{"id":1872126,"date":"2026-03-27T02:26:00","date_gmt":"2026-03-26T23:26:00","guid":{"rendered":"https:\/\/analyse.optim.biz\/?p=1872126"},"modified":"2026-03-27T02:26:00","modified_gmt":"2026-03-26T23:26:00","slug":"nan-goldin-presente-son-projet-le-plus-intime-en-marge-du-grand-palais","status":"publish","type":"post","link":"https:\/\/analyse.optim.biz\/?p=1872126","title":{"rendered":"Nan Goldin pr\u00e9sente son projet le plus intime en marge du Grand Palais"},"content":{"rendered":"<div class=\"entry-content\">\n<section class=\"single-header padding-top-s\">\n<div class=\"container\">\n<div class=\"row justify-content-between\">\n<div class=\"col-lg-9 col-xl-8\">\n<div class=\"video-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n<div class=\"container-img desktop\">\n\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"640\" height=\"408\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/04\/push-nan-goldin-paris-exposition-soeurs-saintes-sibylles-768x490.jpg\" class=\"img-fluid\" alt loading=\"lazy\">\t\t\t\t\t\t\t\t<\/p>\n<p class=\"number big\">8<\/p>\n<\/p><\/div>\n<div class=\"container-img mobile\">\n\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"640\" height=\"804\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/04\/thumb-nan-goldin-paris-exposition-soeurs-saintes-sibylles-768x965.jpg\" class=\"img-fluid\" alt loading=\"lazy\">\t\t\t\t\t\t\t\t<\/p>\n<p class=\"number big\">8<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"col col-lg-3 col-xl-4 desktop\">\n<div class=\"ad grand-angle desktop\">\n    <!-- \/21730003857\/numero-ad-unit\/numero-grand-angle --><\/p>\n<div id=\"div-gpt-ad-1757063143832-0\" class=\"px-0\">\n<p>            googletag.cmd.push(function () {<br \/>\n                googletag.display(&#8216;div-gpt-ad-1757063143832-0&#8217;);<br \/>\n            });<\/p><\/div>\n<\/div><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/section>\n<section class=\"post-content\">\n<div class=\"container\">\n<div class=\"row g-0 justify-content-between\">\n<div class=\"col-lg-9 col-xl-8 padding-top-s\">\n<p class=\"share-widget\" id=\"share-widget\"><img decoding=\"async\" src=\"https:\/\/numero.com\/wp-content\/themes\/%09%09%09understrap-child-main\/src\/public\/images\/share.svg\" alt=\"share-widget\"><\/p>\n<div class=\"share-icons\" id=\"share-icons\">\n<p class=\"copy-link\"><img decoding=\"async\" src=\"https:\/\/numero.com\/wp-content\/themes\/understrap-child-main\/src\/public\/images\/copy-link.svg\" alt=\"copy-link\"><\/p>\n<p>\t\t\t\t\t\t\t<a href=\"https:\/\/www.facebook.com\/sharer\/sharer.php?u=https:\/\/numero.com\/art\/photographie\/nan-goldin-paris-exposition-soeurs-saintes-sibylles\/\" class=\"facebook\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/numero.com\/wp-content\/themes\/understrap-child-main\/src\/public\/images\/facebook.svg\" alt=\"facebook\"><\/a><br \/>\n\t\t\t\t\t\t\t<a href=\"https:\/\/twitter.com\/share?url=https:\/\/numero.com\/art\/photographie\/nan-goldin-paris-exposition-soeurs-saintes-sibylles\/\" class=\"twitter\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/numero.com\/wp-content\/themes\/understrap-child-main\/src\/public\/images\/twitter.svg\" alt=\"twitter\"><\/a>\n\t\t\t\t\t\t<\/div>\n<p>\t\t\t\t\t\t<span class id=\"custom-tooltip\">Lien copi\u00e9<\/span><\/p>\n<div class=\"col-lg-10\">\n<div class=\"meta d-flex justify-content-between align-items-center\">\n<div class=\"cat\">\n\t\t\t\t\t\t\t\t\t<a class=\"cat-title\" href=\"https:\/\/numero.com\/category\/art\/photographie\/\">Photographie<\/a>\t\t\t\t\t\t\t\t<\/div>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t8 avr 2026\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<h1>Nan Goldin pr\u00e9sente son projet le plus intime en marge du Grand Palais<\/h1>\n<div class=\"introduction\">\n<p>Au Grand Palais et \u00e0 la chapelle Saint-Louis de la Salp\u00eatri\u00e8re, Nan Goldin d\u00e9voile, jusqu\u2019au 21 juin 2026, son \u0153uvre photographique sous un angle in\u00e9dit, rythm\u00e9 de diapositives et de salles immersives. \u00c0 l\u2019occasion de cette premi\u00e8re grande r\u00e9trospective de l\u2019artiste am\u00e9ricaine en France, les \u00e9ditions Thames and Hudson r\u00e9\u00e9ditent l\u2019ouvrage consacr\u00e9 \u00e0 son projet <em>S\u0153urs, Saintes et Sibylles\u00a0<\/em>(2004). Plong\u00e9e dans une s\u00e9rie intime et saisissante\u2026<\/p>\n<\/div>\n<li class=\"credits d-flex\">\n<p>\n\t\t\t\t\t\t\t\t\t\t\tPar\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/numero.com\/contributeur\/camille-bois-martin\/\">Camille Bois-Martin<\/a>.\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/li>\n<div id=\"ads03\" class=\"mobile\">\n<div class=\"ad-wrapper\">\n<div class=\"ad interscroller desktop\">\n<\/div>\n<p><!-- \/21730003857\/numero-ad-unit\/numero-interscroller --><\/p>\n<div id=\"div-gpt-ad-1757521738078-0\">\n<p>        googletag.cmd.push(function () {<br \/>\n            googletag.display(&#8216;div-gpt-ad-1757521738078-0&#8217;);<br \/>\n        });<\/p>\n<\/div><\/div>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t&lt;!&#8211; <\/p>\n<div class=\"padding-bottom-s\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n<p> &#8211;&gt;<\/p>\n<figure data-wp-context='{\"imageId\":\"69d661564891c\"}' data-wp-interactive=\"core\/image\" data-wp-key=\"69d661564891c\" class=\"wp-block-image size-full wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"671\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/04\/nan-goldin-paris-exposition-soeurs-saintes-sibylles16.jpg\" alt=\"\u0153uvre de la photographe Nan Goldin, Untitled (1982) expos\u00e9e \u00e0 Paris au Grand Palais et \u00e0 la chapelle Saint Louis\" class=\"wp-image-825365\"><button class=\"lightbox-trigger\" type=\"button\" aria-haspopup=\"dialog\" aria-label=\"Agrandir\" data-wp-init=\"callbacks.initTriggerButton\" data-wp-on--click=\"actions.showLightbox\" data-wp-style--right=\"state.imageButtonRight\" data-wp-style--top=\"state.imageButtonTop\"><\/p>\n<p>\t\t<\/button><figcaption class=\"wp-element-caption\">Nan Goldin, <em>Untitled<\/em> (1982). \u00a9 Nan Goldin.<\/figcaption><\/figure>\n<h2 class=\"wp-block-heading\">La messe de Nan Goldin \u00e0 la chapelle Saint-Louis<\/h2>\n<p>Loin de l\u2019affluence du Grand Palais, <strong>Nan Goldin <\/strong>se d\u00e9voile dans un second lieu de la capitale, plus isol\u00e9 et plus inattendu. Pour d\u00e9couvrir ce deuxi\u00e8me volet de sa grande r\u00e9trospective parisienne, il faut s\u2019aventurer jusque dans le 13e arrondissement. Plus pr\u00e9cis\u00e9ment <strong>dans la chapelle Saint-Louis<\/strong>, cach\u00e9e dans l\u2019immense complexe de <strong>l\u2019h\u00f4pital de la Salp\u00eatri\u00e8re<\/strong>\u2026 Un p\u00e9riple certes \u2013 surtout pour qui se laisserait d\u00e9courager par les grandes cl\u00f4tures du b\u00e2timent, mais qui vaut largement le d\u00e9tour. <\/p>\n<p>Ici, le silence r\u00e8gne. Entre les murs s\u00e9culaires de la chapelle, seule r\u00e9sonne <strong>la voix de <a href=\"https:\/\/numero.com\/portrait\/nan-goldin\/\" id=\"712913\" target=\"_blank\" rel=\"noreferrer noopener\">Nan Goldin<\/a><\/strong>. En p\u00e9n\u00e9trant cette messe d\u2019un autre genre, on d\u00e9couvre des cierges dispos\u00e9s autour d\u2019une repr\u00e9sentation de la Vierge Marie. Des rang\u00e9es d\u2019assises en bois font face \u00e0 <strong>un<\/strong> <strong>autel vide<\/strong>.<\/p>\n<p>Dans cet espace vide de toute pr\u00e9sence humaine, la voix de l\u2019artiste am\u00e9ricaine sera notre guide. Sans que l\u2019on parvienne vraiment \u00e0 distinguer sa provenance. Enfin, un large cartel noir pr\u00e9cise que nous sommes au bon endroit. Ici, Nan Goldin l\u00e8ve le voile sur les ambitions de son projet <strong><em>S\u0153urs, Saintes et Sibylles<\/em><\/strong>, achev\u00e9 en 2004.<\/p>\n<h3 class=\"wp-block-heading\">Une installation immersive et intime<\/h3>\n<p>Une m\u00e9diatrice, discr\u00e8tement install\u00e9e dans un coin de la nef, nous indique le chemin \u00e0 suivre. Il faut encore grimper les escaliers d\u2019un large \u00e9chafaudage, mis en place sp\u00e9cialement pour l\u2019exposition, pour acc\u00e9der \u00e0 une plateforme sur\u00e9lev\u00e9e. Celle-ci offre une vue plongeante sur l\u2019installation qui accompagne l\u2019\u0153uvre et sur les murs habill\u00e9s de la s\u00e9rie photographique. Sous ces images qui d\u00e9filent en continu, tr\u00f4ne un lit.<\/p>\n<p>Une femme en cire y g\u00eet, inconsciente et poitrine d\u00e9couverte, entour\u00e9e de bo\u00eetes de m\u00e9dicaments, de paquets de cigarettes entam\u00e9s et d\u2019un panneau en li\u00e8ge. Les peintures et <a href=\"https:\/\/numero.com\/category\/art\/photographie\/\" id=\"https:\/\/numero.com\/category\/art\/photographie\/\" target=\"_blank\" rel=\"noreferrer noopener\">photographies<\/a> accroch\u00e9es dessus \u00e9voquent le tableau d\u2019une enqu\u00eate non r\u00e9solue. \u00c0 gauche de la salle, un homme surplombe la sc\u00e8ne, perch\u00e9 sur un pi\u00e9destal. Son torse ouvert et recouvert d\u2019ecchymoses expose ses poumons \u00e0 l\u2019air libre.<\/p>\n<figure data-wp-context='{\"imageId\":\"69d6615648e45\"}' data-wp-interactive=\"core\/image\" data-wp-key=\"69d6615648e45\" class=\"wp-block-image size-full wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"985\" height=\"1000\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/04\/nan-goldin-paris-exposition-soeurs-saintes-sibylles4.jpg\" alt=\"\u0153uvre de la photographe Nan Goldin, Untitled (1982) expos\u00e9e \u00e0 Paris au Grand Palais et \u00e0 la chapelle Saint Louis\" class=\"wp-image-825368\"><button class=\"lightbox-trigger\" type=\"button\" aria-haspopup=\"dialog\" aria-label=\"Agrandir\" data-wp-init=\"callbacks.initTriggerButton\" data-wp-on--click=\"actions.showLightbox\" data-wp-style--right=\"state.imageButtonRight\" data-wp-style--top=\"state.imageButtonTop\"><\/p>\n<p>\t\t<\/button><figcaption class=\"wp-element-caption\">Nan Goldin, <em>Nan<\/em> (1969). \u00a9Courtesy Nan Goldin. <\/figcaption><\/figure>\n<h2 class=\"wp-block-heading\">Trois destins douloureux<\/h2>\n<p>Plong\u00e9e dans cette semi-obscurit\u00e9, la salle diffuse, via un projecteur, <strong>un triptyque de diapositives<\/strong>, revenant tour \u00e0 tour sur trois destins tragiques. Ceux de Nan Goldin, sa s\u0153ur et Sainte Barbe, racont\u00e9s ici en images et en mots.<\/p>\n<p>Un m\u00e9li-m\u00e9lo d\u2019images fortes se d\u00e9ploie dans une projection de 35 minutes, dont le format fait \u00e9cho \u00e0 la r\u00e9trospective pr\u00e9sent\u00e9e au Grand Palais, mais aussi \u2014 et surtout \u2014 aux d\u00e9buts de Nan Goldin. Encore \u00e9tudiante \u00e0 l\u2019universit\u00e9 de Tufts, dans le Massachusetts, elle explore alors le m\u00e9dium photographique \u00e0 travers <strong>la projection de diapositives.<\/strong><\/p>\n<p>C\u2019est d\u2019ailleurs dans ce m\u00eame format qu\u2019elle pr\u00e9sente <em>The Ballad of Sexual Dependency<\/em> son premier projet, achev\u00e9 en 1985. Devenu le plus embl\u00e9matique de sa carri\u00e8re, il marque \u00e9galement le d\u00e9but de sa pratique. Aujourd\u2019hui largement diffus\u00e9e sous forme de livres ou d\u2019expositions, isolant ainsi chaque image, son \u0153uvre puise pourtant son origine dans ces projections, auxquelles elle revient \u00e0 l\u2019occasion de cette grande r\u00e9trospective parisienne.<\/p>\n<figure data-wp-context='{\"imageId\":\"69d6615649269\"}' data-wp-interactive=\"core\/image\" data-wp-key=\"69d6615649269\" class=\"wp-block-image size-full wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"974\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/04\/nan-goldin-paris-exposition-soeurs-saintes-sibylles2.jpg\" alt=\"\u0153uvre de la photographe Nan Goldin, Untitled (1982) expos\u00e9e \u00e0 Paris au Grand Palais et \u00e0 la chapelle Saint Louis\" class=\"wp-image-825371\"><button class=\"lightbox-trigger\" type=\"button\" aria-haspopup=\"dialog\" aria-label=\"Agrandir\" data-wp-init=\"callbacks.initTriggerButton\" data-wp-on--click=\"actions.showLightbox\" data-wp-style--right=\"state.imageButtonRight\" data-wp-style--top=\"state.imageButtonTop\"><\/p>\n<p>\t\t<\/button><figcaption class=\"wp-element-caption\"><em>Barbara 11 years, Nan 4 years, Silver Spring, Maryland, 1957<\/em>. \u00a9 Courtesy Nan Goldin.<\/figcaption><\/figure>\n<h2 class=\"wp-block-heading\"><em>S\u0153urs, Saintes et Sibylles<\/em>, une s\u00e9rie personnelle et saisissante<\/h2>\n<p>Un retour aux sources qui s\u2019incarne \u00e9galement \u00e0 travers <em>S\u0153urs, Saintes et Sibylles<\/em>, qu\u2019<strong>elle exposait pour la premi\u00e8re fois \u00e0 Paris en 2004<\/strong> (avant la sortie du livre l\u2019ann\u00e9e suivante), au sein de cette m\u00eame chapelle de la Salp\u00eatri\u00e8re dans le cadre du Festival d\u2019Automne. \u00c0 l\u2019\u00e9poque, le projet co\u00efncidait avec sa r\u00e9cente sortie de centre de d\u00e9sintoxication et semblait ouvrir un nouveau chapitre dans la vie de l\u2019Am\u00e9ricaine. <\/p>\n<p>Revenant sur <strong>la destin\u00e9e tragique de sa s\u0153ur<\/strong> et de Sainte Barbe, elle tissait <strong>un parall\u00e8le avec son propre parcours<\/strong>. \u00c0 une diff\u00e9rence pr\u00e8s : en 2026, Nan Goldin interdit toute photo de son travail, au Grand Palais comme \u00e0 la chapelle Saint-Louis. On d\u00e9couvre donc cette s\u00e9rie dans un silence quasi monacal, de la m\u00eame mani\u00e8re qu\u2019on se recueillerait au sein d\u2019une \u00e9glise. On d\u00e9laisse notre vie et tout contact avec l\u2019ext\u00e9rieur pour <strong>s\u2019immerger, enti\u00e8rement, dans l\u2019intimit\u00e9 de Nan Goldin<\/strong>. <\/p>\n<h3 class=\"wp-block-heading\">Les trajectoires crois\u00e9es de Sainte Barbe et Barbara Goldin<\/h3>\n<p>Ces trois femmes, dont la vie est retrac\u00e9e et racont\u00e9e au sein de cette installation, pr\u00e9sentent un point commun : elles ont toutes \u00e9t\u00e9 enferm\u00e9es. Certaines par contrainte, d\u2019autres par n\u00e9cessit\u00e9. Le r\u00e9cit d\u00e9bute avec celui de<strong>Sainte Barbe<\/strong> (dont le mythe remonte au d\u00e9but du Ve si\u00e8cle), recluse dans une tour par son p\u00e8re pour la prot\u00e9ger de ses nombreux pr\u00e9tendants. Isol\u00e9e du reste du monde, elle d\u00e9couvre alors la foi chr\u00e9tienne. Elle est par la suite condamn\u00e9e \u00e0 mort pour ses croyances, et son p\u00e8re, pa\u00efen, se charge lui-m\u00eame de son ex\u00e9cution. Le visage de<strong>la s\u0153ur de Nan Goldin, Barbara<\/strong>, appara\u00eet ensuite. L\u2019artiste raconte le temp\u00e9rament rebelle de son a\u00een\u00e9e, en conflit permanent avec leur m\u00e8re qui d\u00e9cide de l\u2019envoyer dans un h\u00f4pital psychiatrique \u00e0 ses 14 ans\u2026<\/p>\n<p>Les <strong>images en noir et blanc de clich\u00e9s de famille<\/strong> se succ\u00e8dent, tandis qu\u2019elle revient, avec sa cam\u00e9ra, sur les lieux qui ont marqu\u00e9 la vie de sa s\u0153ur. On d\u00e9couvre les couloirs froids et les chambres de son lieu d\u2019internement, les t\u00e9moignages des infirmiers recueillis dans les archives de l\u2019institution\u2026 \u00c0 ses 18 ans, Barbara profite d\u2019une permission pour se rendre au bord d\u2019une voie ferr\u00e9e. Elle demande aux passants \u00e0 quelle heure passe le prochain train. Elle se jettera dessous. Nan Goldin filme les rails o\u00f9 fut retrouv\u00e9 le corps de son a\u00een\u00e9e, relatant d\u2019une voix grave et solennelle <strong>le rapport de police concluant \u00e0 un suicide<\/strong>. Elle capture sa tombe, perdue dans un large cimeti\u00e8re verdoyant. Puis les images nous emm\u00e8nent <strong>au propre internement de l\u2019artiste<\/strong>.<\/p>\n<figure data-wp-context='{\"imageId\":\"69d66156496da\"}' data-wp-interactive=\"core\/image\" data-wp-key=\"69d66156496da\" class=\"wp-block-image size-full wp-lightbox-container\"><img decoding=\"async\" loading=\"lazy\" width=\"1000\" height=\"668\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/04\/nan-goldin-paris-exposition-soeurs-saintes-sibylles3.jpg\" alt=\"\u0153uvre de la photographe Nan Goldin, Untitled (1982) expos\u00e9e \u00e0 Paris au Grand Palais et \u00e0 la chapelle Saint Louis\" class=\"wp-image-825374\"><button class=\"lightbox-trigger\" type=\"button\" aria-haspopup=\"dialog\" aria-label=\"Agrandir\" data-wp-init=\"callbacks.initTriggerButton\" data-wp-on--click=\"actions.showLightbox\" data-wp-style--right=\"state.imageButtonRight\" data-wp-style--top=\"state.imageButtonTop\"><\/p>\n<p>\t\t<\/button><figcaption class=\"wp-element-caption\">Nan Goldin, <em>Self-portrait, Baur au Lac Hotel, Zurich<\/em> (1998). \u00a9 Nan Goldin.<\/figcaption><\/figure>\n<h2 class=\"wp-block-heading\">De sa d\u00e9sintoxication \u00e0 son combat contre les opio\u00efdes<\/h2>\n<p>Des photos de ses amis et d\u2019elle-m\u00eame consommant de la drogue servent de pr\u00e9ambules aux photographies de <strong>son s\u00e9jour en centre de d\u00e9sintoxication<\/strong>. Elle \u00e9voque le souvenir d\u2019une discussion avec sa s\u0153ur, selon laquelle sa psychologue aurait pr\u00e9dit que Nan subirait le m\u00eame destin funeste\u2026 Entre images face cam\u00e9ra ou de ses amis en cure, <strong>l\u2019artiste dessine son propre avenir<\/strong>, apr\u00e8s son enfermement. <\/p>\n<p>Au cours des d\u00e9cennies qui suivront, elle s\u2019engagera dans <strong><a href=\"https:\/\/numero.com\/culture\/cinema\/nan-goldin-toute-la-beaute-et-le-sang-verse\/\" id=\"150870\" target=\"_blank\" rel=\"noreferrer noopener\">un long combat contre les Sackler<\/a><\/strong>, une famille richissime productrice d\u2019opio\u00efdes responsables de nombreuses addictions aux \u00c9tats-Unis. De cette bataille, elle livrera, en 2023, un documentaire poignant, aur\u00e9ol\u00e9 d\u2019<strong>un Lion d\u2019or \u00e0 la Mostra de Venise<\/strong>. <\/p>\n<p>\u00c0 la chapelle Saint-Louis, on se plonge ainsi dans <strong>l\u2019un des projets les plus intimes et les plus saisissants de Nan Goldin<\/strong>. Un r\u00e9cit initiatique, \u00e0 d\u00e9couvrir absolument \u00e0 Paris jusqu\u2019\u00e0 la fin juin, mais aussi dans sa version reli\u00e9e, r\u00e9\u00e9dit\u00e9e pour l\u2019occasion par les <strong>\u00e9ditions Thames and Hudson<\/strong>. <\/p>\n<p><em>\u201cNan Goldin. This Will Not End Well\u201d, exposition du 18 mars au 21 juin 2026 au\u00a0<a href=\"https:\/\/www.grandpalais.fr\/fr\" target=\"_blank\" rel=\"noreferrer noopener\">Grand Palais<\/a>, Paris 8e, et \u00e0 la chapelle Saint-Louis de la Salp\u00eatri\u00e8re, 83 Bd de l\u2019H\u00f4pital, Paris 13e.<\/em><\/p>\n<p><em>Nan Goldin, \u201cS\u0153urs, Saintes et Sibylles\u201c (2005), Nan Goldin, \u00e9ditions <a href=\"https:\/\/www.thamesandhudson.com\/\" id=\"https:\/\/www.thamesandhudson.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Thames and Hudson<\/a>.<\/em><\/p>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"col-lg-3\">\n<div class=\"suggested-posts padding-top-s\">\n<div class=\"title\">Recommand\u00e9<\/div>\n<div class=\"post-card\">\n\t\t\t\t\t\t\t\t\t\t<a class=\"post-link d-flex\" href=\"https:\/\/numero.com\/mode\/interview-daniel-roseberry-schiaparelli-exposition-londres\/\"><\/p>\n<div class=\"container-img\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"640\" height=\"804\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/03\/thumb-interview-daniel-roseberry-schiaparelli-exposition-londres-768x965.jpg\" class=\"img-fluid\" alt loading=\"lazy\">\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<p class=\"number\">26<\/p>\n<\/p><\/div>\n<div class=\"card-info d-flex\">\n<div>\n<p class=\"cat-title\">Mode<\/p>\n<h3 class=\"post-title\">Au V&amp;A de Londres, Daniel Roseberry ravive l\u2019esprit d\u2019Elsa Schiaparelli<\/h3>\n<\/p><\/div>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t26 mars 2026\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/div>\n<div class=\"post-card\">\n\t\t\t\t\t\t\t\t\t\t<a class=\"post-link d-flex\" href=\"https:\/\/numero.com\/art\/numero-art\/martin-parr-exposition-jeu-de-paume\/\"><\/p>\n<div class=\"container-img\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"640\" height=\"804\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/01\/THUMB-parr-4-768x965.jpg\" class=\"img-fluid\" alt=\"Martin Parr, Tokyo, Japon, 1998\" loading=\"lazy\">\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<p class=\"number\">30<\/p>\n<\/p><\/div>\n<div class=\"card-info d-flex\">\n<div>\n<p class=\"cat-title\">Num\u00e9ro Art<\/p>\n<h3 class=\"post-title\">Expo de la semaine : l\u2019ic\u00f4ne iconoclaste Martin Parr envahit le Jeu de Paume<\/h3>\n<\/p><\/div>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t30 jan 2026\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/div>\n<div class=\"post-card\">\n\t\t\t\t\t\t\t\t\t\t<a class=\"post-link d-flex\" href=\"https:\/\/numero.com\/art\/art-art\/qui-est-le-peintre-georges-de-la-tour\/\"><\/p>\n<div class=\"container-img\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"640\" height=\"804\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2025\/11\/thumb-qui-est-le-peintre-georges-de-la-tour-768x965.jpg\" class=\"img-fluid\" alt loading=\"lazy\">\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<p class=\"number\">5<\/p>\n<\/p><\/div>\n<div class=\"card-info d-flex\">\n<div>\n<p class=\"cat-title\">Art<\/p>\n<h3 class=\"post-title\">Georges de La Tour : la renomm\u00e9e tardive d\u2019un peintre majeur, de l\u2019ombre \u00e0 la lumi\u00e8re<\/h3>\n<\/p><\/div>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t5 jan 2026\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/div>\n<div class=\"post-card\">\n\t\t\t\t\t\t\t\t\t\t<a class=\"post-link d-flex\" href=\"https:\/\/numero.com\/art\/numero-art\/quelle-philosophie-japonaise-inspire-la-nouvelle-exposition-du-19m\/\"><\/p>\n<div class=\"container-img\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"640\" height=\"804\" 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{<br \/>\n                        googletag.display(&#8216;div-gpt-ad-1757006327907-0&#8217;);<br \/>\n                    });<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div><\/div>\n<\/p><\/div>\n<\/section>\n<p>        <button class=\"btn-newsletter btn-outline-white my-5\" id=\"open-modal-newsletter\">Inscrivez-vous \u00e0 la newsletter<\/button>\t\t<\/p>\n<section class=\"related-posts post-list padding-top-m padding-bottom-s\">\n<div class=\"container\">\n<h2 class=\"title mx-auto\">\u00c0 lire aussi<\/h2>\n<div class=\"row\">\n<div class=\"col-lg-3\">\n<div class=\"post-card desktop\">\n\t\t\t\t\t\t\t\t\t\t<a class=\"post-link\" href=\"https:\/\/numero.com\/art\/photographie\/les-mille-vies-de-lee-miller-exposees-au-musee-dart-moderne-de-paris\/\"><\/p>\n<div class=\"container-img\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"640\" height=\"804\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/04\/THUMB-LEE-MILLER-1-768x965.jpg\" class=\"img-fluid\" 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Kovalv.\" loading=\"lazy\">\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<div class=\"number\">27<\/div>\n<\/p><\/div>\n<div class=\"card-info d-flex\">\n<div>\n<p class=\"cat-title\">Photographie<\/p>\n<h3 class=\"post-title\">Festival Circulation(s) : 7 photographes \u00e9mergents \u00e0 d\u00e9couvrir au Centquatre<\/h3>\n<\/p><\/div>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t27 mars 2026\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/div>\n<\/p><\/div>\n<div class=\"col-lg-3\">\n<div class=\"post-card desktop\">\n\t\t\t\t\t\t\t\t\t\t<a class=\"post-link\" href=\"https:\/\/numero.com\/culture\/cinema\/nan-goldin-toute-la-beaute-et-le-sang-verse\/\"><\/p>\n<div class=\"container-img\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"640\" height=\"804\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2023\/12\/nan-goldin3-768x965.jpg\" class=\"img-fluid\" alt=\"Nan Goldin dans Toute la beaut\u00e9 et le sang vers\u00e9 (2023) de Laura Poitras.\" loading=\"lazy\">\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<div class=\"number\">17<\/div>\n<\/p><\/div>\n<div class=\"card-info\">\n<div class=\"meta d-flex justify-content-between\">\n<p class=\"cat-title\">Cin\u00e9ma<\/p>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t17 mars 2026\t\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<div class=\"post-title\">Pourquoi il faut (re)voir ce documentaire sur Nan Goldin, expos\u00e9e au Grand Palais<\/div>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/div>\n<div class=\"post-card mobile\">\n\t\t\t\t\t\t\t\t\t\t<a class=\"post-link d-flex\" href=\"https:\/\/numero.com\/culture\/cinema\/nan-goldin-toute-la-beaute-et-le-sang-verse\/\"><\/p>\n<div class=\"container-img\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"640\" height=\"804\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2023\/12\/nan-goldin3-768x965.jpg\" class=\"img-fluid\" alt=\"Nan Goldin dans Toute la beaut\u00e9 et le sang vers\u00e9 (2023) de Laura Poitras.\" loading=\"lazy\">\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<div class=\"number\">17<\/div>\n<\/p><\/div>\n<div class=\"card-info d-flex\">\n<div>\n<p class=\"cat-title\">Cin\u00e9ma<\/p>\n<h3 class=\"post-title\">Pourquoi il faut (re)voir ce documentaire sur Nan Goldin, expos\u00e9e au Grand Palais<\/h3>\n<\/p><\/div>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t17 mars 2026\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/div>\n<\/p><\/div>\n<div class=\"col-lg-3\">\n<div class=\"post-card desktop\">\n\t\t\t\t\t\t\t\t\t\t<a class=\"post-link\" href=\"https:\/\/numero.com\/art\/numero-art\/nicolas-lebeau-hacker-photographie-image\/\"><\/p>\n<div class=\"container-img\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"640\" height=\"804\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2025\/11\/THUMB-LEBEAU-768x965.jpg\" class=\"img-fluid\" alt loading=\"lazy\">\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<div 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class=\"cat-title\">Num\u00e9ro Art<\/p>\n<h3 class=\"post-title\">Jeune artiste \u00e0 suivre : Nicolas Lebeau \u00e0 la galerie Mennour<\/h3>\n<\/p><\/div>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t2 mars 2026\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/section>\n<div class=\"padding-bottom-s\">\n<div class=\"ad banner desktop\">\n<div class=\"container\">\n<div class=\"row\">\n            <!-- \/21730003857\/numero-ad-unit\/numero-banner-1 --><\/p>\n<div id=\"div-gpt-ad-1757006327907-0\" style=\"min-width: 350px\">\n<p>                    googletag.cmd.push(function () {<br \/>\n                        googletag.display(&#8216;div-gpt-ad-1757006327907-0&#8217;);<br \/>\n                    });<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div><\/div>\n<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"<p>8 8 googletag.cmd.push(function () { googletag.display(&#8216;div-gpt-ad-1757063143832-0&#8217;); }); Lien copi\u00e9 Photographie 8 avr 2026 Nan Goldin pr\u00e9sente son projet le plus intime en marge du Grand Palais Au Grand Palais et \u00e0 la chapelle Saint-Louis de la Salp\u00eatri\u00e8re, Nan Goldin d\u00e9voile, jusqu\u2019au 21 juin 2026, son \u0153uvre photographique sous un angle in\u00e9dit, rythm\u00e9 de diapositives et [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[226,258],"class_list":["post-1872126","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-crawlmanager","tag-numero-com"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1872126","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1872126"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1872126\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1872126"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1872126"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1872126"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}