{"id":1865046,"date":"2026-04-03T18:00:00","date_gmt":"2026-04-03T15:00:00","guid":{"rendered":"https:\/\/analyse.optim.biz\/?p=1865046"},"modified":"2026-04-03T18:00:00","modified_gmt":"2026-04-03T15:00:00","slug":"max-levai-to-open-7000-square-foot-chelsea-gallery-with-47-canal","status":"publish","type":"post","link":"https:\/\/analyse.optim.biz\/?p=1865046","title":{"rendered":"Max Levai to Open 7,000-Square-Foot Chelsea Gallery With 47 Canal"},"content":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/04\/IMG_8011-2-1.jpg?w=1024&#8243;]<\/p>\n<div class=\"a-content a-content--offset lrv-a-floated-parent lrv-u-font-family-body lrv-u-line-height-normal lrv-u-font-size-18 lrv-u-position-relative\">\n<div class=\"pmc-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tMax Levai is expanding into Chelsea at a moment when much of the market is pulling back.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe former president of Marlborough Gallery will open a 7,000-square-foot flagship at 529 West 20th Street this fall, his first permanent New York space after several years of operating between pop-ups, international projects like his presentation of works by Frank Auerbach at the 2024 Venice Biennale, and his Montauk compound, The Ranch.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cHaving a gallery that is permanent\u2026 has been on my mind for a while,\u201d Levai told <em>ARTnews<\/em> this week by phone. \u201cThere\u2019s a roster of artists I\u2019m motivated to provide a proper stage for.\u201d\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThat stage, he believes, still belongs in Chelsea. While Tribeca has drawn a younger wave of galleries, Levai is blunt about where he sees the center of the market.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cIn my opinion, Chelsea is simply the best place to have a gallery,\u201d he said, pointing to the scale and flexibility of its buildings.\u00a0His previous Tribeca location, roughly 900 square feet, was suited to tightly focused historical shows. Plus, he said, it was never meant to be permanent.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tOwned by Eagle Point Properties and designed as part of the broader 529 Arts building, the ground-floor gallery will give Levai the footprint and infrastructure he has been missing. The new gallery will house two distinct exhibition areas across two levels. Levai decided early on he would not run both himself.<\/p>\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   size-full alignnone lrv-u-max-width-100p\">\n<div class=\"c-lazy-image  \">\n<div class=\"lrv-a-crop-16x9\"><img loading=\"lazy\" decoding=\"async\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/04\/0G7A3040.jpg?w=400\" alt height=\"703\" width=\"1024\"><\/div>\n<\/div><figcaption class=\"c-figcaption  lrv-u-font-size-12 lrv-u-flex lrv-u-flex-direction-column lrv-u-padding-tb-025\"><span class=\"lrv-u-font-size-14@desktop\">Install view of Frank Auerbach\u2019s work at the Palazzo da Mosto during the 2024 Venice Biennale.<\/span><cite class=\"lrv-u-text-transform-uppercase lrv-u-color-grey\">Sebastiano Pellion di Persano<\/cite><\/figcaption><\/figure>\n<\/div>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tInstead, he brought in 47 Canal, the gallery cofounded and run by Oliver Newton, to run the second program within the building. The arrangement is straightforward: two independent galleries sharing a single address with separate offices and programs.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tLevai is precise about the terms. \u201cWe\u2019re running our own operations under one roof,\u201d he said. \u201cIt\u2019s not a collaboration, it\u2019s more like co-exisiting.\u201d\u00a0The setup reflects a practical calculation as much as a curatorial one.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cTo develop as a primary market gallery, you need to leave yourself room to take risks,\u201d Levai said. \u201cAnd the problem with the way things has evolved is that room in the margins has slowly been eaten away. Unless you maintain that ability to take risks, you can\u2019t develop, you can\u2019t do things that are going to really have an impact.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tSharing the building, he said, allows him to maintain scale without taking on the full burden alone. There may be occasional joint efforts\u2014he mentioned the possibility of a summer exhibition spanning both floors\u2014but most of the year, the two programs will run separately.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe Chelsea gallery also offers Levai something he has not had in New York City: range. In Tribeca, he focused on historical presentations, including a show of work by Renate Druks that benefited from the intimacy of the space. The new gallery allows him to expand that approach while also mounting exhibitions of contemporary work by artists he represents.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cI now have the right setup to do those types of shows,\u201d he said, \u201cbut also to do shows of new work\u201d\u00a0with artists he represents like Daniel Lind-Ramos, Julius Von Bismarck, and Nancy Rubins. He is also interested in bringing over a format he developed at The Ranch pairing contemporary artists with historical figures in tightly conceived exhibitions shaped by both research and production.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tBut if the Chelsea gallery is about continuity and visibility, The Ranch operates on a different rhythm. Set on an active horse farm in Montauk, it has evolved into a site for projects that would be difficult to realize in the city. Artists often spend weeks or months on-site, producing work that responds to the landscape or requires a level of logistical freedom unavailable in New York.<\/p>\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   size-full alignnone lrv-u-max-width-100p\">\n<div class=\"c-lazy-image  \">\n<div class=\"lrv-a-crop-16x9\"><img loading=\"lazy\" decoding=\"async\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/04\/ML_25_09_09_033_2.jpg?w=400\" alt height=\"683\" width=\"1024\"><\/div>\n<\/div><figcaption class=\"c-figcaption  lrv-u-font-size-12 lrv-u-flex lrv-u-flex-direction-column lrv-u-padding-tb-025\"><span class=\"lrv-u-font-size-14@desktop\">Installation view of Max Levai\u2019s presentation of work by Renate Druks at 61 Lispenard.<\/span><\/figcaption><\/figure>\n<\/div>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cIt\u2019s the place where you make shows that don\u2019t make sense to make elsewhere,\u201d Levai said.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tProgramming there is seasonal and non-repetitive, closer to a kunsthalle than a commercial gallery. The New York operation, by contrast, will be ongoing and artist-focused, with a clearer market function.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cThe idea with the gallery in New York is that it\u2019s something different,\u201d he said. \u201cIt will establish its own identity separate from The Ranch.\u201d\u00a0There will be points of contact, but the two are designed to operate on parallel tracks.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tLevai\u2019s timing is not incidental. After a more than a decade of rapid growth, followed by years of instability, the art market has calmed and cooled down, and many galleries are reconsidering overhead and scale, or closing all together. Levai is among those moving in the opposite direction. He does not dismiss the risk. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cThe timing\u2026 is risky in terms of the market,\u201d he said. But he framed the decision in more personal terms. \u201cIn some ways, it would be risky for me not to take this opportunity,\u201d he said.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThat logic runs through the entire project. The gallery is not just a physical upgrade but a structural one designed to give him enough flexibility to take chances, develop artists, and build a lasting program that can move between historical and contemporary work without compromise. In a tighter market, that may be the real bet.<\/p>\n<\/div>\n<\/div>\n<p>[analyse_source url=&#8221;https:\/\/www.artnews.com\/art-news\/news\/max-levai-chelsea-gallery-529-west-20th-47-canal-1234779842\/&#8221;]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/04\/IMG_8011-2-1.jpg?w=1024&#8243;] Max Levai is expanding into Chelsea at a moment when much of the market is pulling back. The former president of Marlborough Gallery will open a 7,000-square-foot flagship at 529 West 20th Street this fall, his first permanent New York space after several years of operating between pop-ups, international projects like his [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[61,226],"class_list":["post-1865046","post","type-post","status-publish","format-standard","hentry","category-politics","tag-artnews-com","tag-crawlmanager"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1865046","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1865046"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1865046\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1865046"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1865046"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1865046"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}