes high, and the next song is none other than \u201cDJ Got Us Fallin In Love.\u201d It is as meta as meta can get.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cLove in This Club\u201d<\/h2>\n\n\n\tUltimately, he has to remember what the mission is. So in true party fashion, the vibe shifts into something slower, more sensual. Both Usher and the object of his affection understand where the night can go next, but they don\u2019t even want to wait. They slow grind and caress each other\u2019s skin as \u201cLove In This Club\u201d blasts through the venue speakers.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cThere Goes My Baby\u201d<\/h2>\n\n\n\tAnd that\u2019s it. It is over for him, he has reached peak infatuation. As \u201cThere Goes My Baby\u201d comes on next, he struts around the stage with his lady on his arm, showing her off for all to see. He even flexes her to the crowd, including women who wish they were in her position.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cClimax\u201d<\/h2>\n\n\n\tUnfortunately, that moment of bliss is finite. While his actions signal he wants to make more of their newfound bond, the lady was just having a fun night on the town. They have an expiration date coming as soon as her Uber arrives, and a slim chance of any kind of future. In other words, they\u2019re going nowhere fast because they hit their \u201cClimax.\u201d He has this realization as the beginning of \u201cClimax\u201d hits with electric synths and thumping drums, mimicking a heartbeat.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cThe Matrimony\u201d<\/h2>\n\n\n\tAfter realizing they had different intentions, the 47-year-old heartthrob makes a last-ditch effort to secure more than just a passionate night on the dance floor. He breaks out into a solo version of \u201cThe Matrimony,\u201d which is bold and premature, but signals just how invested he got in a short period of time. He returns to the microphone stand, and leads the crowd in a unified effort of the classic chorus. <\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cSuperstar\u201d<\/h2>\n\n\n\tUsher realizes his attempts are futile and throws up one more Hail Mary with a powerful performance of \u201cSuperstar.\u201d His tone and expressions conveys that he is willing to completely submit to her, despite being the Renaissance man that he is. He asks the crowd to help him out again because there\u2019s strength in numbers. It is ultimately unsuccessful as the woman is long gone, but he is more focused on feeling the love from the audience than a woman he barely knew.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cMy Way\u201d<\/h2>\n\n\n\tUsher continues this guided karaoke, taking it back to 1997 with \u201cMy Way.\u201d He asks the crowd how long they have been fans of his and says he\u2019s going to test it again later in the show, but for now, they can have this. After the song, he talks to the crowd about how he takes pride in doing his career his way and highlights another man who did the same, his partner-in-crime on the tour: Chris Breezy. He speaks about their diverse array of songs, and while they both got the crowd deep in their feelings, they hope they have a good time through it all. Breezy walks onto the stage and tells Unc he\u2019s talking too much because the fans want to party. And boom, they get into their joint section of the show.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\nChris Brown & Usher, \u201cParty\u201d<\/h2>\n\n\n\tNothing else needs to be said. \u201cParty\u201d begins and Usher sings while Breezy shows off his dance moves. The backup crew returns to the stage once again, hyping each other up and truly conveying the essence of a function. There is a special part here where Ush and Brown do some duo choreography as well, which will be a lasting memory for the fans.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cIt Depends (Remix)\u201d<\/h2>\n\n\n\t\u201cParty\u201d ends and Usher says he has to give CB his flowers, saying he has always been a fan and happy to be a brother throughout his career. Though they haven\u2019t collaborated a lot, he has valued each time they have been on a record together. Breezy says that they haven\u2019t missed when working together, especially their most recent track. And with this, the remix to \u201cIt Depends\u201d comes on.<\/p>\n
\n\tWith Usher\u2019s verse first and some very meta lines, the beat drops out various times so the moments he mentions can get their full attention. They harmonize on the chorus and continue their duo routines, making the record feel larger than life.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cNew Flame\u201d<\/h2>\n\n\n\tAfter \u201cIt Depends,\u201d Breezy says he has a personal favorite of the songs they have done together. Usher asks him which one, and Brown simply says \u201cit\u2019s hot,\u201d which leads into \u201cNew Flame.\u201d Their backup dancers throw them each a towel to fully capture the essence of the record, and the women move to the front of the stage for a special dance number with the two superstars.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cBack to Sleep (Remix)\u201d<\/h2>\n\n\n\tUltimately, this is an R&B concert, so they both show appreciation for their women fans in particular. And fittingly, for their last record together, they go into the remix of \u201cBack To Sleep.\u201d<\/p>\n
\n\tAfter the song ends, the duo exchanges kind words about one another, shake hands and hug. Breezy tells the fans he\u2019s going to leave them in the trusted hands of Usher as he continues the messaging of \u201cBack To Sleep.\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\nUsher (Solo), \u201cLovers and Friends\u201d<\/h2>\n\n\n\tUsher says he wants to stay in the grown and sexy realm for a bit. The lights go down and there is a brief pause. Abruptly, \u201cLovers And Friends\u201d comes on. As the beat progresses, the lighting slowly brightens to reveal Usher in the middle of the stage once again with his cast of women dancers. This song doesn\u2019t go for too long, but it is another signature moment for all in attendance.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cNice & Slow\u201d<\/h2>\n\n\n\tUsher reminds the crowd that he was going to test them on their knowledge of his music from 1997. After \u201cLovers And Friends\u201d comes to a close, he goes into an acapella version of the legendary first few lines of \u201cNice & Slow.\u201d He continues to test the crowd, muting himself for certain parts of the song while fans scream the lyrics to their hearts\u2019 desire. And then when it\u2019s time for the chorus, the band joins in for the highest level of karaoke one has ever experienced.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cYou Make Me Wanna\u201d<\/h2>\n\n\n\t1997 doesn\u2019t stop here, either. \u201cYou Make Me Wanna\u201d raises the energy a bit, and Usher dances as if he is 19 again. Of course, he is briefly joined by his crew of dancers but this song doesn\u2019t last long either, because there is something weighing heavily on his heart.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cU Got It Bad\u201d<\/h2>\n\n\n\tHe steps to the front of the stage again, with the back lighting dimming to show only him. He delivers one of the most emotional vocal performances of the night to \u201cU Got It Bad,\u201d prompting crowd engagement for the very heartfelt lyrics.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cBurn\u201d<\/h2>\n\n\n\tHe continues this somber portion of the show with a quick transition into \u201cBurn.\u201d Flames raise up from the stage and appear on an LED screen in the background. He removes the microphone from the stand, walking across the stage and clutching his chest as he belts the lyrics. It is truly gripping.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cMy Boo\u201d<\/h2>\n\n\n\tAnd if legendary vocal performances are what\u2019s moving the people, it only makes sense to go into \u201cMy Boo\u201d next. He continues occupying all sides of the stage, pointing to women in the crowd and holding the microphone out so they can sing Alicia Keys\u2019 part of the song.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cConfessions\u201d<\/h2>\n\n\n\tUsher says he\u2019s enjoyed the night he\u2019s had with the fans and Breezy, and that he wants to perform two of his most important songs ever to put the cherry on top. With everyone doing the mental math of what he hasn\u2019t performed yet, they\u2019re naturally expecting either \u201cConfessions Part II\u201d or \u201cYeah!\u201d However, he fakes them out with the first \u201cConfessions\u201d and builds up to a crescendo kicking things into high gear.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cConfessions Part II\u201d<\/h2>\n\n\n\t\u201cConfessions Pt. II\u201d starts and fans have a Pavlovian response. They scream, they cheer, iPhone lights illuminate the venue and Usher smirks because he knows he played it right. Strobe lights come on, the band\u2019s volume is raised and everything is perfect.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cYeah!\u201d<\/h2>\n\n\n\tAnd finally, the conclusion. \u201cYeah!\u201d is so powerful that even Chris Brown has to come back onstage one more time to create a moment bigger than his legendary backflip to \u201cMarch Madness.\u201d However, Usher won\u2019t let himself be outdone to his smash hit, and we get a dance battle that could never be topped. Ultimately, they remember the purpose of the tour, and close the record by hitting the A-Town Stomp together.<\/p>\n
\n\tUltimately, whatever they choose to do will be great. But taking fans on an audio-visual journey, capturing all of the feelings they have provided over the years, and finishing the night on Usher\u2019s signature hits would be the closest thing to a dream set come to life.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
[analyse_source url=”https:\/\/www.billboard.com\/lists\/chris-brown-usher-raymond-brown-tour-dream-setlist\/”]<\/p>\n","protected":false},"excerpt":{"rendered":"
[analyse_image type=”featured” src=”https:\/\/www.billboard.com\/wp-content\/uploads\/2026\/04\/P103R8ZZ-e1775835550108.jpg?w=1024″] For years, fans have fantasy-booked the Usher and Chris Brown Verzuz. And while it seems like it will never happen, it makes complete sense.\u00a0 The King of 2000s R&B taking on the King of 2010s R&B, both of whom are still going strong, would probably be the best battle Swizz Beatz and […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[48,226],"class_list":["post-1876442","post","type-post","status-publish","format-standard","hentry","category-politics","tag-billboard-com","tag-crawlmanager"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1876442","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1876442"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1876442\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1876442"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1876442"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1876442"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n\tThough he is seeking a drama-free night of sensual splendor, he can\u2019t run from his emotions. As the lights brighten a bit, he emotes to one woman about letting the past remain there and focusing on what they can do in that very moment.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
\u201cPoppin\u201d<\/h2>\n\n\n\tAs he gets on the same accord with said lady, the lights dim again, and he breaks out the body rolls. Once he catches a whine from a fair maiden, he sings this song directly to her, mimicking the conversation that takes place in the lusty cut.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cTake You Down\u201d<\/h2>\n\n\n\tNow here is where his set hits one of its peaks. The stage crew position a bed or landing pad for he and the woman to lie down on, and they live up to this all-time bedroom anthem. The lighting completely blacks out everything around them, leaving room for the spotlight to illuminate him and the woman as they roll around into different positions that mimic wrestling moves. The crowd will likely erupt here so that he can drag it out plenty.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cUnder the Influence\u201d<\/h2>\n\n\n\tEventually, Brown stands up and realizes that he is a bit out of sorts, because some spirits charged his romantic evening. Strobe lights would be great here, along with CB and his dancers almost stumbling all over the stage before abruptly getting upright and going into group choreography.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cResiduals\u201d<\/h2>\n\n\n\tChris continues regaining his full consciousness and reflecting on what he has been through, ultimately questioning if this lifestyle is right for him. He takes center stage alone and opens \u201cResiduals,\u201d ultimately walking to each side of the stage and singing directly to fans.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
- \n
\n\u201cStrip\u201d<\/h2>\n\n\n\tHey, rehabilitation isn\u2019t instant. Even as he ponders his life and what the proper thing to do next is, he reverts back to what he was doing before. The lady backup dancers return to stage and in more revealing outfits, and he moves throughout them while they strut their stuff.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cI Can Transform Ya\u201d<\/h2>\n\n\n\tEventually, he chooses one and now it is time to convince her that he is worth her time. This would be a cool opportunity to flash some Transformers<\/em>-inspired graphics on the screen and maybe even have his dancer come out in robotic clothing.<\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\n\u201cWall to Wall\u201d<\/h2>\n\n\n\tNow, the tough part about being a heartthrob is having a wandering eye. So while he continues dancing with the current object of his affection, women flood the stage and try to take his attention off of her. Nonetheless, he Harlem shakes through the pressure.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cLook at Me Now\u201d<\/h2>\n\n\n\tAnother major aspect of his romancing is letting the woman know everything he can offer. Brown pulls out a stack of money from his pocket, as do all of the dancers for \u201cLook At Me Now.\u201d Additionally, money signs appear on the LED screen in the background. After all, it ain\u2019t trickin\u2019 if you got it.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
- \n
\n\u201cKiss Kiss\u201d<\/h2>\n\n\n\tWhen it seems like Chris Breezy has won the lady over, he hits a Tiger Woods fist pump that lets right into a striking dance set to \u201cLook At Me Now.\u201d The thumping production and synths match his every move, but it is his animated vocals that steal the show. However, he\u2019s got some haters encircling him as the record draws to its closing.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cLoyal\u201d<\/h2>\n\n\n\tInstead of feeling threatened, Chris doubles down on his boasting. He dances in front of every jealous dude, reminding them that they simply didn\u2019t have enough to secure the loyalty of the woman they were pursuing, especially not in comparison to him. A spotlight following him as he goes from guy-to-guy would be the nail in the coffin.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
- \n
\n\u201cSensational\u201d<\/h2>\n\n\n\tCB eventually remembers the assignment and gets back to his lady, while men and women dancers join them all on stage for paired choreography. And now with everyone seeming like happy campers, they can all party together.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cYeah 3x\u201d<\/h2>\n\n\n\t\u201cYeah 3x\u201d is the ideal intro to the most upbeat portion of this set. There is a lot of jumping around, flashing colorful lights and crowd engagement.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cForever\u201d<\/h2>\n\n\n\t\u201cForever,\u201d one of his best songs of all-time, can serve as one of the most intricate dance numbers. The race-against-time feel of the production would lend itself to visuals that mimic a car driving 90 miles per hour through a tunnel.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cFine China\u201d<\/h2>\n\n\n\tIt\u2019s not a Chris Brown performance if he doesn\u2019t pay homage to Michael Jackson. The \u201cFine China\u201d introduction gets extended as he picks up a black and white fedora and vest, and performs Michael-inspired choreography. The vocals take a backseat here as he recalls his classic MJ tribute from 2010.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
- \n
\n\u201cGo Crazy\u201d<\/h2>\n\n\n\tNow it\u2019s time for the home stretch. The party vibes shift back to hip-hop, but the energy doesn\u2019t diminish. This dance number is more for his crew than him, as Chris walks around the stage singing and holding out the microphone for fans to handle Young Thug\u2019s portions.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cNo Guidance\u201d<\/h2>\n\n\n\tThe final song, however, is all for CB. Picture the \u201cNo Guidance\u201d video and all of the choreography he did there, and then everything he can do during the beat break, given how apt he is at freestyling. This would be the ideal closer to his set before fans get to take a breath, maybe grab some drinks, and prepare for what Usher has cooked up.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\nUsher, \u201cU Don\u2019t Have to Call\u201d<\/h2>\n\n\n\tNow, for the main event. Everyone knows the opening notes to \u201cU Don\u2019t Have To Call,\u201d so the beat can hit with the lights out to build anticipation for Usher pulling up to the stage. As the lights come on, his dance crew appears first, leaving him space in the middle. Being such a superstar and showman, he deserves one of those entrances where an act rises up from under the stage. However, fans hear his voice before they see him, delivering the classic \u201cAfter tonight, don\u2019t leave your girl round me\u201d lines. Finally, he is out and gets into the first verse.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cU Remind Me\u201d<\/h2>\n\n\n\tIf you\u2019re going to start with 8701<\/em>, you might as well keep it there. Ursher takes some time to talk to the crowd and thank for them for joining this special evening. For him, it is not just a celebration, but an opportunity to remind fans of the impact they have had on his illustrious career. Speaking of reminders, the highly musical \u201cU Remind Me\u201d begins to play as he gets into position. He stands behind a microphone stand and delivers an impassioned rendition of the hit song while women dancers encircle him.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\n\u201cBad Girl\u201d<\/h2>\n\n\n\tAnd if it is time for the ladies, then he has to acknowledge the good and the bad that comes with romance. The energetic choreography of the past two records gets swapped for slower, smoother movements when \u201cBad Girl\u201d hits. The lighting gets a bit darker, to align with the concept. However, given how the term also refers to a woman\u2019s beauty, it is far from a somber occasion. He continually looks left and right while singing, acknowledging that he is among a sea of striking femme fatales.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cCaught Up\u201d<\/h2>\n\n\n\tWith so much temptation around him, it is easy to get overwhelmed. Thus, \u201cBad Girl\u201d and the scenario presented provide a great launch point to get into the frantic \u201cCaught Up.\u201d The men return to the stage for synchronized dance moves with the women. Meanwhile, Usher maneuvers around the stage frazzled, trying to maintain his composure while unsure of who to give his full attention to.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cI Don\u2019t Mind\u201d<\/h2>\n\n\n\tNow, he\u2019s certainly not new to the game. So, while he wants to make the right pick, he understands he may not be the only man on the women\u2019s minds either. Thus, he jumps into \u201cI Don\u2019t Mind.\u201d One by one, he moves from lady to lady, enjoying the fleeting moments he has with them, before moving on. It would be really cool if the lights could flash in and out, and each time they come on, he is with somebody new.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cShe Came to Give It to You\u201d<\/h2>\n\n\n\tAs the song winds down, Usher gets into a pseudo huddle with the men on stage to pass on his wisdom. He\u2019s made his rounds with the women dancers and understands what they bring to the table, so he doesn\u2019t want the fellas caught off guard. And thus, we have the affirming \u201cShe Came To Give It To You.\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cOMG\u201d<\/h2>\n\n\n\tThere\u2019s one girl that he can\u2019t seem to get his mind off of, so while the fellas all pick their matches, he ends up with the lead backup dancer among women. This sets off the peak energy portion of his set, leaning into his pop and house ventures.<\/p>\n
\n\tWill.i.am\u2019s voice consumes the venue as the introduction of \u201cOMG\u201d comes on, and the Atlanta legend gets his mack on. \u201cOMG\u201d features some of the most intricate and animated choreography of the entire set, with unique four-counts and partner routines. And it\u2019s just the beginning.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cDJ Got Us Fallin in Love\u201d<\/h2>\n\n\n\tUsher is more caught up than ever before. He realizes it\u2019s not just the woman he is with and how they fit together so well on the dance floor, but the music being played that\u2019s curating that environment for them. During a pause, he shouts out his tour DJ, which is an alley-oop to himself since it\u2019s all his songs. He asks the DJ to play something else to keep the vibes high, and the next song is none other than \u201cDJ Got Us Fallin In Love.\u201d It is as meta as meta can get.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cLove in This Club\u201d<\/h2>\n\n\n\tUltimately, he has to remember what the mission is. So in true party fashion, the vibe shifts into something slower, more sensual. Both Usher and the object of his affection understand where the night can go next, but they don\u2019t even want to wait. They slow grind and caress each other\u2019s skin as \u201cLove In This Club\u201d blasts through the venue speakers.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cThere Goes My Baby\u201d<\/h2>\n\n\n\tAnd that\u2019s it. It is over for him, he has reached peak infatuation. As \u201cThere Goes My Baby\u201d comes on next, he struts around the stage with his lady on his arm, showing her off for all to see. He even flexes her to the crowd, including women who wish they were in her position.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cClimax\u201d<\/h2>\n\n\n\tUnfortunately, that moment of bliss is finite. While his actions signal he wants to make more of their newfound bond, the lady was just having a fun night on the town. They have an expiration date coming as soon as her Uber arrives, and a slim chance of any kind of future. In other words, they\u2019re going nowhere fast because they hit their \u201cClimax.\u201d He has this realization as the beginning of \u201cClimax\u201d hits with electric synths and thumping drums, mimicking a heartbeat.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cThe Matrimony\u201d<\/h2>\n\n\n\tAfter realizing they had different intentions, the 47-year-old heartthrob makes a last-ditch effort to secure more than just a passionate night on the dance floor. He breaks out into a solo version of \u201cThe Matrimony,\u201d which is bold and premature, but signals just how invested he got in a short period of time. He returns to the microphone stand, and leads the crowd in a unified effort of the classic chorus. <\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cSuperstar\u201d<\/h2>\n\n\n\tUsher realizes his attempts are futile and throws up one more Hail Mary with a powerful performance of \u201cSuperstar.\u201d His tone and expressions conveys that he is willing to completely submit to her, despite being the Renaissance man that he is. He asks the crowd to help him out again because there\u2019s strength in numbers. It is ultimately unsuccessful as the woman is long gone, but he is more focused on feeling the love from the audience than a woman he barely knew.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cMy Way\u201d<\/h2>\n\n\n\tUsher continues this guided karaoke, taking it back to 1997 with \u201cMy Way.\u201d He asks the crowd how long they have been fans of his and says he\u2019s going to test it again later in the show, but for now, they can have this. After the song, he talks to the crowd about how he takes pride in doing his career his way and highlights another man who did the same, his partner-in-crime on the tour: Chris Breezy. He speaks about their diverse array of songs, and while they both got the crowd deep in their feelings, they hope they have a good time through it all. Breezy walks onto the stage and tells Unc he\u2019s talking too much because the fans want to party. And boom, they get into their joint section of the show.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\nChris Brown & Usher, \u201cParty\u201d<\/h2>\n\n\n\tNothing else needs to be said. \u201cParty\u201d begins and Usher sings while Breezy shows off his dance moves. The backup crew returns to the stage once again, hyping each other up and truly conveying the essence of a function. There is a special part here where Ush and Brown do some duo choreography as well, which will be a lasting memory for the fans.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cIt Depends (Remix)\u201d<\/h2>\n\n\n\t\u201cParty\u201d ends and Usher says he has to give CB his flowers, saying he has always been a fan and happy to be a brother throughout his career. Though they haven\u2019t collaborated a lot, he has valued each time they have been on a record together. Breezy says that they haven\u2019t missed when working together, especially their most recent track. And with this, the remix to \u201cIt Depends\u201d comes on.<\/p>\n
\n\tWith Usher\u2019s verse first and some very meta lines, the beat drops out various times so the moments he mentions can get their full attention. They harmonize on the chorus and continue their duo routines, making the record feel larger than life.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cNew Flame\u201d<\/h2>\n\n\n\tAfter \u201cIt Depends,\u201d Breezy says he has a personal favorite of the songs they have done together. Usher asks him which one, and Brown simply says \u201cit\u2019s hot,\u201d which leads into \u201cNew Flame.\u201d Their backup dancers throw them each a towel to fully capture the essence of the record, and the women move to the front of the stage for a special dance number with the two superstars.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cBack to Sleep (Remix)\u201d<\/h2>\n\n\n\tUltimately, this is an R&B concert, so they both show appreciation for their women fans in particular. And fittingly, for their last record together, they go into the remix of \u201cBack To Sleep.\u201d<\/p>\n
\n\tAfter the song ends, the duo exchanges kind words about one another, shake hands and hug. Breezy tells the fans he\u2019s going to leave them in the trusted hands of Usher as he continues the messaging of \u201cBack To Sleep.\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\nUsher (Solo), \u201cLovers and Friends\u201d<\/h2>\n\n\n\tUsher says he wants to stay in the grown and sexy realm for a bit. The lights go down and there is a brief pause. Abruptly, \u201cLovers And Friends\u201d comes on. As the beat progresses, the lighting slowly brightens to reveal Usher in the middle of the stage once again with his cast of women dancers. This song doesn\u2019t go for too long, but it is another signature moment for all in attendance.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cNice & Slow\u201d<\/h2>\n\n\n\tUsher reminds the crowd that he was going to test them on their knowledge of his music from 1997. After \u201cLovers And Friends\u201d comes to a close, he goes into an acapella version of the legendary first few lines of \u201cNice & Slow.\u201d He continues to test the crowd, muting himself for certain parts of the song while fans scream the lyrics to their hearts\u2019 desire. And then when it\u2019s time for the chorus, the band joins in for the highest level of karaoke one has ever experienced.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cYou Make Me Wanna\u201d<\/h2>\n\n\n\t1997 doesn\u2019t stop here, either. \u201cYou Make Me Wanna\u201d raises the energy a bit, and Usher dances as if he is 19 again. Of course, he is briefly joined by his crew of dancers but this song doesn\u2019t last long either, because there is something weighing heavily on his heart.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cU Got It Bad\u201d<\/h2>\n\n\n\tHe steps to the front of the stage again, with the back lighting dimming to show only him. He delivers one of the most emotional vocal performances of the night to \u201cU Got It Bad,\u201d prompting crowd engagement for the very heartfelt lyrics.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cBurn\u201d<\/h2>\n\n\n\tHe continues this somber portion of the show with a quick transition into \u201cBurn.\u201d Flames raise up from the stage and appear on an LED screen in the background. He removes the microphone from the stand, walking across the stage and clutching his chest as he belts the lyrics. It is truly gripping.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cMy Boo\u201d<\/h2>\n\n\n\tAnd if legendary vocal performances are what\u2019s moving the people, it only makes sense to go into \u201cMy Boo\u201d next. He continues occupying all sides of the stage, pointing to women in the crowd and holding the microphone out so they can sing Alicia Keys\u2019 part of the song.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cConfessions\u201d<\/h2>\n\n\n\tUsher says he\u2019s enjoyed the night he\u2019s had with the fans and Breezy, and that he wants to perform two of his most important songs ever to put the cherry on top. With everyone doing the mental math of what he hasn\u2019t performed yet, they\u2019re naturally expecting either \u201cConfessions Part II\u201d or \u201cYeah!\u201d However, he fakes them out with the first \u201cConfessions\u201d and builds up to a crescendo kicking things into high gear.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cConfessions Part II\u201d<\/h2>\n\n\n\t\u201cConfessions Pt. II\u201d starts and fans have a Pavlovian response. They scream, they cheer, iPhone lights illuminate the venue and Usher smirks because he knows he played it right. Strobe lights come on, the band\u2019s volume is raised and everything is perfect.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cYeah!\u201d<\/h2>\n\n\n\tAnd finally, the conclusion. \u201cYeah!\u201d is so powerful that even Chris Brown has to come back onstage one more time to create a moment bigger than his legendary backflip to \u201cMarch Madness.\u201d However, Usher won\u2019t let himself be outdone to his smash hit, and we get a dance battle that could never be topped. Ultimately, they remember the purpose of the tour, and close the record by hitting the A-Town Stomp together.<\/p>\n
\n\tUltimately, whatever they choose to do will be great. But taking fans on an audio-visual journey, capturing all of the feelings they have provided over the years, and finishing the night on Usher\u2019s signature hits would be the closest thing to a dream set come to life.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
[analyse_source url=”https:\/\/www.billboard.com\/lists\/chris-brown-usher-raymond-brown-tour-dream-setlist\/”]<\/p>\n","protected":false},"excerpt":{"rendered":"
[analyse_image type=”featured” src=”https:\/\/www.billboard.com\/wp-content\/uploads\/2026\/04\/P103R8ZZ-e1775835550108.jpg?w=1024″] For years, fans have fantasy-booked the Usher and Chris Brown Verzuz. And while it seems like it will never happen, it makes complete sense.\u00a0 The King of 2000s R&B taking on the King of 2010s R&B, both of whom are still going strong, would probably be the best battle Swizz Beatz and […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[48,226],"class_list":["post-1876442","post","type-post","status-publish","format-standard","hentry","category-politics","tag-billboard-com","tag-crawlmanager"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1876442","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1876442"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1876442\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1876442"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1876442"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1876442"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n\tAs he gets on the same accord with said lady, the lights dim again, and he breaks out the body rolls. Once he catches a whine from a fair maiden, he sings this song directly to her, mimicking the conversation that takes place in the lusty cut.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
\u201cTake You Down\u201d<\/h2>\n\n\n\tNow here is where his set hits one of its peaks. The stage crew position a bed or landing pad for he and the woman to lie down on, and they live up to this all-time bedroom anthem. The lighting completely blacks out everything around them, leaving room for the spotlight to illuminate him and the woman as they roll around into different positions that mimic wrestling moves. The crowd will likely erupt here so that he can drag it out plenty.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cUnder the Influence\u201d<\/h2>\n\n\n\tEventually, Brown stands up and realizes that he is a bit out of sorts, because some spirits charged his romantic evening. Strobe lights would be great here, along with CB and his dancers almost stumbling all over the stage before abruptly getting upright and going into group choreography.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cResiduals\u201d<\/h2>\n\n\n\tChris continues regaining his full consciousness and reflecting on what he has been through, ultimately questioning if this lifestyle is right for him. He takes center stage alone and opens \u201cResiduals,\u201d ultimately walking to each side of the stage and singing directly to fans.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cStrip\u201d<\/h2>\n\n\n\tHey, rehabilitation isn\u2019t instant. Even as he ponders his life and what the proper thing to do next is, he reverts back to what he was doing before. The lady backup dancers return to stage and in more revealing outfits, and he moves throughout them while they strut their stuff.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cI Can Transform Ya\u201d<\/h2>\n\n\n\tEventually, he chooses one and now it is time to convince her that he is worth her time. This would be a cool opportunity to flash some Transformers<\/em>-inspired graphics on the screen and maybe even have his dancer come out in robotic clothing.<\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\n\u201cWall to Wall\u201d<\/h2>\n\n\n\tNow, the tough part about being a heartthrob is having a wandering eye. So while he continues dancing with the current object of his affection, women flood the stage and try to take his attention off of her. Nonetheless, he Harlem shakes through the pressure.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cLook at Me Now\u201d<\/h2>\n\n\n\tAnother major aspect of his romancing is letting the woman know everything he can offer. Brown pulls out a stack of money from his pocket, as do all of the dancers for \u201cLook At Me Now.\u201d Additionally, money signs appear on the LED screen in the background. After all, it ain\u2019t trickin\u2019 if you got it.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cKiss Kiss\u201d<\/h2>\n\n\n\tWhen it seems like Chris Breezy has won the lady over, he hits a Tiger Woods fist pump that lets right into a striking dance set to \u201cLook At Me Now.\u201d The thumping production and synths match his every move, but it is his animated vocals that steal the show. However, he\u2019s got some haters encircling him as the record draws to its closing.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cLoyal\u201d<\/h2>\n\n\n\tInstead of feeling threatened, Chris doubles down on his boasting. He dances in front of every jealous dude, reminding them that they simply didn\u2019t have enough to secure the loyalty of the woman they were pursuing, especially not in comparison to him. A spotlight following him as he goes from guy-to-guy would be the nail in the coffin.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cSensational\u201d<\/h2>\n\n\n\tCB eventually remembers the assignment and gets back to his lady, while men and women dancers join them all on stage for paired choreography. And now with everyone seeming like happy campers, they can all party together.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cYeah 3x\u201d<\/h2>\n\n\n\t\u201cYeah 3x\u201d is the ideal intro to the most upbeat portion of this set. There is a lot of jumping around, flashing colorful lights and crowd engagement.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cForever\u201d<\/h2>\n\n\n\t\u201cForever,\u201d one of his best songs of all-time, can serve as one of the most intricate dance numbers. The race-against-time feel of the production would lend itself to visuals that mimic a car driving 90 miles per hour through a tunnel.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cFine China\u201d<\/h2>\n\n\n\tIt\u2019s not a Chris Brown performance if he doesn\u2019t pay homage to Michael Jackson. The \u201cFine China\u201d introduction gets extended as he picks up a black and white fedora and vest, and performs Michael-inspired choreography. The vocals take a backseat here as he recalls his classic MJ tribute from 2010.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cGo Crazy\u201d<\/h2>\n\n\n\tNow it\u2019s time for the home stretch. The party vibes shift back to hip-hop, but the energy doesn\u2019t diminish. This dance number is more for his crew than him, as Chris walks around the stage singing and holding out the microphone for fans to handle Young Thug\u2019s portions.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cNo Guidance\u201d<\/h2>\n\n\n\tThe final song, however, is all for CB. Picture the \u201cNo Guidance\u201d video and all of the choreography he did there, and then everything he can do during the beat break, given how apt he is at freestyling. This would be the ideal closer to his set before fans get to take a breath, maybe grab some drinks, and prepare for what Usher has cooked up.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\nUsher, \u201cU Don\u2019t Have to Call\u201d<\/h2>\n\n\n\tNow, for the main event. Everyone knows the opening notes to \u201cU Don\u2019t Have To Call,\u201d so the beat can hit with the lights out to build anticipation for Usher pulling up to the stage. As the lights come on, his dance crew appears first, leaving him space in the middle. Being such a superstar and showman, he deserves one of those entrances where an act rises up from under the stage. However, fans hear his voice before they see him, delivering the classic \u201cAfter tonight, don\u2019t leave your girl round me\u201d lines. Finally, he is out and gets into the first verse.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cU Remind Me\u201d<\/h2>\n\n\n\tIf you\u2019re going to start with 8701<\/em>, you might as well keep it there. Ursher takes some time to talk to the crowd and thank for them for joining this special evening. For him, it is not just a celebration, but an opportunity to remind fans of the impact they have had on his illustrious career. Speaking of reminders, the highly musical \u201cU Remind Me\u201d begins to play as he gets into position. He stands behind a microphone stand and delivers an impassioned rendition of the hit song while women dancers encircle him.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\n\u201cBad Girl\u201d<\/h2>\n\n\n\tAnd if it is time for the ladies, then he has to acknowledge the good and the bad that comes with romance. The energetic choreography of the past two records gets swapped for slower, smoother movements when \u201cBad Girl\u201d hits. The lighting gets a bit darker, to align with the concept. However, given how the term also refers to a woman\u2019s beauty, it is far from a somber occasion. He continually looks left and right while singing, acknowledging that he is among a sea of striking femme fatales.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cCaught Up\u201d<\/h2>\n\n\n\tWith so much temptation around him, it is easy to get overwhelmed. Thus, \u201cBad Girl\u201d and the scenario presented provide a great launch point to get into the frantic \u201cCaught Up.\u201d The men return to the stage for synchronized dance moves with the women. Meanwhile, Usher maneuvers around the stage frazzled, trying to maintain his composure while unsure of who to give his full attention to.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cI Don\u2019t Mind\u201d<\/h2>\n\n\n\tNow, he\u2019s certainly not new to the game. So, while he wants to make the right pick, he understands he may not be the only man on the women\u2019s minds either. Thus, he jumps into \u201cI Don\u2019t Mind.\u201d One by one, he moves from lady to lady, enjoying the fleeting moments he has with them, before moving on. It would be really cool if the lights could flash in and out, and each time they come on, he is with somebody new.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cShe Came to Give It to You\u201d<\/h2>\n\n\n\tAs the song winds down, Usher gets into a pseudo huddle with the men on stage to pass on his wisdom. He\u2019s made his rounds with the women dancers and understands what they bring to the table, so he doesn\u2019t want the fellas caught off guard. And thus, we have the affirming \u201cShe Came To Give It To You.\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cOMG\u201d<\/h2>\n\n\n\tThere\u2019s one girl that he can\u2019t seem to get his mind off of, so while the fellas all pick their matches, he ends up with the lead backup dancer among women. This sets off the peak energy portion of his set, leaning into his pop and house ventures.<\/p>\n
\n\tWill.i.am\u2019s voice consumes the venue as the introduction of \u201cOMG\u201d comes on, and the Atlanta legend gets his mack on. \u201cOMG\u201d features some of the most intricate and animated choreography of the entire set, with unique four-counts and partner routines. And it\u2019s just the beginning.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cDJ Got Us Fallin in Love\u201d<\/h2>\n\n\n\tUsher is more caught up than ever before. He realizes it\u2019s not just the woman he is with and how they fit together so well on the dance floor, but the music being played that\u2019s curating that environment for them. During a pause, he shouts out his tour DJ, which is an alley-oop to himself since it\u2019s all his songs. He asks the DJ to play something else to keep the vibes high, and the next song is none other than \u201cDJ Got Us Fallin In Love.\u201d It is as meta as meta can get.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cLove in This Club\u201d<\/h2>\n\n\n\tUltimately, he has to remember what the mission is. So in true party fashion, the vibe shifts into something slower, more sensual. Both Usher and the object of his affection understand where the night can go next, but they don\u2019t even want to wait. They slow grind and caress each other\u2019s skin as \u201cLove In This Club\u201d blasts through the venue speakers.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cThere Goes My Baby\u201d<\/h2>\n\n\n\tAnd that\u2019s it. It is over for him, he has reached peak infatuation. As \u201cThere Goes My Baby\u201d comes on next, he struts around the stage with his lady on his arm, showing her off for all to see. He even flexes her to the crowd, including women who wish they were in her position.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cClimax\u201d<\/h2>\n\n\n\tUnfortunately, that moment of bliss is finite. While his actions signal he wants to make more of their newfound bond, the lady was just having a fun night on the town. They have an expiration date coming as soon as her Uber arrives, and a slim chance of any kind of future. In other words, they\u2019re going nowhere fast because they hit their \u201cClimax.\u201d He has this realization as the beginning of \u201cClimax\u201d hits with electric synths and thumping drums, mimicking a heartbeat.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cThe Matrimony\u201d<\/h2>\n\n\n\tAfter realizing they had different intentions, the 47-year-old heartthrob makes a last-ditch effort to secure more than just a passionate night on the dance floor. He breaks out into a solo version of \u201cThe Matrimony,\u201d which is bold and premature, but signals just how invested he got in a short period of time. He returns to the microphone stand, and leads the crowd in a unified effort of the classic chorus. <\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cSuperstar\u201d<\/h2>\n\n\n\tUsher realizes his attempts are futile and throws up one more Hail Mary with a powerful performance of \u201cSuperstar.\u201d His tone and expressions conveys that he is willing to completely submit to her, despite being the Renaissance man that he is. He asks the crowd to help him out again because there\u2019s strength in numbers. It is ultimately unsuccessful as the woman is long gone, but he is more focused on feeling the love from the audience than a woman he barely knew.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cMy Way\u201d<\/h2>\n\n\n\tUsher continues this guided karaoke, taking it back to 1997 with \u201cMy Way.\u201d He asks the crowd how long they have been fans of his and says he\u2019s going to test it again later in the show, but for now, they can have this. After the song, he talks to the crowd about how he takes pride in doing his career his way and highlights another man who did the same, his partner-in-crime on the tour: Chris Breezy. He speaks about their diverse array of songs, and while they both got the crowd deep in their feelings, they hope they have a good time through it all. Breezy walks onto the stage and tells Unc he\u2019s talking too much because the fans want to party. And boom, they get into their joint section of the show.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\nChris Brown & Usher, \u201cParty\u201d<\/h2>\n\n\n\tNothing else needs to be said. \u201cParty\u201d begins and Usher sings while Breezy shows off his dance moves. The backup crew returns to the stage once again, hyping each other up and truly conveying the essence of a function. There is a special part here where Ush and Brown do some duo choreography as well, which will be a lasting memory for the fans.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cIt Depends (Remix)\u201d<\/h2>\n\n\n\t\u201cParty\u201d ends and Usher says he has to give CB his flowers, saying he has always been a fan and happy to be a brother throughout his career. Though they haven\u2019t collaborated a lot, he has valued each time they have been on a record together. Breezy says that they haven\u2019t missed when working together, especially their most recent track. And with this, the remix to \u201cIt Depends\u201d comes on.<\/p>\n
\n\tWith Usher\u2019s verse first and some very meta lines, the beat drops out various times so the moments he mentions can get their full attention. They harmonize on the chorus and continue their duo routines, making the record feel larger than life.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cNew Flame\u201d<\/h2>\n\n\n\tAfter \u201cIt Depends,\u201d Breezy says he has a personal favorite of the songs they have done together. Usher asks him which one, and Brown simply says \u201cit\u2019s hot,\u201d which leads into \u201cNew Flame.\u201d Their backup dancers throw them each a towel to fully capture the essence of the record, and the women move to the front of the stage for a special dance number with the two superstars.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cBack to Sleep (Remix)\u201d<\/h2>\n\n\n\tUltimately, this is an R&B concert, so they both show appreciation for their women fans in particular. And fittingly, for their last record together, they go into the remix of \u201cBack To Sleep.\u201d<\/p>\n
\n\tAfter the song ends, the duo exchanges kind words about one another, shake hands and hug. Breezy tells the fans he\u2019s going to leave them in the trusted hands of Usher as he continues the messaging of \u201cBack To Sleep.\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\nUsher (Solo), \u201cLovers and Friends\u201d<\/h2>\n\n\n\tUsher says he wants to stay in the grown and sexy realm for a bit. The lights go down and there is a brief pause. Abruptly, \u201cLovers And Friends\u201d comes on. As the beat progresses, the lighting slowly brightens to reveal Usher in the middle of the stage once again with his cast of women dancers. This song doesn\u2019t go for too long, but it is another signature moment for all in attendance.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cNice & Slow\u201d<\/h2>\n\n\n\tUsher reminds the crowd that he was going to test them on their knowledge of his music from 1997. After \u201cLovers And Friends\u201d comes to a close, he goes into an acapella version of the legendary first few lines of \u201cNice & Slow.\u201d He continues to test the crowd, muting himself for certain parts of the song while fans scream the lyrics to their hearts\u2019 desire. And then when it\u2019s time for the chorus, the band joins in for the highest level of karaoke one has ever experienced.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cYou Make Me Wanna\u201d<\/h2>\n\n\n\t1997 doesn\u2019t stop here, either. \u201cYou Make Me Wanna\u201d raises the energy a bit, and Usher dances as if he is 19 again. Of course, he is briefly joined by his crew of dancers but this song doesn\u2019t last long either, because there is something weighing heavily on his heart.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cU Got It Bad\u201d<\/h2>\n\n\n\tHe steps to the front of the stage again, with the back lighting dimming to show only him. He delivers one of the most emotional vocal performances of the night to \u201cU Got It Bad,\u201d prompting crowd engagement for the very heartfelt lyrics.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cBurn\u201d<\/h2>\n\n\n\tHe continues this somber portion of the show with a quick transition into \u201cBurn.\u201d Flames raise up from the stage and appear on an LED screen in the background. He removes the microphone from the stand, walking across the stage and clutching his chest as he belts the lyrics. It is truly gripping.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cMy Boo\u201d<\/h2>\n\n\n\tAnd if legendary vocal performances are what\u2019s moving the people, it only makes sense to go into \u201cMy Boo\u201d next. He continues occupying all sides of the stage, pointing to women in the crowd and holding the microphone out so they can sing Alicia Keys\u2019 part of the song.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cConfessions\u201d<\/h2>\n\n\n\tUsher says he\u2019s enjoyed the night he\u2019s had with the fans and Breezy, and that he wants to perform two of his most important songs ever to put the cherry on top. With everyone doing the mental math of what he hasn\u2019t performed yet, they\u2019re naturally expecting either \u201cConfessions Part II\u201d or \u201cYeah!\u201d However, he fakes them out with the first \u201cConfessions\u201d and builds up to a crescendo kicking things into high gear.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cConfessions Part II\u201d<\/h2>\n\n\n\t\u201cConfessions Pt. II\u201d starts and fans have a Pavlovian response. They scream, they cheer, iPhone lights illuminate the venue and Usher smirks because he knows he played it right. Strobe lights come on, the band\u2019s volume is raised and everything is perfect.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cYeah!\u201d<\/h2>\n\n\n\tAnd finally, the conclusion. \u201cYeah!\u201d is so powerful that even Chris Brown has to come back onstage one more time to create a moment bigger than his legendary backflip to \u201cMarch Madness.\u201d However, Usher won\u2019t let himself be outdone to his smash hit, and we get a dance battle that could never be topped. Ultimately, they remember the purpose of the tour, and close the record by hitting the A-Town Stomp together.<\/p>\n
\n\tUltimately, whatever they choose to do will be great. But taking fans on an audio-visual journey, capturing all of the feelings they have provided over the years, and finishing the night on Usher\u2019s signature hits would be the closest thing to a dream set come to life.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
[analyse_source url=”https:\/\/www.billboard.com\/lists\/chris-brown-usher-raymond-brown-tour-dream-setlist\/”]<\/p>\n","protected":false},"excerpt":{"rendered":"
[analyse_image type=”featured” src=”https:\/\/www.billboard.com\/wp-content\/uploads\/2026\/04\/P103R8ZZ-e1775835550108.jpg?w=1024″] For years, fans have fantasy-booked the Usher and Chris Brown Verzuz. And while it seems like it will never happen, it makes complete sense.\u00a0 The King of 2000s R&B taking on the King of 2010s R&B, both of whom are still going strong, would probably be the best battle Swizz Beatz and […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[48,226],"class_list":["post-1876442","post","type-post","status-publish","format-standard","hentry","category-politics","tag-billboard-com","tag-crawlmanager"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1876442","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1876442"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1876442\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1876442"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1876442"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1876442"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n\tNow here is where his set hits one of its peaks. The stage crew position a bed or landing pad for he and the woman to lie down on, and they live up to this all-time bedroom anthem. The lighting completely blacks out everything around them, leaving room for the spotlight to illuminate him and the woman as they roll around into different positions that mimic wrestling moves. The crowd will likely erupt here so that he can drag it out plenty.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
\u201cUnder the Influence\u201d<\/h2>\n\n\n\tEventually, Brown stands up and realizes that he is a bit out of sorts, because some spirits charged his romantic evening. Strobe lights would be great here, along with CB and his dancers almost stumbling all over the stage before abruptly getting upright and going into group choreography.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cResiduals\u201d<\/h2>\n\n\n\tChris continues regaining his full consciousness and reflecting on what he has been through, ultimately questioning if this lifestyle is right for him. He takes center stage alone and opens \u201cResiduals,\u201d ultimately walking to each side of the stage and singing directly to fans.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cStrip\u201d<\/h2>\n\n\n\tHey, rehabilitation isn\u2019t instant. Even as he ponders his life and what the proper thing to do next is, he reverts back to what he was doing before. The lady backup dancers return to stage and in more revealing outfits, and he moves throughout them while they strut their stuff.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cI Can Transform Ya\u201d<\/h2>\n\n\n\tEventually, he chooses one and now it is time to convince her that he is worth her time. This would be a cool opportunity to flash some Transformers<\/em>-inspired graphics on the screen and maybe even have his dancer come out in robotic clothing.<\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\n\u201cWall to Wall\u201d<\/h2>\n\n\n\tNow, the tough part about being a heartthrob is having a wandering eye. So while he continues dancing with the current object of his affection, women flood the stage and try to take his attention off of her. Nonetheless, he Harlem shakes through the pressure.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cLook at Me Now\u201d<\/h2>\n\n\n\tAnother major aspect of his romancing is letting the woman know everything he can offer. Brown pulls out a stack of money from his pocket, as do all of the dancers for \u201cLook At Me Now.\u201d Additionally, money signs appear on the LED screen in the background. After all, it ain\u2019t trickin\u2019 if you got it.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cKiss Kiss\u201d<\/h2>\n\n\n\tWhen it seems like Chris Breezy has won the lady over, he hits a Tiger Woods fist pump that lets right into a striking dance set to \u201cLook At Me Now.\u201d The thumping production and synths match his every move, but it is his animated vocals that steal the show. However, he\u2019s got some haters encircling him as the record draws to its closing.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cLoyal\u201d<\/h2>\n\n\n\tInstead of feeling threatened, Chris doubles down on his boasting. He dances in front of every jealous dude, reminding them that they simply didn\u2019t have enough to secure the loyalty of the woman they were pursuing, especially not in comparison to him. A spotlight following him as he goes from guy-to-guy would be the nail in the coffin.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cSensational\u201d<\/h2>\n\n\n\tCB eventually remembers the assignment and gets back to his lady, while men and women dancers join them all on stage for paired choreography. And now with everyone seeming like happy campers, they can all party together.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cYeah 3x\u201d<\/h2>\n\n\n\t\u201cYeah 3x\u201d is the ideal intro to the most upbeat portion of this set. There is a lot of jumping around, flashing colorful lights and crowd engagement.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cForever\u201d<\/h2>\n\n\n\t\u201cForever,\u201d one of his best songs of all-time, can serve as one of the most intricate dance numbers. The race-against-time feel of the production would lend itself to visuals that mimic a car driving 90 miles per hour through a tunnel.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cFine China\u201d<\/h2>\n\n\n\tIt\u2019s not a Chris Brown performance if he doesn\u2019t pay homage to Michael Jackson. The \u201cFine China\u201d introduction gets extended as he picks up a black and white fedora and vest, and performs Michael-inspired choreography. The vocals take a backseat here as he recalls his classic MJ tribute from 2010.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cGo Crazy\u201d<\/h2>\n\n\n\tNow it\u2019s time for the home stretch. The party vibes shift back to hip-hop, but the energy doesn\u2019t diminish. This dance number is more for his crew than him, as Chris walks around the stage singing and holding out the microphone for fans to handle Young Thug\u2019s portions.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cNo Guidance\u201d<\/h2>\n\n\n\tThe final song, however, is all for CB. Picture the \u201cNo Guidance\u201d video and all of the choreography he did there, and then everything he can do during the beat break, given how apt he is at freestyling. This would be the ideal closer to his set before fans get to take a breath, maybe grab some drinks, and prepare for what Usher has cooked up.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\nUsher, \u201cU Don\u2019t Have to Call\u201d<\/h2>\n\n\n\tNow, for the main event. Everyone knows the opening notes to \u201cU Don\u2019t Have To Call,\u201d so the beat can hit with the lights out to build anticipation for Usher pulling up to the stage. As the lights come on, his dance crew appears first, leaving him space in the middle. Being such a superstar and showman, he deserves one of those entrances where an act rises up from under the stage. However, fans hear his voice before they see him, delivering the classic \u201cAfter tonight, don\u2019t leave your girl round me\u201d lines. Finally, he is out and gets into the first verse.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cU Remind Me\u201d<\/h2>\n\n\n\tIf you\u2019re going to start with 8701<\/em>, you might as well keep it there. Ursher takes some time to talk to the crowd and thank for them for joining this special evening. For him, it is not just a celebration, but an opportunity to remind fans of the impact they have had on his illustrious career. Speaking of reminders, the highly musical \u201cU Remind Me\u201d begins to play as he gets into position. He stands behind a microphone stand and delivers an impassioned rendition of the hit song while women dancers encircle him.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\n\u201cBad Girl\u201d<\/h2>\n\n\n\tAnd if it is time for the ladies, then he has to acknowledge the good and the bad that comes with romance. The energetic choreography of the past two records gets swapped for slower, smoother movements when \u201cBad Girl\u201d hits. The lighting gets a bit darker, to align with the concept. However, given how the term also refers to a woman\u2019s beauty, it is far from a somber occasion. He continually looks left and right while singing, acknowledging that he is among a sea of striking femme fatales.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cCaught Up\u201d<\/h2>\n\n\n\tWith so much temptation around him, it is easy to get overwhelmed. Thus, \u201cBad Girl\u201d and the scenario presented provide a great launch point to get into the frantic \u201cCaught Up.\u201d The men return to the stage for synchronized dance moves with the women. Meanwhile, Usher maneuvers around the stage frazzled, trying to maintain his composure while unsure of who to give his full attention to.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cI Don\u2019t Mind\u201d<\/h2>\n\n\n\tNow, he\u2019s certainly not new to the game. So, while he wants to make the right pick, he understands he may not be the only man on the women\u2019s minds either. Thus, he jumps into \u201cI Don\u2019t Mind.\u201d One by one, he moves from lady to lady, enjoying the fleeting moments he has with them, before moving on. It would be really cool if the lights could flash in and out, and each time they come on, he is with somebody new.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cShe Came to Give It to You\u201d<\/h2>\n\n\n\tAs the song winds down, Usher gets into a pseudo huddle with the men on stage to pass on his wisdom. He\u2019s made his rounds with the women dancers and understands what they bring to the table, so he doesn\u2019t want the fellas caught off guard. And thus, we have the affirming \u201cShe Came To Give It To You.\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cOMG\u201d<\/h2>\n\n\n\tThere\u2019s one girl that he can\u2019t seem to get his mind off of, so while the fellas all pick their matches, he ends up with the lead backup dancer among women. This sets off the peak energy portion of his set, leaning into his pop and house ventures.<\/p>\n
\n\tWill.i.am\u2019s voice consumes the venue as the introduction of \u201cOMG\u201d comes on, and the Atlanta legend gets his mack on. \u201cOMG\u201d features some of the most intricate and animated choreography of the entire set, with unique four-counts and partner routines. And it\u2019s just the beginning.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cDJ Got Us Fallin in Love\u201d<\/h2>\n\n\n\tUsher is more caught up than ever before. He realizes it\u2019s not just the woman he is with and how they fit together so well on the dance floor, but the music being played that\u2019s curating that environment for them. During a pause, he shouts out his tour DJ, which is an alley-oop to himself since it\u2019s all his songs. He asks the DJ to play something else to keep the vibes high, and the next song is none other than \u201cDJ Got Us Fallin In Love.\u201d It is as meta as meta can get.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cLove in This Club\u201d<\/h2>\n\n\n\tUltimately, he has to remember what the mission is. So in true party fashion, the vibe shifts into something slower, more sensual. Both Usher and the object of his affection understand where the night can go next, but they don\u2019t even want to wait. They slow grind and caress each other\u2019s skin as \u201cLove In This Club\u201d blasts through the venue speakers.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cThere Goes My Baby\u201d<\/h2>\n\n\n\tAnd that\u2019s it. It is over for him, he has reached peak infatuation. As \u201cThere Goes My Baby\u201d comes on next, he struts around the stage with his lady on his arm, showing her off for all to see. He even flexes her to the crowd, including women who wish they were in her position.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cClimax\u201d<\/h2>\n\n\n\tUnfortunately, that moment of bliss is finite. While his actions signal he wants to make more of their newfound bond, the lady was just having a fun night on the town. They have an expiration date coming as soon as her Uber arrives, and a slim chance of any kind of future. In other words, they\u2019re going nowhere fast because they hit their \u201cClimax.\u201d He has this realization as the beginning of \u201cClimax\u201d hits with electric synths and thumping drums, mimicking a heartbeat.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cThe Matrimony\u201d<\/h2>\n\n\n\tAfter realizing they had different intentions, the 47-year-old heartthrob makes a last-ditch effort to secure more than just a passionate night on the dance floor. He breaks out into a solo version of \u201cThe Matrimony,\u201d which is bold and premature, but signals just how invested he got in a short period of time. He returns to the microphone stand, and leads the crowd in a unified effort of the classic chorus. <\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cSuperstar\u201d<\/h2>\n\n\n\tUsher realizes his attempts are futile and throws up one more Hail Mary with a powerful performance of \u201cSuperstar.\u201d His tone and expressions conveys that he is willing to completely submit to her, despite being the Renaissance man that he is. He asks the crowd to help him out again because there\u2019s strength in numbers. It is ultimately unsuccessful as the woman is long gone, but he is more focused on feeling the love from the audience than a woman he barely knew.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cMy Way\u201d<\/h2>\n\n\n\tUsher continues this guided karaoke, taking it back to 1997 with \u201cMy Way.\u201d He asks the crowd how long they have been fans of his and says he\u2019s going to test it again later in the show, but for now, they can have this. After the song, he talks to the crowd about how he takes pride in doing his career his way and highlights another man who did the same, his partner-in-crime on the tour: Chris Breezy. He speaks about their diverse array of songs, and while they both got the crowd deep in their feelings, they hope they have a good time through it all. Breezy walks onto the stage and tells Unc he\u2019s talking too much because the fans want to party. And boom, they get into their joint section of the show.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\nChris Brown & Usher, \u201cParty\u201d<\/h2>\n\n\n\tNothing else needs to be said. \u201cParty\u201d begins and Usher sings while Breezy shows off his dance moves. The backup crew returns to the stage once again, hyping each other up and truly conveying the essence of a function. There is a special part here where Ush and Brown do some duo choreography as well, which will be a lasting memory for the fans.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cIt Depends (Remix)\u201d<\/h2>\n\n\n\t\u201cParty\u201d ends and Usher says he has to give CB his flowers, saying he has always been a fan and happy to be a brother throughout his career. Though they haven\u2019t collaborated a lot, he has valued each time they have been on a record together. Breezy says that they haven\u2019t missed when working together, especially their most recent track. And with this, the remix to \u201cIt Depends\u201d comes on.<\/p>\n
\n\tWith Usher\u2019s verse first and some very meta lines, the beat drops out various times so the moments he mentions can get their full attention. They harmonize on the chorus and continue their duo routines, making the record feel larger than life.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cNew Flame\u201d<\/h2>\n\n\n\tAfter \u201cIt Depends,\u201d Breezy says he has a personal favorite of the songs they have done together. Usher asks him which one, and Brown simply says \u201cit\u2019s hot,\u201d which leads into \u201cNew Flame.\u201d Their backup dancers throw them each a towel to fully capture the essence of the record, and the women move to the front of the stage for a special dance number with the two superstars.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cBack to Sleep (Remix)\u201d<\/h2>\n\n\n\tUltimately, this is an R&B concert, so they both show appreciation for their women fans in particular. And fittingly, for their last record together, they go into the remix of \u201cBack To Sleep.\u201d<\/p>\n
\n\tAfter the song ends, the duo exchanges kind words about one another, shake hands and hug. Breezy tells the fans he\u2019s going to leave them in the trusted hands of Usher as he continues the messaging of \u201cBack To Sleep.\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\nUsher (Solo), \u201cLovers and Friends\u201d<\/h2>\n\n\n\tUsher says he wants to stay in the grown and sexy realm for a bit. The lights go down and there is a brief pause. Abruptly, \u201cLovers And Friends\u201d comes on. As the beat progresses, the lighting slowly brightens to reveal Usher in the middle of the stage once again with his cast of women dancers. This song doesn\u2019t go for too long, but it is another signature moment for all in attendance.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cNice & Slow\u201d<\/h2>\n\n\n\tUsher reminds the crowd that he was going to test them on their knowledge of his music from 1997. After \u201cLovers And Friends\u201d comes to a close, he goes into an acapella version of the legendary first few lines of \u201cNice & Slow.\u201d He continues to test the crowd, muting himself for certain parts of the song while fans scream the lyrics to their hearts\u2019 desire. And then when it\u2019s time for the chorus, the band joins in for the highest level of karaoke one has ever experienced.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cYou Make Me Wanna\u201d<\/h2>\n\n\n\t1997 doesn\u2019t stop here, either. \u201cYou Make Me Wanna\u201d raises the energy a bit, and Usher dances as if he is 19 again. Of course, he is briefly joined by his crew of dancers but this song doesn\u2019t last long either, because there is something weighing heavily on his heart.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cU Got It Bad\u201d<\/h2>\n\n\n\tHe steps to the front of the stage again, with the back lighting dimming to show only him. He delivers one of the most emotional vocal performances of the night to \u201cU Got It Bad,\u201d prompting crowd engagement for the very heartfelt lyrics.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cBurn\u201d<\/h2>\n\n\n\tHe continues this somber portion of the show with a quick transition into \u201cBurn.\u201d Flames raise up from the stage and appear on an LED screen in the background. He removes the microphone from the stand, walking across the stage and clutching his chest as he belts the lyrics. It is truly gripping.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cMy Boo\u201d<\/h2>\n\n\n\tAnd if legendary vocal performances are what\u2019s moving the people, it only makes sense to go into \u201cMy Boo\u201d next. He continues occupying all sides of the stage, pointing to women in the crowd and holding the microphone out so they can sing Alicia Keys\u2019 part of the song.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cConfessions\u201d<\/h2>\n\n\n\tUsher says he\u2019s enjoyed the night he\u2019s had with the fans and Breezy, and that he wants to perform two of his most important songs ever to put the cherry on top. With everyone doing the mental math of what he hasn\u2019t performed yet, they\u2019re naturally expecting either \u201cConfessions Part II\u201d or \u201cYeah!\u201d However, he fakes them out with the first \u201cConfessions\u201d and builds up to a crescendo kicking things into high gear.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cConfessions Part II\u201d<\/h2>\n\n\n\t\u201cConfessions Pt. II\u201d starts and fans have a Pavlovian response. They scream, they cheer, iPhone lights illuminate the venue and Usher smirks because he knows he played it right. Strobe lights come on, the band\u2019s volume is raised and everything is perfect.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cYeah!\u201d<\/h2>\n\n\n\tAnd finally, the conclusion. \u201cYeah!\u201d is so powerful that even Chris Brown has to come back onstage one more time to create a moment bigger than his legendary backflip to \u201cMarch Madness.\u201d However, Usher won\u2019t let himself be outdone to his smash hit, and we get a dance battle that could never be topped. Ultimately, they remember the purpose of the tour, and close the record by hitting the A-Town Stomp together.<\/p>\n
\n\tUltimately, whatever they choose to do will be great. But taking fans on an audio-visual journey, capturing all of the feelings they have provided over the years, and finishing the night on Usher\u2019s signature hits would be the closest thing to a dream set come to life.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
[analyse_source url=”https:\/\/www.billboard.com\/lists\/chris-brown-usher-raymond-brown-tour-dream-setlist\/”]<\/p>\n","protected":false},"excerpt":{"rendered":"
[analyse_image type=”featured” src=”https:\/\/www.billboard.com\/wp-content\/uploads\/2026\/04\/P103R8ZZ-e1775835550108.jpg?w=1024″] For years, fans have fantasy-booked the Usher and Chris Brown Verzuz. And while it seems like it will never happen, it makes complete sense.\u00a0 The King of 2000s R&B taking on the King of 2010s R&B, both of whom are still going strong, would probably be the best battle Swizz Beatz and […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[48,226],"class_list":["post-1876442","post","type-post","status-publish","format-standard","hentry","category-politics","tag-billboard-com","tag-crawlmanager"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1876442","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1876442"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1876442\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1876442"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1876442"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1876442"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n\tEventually, Brown stands up and realizes that he is a bit out of sorts, because some spirits charged his romantic evening. Strobe lights would be great here, along with CB and his dancers almost stumbling all over the stage before abruptly getting upright and going into group choreography.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
\u201cResiduals\u201d<\/h2>\n\n\n\tChris continues regaining his full consciousness and reflecting on what he has been through, ultimately questioning if this lifestyle is right for him. He takes center stage alone and opens \u201cResiduals,\u201d ultimately walking to each side of the stage and singing directly to fans.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cStrip\u201d<\/h2>\n\n\n\tHey, rehabilitation isn\u2019t instant. Even as he ponders his life and what the proper thing to do next is, he reverts back to what he was doing before. The lady backup dancers return to stage and in more revealing outfits, and he moves throughout them while they strut their stuff.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cI Can Transform Ya\u201d<\/h2>\n\n\n\tEventually, he chooses one and now it is time to convince her that he is worth her time. This would be a cool opportunity to flash some Transformers<\/em>-inspired graphics on the screen and maybe even have his dancer come out in robotic clothing.<\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\n\u201cWall to Wall\u201d<\/h2>\n\n\n\tNow, the tough part about being a heartthrob is having a wandering eye. So while he continues dancing with the current object of his affection, women flood the stage and try to take his attention off of her. Nonetheless, he Harlem shakes through the pressure.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cLook at Me Now\u201d<\/h2>\n\n\n\tAnother major aspect of his romancing is letting the woman know everything he can offer. Brown pulls out a stack of money from his pocket, as do all of the dancers for \u201cLook At Me Now.\u201d Additionally, money signs appear on the LED screen in the background. After all, it ain\u2019t trickin\u2019 if you got it.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cKiss Kiss\u201d<\/h2>\n\n\n\tWhen it seems like Chris Breezy has won the lady over, he hits a Tiger Woods fist pump that lets right into a striking dance set to \u201cLook At Me Now.\u201d The thumping production and synths match his every move, but it is his animated vocals that steal the show. However, he\u2019s got some haters encircling him as the record draws to its closing.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cLoyal\u201d<\/h2>\n\n\n\tInstead of feeling threatened, Chris doubles down on his boasting. He dances in front of every jealous dude, reminding them that they simply didn\u2019t have enough to secure the loyalty of the woman they were pursuing, especially not in comparison to him. A spotlight following him as he goes from guy-to-guy would be the nail in the coffin.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cSensational\u201d<\/h2>\n\n\n\tCB eventually remembers the assignment and gets back to his lady, while men and women dancers join them all on stage for paired choreography. And now with everyone seeming like happy campers, they can all party together.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cYeah 3x\u201d<\/h2>\n\n\n\t\u201cYeah 3x\u201d is the ideal intro to the most upbeat portion of this set. There is a lot of jumping around, flashing colorful lights and crowd engagement.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cForever\u201d<\/h2>\n\n\n\t\u201cForever,\u201d one of his best songs of all-time, can serve as one of the most intricate dance numbers. The race-against-time feel of the production would lend itself to visuals that mimic a car driving 90 miles per hour through a tunnel.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cFine China\u201d<\/h2>\n\n\n\tIt\u2019s not a Chris Brown performance if he doesn\u2019t pay homage to Michael Jackson. The \u201cFine China\u201d introduction gets extended as he picks up a black and white fedora and vest, and performs Michael-inspired choreography. The vocals take a backseat here as he recalls his classic MJ tribute from 2010.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cGo Crazy\u201d<\/h2>\n\n\n\tNow it\u2019s time for the home stretch. The party vibes shift back to hip-hop, but the energy doesn\u2019t diminish. This dance number is more for his crew than him, as Chris walks around the stage singing and holding out the microphone for fans to handle Young Thug\u2019s portions.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cNo Guidance\u201d<\/h2>\n\n\n\tThe final song, however, is all for CB. Picture the \u201cNo Guidance\u201d video and all of the choreography he did there, and then everything he can do during the beat break, given how apt he is at freestyling. This would be the ideal closer to his set before fans get to take a breath, maybe grab some drinks, and prepare for what Usher has cooked up.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
- \n
\nUsher, \u201cU Don\u2019t Have to Call\u201d<\/h2>\n\n\n\tNow, for the main event. Everyone knows the opening notes to \u201cU Don\u2019t Have To Call,\u201d so the beat can hit with the lights out to build anticipation for Usher pulling up to the stage. As the lights come on, his dance crew appears first, leaving him space in the middle. Being such a superstar and showman, he deserves one of those entrances where an act rises up from under the stage. However, fans hear his voice before they see him, delivering the classic \u201cAfter tonight, don\u2019t leave your girl round me\u201d lines. Finally, he is out and gets into the first verse.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cU Remind Me\u201d<\/h2>\n\n\n\tIf you\u2019re going to start with 8701<\/em>, you might as well keep it there. Ursher takes some time to talk to the crowd and thank for them for joining this special evening. For him, it is not just a celebration, but an opportunity to remind fans of the impact they have had on his illustrious career. Speaking of reminders, the highly musical \u201cU Remind Me\u201d begins to play as he gets into position. He stands behind a microphone stand and delivers an impassioned rendition of the hit song while women dancers encircle him.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\n\u201cBad Girl\u201d<\/h2>\n\n\n\tAnd if it is time for the ladies, then he has to acknowledge the good and the bad that comes with romance. The energetic choreography of the past two records gets swapped for slower, smoother movements when \u201cBad Girl\u201d hits. The lighting gets a bit darker, to align with the concept. However, given how the term also refers to a woman\u2019s beauty, it is far from a somber occasion. He continually looks left and right while singing, acknowledging that he is among a sea of striking femme fatales.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cCaught Up\u201d<\/h2>\n\n\n\tWith so much temptation around him, it is easy to get overwhelmed. Thus, \u201cBad Girl\u201d and the scenario presented provide a great launch point to get into the frantic \u201cCaught Up.\u201d The men return to the stage for synchronized dance moves with the women. Meanwhile, Usher maneuvers around the stage frazzled, trying to maintain his composure while unsure of who to give his full attention to.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cI Don\u2019t Mind\u201d<\/h2>\n\n\n\tNow, he\u2019s certainly not new to the game. So, while he wants to make the right pick, he understands he may not be the only man on the women\u2019s minds either. Thus, he jumps into \u201cI Don\u2019t Mind.\u201d One by one, he moves from lady to lady, enjoying the fleeting moments he has with them, before moving on. It would be really cool if the lights could flash in and out, and each time they come on, he is with somebody new.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cShe Came to Give It to You\u201d<\/h2>\n\n\n\tAs the song winds down, Usher gets into a pseudo huddle with the men on stage to pass on his wisdom. He\u2019s made his rounds with the women dancers and understands what they bring to the table, so he doesn\u2019t want the fellas caught off guard. And thus, we have the affirming \u201cShe Came To Give It To You.\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cOMG\u201d<\/h2>\n\n\n\tThere\u2019s one girl that he can\u2019t seem to get his mind off of, so while the fellas all pick their matches, he ends up with the lead backup dancer among women. This sets off the peak energy portion of his set, leaning into his pop and house ventures.<\/p>\n
\n\tWill.i.am\u2019s voice consumes the venue as the introduction of \u201cOMG\u201d comes on, and the Atlanta legend gets his mack on. \u201cOMG\u201d features some of the most intricate and animated choreography of the entire set, with unique four-counts and partner routines. And it\u2019s just the beginning.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cDJ Got Us Fallin in Love\u201d<\/h2>\n\n\n\tUsher is more caught up than ever before. He realizes it\u2019s not just the woman he is with and how they fit together so well on the dance floor, but the music being played that\u2019s curating that environment for them. During a pause, he shouts out his tour DJ, which is an alley-oop to himself since it\u2019s all his songs. He asks the DJ to play something else to keep the vibes high, and the next song is none other than \u201cDJ Got Us Fallin In Love.\u201d It is as meta as meta can get.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cLove in This Club\u201d<\/h2>\n\n\n\tUltimately, he has to remember what the mission is. So in true party fashion, the vibe shifts into something slower, more sensual. Both Usher and the object of his affection understand where the night can go next, but they don\u2019t even want to wait. They slow grind and caress each other\u2019s skin as \u201cLove In This Club\u201d blasts through the venue speakers.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cThere Goes My Baby\u201d<\/h2>\n\n\n\tAnd that\u2019s it. It is over for him, he has reached peak infatuation. As \u201cThere Goes My Baby\u201d comes on next, he struts around the stage with his lady on his arm, showing her off for all to see. He even flexes her to the crowd, including women who wish they were in her position.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cClimax\u201d<\/h2>\n\n\n\tUnfortunately, that moment of bliss is finite. While his actions signal he wants to make more of their newfound bond, the lady was just having a fun night on the town. They have an expiration date coming as soon as her Uber arrives, and a slim chance of any kind of future. In other words, they\u2019re going nowhere fast because they hit their \u201cClimax.\u201d He has this realization as the beginning of \u201cClimax\u201d hits with electric synths and thumping drums, mimicking a heartbeat.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cThe Matrimony\u201d<\/h2>\n\n\n\tAfter realizing they had different intentions, the 47-year-old heartthrob makes a last-ditch effort to secure more than just a passionate night on the dance floor. He breaks out into a solo version of \u201cThe Matrimony,\u201d which is bold and premature, but signals just how invested he got in a short period of time. He returns to the microphone stand, and leads the crowd in a unified effort of the classic chorus. <\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cSuperstar\u201d<\/h2>\n\n\n\tUsher realizes his attempts are futile and throws up one more Hail Mary with a powerful performance of \u201cSuperstar.\u201d His tone and expressions conveys that he is willing to completely submit to her, despite being the Renaissance man that he is. He asks the crowd to help him out again because there\u2019s strength in numbers. It is ultimately unsuccessful as the woman is long gone, but he is more focused on feeling the love from the audience than a woman he barely knew.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cMy Way\u201d<\/h2>\n\n\n\tUsher continues this guided karaoke, taking it back to 1997 with \u201cMy Way.\u201d He asks the crowd how long they have been fans of his and says he\u2019s going to test it again later in the show, but for now, they can have this. After the song, he talks to the crowd about how he takes pride in doing his career his way and highlights another man who did the same, his partner-in-crime on the tour: Chris Breezy. He speaks about their diverse array of songs, and while they both got the crowd deep in their feelings, they hope they have a good time through it all. Breezy walks onto the stage and tells Unc he\u2019s talking too much because the fans want to party. And boom, they get into their joint section of the show.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\nChris Brown & Usher, \u201cParty\u201d<\/h2>\n\n\n\tNothing else needs to be said. \u201cParty\u201d begins and Usher sings while Breezy shows off his dance moves. The backup crew returns to the stage once again, hyping each other up and truly conveying the essence of a function. There is a special part here where Ush and Brown do some duo choreography as well, which will be a lasting memory for the fans.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cIt Depends (Remix)\u201d<\/h2>\n\n\n\t\u201cParty\u201d ends and Usher says he has to give CB his flowers, saying he has always been a fan and happy to be a brother throughout his career. Though they haven\u2019t collaborated a lot, he has valued each time they have been on a record together. Breezy says that they haven\u2019t missed when working together, especially their most recent track. And with this, the remix to \u201cIt Depends\u201d comes on.<\/p>\n
\n\tWith Usher\u2019s verse first and some very meta lines, the beat drops out various times so the moments he mentions can get their full attention. They harmonize on the chorus and continue their duo routines, making the record feel larger than life.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cNew Flame\u201d<\/h2>\n\n\n\tAfter \u201cIt Depends,\u201d Breezy says he has a personal favorite of the songs they have done together. Usher asks him which one, and Brown simply says \u201cit\u2019s hot,\u201d which leads into \u201cNew Flame.\u201d Their backup dancers throw them each a towel to fully capture the essence of the record, and the women move to the front of the stage for a special dance number with the two superstars.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cBack to Sleep (Remix)\u201d<\/h2>\n\n\n\tUltimately, this is an R&B concert, so they both show appreciation for their women fans in particular. And fittingly, for their last record together, they go into the remix of \u201cBack To Sleep.\u201d<\/p>\n
\n\tAfter the song ends, the duo exchanges kind words about one another, shake hands and hug. Breezy tells the fans he\u2019s going to leave them in the trusted hands of Usher as he continues the messaging of \u201cBack To Sleep.\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\nUsher (Solo), \u201cLovers and Friends\u201d<\/h2>\n\n\n\tUsher says he wants to stay in the grown and sexy realm for a bit. The lights go down and there is a brief pause. Abruptly, \u201cLovers And Friends\u201d comes on. As the beat progresses, the lighting slowly brightens to reveal Usher in the middle of the stage once again with his cast of women dancers. This song doesn\u2019t go for too long, but it is another signature moment for all in attendance.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cNice & Slow\u201d<\/h2>\n\n\n\tUsher reminds the crowd that he was going to test them on their knowledge of his music from 1997. After \u201cLovers And Friends\u201d comes to a close, he goes into an acapella version of the legendary first few lines of \u201cNice & Slow.\u201d He continues to test the crowd, muting himself for certain parts of the song while fans scream the lyrics to their hearts\u2019 desire. And then when it\u2019s time for the chorus, the band joins in for the highest level of karaoke one has ever experienced.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cYou Make Me Wanna\u201d<\/h2>\n\n\n\t1997 doesn\u2019t stop here, either. \u201cYou Make Me Wanna\u201d raises the energy a bit, and Usher dances as if he is 19 again. Of course, he is briefly joined by his crew of dancers but this song doesn\u2019t last long either, because there is something weighing heavily on his heart.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cU Got It Bad\u201d<\/h2>\n\n\n\tHe steps to the front of the stage again, with the back lighting dimming to show only him. He delivers one of the most emotional vocal performances of the night to \u201cU Got It Bad,\u201d prompting crowd engagement for the very heartfelt lyrics.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cBurn\u201d<\/h2>\n\n\n\tHe continues this somber portion of the show with a quick transition into \u201cBurn.\u201d Flames raise up from the stage and appear on an LED screen in the background. He removes the microphone from the stand, walking across the stage and clutching his chest as he belts the lyrics. It is truly gripping.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cMy Boo\u201d<\/h2>\n\n\n\tAnd if legendary vocal performances are what\u2019s moving the people, it only makes sense to go into \u201cMy Boo\u201d next. He continues occupying all sides of the stage, pointing to women in the crowd and holding the microphone out so they can sing Alicia Keys\u2019 part of the song.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cConfessions\u201d<\/h2>\n\n\n\tUsher says he\u2019s enjoyed the night he\u2019s had with the fans and Breezy, and that he wants to perform two of his most important songs ever to put the cherry on top. With everyone doing the mental math of what he hasn\u2019t performed yet, they\u2019re naturally expecting either \u201cConfessions Part II\u201d or \u201cYeah!\u201d However, he fakes them out with the first \u201cConfessions\u201d and builds up to a crescendo kicking things into high gear.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cConfessions Part II\u201d<\/h2>\n\n\n\t\u201cConfessions Pt. II\u201d starts and fans have a Pavlovian response. They scream, they cheer, iPhone lights illuminate the venue and Usher smirks because he knows he played it right. Strobe lights come on, the band\u2019s volume is raised and everything is perfect.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cYeah!\u201d<\/h2>\n\n\n\tAnd finally, the conclusion. \u201cYeah!\u201d is so powerful that even Chris Brown has to come back onstage one more time to create a moment bigger than his legendary backflip to \u201cMarch Madness.\u201d However, Usher won\u2019t let himself be outdone to his smash hit, and we get a dance battle that could never be topped. Ultimately, they remember the purpose of the tour, and close the record by hitting the A-Town Stomp together.<\/p>\n
\n\tUltimately, whatever they choose to do will be great. But taking fans on an audio-visual journey, capturing all of the feelings they have provided over the years, and finishing the night on Usher\u2019s signature hits would be the closest thing to a dream set come to life.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
[analyse_source url=”https:\/\/www.billboard.com\/lists\/chris-brown-usher-raymond-brown-tour-dream-setlist\/”]<\/p>\n","protected":false},"excerpt":{"rendered":"
[analyse_image type=”featured” src=”https:\/\/www.billboard.com\/wp-content\/uploads\/2026\/04\/P103R8ZZ-e1775835550108.jpg?w=1024″] For years, fans have fantasy-booked the Usher and Chris Brown Verzuz. And while it seems like it will never happen, it makes complete sense.\u00a0 The King of 2000s R&B taking on the King of 2010s R&B, both of whom are still going strong, would probably be the best battle Swizz Beatz and […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[48,226],"class_list":["post-1876442","post","type-post","status-publish","format-standard","hentry","category-politics","tag-billboard-com","tag-crawlmanager"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1876442","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1876442"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1876442\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1876442"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1876442"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1876442"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n\tChris continues regaining his full consciousness and reflecting on what he has been through, ultimately questioning if this lifestyle is right for him. He takes center stage alone and opens \u201cResiduals,\u201d ultimately walking to each side of the stage and singing directly to fans.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
\u201cStrip\u201d<\/h2>\n\n\n\tHey, rehabilitation isn\u2019t instant. Even as he ponders his life and what the proper thing to do next is, he reverts back to what he was doing before. The lady backup dancers return to stage and in more revealing outfits, and he moves throughout them while they strut their stuff.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cI Can Transform Ya\u201d<\/h2>\n\n\n\tEventually, he chooses one and now it is time to convince her that he is worth her time. This would be a cool opportunity to flash some Transformers<\/em>-inspired graphics on the screen and maybe even have his dancer come out in robotic clothing.<\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\n\u201cWall to Wall\u201d<\/h2>\n\n\n\tNow, the tough part about being a heartthrob is having a wandering eye. So while he continues dancing with the current object of his affection, women flood the stage and try to take his attention off of her. Nonetheless, he Harlem shakes through the pressure.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cLook at Me Now\u201d<\/h2>\n\n\n\tAnother major aspect of his romancing is letting the woman know everything he can offer. Brown pulls out a stack of money from his pocket, as do all of the dancers for \u201cLook At Me Now.\u201d Additionally, money signs appear on the LED screen in the background. After all, it ain\u2019t trickin\u2019 if you got it.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cKiss Kiss\u201d<\/h2>\n\n\n\tWhen it seems like Chris Breezy has won the lady over, he hits a Tiger Woods fist pump that lets right into a striking dance set to \u201cLook At Me Now.\u201d The thumping production and synths match his every move, but it is his animated vocals that steal the show. However, he\u2019s got some haters encircling him as the record draws to its closing.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cLoyal\u201d<\/h2>\n\n\n\tInstead of feeling threatened, Chris doubles down on his boasting. He dances in front of every jealous dude, reminding them that they simply didn\u2019t have enough to secure the loyalty of the woman they were pursuing, especially not in comparison to him. A spotlight following him as he goes from guy-to-guy would be the nail in the coffin.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cSensational\u201d<\/h2>\n\n\n\tCB eventually remembers the assignment and gets back to his lady, while men and women dancers join them all on stage for paired choreography. And now with everyone seeming like happy campers, they can all party together.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cYeah 3x\u201d<\/h2>\n\n\n\t\u201cYeah 3x\u201d is the ideal intro to the most upbeat portion of this set. There is a lot of jumping around, flashing colorful lights and crowd engagement.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cForever\u201d<\/h2>\n\n\n\t\u201cForever,\u201d one of his best songs of all-time, can serve as one of the most intricate dance numbers. The race-against-time feel of the production would lend itself to visuals that mimic a car driving 90 miles per hour through a tunnel.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cFine China\u201d<\/h2>\n\n\n\tIt\u2019s not a Chris Brown performance if he doesn\u2019t pay homage to Michael Jackson. The \u201cFine China\u201d introduction gets extended as he picks up a black and white fedora and vest, and performs Michael-inspired choreography. The vocals take a backseat here as he recalls his classic MJ tribute from 2010.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cGo Crazy\u201d<\/h2>\n\n\n\tNow it\u2019s time for the home stretch. The party vibes shift back to hip-hop, but the energy doesn\u2019t diminish. This dance number is more for his crew than him, as Chris walks around the stage singing and holding out the microphone for fans to handle Young Thug\u2019s portions.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cNo Guidance\u201d<\/h2>\n\n\n\tThe final song, however, is all for CB. Picture the \u201cNo Guidance\u201d video and all of the choreography he did there, and then everything he can do during the beat break, given how apt he is at freestyling. This would be the ideal closer to his set before fans get to take a breath, maybe grab some drinks, and prepare for what Usher has cooked up.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\nUsher, \u201cU Don\u2019t Have to Call\u201d<\/h2>\n\n\n\tNow, for the main event. Everyone knows the opening notes to \u201cU Don\u2019t Have To Call,\u201d so the beat can hit with the lights out to build anticipation for Usher pulling up to the stage. As the lights come on, his dance crew appears first, leaving him space in the middle. Being such a superstar and showman, he deserves one of those entrances where an act rises up from under the stage. However, fans hear his voice before they see him, delivering the classic \u201cAfter tonight, don\u2019t leave your girl round me\u201d lines. Finally, he is out and gets into the first verse.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cU Remind Me\u201d<\/h2>\n\n\n\tIf you\u2019re going to start with 8701<\/em>, you might as well keep it there. Ursher takes some time to talk to the crowd and thank for them for joining this special evening. For him, it is not just a celebration, but an opportunity to remind fans of the impact they have had on his illustrious career. Speaking of reminders, the highly musical \u201cU Remind Me\u201d begins to play as he gets into position. He stands behind a microphone stand and delivers an impassioned rendition of the hit song while women dancers encircle him.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\n\u201cBad Girl\u201d<\/h2>\n\n\n\tAnd if it is time for the ladies, then he has to acknowledge the good and the bad that comes with romance. The energetic choreography of the past two records gets swapped for slower, smoother movements when \u201cBad Girl\u201d hits. The lighting gets a bit darker, to align with the concept. However, given how the term also refers to a woman\u2019s beauty, it is far from a somber occasion. He continually looks left and right while singing, acknowledging that he is among a sea of striking femme fatales.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cCaught Up\u201d<\/h2>\n\n\n\tWith so much temptation around him, it is easy to get overwhelmed. Thus, \u201cBad Girl\u201d and the scenario presented provide a great launch point to get into the frantic \u201cCaught Up.\u201d The men return to the stage for synchronized dance moves with the women. Meanwhile, Usher maneuvers around the stage frazzled, trying to maintain his composure while unsure of who to give his full attention to.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cI Don\u2019t Mind\u201d<\/h2>\n\n\n\tNow, he\u2019s certainly not new to the game. So, while he wants to make the right pick, he understands he may not be the only man on the women\u2019s minds either. Thus, he jumps into \u201cI Don\u2019t Mind.\u201d One by one, he moves from lady to lady, enjoying the fleeting moments he has with them, before moving on. It would be really cool if the lights could flash in and out, and each time they come on, he is with somebody new.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cShe Came to Give It to You\u201d<\/h2>\n\n\n\tAs the song winds down, Usher gets into a pseudo huddle with the men on stage to pass on his wisdom. He\u2019s made his rounds with the women dancers and understands what they bring to the table, so he doesn\u2019t want the fellas caught off guard. And thus, we have the affirming \u201cShe Came To Give It To You.\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cOMG\u201d<\/h2>\n\n\n\tThere\u2019s one girl that he can\u2019t seem to get his mind off of, so while the fellas all pick their matches, he ends up with the lead backup dancer among women. This sets off the peak energy portion of his set, leaning into his pop and house ventures.<\/p>\n
\n\tWill.i.am\u2019s voice consumes the venue as the introduction of \u201cOMG\u201d comes on, and the Atlanta legend gets his mack on. \u201cOMG\u201d features some of the most intricate and animated choreography of the entire set, with unique four-counts and partner routines. And it\u2019s just the beginning.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cDJ Got Us Fallin in Love\u201d<\/h2>\n\n\n\tUsher is more caught up than ever before. He realizes it\u2019s not just the woman he is with and how they fit together so well on the dance floor, but the music being played that\u2019s curating that environment for them. During a pause, he shouts out his tour DJ, which is an alley-oop to himself since it\u2019s all his songs. He asks the DJ to play something else to keep the vibes high, and the next song is none other than \u201cDJ Got Us Fallin In Love.\u201d It is as meta as meta can get.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cLove in This Club\u201d<\/h2>\n\n\n\tUltimately, he has to remember what the mission is. So in true party fashion, the vibe shifts into something slower, more sensual. Both Usher and the object of his affection understand where the night can go next, but they don\u2019t even want to wait. They slow grind and caress each other\u2019s skin as \u201cLove In This Club\u201d blasts through the venue speakers.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cThere Goes My Baby\u201d<\/h2>\n\n\n\tAnd that\u2019s it. It is over for him, he has reached peak infatuation. As \u201cThere Goes My Baby\u201d comes on next, he struts around the stage with his lady on his arm, showing her off for all to see. He even flexes her to the crowd, including women who wish they were in her position.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cClimax\u201d<\/h2>\n\n\n\tUnfortunately, that moment of bliss is finite. While his actions signal he wants to make more of their newfound bond, the lady was just having a fun night on the town. They have an expiration date coming as soon as her Uber arrives, and a slim chance of any kind of future. In other words, they\u2019re going nowhere fast because they hit their \u201cClimax.\u201d He has this realization as the beginning of \u201cClimax\u201d hits with electric synths and thumping drums, mimicking a heartbeat.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cThe Matrimony\u201d<\/h2>\n\n\n\tAfter realizing they had different intentions, the 47-year-old heartthrob makes a last-ditch effort to secure more than just a passionate night on the dance floor. He breaks out into a solo version of \u201cThe Matrimony,\u201d which is bold and premature, but signals just how invested he got in a short period of time. He returns to the microphone stand, and leads the crowd in a unified effort of the classic chorus. <\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cSuperstar\u201d<\/h2>\n\n\n\tUsher realizes his attempts are futile and throws up one more Hail Mary with a powerful performance of \u201cSuperstar.\u201d His tone and expressions conveys that he is willing to completely submit to her, despite being the Renaissance man that he is. He asks the crowd to help him out again because there\u2019s strength in numbers. It is ultimately unsuccessful as the woman is long gone, but he is more focused on feeling the love from the audience than a woman he barely knew.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cMy Way\u201d<\/h2>\n\n\n\tUsher continues this guided karaoke, taking it back to 1997 with \u201cMy Way.\u201d He asks the crowd how long they have been fans of his and says he\u2019s going to test it again later in the show, but for now, they can have this. After the song, he talks to the crowd about how he takes pride in doing his career his way and highlights another man who did the same, his partner-in-crime on the tour: Chris Breezy. He speaks about their diverse array of songs, and while they both got the crowd deep in their feelings, they hope they have a good time through it all. Breezy walks onto the stage and tells Unc he\u2019s talking too much because the fans want to party. And boom, they get into their joint section of the show.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\nChris Brown & Usher, \u201cParty\u201d<\/h2>\n\n\n\tNothing else needs to be said. \u201cParty\u201d begins and Usher sings while Breezy shows off his dance moves. The backup crew returns to the stage once again, hyping each other up and truly conveying the essence of a function. There is a special part here where Ush and Brown do some duo choreography as well, which will be a lasting memory for the fans.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cIt Depends (Remix)\u201d<\/h2>\n\n\n\t\u201cParty\u201d ends and Usher says he has to give CB his flowers, saying he has always been a fan and happy to be a brother throughout his career. Though they haven\u2019t collaborated a lot, he has valued each time they have been on a record together. Breezy says that they haven\u2019t missed when working together, especially their most recent track. And with this, the remix to \u201cIt Depends\u201d comes on.<\/p>\n
\n\tWith Usher\u2019s verse first and some very meta lines, the beat drops out various times so the moments he mentions can get their full attention. They harmonize on the chorus and continue their duo routines, making the record feel larger than life.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cNew Flame\u201d<\/h2>\n\n\n\tAfter \u201cIt Depends,\u201d Breezy says he has a personal favorite of the songs they have done together. Usher asks him which one, and Brown simply says \u201cit\u2019s hot,\u201d which leads into \u201cNew Flame.\u201d Their backup dancers throw them each a towel to fully capture the essence of the record, and the women move to the front of the stage for a special dance number with the two superstars.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cBack to Sleep (Remix)\u201d<\/h2>\n\n\n\tUltimately, this is an R&B concert, so they both show appreciation for their women fans in particular. And fittingly, for their last record together, they go into the remix of \u201cBack To Sleep.\u201d<\/p>\n
\n\tAfter the song ends, the duo exchanges kind words about one another, shake hands and hug. Breezy tells the fans he\u2019s going to leave them in the trusted hands of Usher as he continues the messaging of \u201cBack To Sleep.\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\nUsher (Solo), \u201cLovers and Friends\u201d<\/h2>\n\n\n\tUsher says he wants to stay in the grown and sexy realm for a bit. The lights go down and there is a brief pause. Abruptly, \u201cLovers And Friends\u201d comes on. As the beat progresses, the lighting slowly brightens to reveal Usher in the middle of the stage once again with his cast of women dancers. This song doesn\u2019t go for too long, but it is another signature moment for all in attendance.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cNice & Slow\u201d<\/h2>\n\n\n\tUsher reminds the crowd that he was going to test them on their knowledge of his music from 1997. After \u201cLovers And Friends\u201d comes to a close, he goes into an acapella version of the legendary first few lines of \u201cNice & Slow.\u201d He continues to test the crowd, muting himself for certain parts of the song while fans scream the lyrics to their hearts\u2019 desire. And then when it\u2019s time for the chorus, the band joins in for the highest level of karaoke one has ever experienced.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cYou Make Me Wanna\u201d<\/h2>\n\n\n\t1997 doesn\u2019t stop here, either. \u201cYou Make Me Wanna\u201d raises the energy a bit, and Usher dances as if he is 19 again. Of course, he is briefly joined by his crew of dancers but this song doesn\u2019t last long either, because there is something weighing heavily on his heart.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cU Got It Bad\u201d<\/h2>\n\n\n\tHe steps to the front of the stage again, with the back lighting dimming to show only him. He delivers one of the most emotional vocal performances of the night to \u201cU Got It Bad,\u201d prompting crowd engagement for the very heartfelt lyrics.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cBurn\u201d<\/h2>\n\n\n\tHe continues this somber portion of the show with a quick transition into \u201cBurn.\u201d Flames raise up from the stage and appear on an LED screen in the background. He removes the microphone from the stand, walking across the stage and clutching his chest as he belts the lyrics. It is truly gripping.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cMy Boo\u201d<\/h2>\n\n\n\tAnd if legendary vocal performances are what\u2019s moving the people, it only makes sense to go into \u201cMy Boo\u201d next. He continues occupying all sides of the stage, pointing to women in the crowd and holding the microphone out so they can sing Alicia Keys\u2019 part of the song.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cConfessions\u201d<\/h2>\n\n\n\tUsher says he\u2019s enjoyed the night he\u2019s had with the fans and Breezy, and that he wants to perform two of his most important songs ever to put the cherry on top. With everyone doing the mental math of what he hasn\u2019t performed yet, they\u2019re naturally expecting either \u201cConfessions Part II\u201d or \u201cYeah!\u201d However, he fakes them out with the first \u201cConfessions\u201d and builds up to a crescendo kicking things into high gear.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cConfessions Part II\u201d<\/h2>\n\n\n\t\u201cConfessions Pt. II\u201d starts and fans have a Pavlovian response. They scream, they cheer, iPhone lights illuminate the venue and Usher smirks because he knows he played it right. Strobe lights come on, the band\u2019s volume is raised and everything is perfect.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cYeah!\u201d<\/h2>\n\n\n\tAnd finally, the conclusion. \u201cYeah!\u201d is so powerful that even Chris Brown has to come back onstage one more time to create a moment bigger than his legendary backflip to \u201cMarch Madness.\u201d However, Usher won\u2019t let himself be outdone to his smash hit, and we get a dance battle that could never be topped. Ultimately, they remember the purpose of the tour, and close the record by hitting the A-Town Stomp together.<\/p>\n
\n\tUltimately, whatever they choose to do will be great. But taking fans on an audio-visual journey, capturing all of the feelings they have provided over the years, and finishing the night on Usher\u2019s signature hits would be the closest thing to a dream set come to life.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
[analyse_source url=”https:\/\/www.billboard.com\/lists\/chris-brown-usher-raymond-brown-tour-dream-setlist\/”]<\/p>\n","protected":false},"excerpt":{"rendered":"
[analyse_image type=”featured” src=”https:\/\/www.billboard.com\/wp-content\/uploads\/2026\/04\/P103R8ZZ-e1775835550108.jpg?w=1024″] For years, fans have fantasy-booked the Usher and Chris Brown Verzuz. And while it seems like it will never happen, it makes complete sense.\u00a0 The King of 2000s R&B taking on the King of 2010s R&B, both of whom are still going strong, would probably be the best battle Swizz Beatz and […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[48,226],"class_list":["post-1876442","post","type-post","status-publish","format-standard","hentry","category-politics","tag-billboard-com","tag-crawlmanager"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1876442","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1876442"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1876442\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1876442"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1876442"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1876442"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n\tHey, rehabilitation isn\u2019t instant. Even as he ponders his life and what the proper thing to do next is, he reverts back to what he was doing before. The lady backup dancers return to stage and in more revealing outfits, and he moves throughout them while they strut their stuff.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
\u201cI Can Transform Ya\u201d<\/h2>\n\n\n\tEventually, he chooses one and now it is time to convince her that he is worth her time. This would be a cool opportunity to flash some Transformers<\/em>-inspired graphics on the screen and maybe even have his dancer come out in robotic clothing.<\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\n\u201cWall to Wall\u201d<\/h2>\n\n\n\tNow, the tough part about being a heartthrob is having a wandering eye. So while he continues dancing with the current object of his affection, women flood the stage and try to take his attention off of her. Nonetheless, he Harlem shakes through the pressure.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cLook at Me Now\u201d<\/h2>\n\n\n\tAnother major aspect of his romancing is letting the woman know everything he can offer. Brown pulls out a stack of money from his pocket, as do all of the dancers for \u201cLook At Me Now.\u201d Additionally, money signs appear on the LED screen in the background. After all, it ain\u2019t trickin\u2019 if you got it.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cKiss Kiss\u201d<\/h2>\n\n\n\tWhen it seems like Chris Breezy has won the lady over, he hits a Tiger Woods fist pump that lets right into a striking dance set to \u201cLook At Me Now.\u201d The thumping production and synths match his every move, but it is his animated vocals that steal the show. However, he\u2019s got some haters encircling him as the record draws to its closing.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cLoyal\u201d<\/h2>\n\n\n\tInstead of feeling threatened, Chris doubles down on his boasting. He dances in front of every jealous dude, reminding them that they simply didn\u2019t have enough to secure the loyalty of the woman they were pursuing, especially not in comparison to him. A spotlight following him as he goes from guy-to-guy would be the nail in the coffin.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cSensational\u201d<\/h2>\n\n\n\tCB eventually remembers the assignment and gets back to his lady, while men and women dancers join them all on stage for paired choreography. And now with everyone seeming like happy campers, they can all party together.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cYeah 3x\u201d<\/h2>\n\n\n\t\u201cYeah 3x\u201d is the ideal intro to the most upbeat portion of this set. There is a lot of jumping around, flashing colorful lights and crowd engagement.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cForever\u201d<\/h2>\n\n\n\t\u201cForever,\u201d one of his best songs of all-time, can serve as one of the most intricate dance numbers. The race-against-time feel of the production would lend itself to visuals that mimic a car driving 90 miles per hour through a tunnel.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cFine China\u201d<\/h2>\n\n\n\tIt\u2019s not a Chris Brown performance if he doesn\u2019t pay homage to Michael Jackson. The \u201cFine China\u201d introduction gets extended as he picks up a black and white fedora and vest, and performs Michael-inspired choreography. The vocals take a backseat here as he recalls his classic MJ tribute from 2010.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cGo Crazy\u201d<\/h2>\n\n\n\tNow it\u2019s time for the home stretch. The party vibes shift back to hip-hop, but the energy doesn\u2019t diminish. This dance number is more for his crew than him, as Chris walks around the stage singing and holding out the microphone for fans to handle Young Thug\u2019s portions.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cNo Guidance\u201d<\/h2>\n\n\n\tThe final song, however, is all for CB. Picture the \u201cNo Guidance\u201d video and all of the choreography he did there, and then everything he can do during the beat break, given how apt he is at freestyling. This would be the ideal closer to his set before fans get to take a breath, maybe grab some drinks, and prepare for what Usher has cooked up.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\nUsher, \u201cU Don\u2019t Have to Call\u201d<\/h2>\n\n\n\tNow, for the main event. Everyone knows the opening notes to \u201cU Don\u2019t Have To Call,\u201d so the beat can hit with the lights out to build anticipation for Usher pulling up to the stage. As the lights come on, his dance crew appears first, leaving him space in the middle. Being such a superstar and showman, he deserves one of those entrances where an act rises up from under the stage. However, fans hear his voice before they see him, delivering the classic \u201cAfter tonight, don\u2019t leave your girl round me\u201d lines. Finally, he is out and gets into the first verse.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cU Remind Me\u201d<\/h2>\n\n\n\tIf you\u2019re going to start with 8701<\/em>, you might as well keep it there. Ursher takes some time to talk to the crowd and thank for them for joining this special evening. For him, it is not just a celebration, but an opportunity to remind fans of the impact they have had on his illustrious career. Speaking of reminders, the highly musical \u201cU Remind Me\u201d begins to play as he gets into position. He stands behind a microphone stand and delivers an impassioned rendition of the hit song while women dancers encircle him.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\n\u201cBad Girl\u201d<\/h2>\n\n\n\tAnd if it is time for the ladies, then he has to acknowledge the good and the bad that comes with romance. The energetic choreography of the past two records gets swapped for slower, smoother movements when \u201cBad Girl\u201d hits. The lighting gets a bit darker, to align with the concept. However, given how the term also refers to a woman\u2019s beauty, it is far from a somber occasion. He continually looks left and right while singing, acknowledging that he is among a sea of striking femme fatales.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cCaught Up\u201d<\/h2>\n\n\n\tWith so much temptation around him, it is easy to get overwhelmed. Thus, \u201cBad Girl\u201d and the scenario presented provide a great launch point to get into the frantic \u201cCaught Up.\u201d The men return to the stage for synchronized dance moves with the women. Meanwhile, Usher maneuvers around the stage frazzled, trying to maintain his composure while unsure of who to give his full attention to.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cI Don\u2019t Mind\u201d<\/h2>\n\n\n\tNow, he\u2019s certainly not new to the game. So, while he wants to make the right pick, he understands he may not be the only man on the women\u2019s minds either. Thus, he jumps into \u201cI Don\u2019t Mind.\u201d One by one, he moves from lady to lady, enjoying the fleeting moments he has with them, before moving on. It would be really cool if the lights could flash in and out, and each time they come on, he is with somebody new.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cShe Came to Give It to You\u201d<\/h2>\n\n\n\tAs the song winds down, Usher gets into a pseudo huddle with the men on stage to pass on his wisdom. He\u2019s made his rounds with the women dancers and understands what they bring to the table, so he doesn\u2019t want the fellas caught off guard. And thus, we have the affirming \u201cShe Came To Give It To You.\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cOMG\u201d<\/h2>\n\n\n\tThere\u2019s one girl that he can\u2019t seem to get his mind off of, so while the fellas all pick their matches, he ends up with the lead backup dancer among women. This sets off the peak energy portion of his set, leaning into his pop and house ventures.<\/p>\n
\n\tWill.i.am\u2019s voice consumes the venue as the introduction of \u201cOMG\u201d comes on, and the Atlanta legend gets his mack on. \u201cOMG\u201d features some of the most intricate and animated choreography of the entire set, with unique four-counts and partner routines. And it\u2019s just the beginning.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cDJ Got Us Fallin in Love\u201d<\/h2>\n\n\n\tUsher is more caught up than ever before. He realizes it\u2019s not just the woman he is with and how they fit together so well on the dance floor, but the music being played that\u2019s curating that environment for them. During a pause, he shouts out his tour DJ, which is an alley-oop to himself since it\u2019s all his songs. He asks the DJ to play something else to keep the vibes high, and the next song is none other than \u201cDJ Got Us Fallin In Love.\u201d It is as meta as meta can get.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cLove in This Club\u201d<\/h2>\n\n\n\tUltimately, he has to remember what the mission is. So in true party fashion, the vibe shifts into something slower, more sensual. Both Usher and the object of his affection understand where the night can go next, but they don\u2019t even want to wait. They slow grind and caress each other\u2019s skin as \u201cLove In This Club\u201d blasts through the venue speakers.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cThere Goes My Baby\u201d<\/h2>\n\n\n\tAnd that\u2019s it. It is over for him, he has reached peak infatuation. As \u201cThere Goes My Baby\u201d comes on next, he struts around the stage with his lady on his arm, showing her off for all to see. He even flexes her to the crowd, including women who wish they were in her position.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cClimax\u201d<\/h2>\n\n\n\tUnfortunately, that moment of bliss is finite. While his actions signal he wants to make more of their newfound bond, the lady was just having a fun night on the town. They have an expiration date coming as soon as her Uber arrives, and a slim chance of any kind of future. In other words, they\u2019re going nowhere fast because they hit their \u201cClimax.\u201d He has this realization as the beginning of \u201cClimax\u201d hits with electric synths and thumping drums, mimicking a heartbeat.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cThe Matrimony\u201d<\/h2>\n\n\n\tAfter realizing they had different intentions, the 47-year-old heartthrob makes a last-ditch effort to secure more than just a passionate night on the dance floor. He breaks out into a solo version of \u201cThe Matrimony,\u201d which is bold and premature, but signals just how invested he got in a short period of time. He returns to the microphone stand, and leads the crowd in a unified effort of the classic chorus. <\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cSuperstar\u201d<\/h2>\n\n\n\tUsher realizes his attempts are futile and throws up one more Hail Mary with a powerful performance of \u201cSuperstar.\u201d His tone and expressions conveys that he is willing to completely submit to her, despite being the Renaissance man that he is. He asks the crowd to help him out again because there\u2019s strength in numbers. It is ultimately unsuccessful as the woman is long gone, but he is more focused on feeling the love from the audience than a woman he barely knew.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\n\u201cMy Way\u201d<\/h2>\n\n\n\tUsher continues this guided karaoke, taking it back to 1997 with \u201cMy Way.\u201d He asks the crowd how long they have been fans of his and says he\u2019s going to test it again later in the show, but for now, they can have this. After the song, he talks to the crowd about how he takes pride in doing his career his way and highlights another man who did the same, his partner-in-crime on the tour: Chris Breezy. He speaks about their diverse array of songs, and while they both got the crowd deep in their feelings, they hope they have a good time through it all. Breezy walks onto the stage and tells Unc he\u2019s talking too much because the fans want to party. And boom, they get into their joint section of the show.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
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\nChris Brown & Usher, \u201cParty\u201d<\/h2>\n\n\n\tNothing else needs to be said. \u201cParty\u201d begins and Usher sings while Breezy shows off his dance moves. The backup crew returns to the stage once again, hyping each other up and truly conveying the essence of a function. There is a special part here where Ush and Brown do some duo choreography as well, which will be a lasting memory for the fans.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
- \n
\n\u201cIt Depends (Remix)\u201d<\/h2>\n\n\n\t\u201cParty\u201d ends and Usher says he has to give CB his flowers, saying he has always been a fan and happy to be a brother throughout his career. Though they haven\u2019t collaborated a lot, he has valued each time they have been on a record together. Breezy says that they haven\u2019t missed when working together, especially their most recent track. And with this, the remix to \u201cIt Depends\u201d comes on.<\/p>\n
\n\tWith Usher\u2019s verse first and some very meta lines, the beat drops out various times so the moments he mentions can get their full attention. They harmonize on the chorus and continue their duo routines, making the record feel larger than life.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
- \n
\n\u201cNew Flame\u201d<\/h2>\n\n\n\tAfter \u201cIt Depends,\u201d Breezy says he has a personal favorite of the songs they have done together. Usher asks him which one, and Brown simply says \u201cit\u2019s hot,\u201d which leads into \u201cNew Flame.\u201d Their backup dancers throw them each a towel to fully capture the essence of the record, and the women move to the front of the stage for a special dance number with the two superstars.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
- \n
\n\u201cBack to Sleep (Remix)\u201d<\/h2>\n\n\n\tUltimately, this is an R&B concert, so they both show appreciation for their women fans in particular. And fittingly, for their last record together, they go into the remix of \u201cBack To Sleep.\u201d<\/p>\n
\n\tAfter the song ends, the duo exchanges kind words about one another, shake hands and hug. Breezy tells the fans he\u2019s going to leave them in the trusted hands of Usher as he continues the messaging of \u201cBack To Sleep.\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n
- \n
\nUsher (Solo), \u201cLovers and Friends\u201d<\/h2>\n\n\n\tUsher says he wants to stay in the grown and sexy realm for a bit. The lights go down and there is a brief pause. Abruptly, \u201cLovers And Friends\u201d comes on. As the beat progresses, the lighting slowly brightens to reveal Usher in the middle of the stage once again with his cast of women dancers. This song doesn\u2019t go for too long, but it is another signature moment for all in attendance.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
- \n
\n\u201cNice & Slow\u201d<\/h2>\n\n\n\tUsher reminds the crowd that he was going to test them on their knowledge of his music from 1997. After \u201cLovers And Friends\u201d comes to a close, he goes into an acapella version of the legendary first few lines of \u201cNice & Slow.\u201d He continues to test the crowd, muting himself for certain parts of the song while fans scream the lyrics to their hearts\u2019 desire. And then when it\u2019s time for the chorus, the band joins in for the highest level of karaoke one has ever experienced.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
- \n
\n\u201cYou Make Me Wanna\u201d<\/h2>\n\n\n\t1997 doesn\u2019t stop here, either. \u201cYou Make Me Wanna\u201d raises the energy a bit, and Usher dances as if he is 19 again. Of course, he is briefly joined by his crew of dancers but this song doesn\u2019t last long either, because there is something weighing heavily on his heart.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
- \n
\n\u201cU Got It Bad\u201d<\/h2>\n\n\n\tHe steps to the front of the stage again, with the back lighting dimming to show only him. He delivers one of the most emotional vocal performances of the night to \u201cU Got It Bad,\u201d prompting crowd engagement for the very heartfelt lyrics.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
- \n
\n\u201cBurn\u201d<\/h2>\n\n\n\tHe continues this somber portion of the show with a quick transition into \u201cBurn.\u201d Flames raise up from the stage and appear on an LED screen in the background. He removes the microphone from the stand, walking across the stage and clutching his chest as he belts the lyrics. It is truly gripping.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
- \n
\n\u201cMy Boo\u201d<\/h2>\n\n\n\tAnd if legendary vocal performances are what\u2019s moving the people, it only makes sense to go into \u201cMy Boo\u201d next. He continues occupying all sides of the stage, pointing to women in the crowd and holding the microphone out so they can sing Alicia Keys\u2019 part of the song.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
- \n
\n\u201cConfessions\u201d<\/h2>\n\n\n\tUsher says he\u2019s enjoyed the night he\u2019s had with the fans and Breezy, and that he wants to perform two of his most important songs ever to put the cherry on top. With everyone doing the mental math of what he hasn\u2019t performed yet, they\u2019re naturally expecting either \u201cConfessions Part II\u201d or \u201cYeah!\u201d However, he fakes them out with the first \u201cConfessions\u201d and builds up to a crescendo kicking things into high gear.<\/p>\n<\/div>\n<\/article>\n<\/li>\n
- \n
\n\u201cConfessions Part II\u201d<\/h2>\n\n\n\t\u201cConfessions Pt. II\u201d starts and fans have a Pavlovian response. They scream, they cheer, iPhone lights illuminate the venue and Usher smirks because he knows he played it right. Strobe lights come on, the band\u2019s volume is raised and everything is perfect.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n
- \n
\n\u201cYeah!\u201d<\/h2>\n\n\n\tAnd finally, the conclusion. \u201cYeah!\u201d is so powerful that even Chris Brown has to come back onstage one more time to create a moment bigger than his legendary backflip to \u201cMarch Madness.\u201d However, Usher won\u2019t let himself be outdone to his smash hit, and we get a dance battle that could never be topped. Ultimately, they remember the purpose of the tour, and close the record by hitting the A-Town Stomp together.<\/p>\n
\n\tUltimately, whatever they choose to do will be great. But taking fans on an audio-visual journey, capturing all of the feelings they have provided over the years, and finishing the night on Usher\u2019s signature hits would be the closest thing to a dream set come to life.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
[analyse_source url=”https:\/\/www.billboard.com\/lists\/chris-brown-usher-raymond-brown-tour-dream-setlist\/”]<\/p>\n","protected":false},"excerpt":{"rendered":"
[analyse_image type=”featured” src=”https:\/\/www.billboard.com\/wp-content\/uploads\/2026\/04\/P103R8ZZ-e1775835550108.jpg?w=1024″] For years, fans have fantasy-booked the Usher and Chris Brown Verzuz. And while it seems like it will never happen, it makes complete sense.\u00a0 The King of 2000s R&B taking on the King of 2010s R&B, both of whom are still going strong, would probably be the best battle Swizz Beatz and […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[48,226],"class_list":["post-1876442","post","type-post","status-publish","format-standard","hentry","category-politics","tag-billboard-com","tag-crawlmanager"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1876442","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1876442"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1876442\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1876442"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1876442"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1876442"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n\tEventually, he chooses one and now it is time to convince her that he is worth her time. This would be a cool opportunity to flash some Transformers<\/em>-inspired graphics on the screen and maybe even have his dancer come out in robotic clothing.<\/p>\n<\/div>\n<\/article>\n<\/li>\n \n\tNow, the tough part about being a heartthrob is having a wandering eye. So while he continues dancing with the current object of his affection, women flood the stage and try to take his attention off of her. Nonetheless, he Harlem shakes through the pressure.<\/p>\n<\/div>\n<\/article>\n<\/li>\n \n\tAnother major aspect of his romancing is letting the woman know everything he can offer. Brown pulls out a stack of money from his pocket, as do all of the dancers for \u201cLook At Me Now.\u201d Additionally, money signs appear on the LED screen in the background. After all, it ain\u2019t trickin\u2019 if you got it.<\/p>\n<\/div>\n<\/article>\n<\/li>\n \n\tWhen it seems like Chris Breezy has won the lady over, he hits a Tiger Woods fist pump that lets right into a striking dance set to \u201cLook At Me Now.\u201d The thumping production and synths match his every move, but it is his animated vocals that steal the show. However, he\u2019s got some haters encircling him as the record draws to its closing.<\/p>\n<\/div>\n<\/article>\n<\/li>\n \n\tInstead of feeling threatened, Chris doubles down on his boasting. He dances in front of every jealous dude, reminding them that they simply didn\u2019t have enough to secure the loyalty of the woman they were pursuing, especially not in comparison to him. A spotlight following him as he goes from guy-to-guy would be the nail in the coffin.<\/p>\n<\/div>\n<\/article>\n<\/li>\n \n\tCB eventually remembers the assignment and gets back to his lady, while men and women dancers join them all on stage for paired choreography. And now with everyone seeming like happy campers, they can all party together.<\/p>\n<\/div>\n<\/article>\n<\/li>\n \n\t\u201cYeah 3x\u201d is the ideal intro to the most upbeat portion of this set. There is a lot of jumping around, flashing colorful lights and crowd engagement.<\/p>\n<\/div>\n<\/article>\n<\/li>\n \n\t\u201cForever,\u201d one of his best songs of all-time, can serve as one of the most intricate dance numbers. The race-against-time feel of the production would lend itself to visuals that mimic a car driving 90 miles per hour through a tunnel.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n \n\tIt\u2019s not a Chris Brown performance if he doesn\u2019t pay homage to Michael Jackson. The \u201cFine China\u201d introduction gets extended as he picks up a black and white fedora and vest, and performs Michael-inspired choreography. The vocals take a backseat here as he recalls his classic MJ tribute from 2010.<\/p>\n<\/div>\n<\/article>\n<\/li>\n \n\tNow it\u2019s time for the home stretch. The party vibes shift back to hip-hop, but the energy doesn\u2019t diminish. This dance number is more for his crew than him, as Chris walks around the stage singing and holding out the microphone for fans to handle Young Thug\u2019s portions.<\/p>\n<\/div>\n<\/article>\n<\/li>\n \n\tThe final song, however, is all for CB. Picture the \u201cNo Guidance\u201d video and all of the choreography he did there, and then everything he can do during the beat break, given how apt he is at freestyling. This would be the ideal closer to his set before fans get to take a breath, maybe grab some drinks, and prepare for what Usher has cooked up.<\/p>\n<\/div>\n<\/article>\n<\/li>\n \n\tNow, for the main event. Everyone knows the opening notes to \u201cU Don\u2019t Have To Call,\u201d so the beat can hit with the lights out to build anticipation for Usher pulling up to the stage. As the lights come on, his dance crew appears first, leaving him space in the middle. Being such a superstar and showman, he deserves one of those entrances where an act rises up from under the stage. However, fans hear his voice before they see him, delivering the classic \u201cAfter tonight, don\u2019t leave your girl round me\u201d lines. Finally, he is out and gets into the first verse.<\/p>\n<\/div>\n<\/article>\n<\/li>\n \n\tIf you\u2019re going to start with 8701<\/em>, you might as well keep it there. Ursher takes some time to talk to the crowd and thank for them for joining this special evening. For him, it is not just a celebration, but an opportunity to remind fans of the impact they have had on his illustrious career. Speaking of reminders, the highly musical \u201cU Remind Me\u201d begins to play as he gets into position. He stands behind a microphone stand and delivers an impassioned rendition of the hit song while women dancers encircle him.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n \n\tAnd if it is time for the ladies, then he has to acknowledge the good and the bad that comes with romance. The energetic choreography of the past two records gets swapped for slower, smoother movements when \u201cBad Girl\u201d hits. The lighting gets a bit darker, to align with the concept. However, given how the term also refers to a woman\u2019s beauty, it is far from a somber occasion. He continually looks left and right while singing, acknowledging that he is among a sea of striking femme fatales.<\/p>\n<\/div>\n<\/article>\n<\/li>\n \n\tWith so much temptation around him, it is easy to get overwhelmed. Thus, \u201cBad Girl\u201d and the scenario presented provide a great launch point to get into the frantic \u201cCaught Up.\u201d The men return to the stage for synchronized dance moves with the women. Meanwhile, Usher maneuvers around the stage frazzled, trying to maintain his composure while unsure of who to give his full attention to.<\/p>\n<\/div>\n<\/article>\n<\/li>\n \n\tNow, he\u2019s certainly not new to the game. So, while he wants to make the right pick, he understands he may not be the only man on the women\u2019s minds either. Thus, he jumps into \u201cI Don\u2019t Mind.\u201d One by one, he moves from lady to lady, enjoying the fleeting moments he has with them, before moving on. It would be really cool if the lights could flash in and out, and each time they come on, he is with somebody new.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n \n\tAs the song winds down, Usher gets into a pseudo huddle with the men on stage to pass on his wisdom. He\u2019s made his rounds with the women dancers and understands what they bring to the table, so he doesn\u2019t want the fellas caught off guard. And thus, we have the affirming \u201cShe Came To Give It To You.\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n \n\tThere\u2019s one girl that he can\u2019t seem to get his mind off of, so while the fellas all pick their matches, he ends up with the lead backup dancer among women. This sets off the peak energy portion of his set, leaning into his pop and house ventures.<\/p>\n \n\tWill.i.am\u2019s voice consumes the venue as the introduction of \u201cOMG\u201d comes on, and the Atlanta legend gets his mack on. \u201cOMG\u201d features some of the most intricate and animated choreography of the entire set, with unique four-counts and partner routines. And it\u2019s just the beginning.<\/p>\n<\/div>\n<\/article>\n<\/li>\n \n\tUsher is more caught up than ever before. He realizes it\u2019s not just the woman he is with and how they fit together so well on the dance floor, but the music being played that\u2019s curating that environment for them. During a pause, he shouts out his tour DJ, which is an alley-oop to himself since it\u2019s all his songs. He asks the DJ to play something else to keep the vibes high, and the next song is none other than \u201cDJ Got Us Fallin In Love.\u201d It is as meta as meta can get.<\/p>\n<\/div>\n<\/article>\n<\/li>\n \n\tUltimately, he has to remember what the mission is. So in true party fashion, the vibe shifts into something slower, more sensual. Both Usher and the object of his affection understand where the night can go next, but they don\u2019t even want to wait. They slow grind and caress each other\u2019s skin as \u201cLove In This Club\u201d blasts through the venue speakers.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n \n\tAnd that\u2019s it. It is over for him, he has reached peak infatuation. As \u201cThere Goes My Baby\u201d comes on next, he struts around the stage with his lady on his arm, showing her off for all to see. He even flexes her to the crowd, including women who wish they were in her position.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n \n\tUnfortunately, that moment of bliss is finite. While his actions signal he wants to make more of their newfound bond, the lady was just having a fun night on the town. They have an expiration date coming as soon as her Uber arrives, and a slim chance of any kind of future. In other words, they\u2019re going nowhere fast because they hit their \u201cClimax.\u201d He has this realization as the beginning of \u201cClimax\u201d hits with electric synths and thumping drums, mimicking a heartbeat.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n \n\tAfter realizing they had different intentions, the 47-year-old heartthrob makes a last-ditch effort to secure more than just a passionate night on the dance floor. He breaks out into a solo version of \u201cThe Matrimony,\u201d which is bold and premature, but signals just how invested he got in a short period of time. He returns to the microphone stand, and leads the crowd in a unified effort of the classic chorus. <\/p>\n<\/div>\n<\/article>\n<\/li>\n \n\tUsher realizes his attempts are futile and throws up one more Hail Mary with a powerful performance of \u201cSuperstar.\u201d His tone and expressions conveys that he is willing to completely submit to her, despite being the Renaissance man that he is. He asks the crowd to help him out again because there\u2019s strength in numbers. It is ultimately unsuccessful as the woman is long gone, but he is more focused on feeling the love from the audience than a woman he barely knew.<\/p>\n<\/div>\n<\/article>\n<\/li>\n \n\tUsher continues this guided karaoke, taking it back to 1997 with \u201cMy Way.\u201d He asks the crowd how long they have been fans of his and says he\u2019s going to test it again later in the show, but for now, they can have this. After the song, he talks to the crowd about how he takes pride in doing his career his way and highlights another man who did the same, his partner-in-crime on the tour: Chris Breezy. He speaks about their diverse array of songs, and while they both got the crowd deep in their feelings, they hope they have a good time through it all. Breezy walks onto the stage and tells Unc he\u2019s talking too much because the fans want to party. And boom, they get into their joint section of the show.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n \n\tNothing else needs to be said. \u201cParty\u201d begins and Usher sings while Breezy shows off his dance moves. The backup crew returns to the stage once again, hyping each other up and truly conveying the essence of a function. There is a special part here where Ush and Brown do some duo choreography as well, which will be a lasting memory for the fans.<\/p>\n<\/div>\n<\/article>\n<\/li>\n \n\t\u201cParty\u201d ends and Usher says he has to give CB his flowers, saying he has always been a fan and happy to be a brother throughout his career. Though they haven\u2019t collaborated a lot, he has valued each time they have been on a record together. Breezy says that they haven\u2019t missed when working together, especially their most recent track. And with this, the remix to \u201cIt Depends\u201d comes on.<\/p>\n \n\tWith Usher\u2019s verse first and some very meta lines, the beat drops out various times so the moments he mentions can get their full attention. They harmonize on the chorus and continue their duo routines, making the record feel larger than life.<\/p>\n<\/div>\n<\/article>\n<\/li>\n \n\tAfter \u201cIt Depends,\u201d Breezy says he has a personal favorite of the songs they have done together. Usher asks him which one, and Brown simply says \u201cit\u2019s hot,\u201d which leads into \u201cNew Flame.\u201d Their backup dancers throw them each a towel to fully capture the essence of the record, and the women move to the front of the stage for a special dance number with the two superstars.<\/p>\n<\/div>\n<\/article>\n<\/li>\n \n\tUltimately, this is an R&B concert, so they both show appreciation for their women fans in particular. And fittingly, for their last record together, they go into the remix of \u201cBack To Sleep.\u201d<\/p>\n \n\tAfter the song ends, the duo exchanges kind words about one another, shake hands and hug. Breezy tells the fans he\u2019s going to leave them in the trusted hands of Usher as he continues the messaging of \u201cBack To Sleep.\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n \n\tUsher says he wants to stay in the grown and sexy realm for a bit. The lights go down and there is a brief pause. Abruptly, \u201cLovers And Friends\u201d comes on. As the beat progresses, the lighting slowly brightens to reveal Usher in the middle of the stage once again with his cast of women dancers. This song doesn\u2019t go for too long, but it is another signature moment for all in attendance.<\/p>\n<\/div>\n<\/article>\n<\/li>\n \n\tUsher reminds the crowd that he was going to test them on their knowledge of his music from 1997. After \u201cLovers And Friends\u201d comes to a close, he goes into an acapella version of the legendary first few lines of \u201cNice & Slow.\u201d He continues to test the crowd, muting himself for certain parts of the song while fans scream the lyrics to their hearts\u2019 desire. And then when it\u2019s time for the chorus, the band joins in for the highest level of karaoke one has ever experienced.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n \n\t1997 doesn\u2019t stop here, either. \u201cYou Make Me Wanna\u201d raises the energy a bit, and Usher dances as if he is 19 again. Of course, he is briefly joined by his crew of dancers but this song doesn\u2019t last long either, because there is something weighing heavily on his heart.<\/p>\n<\/div>\n<\/article>\n<\/li>\n \n\tHe steps to the front of the stage again, with the back lighting dimming to show only him. He delivers one of the most emotional vocal performances of the night to \u201cU Got It Bad,\u201d prompting crowd engagement for the very heartfelt lyrics.<\/p>\n<\/div>\n<\/article>\n<\/li>\n \n\tHe continues this somber portion of the show with a quick transition into \u201cBurn.\u201d Flames raise up from the stage and appear on an LED screen in the background. He removes the microphone from the stand, walking across the stage and clutching his chest as he belts the lyrics. It is truly gripping.<\/p>\n<\/div>\n<\/article>\n<\/li>\n \n\tAnd if legendary vocal performances are what\u2019s moving the people, it only makes sense to go into \u201cMy Boo\u201d next. He continues occupying all sides of the stage, pointing to women in the crowd and holding the microphone out so they can sing Alicia Keys\u2019 part of the song.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n \n\tUsher says he\u2019s enjoyed the night he\u2019s had with the fans and Breezy, and that he wants to perform two of his most important songs ever to put the cherry on top. With everyone doing the mental math of what he hasn\u2019t performed yet, they\u2019re naturally expecting either \u201cConfessions Part II\u201d or \u201cYeah!\u201d However, he fakes them out with the first \u201cConfessions\u201d and builds up to a crescendo kicking things into high gear.<\/p>\n<\/div>\n<\/article>\n<\/li>\n \n\t\u201cConfessions Pt. II\u201d starts and fans have a Pavlovian response. They scream, they cheer, iPhone lights illuminate the venue and Usher smirks because he knows he played it right. Strobe lights come on, the band\u2019s volume is raised and everything is perfect.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n \n\tAnd finally, the conclusion. \u201cYeah!\u201d is so powerful that even Chris Brown has to come back onstage one more time to create a moment bigger than his legendary backflip to \u201cMarch Madness.\u201d However, Usher won\u2019t let himself be outdone to his smash hit, and we get a dance battle that could never be topped. Ultimately, they remember the purpose of the tour, and close the record by hitting the A-Town Stomp together.<\/p>\n \n\tUltimately, whatever they choose to do will be great. But taking fans on an audio-visual journey, capturing all of the feelings they have provided over the years, and finishing the night on Usher\u2019s signature hits would be the closest thing to a dream set come to life.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n [analyse_source url=”https:\/\/www.billboard.com\/lists\/chris-brown-usher-raymond-brown-tour-dream-setlist\/”]<\/p>\n","protected":false},"excerpt":{"rendered":" [analyse_image type=”featured” src=”https:\/\/www.billboard.com\/wp-content\/uploads\/2026\/04\/P103R8ZZ-e1775835550108.jpg?w=1024″] For years, fans have fantasy-booked the Usher and Chris Brown Verzuz. And while it seems like it will never happen, it makes complete sense.\u00a0 The King of 2000s R&B taking on the King of 2010s R&B, both of whom are still going strong, would probably be the best battle Swizz Beatz and […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[48,226],"class_list":["post-1876442","post","type-post","status-publish","format-standard","hentry","category-politics","tag-billboard-com","tag-crawlmanager"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1876442","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1876442"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1876442\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1876442"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1876442"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1876442"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}\u201cWall to Wall\u201d<\/h2>\n
\u201cLook at Me Now\u201d<\/h2>\n
\u201cKiss Kiss\u201d<\/h2>\n
\u201cLoyal\u201d<\/h2>\n
\u201cSensational\u201d<\/h2>\n
\u201cYeah 3x\u201d<\/h2>\n
\u201cForever\u201d<\/h2>\n
\u201cFine China\u201d<\/h2>\n
\u201cGo Crazy\u201d<\/h2>\n
\u201cNo Guidance\u201d<\/h2>\n
Usher, \u201cU Don\u2019t Have to Call\u201d<\/h2>\n
\u201cU Remind Me\u201d<\/h2>\n
\u201cBad Girl\u201d<\/h2>\n
\u201cCaught Up\u201d<\/h2>\n
\u201cI Don\u2019t Mind\u201d<\/h2>\n
\u201cShe Came to Give It to You\u201d<\/h2>\n
\u201cOMG\u201d<\/h2>\n
\u201cDJ Got Us Fallin in Love\u201d<\/h2>\n
\u201cLove in This Club\u201d<\/h2>\n
\u201cThere Goes My Baby\u201d<\/h2>\n
\u201cClimax\u201d<\/h2>\n
\u201cThe Matrimony\u201d<\/h2>\n
\u201cSuperstar\u201d<\/h2>\n
\u201cMy Way\u201d<\/h2>\n
Chris Brown & Usher, \u201cParty\u201d<\/h2>\n
\u201cIt Depends (Remix)\u201d<\/h2>\n
\u201cNew Flame\u201d<\/h2>\n
\u201cBack to Sleep (Remix)\u201d<\/h2>\n
Usher (Solo), \u201cLovers and Friends\u201d<\/h2>\n
\u201cNice & Slow\u201d<\/h2>\n
\u201cYou Make Me Wanna\u201d<\/h2>\n
\u201cU Got It Bad\u201d<\/h2>\n
\u201cBurn\u201d<\/h2>\n
\u201cMy Boo\u201d<\/h2>\n
\u201cConfessions\u201d<\/h2>\n
\u201cConfessions Part II\u201d<\/h2>\n
\u201cYeah!\u201d<\/h2>\n