![\"Ella](\"https:\/\/www.billboard.com\/wp-content\/uploads\/2026\/04\/P101GCN9-e1775691433137.jpg?w=237&h=147&crop=1\")
<\/div>\n<\/div>\n\u201cMost Good Things Do\u201d<\/h2>\n\n\n\tLangley ends the album (before revisiting \u201cFroggy Went A-Courtin\u2019\u201d) with a wistful, acoustic guitar-centered midtempo number about an ex who lives rent-free in her head because everything reminds her of him. It\u2019s a bittersweet paean to the ephemeral nature of love and the persistence of memories. Dandelions get mentioned several times in the lyrics as a subtle, pleasing way to tie back in with the album title.\u00a0\u2014 MELINDA NEWMAN<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\n\u201cYou & Me Time\u201d<\/h2>\n\n\n\tLangley leans into soulful, pop-tilted territory on this romantic song. Smooth, bluesy guitars and a swaying groove and handclaps build layers of come-hither swagger as Langley beckons her lover to take a break from the hectic schedules to work on their own relationship. \u201cTurn a record on\/ Take a layer off,\u201d she sings, setting the stage for some long-overdue romance. \u2013 JESSICA NICHOLSON<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\n\u201cBroken\u201d<\/h2>\n\n\n\tInstead of having her partner console her, Langley wants to revel in her shattered state \u2014 if just for the night. \u201cJust let me, let me, let me be broken,\u201d she sings repeatedly in this vulnerable, slow, guitar-driven tune about not wanting to be fixed but just listened to and understood as she stays in her feels. It\u2019s a message that will certainly resonate with anyone whose partner sweetly but misguidedly rushes to try to make it better when sometimes all the hurting one needs is silent comfort and loving arms.\u00a0\u2014 M.N.<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\n\u201cDandelion\u201d<\/h2>\n\n\n\tThe album\u2019s title track is a testament to both Langley\u2019s allegiance to her Alabama roots, but also her dedication to being her own free-spirited person. Like the resilient dandelion, whose seeds get blown along on the wind, this song stands as a declaration that Langley is hardy enough to stand on her own, no matter which direction others take, while also confident and instinctual enough to follow her creative muses wherever they may take her. Beyond the song\u2019s breezy instrumentation, Langley sings of withstanding being \u201ca little overlooked all my life,\u201d and accepting that while she can lean into glitz and glamour at times, things like jeans, boots and Jack Daniel\u2019s will always be her mainstays. \u2013 J.N.<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\n\u201cSpeaking Terms\u201d<\/h2>\n\n\n\tLangley addresses the topic of keeping faith as circumstances become more complicated in adulthood, and sings of finding ways to maintain a spiritual connection in times of feeling unheard. \u201cIf your answer\u2019s in the silence I\u2019ll be patient\/ But it\u2019s hard to know my prayers are being heard,\u201d she sings earnestly, describing prayers as feeling like a one-way conversation, yet holding fast to hope that a higher power is listening. This marks one of the album\u2019s most vulnerable songs and Langley delivers it with raw honesty. \u2013 J.N.<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\n\u201cLoving Life Again\u201d<\/h2>\n\n\n\tIn the midst of experiences that can be exciting, chaotic, disappointing or overwhelming, Langley has a surefire solution to bring back peace and joy. Namely, she sings in \u201cLoving Life Again\u201d of holding close special memories of red dirt, porch swings and her Grandma, or playing an old beloved song to put her back into a sunny frame of mind. Like several songs on Dandelion<\/em>, \u201cLoving Life Again\u201d employs a gentle melody and peacefully elegant musical framing, while Langley approaches the song vocally as if she\u2019s in conversation with a close friend. \u2013 J.N.<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\n\u201cIt Wasn\u2019t God Who Made Honky Tonk Angels\u201d<\/h2>\n\n\n\tWho better to remake Kitty Wells\u2019 1952 classic than Langley, given that she often seems like a throwback to an earlier time?\u00a0On this faithful version, Langley does the original justice \u2014 or as much as anyone can \u2014 convincingly blaming straying men who lead their betrayed wives to do the same. In Langley\u2019s hands, the song, written by J.D. \u201cJay\u201d Miller, sounds as fresh in 2026 as it did more than 70 years ago. We\u2019re putting in our request now for a full album of covers by Langley featuring classic songs recorded by country\u2019s top women in the \u201850s, \u201860s and \u201870s. \u2014 M.N.<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\n\u201cSomethin\u2019 Simple\u201d<\/h2>\n\n\n\tWith only one album under her belt, Langley has already established herself as an instantly recognizable voice in country music. Here, you know this is Langley within the first few words with her slightly raspy twang front and center. She confesses she knows she\u2019s living the dream as her career explodes in this musically breezy tune. But when she closes her eyes, instead of reveling in the memories of the bright stage lights, she\u2019s longing for domestic bliss and something simple, including a house on the hill and \u201ca hard-workin\u2019 man taking off his dirty work clothes.\u201d\u00a0\u2014 M.N.<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\n\u201cLow Lights\u201d<\/h2>\n\n\n\tLangley offers up one of the album\u2019s most soulful, sultriest songs on this dramatic, sweeping track. An evening at a bar, subdued lighting, drinks and a suitor she knows isn\u2019t the best for her add up to one temptation too many. \u201cThat smoke ring around you oughta be sign\/ To turn around and walk, but I\u2019m striking up a light,\u201d she sings. Vocally, Langley can handle stone-cold country songs with ease, but this song shows she can lean into more soulful material with finesse. \u2013 J.N.<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\n\u201cI Gotta Quit\u201d<\/h2>\n\n\n\tLet\u2019s give Langley props for hilariously using \u201cpanties in a wad\u201d in a song. Think of this fast-paced, tongue-twisting tune as a worthy successor to Patty Loveless\u2019 witty, playful 1994 hit \u201cI Think About Elvis,\u201d complete with blaring, boogie-woogie, barrelhouse piano. It\u2019s nothing but fun as Langley, no matter how much she tries to distract herself, can\u2019t get a certain someone off her mind and a night they spent together on his grandpa\u2019s farm. She even jokingly screams \u201cScram,\u201d before she comes back for a slowed-down last verse that loses none of the song\u2019s loose-limbed delivery.\u00a0\u2014 M.N.<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\n\u201cBottom of Your Boots\u201d<\/h2>\n\n\n\tOn this midtempo track, Langley wraps a vintage-sounding vibe and her sultry-gritty vocal around a lyric that finds her confidently insisting that a lover define the relationship and fully commit. \u201cBetter hold me like you wanna hold me for the rest of your life,\u201d she sings. A surefire fan favorite. \u2013 J.N.<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\n\u201cWe Know Us\u201d<\/h2>\n\n\n\tThe first verse sounds straight out of a dreamy \u201850s ode, complete with cheesy backing vocals, but then the song bursts into an uptempo mode that advances the time frame up to the \u201870s. Disaster has never sounded so frothy as Langley sings on this delightful throwback about a dissolving relationship that she knows is going to self-destruct. \u201cIf we know us, it\u2019s going to take a turn\/ If we know us, it\u2019s going to crash and burn,\u201d she sings, but she blithely seems unconcerned that they are on the road to ruin. She even gives a sigh and an adorable little laugh at the end, as if to acknowledge that it\u2019s going to end badly, but she\u2019s enjoying the ride until it does.\u00a0\u2014 M.N.<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\n\u201cLast Call for Us\u201d<\/h2>\n\n\n\tThis mournful, old-soul country ballad finds Langley singing about the realization that a fading romance is reaching its quiet, final moments. Her powerful vocal twang carries a sense of longing over what was, but also an acceptance that they are better off parting ways after meeting up at a favorite bar. \u201cMight cry a couple tears\/ We\u2019ll both head on home, but this time, alone,\u201d she sings over a sweeping rhythm and mournful guitar. This barroom weeper is a balm for the heartbroken. \u2013 J.N.<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\n\u201cBe Her\u201d<\/h2>\n\n\n\tThe track, which was released in March and is already top 15 on the Country Airplay chart, is bolstered by clever wordplay and an uptempo, swaying feel as Langley, who co-wrote the song with HARDY among others, is consumed by the green-eyed monster. \u201cI just want to be her so bad, it hurts so bad,\u201d she sings repeatedly with the \u201cher\u201d and \u201churts\u201d repetition giving the song an appealing, hypnotic feel.\u00a0Langley never reveals why she\u2019s so jealous of the woman other than in the broadest of strokes, but we feel it with every bone in her body that she is.\u00a0\u2014 M.N.<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\n\u201cButterfly Season\u201d (feat. Miranda Lambert)<\/h2>\n\n\n\tThis collaboration with Miranda Lambert unfolds as a tender, lush meditation on what they call \u201cButterfly Season,\u201d a time of shifting priorities, new dreams and looking at all the ways a person has evolved. \u201cA good time for leaving behind the old me,\u201d Langley sings on this languid track. Together, these two country music stars pour sage wisdom into the song, affirming the power of having the courage to grow and reimagine who one is becoming. \u2013 J.N.<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n- \n
\n\u201cChoosin\u2019 Texas\u201d<\/h2>\n\n\n\tReally, what else is there to say about this song that has captivated listeners across genres and turned Langley into a bona fide star? The sly, two-stepping song has set records across the country and all-genre charts for good reason. Co-written with Lambert, Luke Dick and Joybeth Taylor, \u201cChoosin\u2019 Texas\u201d tells a cautionary story as old as time about helplessly watching your love slip out of your arms into another\u2019s, but Langley makes it sound boldly new and fresh. She and her co-writers smartly tie the song to the past by throwing in classic country song titles that instantly give the listener a warm feeling of nostalgia. Sure to be in the conversation come awards time and become a modern-day standard. \u2014 M.N.<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n[analyse_source url=”https:\/\/www.billboard.com\/lists\/ella-langley-dandelion-review-songs-ranked-list\/”]<\/p>\n","protected":false},"excerpt":{"rendered":"
[analyse_image type=”featured” src=”https:\/\/www.billboard.com\/wp-content\/uploads\/2026\/04\/Ella-Langley-album-cover-Billboard-1800.jpg?w=1024″] Ella Langley is hitting a new high note in 2026 with her RIAA platinum-certified, five-week Billboard Hot 100 No. 1 hit \u201cChoosin\u2019 Texas,\u201d which set a new record for the most weeks ever spent atop the Hot 100 for a song by a woman that also hit No. 1 on Billboard\u2018s Hot […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[48,226],"class_list":["post-1875190","post","type-post","status-publish","format-standard","hentry","category-politics","tag-billboard-com","tag-crawlmanager"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1875190","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1875190"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1875190\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1875190"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1875190"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1875190"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n\tLangley ends the album (before revisiting \u201cFroggy Went A-Courtin\u2019\u201d) with a wistful, acoustic guitar-centered midtempo number about an ex who lives rent-free in her head because everything reminds her of him. It\u2019s a bittersweet paean to the ephemeral nature of love and the persistence of memories. Dandelions get mentioned several times in the lyrics as a subtle, pleasing way to tie back in with the album title.\u00a0\u2014 MELINDA NEWMAN<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n \n\tLangley leans into soulful, pop-tilted territory on this romantic song. Smooth, bluesy guitars and a swaying groove and handclaps build layers of come-hither swagger as Langley beckons her lover to take a break from the hectic schedules to work on their own relationship. \u201cTurn a record on\/ Take a layer off,\u201d she sings, setting the stage for some long-overdue romance. \u2013 JESSICA NICHOLSON<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n \n\tInstead of having her partner console her, Langley wants to revel in her shattered state \u2014 if just for the night. \u201cJust let me, let me, let me be broken,\u201d she sings repeatedly in this vulnerable, slow, guitar-driven tune about not wanting to be fixed but just listened to and understood as she stays in her feels. It\u2019s a message that will certainly resonate with anyone whose partner sweetly but misguidedly rushes to try to make it better when sometimes all the hurting one needs is silent comfort and loving arms.\u00a0\u2014 M.N.<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n \n\tThe album\u2019s title track is a testament to both Langley\u2019s allegiance to her Alabama roots, but also her dedication to being her own free-spirited person. Like the resilient dandelion, whose seeds get blown along on the wind, this song stands as a declaration that Langley is hardy enough to stand on her own, no matter which direction others take, while also confident and instinctual enough to follow her creative muses wherever they may take her. Beyond the song\u2019s breezy instrumentation, Langley sings of withstanding being \u201ca little overlooked all my life,\u201d and accepting that while she can lean into glitz and glamour at times, things like jeans, boots and Jack Daniel\u2019s will always be her mainstays. \u2013 J.N.<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n \n\tLangley addresses the topic of keeping faith as circumstances become more complicated in adulthood, and sings of finding ways to maintain a spiritual connection in times of feeling unheard. \u201cIf your answer\u2019s in the silence I\u2019ll be patient\/ But it\u2019s hard to know my prayers are being heard,\u201d she sings earnestly, describing prayers as feeling like a one-way conversation, yet holding fast to hope that a higher power is listening. This marks one of the album\u2019s most vulnerable songs and Langley delivers it with raw honesty. \u2013 J.N.<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n \n\tIn the midst of experiences that can be exciting, chaotic, disappointing or overwhelming, Langley has a surefire solution to bring back peace and joy. Namely, she sings in \u201cLoving Life Again\u201d of holding close special memories of red dirt, porch swings and her Grandma, or playing an old beloved song to put her back into a sunny frame of mind. Like several songs on Dandelion<\/em>, \u201cLoving Life Again\u201d employs a gentle melody and peacefully elegant musical framing, while Langley approaches the song vocally as if she\u2019s in conversation with a close friend. \u2013 J.N.<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n \n\tWho better to remake Kitty Wells\u2019 1952 classic than Langley, given that she often seems like a throwback to an earlier time?\u00a0On this faithful version, Langley does the original justice \u2014 or as much as anyone can \u2014 convincingly blaming straying men who lead their betrayed wives to do the same. In Langley\u2019s hands, the song, written by J.D. \u201cJay\u201d Miller, sounds as fresh in 2026 as it did more than 70 years ago. We\u2019re putting in our request now for a full album of covers by Langley featuring classic songs recorded by country\u2019s top women in the \u201850s, \u201860s and \u201870s. \u2014 M.N.<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n \n\tWith only one album under her belt, Langley has already established herself as an instantly recognizable voice in country music. Here, you know this is Langley within the first few words with her slightly raspy twang front and center. She confesses she knows she\u2019s living the dream as her career explodes in this musically breezy tune. But when she closes her eyes, instead of reveling in the memories of the bright stage lights, she\u2019s longing for domestic bliss and something simple, including a house on the hill and \u201ca hard-workin\u2019 man taking off his dirty work clothes.\u201d\u00a0\u2014 M.N.<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n \n\tLangley offers up one of the album\u2019s most soulful, sultriest songs on this dramatic, sweeping track. An evening at a bar, subdued lighting, drinks and a suitor she knows isn\u2019t the best for her add up to one temptation too many. \u201cThat smoke ring around you oughta be sign\/ To turn around and walk, but I\u2019m striking up a light,\u201d she sings. Vocally, Langley can handle stone-cold country songs with ease, but this song shows she can lean into more soulful material with finesse. \u2013 J.N.<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n \n\tLet\u2019s give Langley props for hilariously using \u201cpanties in a wad\u201d in a song. Think of this fast-paced, tongue-twisting tune as a worthy successor to Patty Loveless\u2019 witty, playful 1994 hit \u201cI Think About Elvis,\u201d complete with blaring, boogie-woogie, barrelhouse piano. It\u2019s nothing but fun as Langley, no matter how much she tries to distract herself, can\u2019t get a certain someone off her mind and a night they spent together on his grandpa\u2019s farm. She even jokingly screams \u201cScram,\u201d before she comes back for a slowed-down last verse that loses none of the song\u2019s loose-limbed delivery.\u00a0\u2014 M.N.<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n \n\tOn this midtempo track, Langley wraps a vintage-sounding vibe and her sultry-gritty vocal around a lyric that finds her confidently insisting that a lover define the relationship and fully commit. \u201cBetter hold me like you wanna hold me for the rest of your life,\u201d she sings. A surefire fan favorite. \u2013 J.N.<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n \n\tThe first verse sounds straight out of a dreamy \u201850s ode, complete with cheesy backing vocals, but then the song bursts into an uptempo mode that advances the time frame up to the \u201870s. Disaster has never sounded so frothy as Langley sings on this delightful throwback about a dissolving relationship that she knows is going to self-destruct. \u201cIf we know us, it\u2019s going to take a turn\/ If we know us, it\u2019s going to crash and burn,\u201d she sings, but she blithely seems unconcerned that they are on the road to ruin. She even gives a sigh and an adorable little laugh at the end, as if to acknowledge that it\u2019s going to end badly, but she\u2019s enjoying the ride until it does.\u00a0\u2014 M.N.<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n \n\tThis mournful, old-soul country ballad finds Langley singing about the realization that a fading romance is reaching its quiet, final moments. Her powerful vocal twang carries a sense of longing over what was, but also an acceptance that they are better off parting ways after meeting up at a favorite bar. \u201cMight cry a couple tears\/ We\u2019ll both head on home, but this time, alone,\u201d she sings over a sweeping rhythm and mournful guitar. This barroom weeper is a balm for the heartbroken. \u2013 J.N.<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n \n\tThe track, which was released in March and is already top 15 on the Country Airplay chart, is bolstered by clever wordplay and an uptempo, swaying feel as Langley, who co-wrote the song with HARDY among others, is consumed by the green-eyed monster. \u201cI just want to be her so bad, it hurts so bad,\u201d she sings repeatedly with the \u201cher\u201d and \u201churts\u201d repetition giving the song an appealing, hypnotic feel.\u00a0Langley never reveals why she\u2019s so jealous of the woman other than in the broadest of strokes, but we feel it with every bone in her body that she is.\u00a0\u2014 M.N.<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n \n\tThis collaboration with Miranda Lambert unfolds as a tender, lush meditation on what they call \u201cButterfly Season,\u201d a time of shifting priorities, new dreams and looking at all the ways a person has evolved. \u201cA good time for leaving behind the old me,\u201d Langley sings on this languid track. Together, these two country music stars pour sage wisdom into the song, affirming the power of having the courage to grow and reimagine who one is becoming. \u2013 J.N.<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n \n\tReally, what else is there to say about this song that has captivated listeners across genres and turned Langley into a bona fide star? The sly, two-stepping song has set records across the country and all-genre charts for good reason. Co-written with Lambert, Luke Dick and Joybeth Taylor, \u201cChoosin\u2019 Texas\u201d tells a cautionary story as old as time about helplessly watching your love slip out of your arms into another\u2019s, but Langley makes it sound boldly new and fresh. She and her co-writers smartly tie the song to the past by throwing in classic country song titles that instantly give the listener a warm feeling of nostalgia. Sure to be in the conversation come awards time and become a modern-day standard. \u2014 M.N.<\/em><\/p>\n<\/div>\n<\/article>\n<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n [analyse_source url=”https:\/\/www.billboard.com\/lists\/ella-langley-dandelion-review-songs-ranked-list\/”]<\/p>\n","protected":false},"excerpt":{"rendered":" [analyse_image type=”featured” src=”https:\/\/www.billboard.com\/wp-content\/uploads\/2026\/04\/Ella-Langley-album-cover-Billboard-1800.jpg?w=1024″] Ella Langley is hitting a new high note in 2026 with her RIAA platinum-certified, five-week Billboard Hot 100 No. 1 hit \u201cChoosin\u2019 Texas,\u201d which set a new record for the most weeks ever spent atop the Hot 100 for a song by a woman that also hit No. 1 on Billboard\u2018s Hot […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[48,226],"class_list":["post-1875190","post","type-post","status-publish","format-standard","hentry","category-politics","tag-billboard-com","tag-crawlmanager"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1875190","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1875190"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1875190\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1875190"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1875190"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1875190"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}\u201cYou & Me Time\u201d<\/h2>\n
\u201cBroken\u201d<\/h2>\n
\u201cDandelion\u201d<\/h2>\n
\u201cSpeaking Terms\u201d<\/h2>\n
\u201cLoving Life Again\u201d<\/h2>\n
\u201cIt Wasn\u2019t God Who Made Honky Tonk Angels\u201d<\/h2>\n
\u201cSomethin\u2019 Simple\u201d<\/h2>\n
\u201cLow Lights\u201d<\/h2>\n
\u201cI Gotta Quit\u201d<\/h2>\n
\u201cBottom of Your Boots\u201d<\/h2>\n
\u201cWe Know Us\u201d<\/h2>\n
\u201cLast Call for Us\u201d<\/h2>\n
\u201cBe Her\u201d<\/h2>\n
\u201cButterfly Season\u201d (feat. Miranda Lambert)<\/h2>\n
\u201cChoosin\u2019 Texas\u201d<\/h2>\n