{"id":1859777,"date":"2026-03-30T10:00:01","date_gmt":"2026-03-30T07:00:01","guid":{"rendered":"https:\/\/analyse.optim.biz\/?p=1859777"},"modified":"2026-03-30T10:00:01","modified_gmt":"2026-03-30T07:00:01","slug":"talking-raphael","status":"publish","type":"post","link":"https:\/\/analyse.optim.biz\/?p=1859777","title":{"rendered":"Talking Raphael"},"content":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;&#8221;]<\/p>\n<p><main class=\"gh-main\"><\/p>\n<article class=\"gh-article post tag-daily-newsletter tag-newsletter no-image\">\n<header class=\"gh-article-header gh-canvas\">\n<p>                Daily Newsletter<\/p>\n<h1 class=\"gh-article-title is-title\">Talking Raphael<\/h1>\n<p class=\"gh-article-excerpt is-body\">One-on-one with the curator of a historic Raphael exhibition at The Met, Robert Therrien&#8217;s oversized furniture, artists against nuclear weapons, and how to save yourself from AI. <\/p>\n<div class=\"gh-article-meta\">\n<div class=\"gh-article-author-image instapaper_ignore\"><img decoding=\"async\" class=\"author-profile-image\" src=\"https:\/\/hyperallergic.com\/content\/images\/size\/w160\/2025\/11\/hyperallergic-favicon-d-blank-r-g-s-500.png\" alt=\"Hyperallergic\"><\/div>\n<div class=\"gh-article-meta-wrapper\">\n<h4 class=\"gh-article-author-name\">Hyperallergic<\/h4>\n<div class=\"gh-article-meta-content\"><time class=\"gh-article-meta-date\" datetime=\"2026-03-30\">March 30, 2026<\/time><span class=\"gh-article-meta-length\"><span class=\"bull\">\u2014<\/span> 4 min read<\/span><\/div>\n<\/div>\n<\/div>\n<\/header>\n<section class=\"gh-content gh-canvas is-body\">\n<p><em>Raphael: Sublime Poetry <\/em>at the Metropolitan Museum of Art is by far the biggest blockbuster of the season here in New York. It&#8217;s also the first comprehensive exhibition on Raphael in the United States, bringing into one place more than 170 of his greatest masterpieces, including hits like &#8220;Portrait of Baldassare Castiglione&#8221; (c. 1514\u20131515) and &#8220;The Alba Madonna&#8221; (c. 1510), alongside a trove of sketches and studies. Today we speak with the woman behind the show, longtime curator Carmen C. Bambach, to get a glimpse into the making of this exceptional exhibition. <\/p>\n<p>Also in this edition: a tour through a Robert Therrien exhibition at The Broad in Los Angeles, the artist collective that fights against nuclear armament, A View From the Easel, and two new documentaries offering tips on how to save ourselves from AI.   <\/p>\n<p><em>\u2014Hakim Bishara, editor-in-chief <\/em><\/p>\n<hr>\n<figure class=\"kg-card kg-image-card kg-card-hascaption\"><img decoding=\"async\" src=\"https:\/\/hyperallergic.com\/content\/images\/2026\/03\/DSC09094--1-.jpeg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><figcaption><span>Detail of Raphael, \u201cSaint Sebastian in Half Length\u201d (c. 1502\u20133), tempera grassa and oil, with gold highlights, on wood (photo Hrag Vartanian\/<\/span><i><em class=\"italic\">Hyperallergic<\/em><\/i><span>)<\/span><\/figcaption><\/figure>\n<h3 id=\"inside-the-met-museum%E2%80%99s-historic-raphael-exhibition\">Inside the Met Museum\u2019s Historic Raphael Exhibition<\/h3>\n<p>\u201cAsking for Raphael loans is like asking for the firstborn heir of the royal family,\u201d Carmen C. Bambach, curator of the first comprehensive show of the master in the US, told <em>Hyperallergic<\/em>.<\/p>\n<hr>\n<div class=\"kg-card kg-cta-card kg-cta-bg-white kg-cta-immersive  kg-cta-has-img  \" data-layout=\"immersive\">\n<div class=\"kg-cta-sponsor-label-wrapper\">\n<div class=\"kg-cta-sponsor-label\"><span>SPONSORED<\/span><\/div>\n<\/div>\n<div class=\"kg-cta-content\">\n<div class=\"kg-cta-image-container\"><img decoding=\"async\" src=\"https:\/\/hyperallergic.com\/content\/images\/2026\/03\/Helis-PCSE-Biennale-hyperallergic-graphic-1200x628-1.jpg\" alt=\"CTA Image\" data-image-dimensions=\"1200x628\"><\/div>\n<div class=\"kg-cta-content-inner\">\n<div class=\"kg-cta-text\">\n<p><b><strong>Former Poydras Corridor Sculpture Exhibition Artists are Biennale-Bound<\/strong><\/b><\/p>\n<p><span>The Poydras Corridor Sculpture Exhibition (PCSE), presented by The Helis Foundation, is proud to congratulate former artists Dawn DeDeaux and Kennedy Yanko on their selection for the 61st International Art Exhibition of La Biennale di Venezia. Click below and learn more about PCSE, The Helis Foundation, and its mission.<\/span><\/p>\n<\/div>\n<p>                            Learn more<\/p><\/div>\n<\/div>\n<\/div>\n<hr>\n<h2 id=\"news\">News<\/h2>\n<figure class=\"kg-card kg-image-card kg-card-hascaption\"><img decoding=\"async\" src=\"https:\/\/hyperallergic.com\/content\/images\/2026\/03\/GettyImages-1237364901-1.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><figcaption><span>General view of the Natural History Museum in London, England, which holds 11,856 non-European human remains (photo by Dan Kitwood\/Getty Images)<\/span><\/figcaption><\/figure>\n<ul>\n<li>Museums and institutions in the United Kingdom hold more than 263,000 items of human remains, according to a recent investigation by the <em>Guardian<\/em>.<\/li>\n<li>Marica Vilcek, a champion of immigrant artists and scientists, has died at the age of 89.\u00a0<\/li>\n<\/ul>\n<hr>\n<h2 id=\"a-closer-look\">A Closer Look <\/h2>\n<figure class=\"kg-card kg-image-card kg-card-hascaption\"><img decoding=\"async\" src=\"https:\/\/hyperallergic.com\/content\/images\/2026\/03\/image-80-1.png\" class=\"kg-image\" alt loading=\"lazy\" width=\"2000\" height=\"1125\"><figcaption><span>Robert Therrien, \u201cUnder the Table\u201d (1994) (photos Matt Stromberg\/<\/span><i><em class=\"italic\">Hyperallergic<\/em><\/i><span>)<\/span><\/figcaption><\/figure>\n<h3 id=\"taking-a-seat-at-robert-therrien%E2%80%99s-table\">Taking a Seat at Robert Therrien\u2019s Table<\/h3>\n<p>The Broad invites us into the late artist\u2019s obsessively iterative practice, where oversized tables and chairs give way to more elusive, personal forms. | Matt Stromberg <\/p>\n<hr>\n<h2 id=\"from-our-critics\">From Our Critics <\/h2>\n<figure class=\"kg-card kg-image-card kg-card-hascaption\"><img decoding=\"async\" src=\"https:\/\/hyperallergic.com\/content\/images\/2026\/03\/11_Atomic-Dragons---Install-view-slavick-still-1.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><figcaption><span>Still from elin o\u2019Hara slavick (with Madeline Richardson), \u201cHolding History in Our Hand\u201d (2024), video (photo Christopher Wormald, courtesy Pitzer College Art Galleries)<\/span><\/figcaption><\/figure>\n<h3 id=\"how-photography-helped-build-the-atomic-bomb\">How Photography Helped Build the Atomic Bomb<\/h3>\n<p>A group of intergenerational artists, collectively known as Slow War Against the Nuclear State, investigates the afterlife of nuclear politics in a haunting, timely exhibition. | Austen Villacis<\/p>\n<h3 id=\"how-to-survive-ai\">How to Survive AI<\/h3>\n<p>The documentaries \u201cGhost in the Machine\u201d and \u201cThe AI Doc\u201d both end in calls to action, but arrive there in different ways. | Kathy Ou<\/p>\n<hr>\n<h2 id=\"member-comment\">Member Comment<\/h2>\n<p>Souhad Rafey on John Yau&#8217;s &#8220;Why I Wanted to Meet Thaddeus Mosley&#8221;:<\/p>\n<div class=\"kg-card kg-callout-card kg-callout-card-yellow\">\n<div class=\"kg-callout-text\">I was grateful to hear Thaddeus Mosley in conversation with\u00a0Jen\u00e9e Daria Strand\u00a0five months ago, at Cooper Union. What an inspiration he was, &#8220;touching the earth&#8221; in immeasurable ways.<\/div>\n<\/div>\n<hr>\n<h2 id=\"a-view-from-the-easel\">A View From the Easel<\/h2>\n<figure class=\"kg-card kg-image-card kg-card-hascaption\"><img decoding=\"async\" src=\"https:\/\/hyperallergic.com\/content\/images\/2026\/03\/studio-shot-wide-angle---Linda-Jacobson-1.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><figcaption><span>Linda Jacobson\u2019s studio in Venice, California (courtesy the artist)<\/span><\/figcaption><\/figure>\n<p>In this edition, artist Linda Jacobson from Westchester, New York, listens to their paint, and Georgina Arroyo from Venice, California, creates molds out of high-heeled shoes.<\/p>\n<p>Want to take part? Check out our\u00a0submission guidelines\u00a0and share a bit about your studio with us through\u00a0this form! All mediums and workspaces are welcome, including your home studio.<\/p>\n<hr>\n<h2 id=\"icymi\">ICYMI<\/h2>\n<figure class=\"kg-card kg-image-card kg-card-hascaption\"><img decoding=\"async\" src=\"https:\/\/hyperallergic.com\/content\/images\/2026\/03\/image-81-1.png\" class=\"kg-image\" alt loading=\"lazy\" width=\"2000\" height=\"1125\"><figcaption><span>Installation view of <\/span><i><em class=\"italic\">Frida and Diego: The Last Dream<\/em><\/i><span> (\u00a9 The Museum of Modern Art, New York; photo Jonathan Dorado, courtesy The Museum of Modern Art, New York)<\/span><\/figcaption><\/figure>\n<h3 id=\"frida-mania-hits-moma\">Frida-Mania Hits MoMA<\/h3>\n<p>A collaboration with the Metropolitan Opera\u2019s costume designer, this exhibition is an irresistible marketing opportunity at best. | N\u00e9stor David Pastor L\u00f3pez<\/p>\n<hr>\n<ul class=\"post-tags\">\n<li>\n                        Daily Newsletter\n                      <\/li>\n<li>\n                        Newsletter\n                      <\/li>\n<\/ul>\n<\/section>\n<\/article>\n<p><\/main><\/p>\n<article class=\"gh-article post tag-daily-newsletter tag-newsletter no-image\">\n<header class=\"gh-article-header gh-canvas\">\n<p>                Daily Newsletter<\/p>\n<h1 class=\"gh-article-title is-title\">Talking Raphael<\/h1>\n<p class=\"gh-article-excerpt is-body\">One-on-one with the curator of a historic Raphael exhibition at The Met, Robert Therrien&#8217;s oversized furniture, artists against nuclear weapons, and how to save yourself from AI. <\/p>\n<div class=\"gh-article-meta\">\n<div class=\"gh-article-author-image instapaper_ignore\"><img decoding=\"async\" class=\"author-profile-image\" src=\"https:\/\/hyperallergic.com\/content\/images\/size\/w160\/2025\/11\/hyperallergic-favicon-d-blank-r-g-s-500.png\" alt=\"Hyperallergic\"><\/div>\n<div class=\"gh-article-meta-wrapper\">\n<h4 class=\"gh-article-author-name\">Hyperallergic<\/h4>\n<div class=\"gh-article-meta-content\"><time class=\"gh-article-meta-date\" datetime=\"2026-03-30\">March 30, 2026<\/time><span class=\"gh-article-meta-length\"><span class=\"bull\">\u2014<\/span> 4 min read<\/span><\/div>\n<\/div>\n<\/div>\n<\/header>\n<section class=\"gh-content gh-canvas is-body\">\n<p><em>Raphael: Sublime Poetry <\/em>at the Metropolitan Museum of Art is by far the biggest blockbuster of the season here in New York. It&#8217;s also the first comprehensive exhibition on Raphael in the United States, bringing into one place more than 170 of his greatest masterpieces, including hits like &#8220;Portrait of Baldassare Castiglione&#8221; (c. 1514\u20131515) and &#8220;The Alba Madonna&#8221; (c. 1510), alongside a trove of sketches and studies. Today we speak with the woman behind the show, longtime curator Carmen C. Bambach, to get a glimpse into the making of this exceptional exhibition. <\/p>\n<p>Also in this edition: a tour through a Robert Therrien exhibition at The Broad in Los Angeles, the artist collective that fights against nuclear armament, A View From the Easel, and two new documentaries offering tips on how to save ourselves from AI.   <\/p>\n<p><em>\u2014Hakim Bishara, editor-in-chief <\/em><\/p>\n<hr>\n<figure class=\"kg-card kg-image-card kg-card-hascaption\"><img decoding=\"async\" src=\"https:\/\/hyperallergic.com\/content\/images\/2026\/03\/DSC09094--1-.jpeg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><figcaption><span>Detail of Raphael, \u201cSaint Sebastian in Half Length\u201d (c. 1502\u20133), tempera grassa and oil, with gold highlights, on wood (photo Hrag Vartanian\/<\/span><i><em class=\"italic\">Hyperallergic<\/em><\/i><span>)<\/span><\/figcaption><\/figure>\n<h3 id=\"inside-the-met-museum%E2%80%99s-historic-raphael-exhibition\">Inside the Met Museum\u2019s Historic Raphael Exhibition<\/h3>\n<p>\u201cAsking for Raphael loans is like asking for the firstborn heir of the royal family,\u201d Carmen C. Bambach, curator of the first comprehensive show of the master in the US, told <em>Hyperallergic<\/em>.<\/p>\n<hr>\n<div class=\"kg-card kg-cta-card kg-cta-bg-white kg-cta-immersive  kg-cta-has-img  \" data-layout=\"immersive\">\n<div class=\"kg-cta-sponsor-label-wrapper\">\n<div class=\"kg-cta-sponsor-label\"><span>SPONSORED<\/span><\/div>\n<\/div>\n<div class=\"kg-cta-content\">\n<div class=\"kg-cta-image-container\"><img decoding=\"async\" src=\"https:\/\/hyperallergic.com\/content\/images\/2026\/03\/Helis-PCSE-Biennale-hyperallergic-graphic-1200x628-1.jpg\" alt=\"CTA Image\" data-image-dimensions=\"1200x628\"><\/div>\n<div class=\"kg-cta-content-inner\">\n<div class=\"kg-cta-text\">\n<p><b><strong>Former Poydras Corridor Sculpture Exhibition Artists are Biennale-Bound<\/strong><\/b><\/p>\n<p><span>The Poydras Corridor Sculpture Exhibition (PCSE), presented by The Helis Foundation, is proud to congratulate former artists Dawn DeDeaux and Kennedy Yanko on their selection for the 61st International Art Exhibition of La Biennale di Venezia. Click below and learn more about PCSE, The Helis Foundation, and its mission.<\/span><\/p>\n<\/div>\n<p>                            Learn more<\/p><\/div>\n<\/div>\n<\/div>\n<hr>\n<h2 id=\"news\">News<\/h2>\n<figure class=\"kg-card kg-image-card kg-card-hascaption\"><img decoding=\"async\" src=\"https:\/\/hyperallergic.com\/content\/images\/2026\/03\/GettyImages-1237364901-1.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><figcaption><span>General view of the Natural History Museum in London, England, which holds 11,856 non-European human remains (photo by Dan Kitwood\/Getty Images)<\/span><\/figcaption><\/figure>\n<ul>\n<li>Museums and institutions in the United Kingdom hold more than 263,000 items of human remains, according to a recent investigation by the <em>Guardian<\/em>.<\/li>\n<li>Marica Vilcek, a champion of immigrant artists and scientists, has died at the age of 89.\u00a0<\/li>\n<\/ul>\n<hr>\n<h2 id=\"a-closer-look\">A Closer Look <\/h2>\n<figure class=\"kg-card kg-image-card kg-card-hascaption\"><img decoding=\"async\" src=\"https:\/\/hyperallergic.com\/content\/images\/2026\/03\/image-80-1.png\" class=\"kg-image\" alt loading=\"lazy\" width=\"2000\" height=\"1125\"><figcaption><span>Robert Therrien, \u201cUnder the Table\u201d (1994) (photos Matt Stromberg\/<\/span><i><em class=\"italic\">Hyperallergic<\/em><\/i><span>)<\/span><\/figcaption><\/figure>\n<h3 id=\"taking-a-seat-at-robert-therrien%E2%80%99s-table\">Taking a Seat at Robert Therrien\u2019s Table<\/h3>\n<p>The Broad invites us into the late artist\u2019s obsessively iterative practice, where oversized tables and chairs give way to more elusive, personal forms. | Matt Stromberg <\/p>\n<hr>\n<h2 id=\"from-our-critics\">From Our Critics <\/h2>\n<figure class=\"kg-card kg-image-card kg-card-hascaption\"><img decoding=\"async\" src=\"https:\/\/hyperallergic.com\/content\/images\/2026\/03\/11_Atomic-Dragons---Install-view-slavick-still-1.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><figcaption><span>Still from elin o\u2019Hara slavick (with Madeline Richardson), \u201cHolding History in Our Hand\u201d (2024), video (photo Christopher Wormald, courtesy Pitzer College Art Galleries)<\/span><\/figcaption><\/figure>\n<h3 id=\"how-photography-helped-build-the-atomic-bomb\">How Photography Helped Build the Atomic Bomb<\/h3>\n<p>A group of intergenerational artists, collectively known as Slow War Against the Nuclear State, investigates the afterlife of nuclear politics in a haunting, timely exhibition. | Austen Villacis<\/p>\n<h3 id=\"how-to-survive-ai\">How to Survive AI<\/h3>\n<p>The documentaries \u201cGhost in the Machine\u201d and \u201cThe AI Doc\u201d both end in calls to action, but arrive there in different ways. | Kathy Ou<\/p>\n<hr>\n<h2 id=\"member-comment\">Member Comment<\/h2>\n<p>Souhad Rafey on John Yau&#8217;s &#8220;Why I Wanted to Meet Thaddeus Mosley&#8221;:<\/p>\n<div class=\"kg-card kg-callout-card kg-callout-card-yellow\">\n<div class=\"kg-callout-text\">I was grateful to hear Thaddeus Mosley in conversation with\u00a0Jen\u00e9e Daria Strand\u00a0five months ago, at Cooper Union. What an inspiration he was, &#8220;touching the earth&#8221; in immeasurable ways.<\/div>\n<\/div>\n<hr>\n<h2 id=\"a-view-from-the-easel\">A View From the Easel<\/h2>\n<figure class=\"kg-card kg-image-card kg-card-hascaption\"><img decoding=\"async\" src=\"https:\/\/hyperallergic.com\/content\/images\/2026\/03\/studio-shot-wide-angle---Linda-Jacobson-1.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><figcaption><span>Linda Jacobson\u2019s studio in Venice, California (courtesy the artist)<\/span><\/figcaption><\/figure>\n<p>In this edition, artist Linda Jacobson from Westchester, New York, listens to their paint, and Georgina Arroyo from Venice, California, creates molds out of high-heeled shoes.<\/p>\n<p>Want to take part? Check out our\u00a0submission guidelines\u00a0and share a bit about your studio with us through\u00a0this form! All mediums and workspaces are welcome, including your home studio.<\/p>\n<hr>\n<h2 id=\"icymi\">ICYMI<\/h2>\n<figure class=\"kg-card kg-image-card kg-card-hascaption\"><img decoding=\"async\" src=\"https:\/\/hyperallergic.com\/content\/images\/2026\/03\/image-81-1.png\" class=\"kg-image\" alt loading=\"lazy\" width=\"2000\" height=\"1125\"><figcaption><span>Installation view of <\/span><i><em class=\"italic\">Frida and Diego: The Last Dream<\/em><\/i><span> (\u00a9 The Museum of Modern Art, New York; photo Jonathan Dorado, courtesy The Museum of Modern Art, New York)<\/span><\/figcaption><\/figure>\n<h3 id=\"frida-mania-hits-moma\">Frida-Mania Hits MoMA<\/h3>\n<p>A collaboration with the Metropolitan Opera\u2019s costume designer, this exhibition is an irresistible marketing opportunity at best. | N\u00e9stor David Pastor L\u00f3pez<\/p>\n<hr>\n<ul class=\"post-tags\">\n<li>\n                        Daily Newsletter\n                      <\/li>\n<li>\n                        Newsletter\n                      <\/li>\n<\/ul>\n<\/section>\n<\/article>\n<section class=\"gh-content gh-canvas is-body\">\n<p><em>Raphael: Sublime Poetry <\/em>at the Metropolitan Museum of Art is by far the biggest blockbuster of the season here in New York. It&#8217;s also the first comprehensive exhibition on Raphael in the United States, bringing into one place more than 170 of his greatest masterpieces, including hits like &#8220;Portrait of Baldassare Castiglione&#8221; (c. 1514\u20131515) and &#8220;The Alba Madonna&#8221; (c. 1510), alongside a trove of sketches and studies. Today we speak with the woman behind the show, longtime curator Carmen C. Bambach, to get a glimpse into the making of this exceptional exhibition. <\/p>\n<p>Also in this edition: a tour through a Robert Therrien exhibition at The Broad in Los Angeles, the artist collective that fights against nuclear armament, A View From the Easel, and two new documentaries offering tips on how to save ourselves from AI.   <\/p>\n<p><em>\u2014Hakim Bishara, editor-in-chief <\/em><\/p>\n<hr>\n<figure class=\"kg-card kg-image-card kg-card-hascaption\"><img decoding=\"async\" src=\"https:\/\/hyperallergic.com\/content\/images\/2026\/03\/DSC09094--1-.jpeg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><figcaption><span>Detail of Raphael, \u201cSaint Sebastian in Half Length\u201d (c. 1502\u20133), tempera grassa and oil, with gold highlights, on wood (photo Hrag Vartanian\/<\/span><i><em class=\"italic\">Hyperallergic<\/em><\/i><span>)<\/span><\/figcaption><\/figure>\n<h3 id=\"inside-the-met-museum%E2%80%99s-historic-raphael-exhibition\">Inside the Met Museum\u2019s Historic Raphael Exhibition<\/h3>\n<p>\u201cAsking for Raphael loans is like asking for the firstborn heir of the royal family,\u201d Carmen C. Bambach, curator of the first comprehensive show of the master in the US, told <em>Hyperallergic<\/em>.<\/p>\n<hr>\n<div class=\"kg-card kg-cta-card kg-cta-bg-white kg-cta-immersive  kg-cta-has-img  \" data-layout=\"immersive\">\n<div class=\"kg-cta-sponsor-label-wrapper\">\n<div class=\"kg-cta-sponsor-label\"><span>SPONSORED<\/span><\/div>\n<\/div>\n<div class=\"kg-cta-content\">\n<div class=\"kg-cta-image-container\"><img decoding=\"async\" src=\"https:\/\/hyperallergic.com\/content\/images\/2026\/03\/Helis-PCSE-Biennale-hyperallergic-graphic-1200x628-1.jpg\" alt=\"CTA Image\" data-image-dimensions=\"1200x628\"><\/div>\n<div class=\"kg-cta-content-inner\">\n<div class=\"kg-cta-text\">\n<p><b><strong>Former Poydras Corridor Sculpture Exhibition Artists are Biennale-Bound<\/strong><\/b><\/p>\n<p><span>The Poydras Corridor Sculpture Exhibition (PCSE), presented by The Helis Foundation, is proud to congratulate former artists Dawn DeDeaux and Kennedy Yanko on their selection for the 61st International Art Exhibition of La Biennale di Venezia. Click below and learn more about PCSE, The Helis Foundation, and its mission.<\/span><\/p>\n<\/div>\n<p>                            Learn more<\/p><\/div>\n<\/div>\n<\/div>\n<hr>\n<h2 id=\"news\">News<\/h2>\n<figure class=\"kg-card kg-image-card kg-card-hascaption\"><img decoding=\"async\" src=\"https:\/\/hyperallergic.com\/content\/images\/2026\/03\/GettyImages-1237364901-1.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><figcaption><span>General view of the Natural History Museum in London, England, which holds 11,856 non-European human remains (photo by Dan Kitwood\/Getty Images)<\/span><\/figcaption><\/figure>\n<ul>\n<li>Museums and institutions in the United Kingdom hold more than 263,000 items of human remains, according to a recent investigation by the <em>Guardian<\/em>.<\/li>\n<li>Marica Vilcek, a champion of immigrant artists and scientists, has died at the age of 89.\u00a0<\/li>\n<\/ul>\n<hr>\n<h2 id=\"a-closer-look\">A Closer Look <\/h2>\n<figure class=\"kg-card kg-image-card kg-card-hascaption\"><img decoding=\"async\" src=\"https:\/\/hyperallergic.com\/content\/images\/2026\/03\/image-80-1.png\" class=\"kg-image\" alt loading=\"lazy\" width=\"2000\" height=\"1125\"><figcaption><span>Robert Therrien, \u201cUnder the Table\u201d (1994) (photos Matt Stromberg\/<\/span><i><em class=\"italic\">Hyperallergic<\/em><\/i><span>)<\/span><\/figcaption><\/figure>\n<h3 id=\"taking-a-seat-at-robert-therrien%E2%80%99s-table\">Taking a Seat at Robert Therrien\u2019s Table<\/h3>\n<p>The Broad invites us into the late artist\u2019s obsessively iterative practice, where oversized tables and chairs give way to more elusive, personal forms. | Matt Stromberg <\/p>\n<hr>\n<h2 id=\"from-our-critics\">From Our Critics <\/h2>\n<figure class=\"kg-card kg-image-card kg-card-hascaption\"><img decoding=\"async\" src=\"https:\/\/hyperallergic.com\/content\/images\/2026\/03\/11_Atomic-Dragons---Install-view-slavick-still-1.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><figcaption><span>Still from elin o\u2019Hara slavick (with Madeline Richardson), \u201cHolding History in Our Hand\u201d (2024), video (photo Christopher Wormald, courtesy Pitzer College Art Galleries)<\/span><\/figcaption><\/figure>\n<h3 id=\"how-photography-helped-build-the-atomic-bomb\">How Photography Helped Build the Atomic Bomb<\/h3>\n<p>A group of intergenerational artists, collectively known as Slow War Against the Nuclear State, investigates the afterlife of nuclear politics in a haunting, timely exhibition. | Austen Villacis<\/p>\n<h3 id=\"how-to-survive-ai\">How to Survive AI<\/h3>\n<p>The documentaries \u201cGhost in the Machine\u201d and \u201cThe AI Doc\u201d both end in calls to action, but arrive there in different ways. | Kathy Ou<\/p>\n<hr>\n<h2 id=\"member-comment\">Member Comment<\/h2>\n<p>Souhad Rafey on John Yau&#8217;s &#8220;Why I Wanted to Meet Thaddeus Mosley&#8221;:<\/p>\n<div class=\"kg-card kg-callout-card kg-callout-card-yellow\">\n<div class=\"kg-callout-text\">I was grateful to hear Thaddeus Mosley in conversation with\u00a0Jen\u00e9e Daria Strand\u00a0five months ago, at Cooper Union. What an inspiration he was, &#8220;touching the earth&#8221; in immeasurable ways.<\/div>\n<\/div>\n<hr>\n<h2 id=\"a-view-from-the-easel\">A View From the Easel<\/h2>\n<figure class=\"kg-card kg-image-card kg-card-hascaption\"><img decoding=\"async\" src=\"https:\/\/hyperallergic.com\/content\/images\/2026\/03\/studio-shot-wide-angle---Linda-Jacobson-1.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><figcaption><span>Linda Jacobson\u2019s studio in Venice, California (courtesy the artist)<\/span><\/figcaption><\/figure>\n<p>In this edition, artist Linda Jacobson from Westchester, New York, listens to their paint, and Georgina Arroyo from Venice, California, creates molds out of high-heeled shoes.<\/p>\n<p>Want to take part? Check out our\u00a0submission guidelines\u00a0and share a bit about your studio with us through\u00a0this form! All mediums and workspaces are welcome, including your home studio.<\/p>\n<hr>\n<h2 id=\"icymi\">ICYMI<\/h2>\n<figure class=\"kg-card kg-image-card kg-card-hascaption\"><img decoding=\"async\" src=\"https:\/\/hyperallergic.com\/content\/images\/2026\/03\/image-81-1.png\" class=\"kg-image\" alt loading=\"lazy\" width=\"2000\" height=\"1125\"><figcaption><span>Installation view of <\/span><i><em class=\"italic\">Frida and Diego: The Last Dream<\/em><\/i><span> (\u00a9 The Museum of Modern Art, New York; photo Jonathan Dorado, courtesy The Museum of Modern Art, New York)<\/span><\/figcaption><\/figure>\n<h3 id=\"frida-mania-hits-moma\">Frida-Mania Hits MoMA<\/h3>\n<p>A collaboration with the Metropolitan Opera\u2019s costume designer, this exhibition is an irresistible marketing opportunity at best. | N\u00e9stor David Pastor L\u00f3pez<\/p>\n<hr>\n<ul class=\"post-tags\">\n<li>\n                        Daily Newsletter\n                      <\/li>\n<li>\n                        Newsletter\n                      <\/li>\n<\/ul>\n<\/section>\n<article class=\"gh-card post\">\n<figure class=\"gh-card-image\"><img decoding=\"async\" src=\"https:\/\/hyperallergic.com\/content\/images\/size\/w600\/2026\/03\/033125_FineArtsBFAPaintingThesisExhibition_MP-22.jpg\" alt=\"Mondays at Pratt Institute: Weekly Openings of Work by Graduating Artists\" loading=\"lazy\"><\/figure>\n<div class=\"gh-card-wrapper\">\n<h3 class=\"gh-card-title is-title\">Mondays at Pratt Institute: Weekly Openings of Work by Graduating Artists<\/h3>\n<p class=\"gh-card-excerpt is-body\">Free and open to the public, Pratt Shows celebrate the school\u2019s graduating students. MFA and BFA work is on view this spring in Brooklyn, New York.<\/p>\n<footer class=\"gh-card-meta\"><span class=\"gh-card-author\">Pratt Institute<\/span><\/footer>\n<\/div>\n<\/article>\n<article class=\"gh-card post\">\n<figure class=\"gh-card-image\"><img decoding=\"async\" src=\"https:\/\/hyperallergic.com\/content\/images\/size\/w600\/2026\/03\/roselynnsstudiohyperallergic-1-.JPG\" alt=\"NYU Steinhardt Presents 2026 MFA Thesis Exhibitions\" loading=\"lazy\"><\/figure>\n<div class=\"gh-card-wrapper\">\n<h3 class=\"gh-card-title is-title\">NYU Steinhardt Presents 2026 MFA Thesis Exhibitions<\/h3>\n<p class=\"gh-card-excerpt is-body\">Part I: April 1\u201318, Part II: May 6\u201323. On view at 80WSE Gallery in New York\u2019s Greenwich Village. <\/p>\n<footer class=\"gh-card-meta\"><span class=\"gh-card-author\">NYU Steinhardt<\/span><\/footer>\n<\/div>\n<\/article>\n<article class=\"gh-card post\">\n<figure class=\"gh-card-image\"><img decoding=\"async\" src=\"https:\/\/hyperallergic.com\/content\/images\/size\/w600\/2026\/03\/RajniPereraandMarigoldSantosEfflorescenceTheWayWeWake2023.Courtesytheartists.PhotoMACLyon-3-.jpg\" alt=\"Take Your Practice Further in a Visual Arts Residency at Banff Centre\" loading=\"lazy\"><\/figure>\n<div class=\"gh-card-wrapper\">\n<h3 class=\"gh-card-title is-title\">Take Your Practice Further in a Visual Arts Residency at Banff Centre<\/h3>\n<p class=\"gh-card-excerpt is-body\">Engage with leading contemporary faculty, access exceptional studios, and develop your practice in Banff\u2019s inspiring mountain setting.  <\/p>\n<footer class=\"gh-card-meta\"><span class=\"gh-card-author\">Banff Centre for Arts and Creativity<\/span><\/footer>\n<\/div>\n<\/article>\n<article class=\"gh-card post\">\n<figure class=\"gh-card-image\"><img decoding=\"async\" src=\"https:\/\/hyperallergic.com\/content\/images\/size\/w600\/2026\/03\/5.png\" alt=\"Vilcek Foundation to Award $200,000 in Grants to Nonprofits Uplifting Immigrant Contributions\" loading=\"lazy\"><\/figure>\n<div class=\"gh-card-wrapper\">\n<h3 class=\"gh-card-title is-title\">Vilcek Foundation to Award $200,000 in Grants to Nonprofits Uplifting Immigrant Contributions<\/h3>\n<p class=\"gh-card-excerpt is-body\">The foundation invites grant applications from mission-aligned nonprofit organizations in the arts and sciences by April 30, 2026.<\/p>\n<footer class=\"gh-card-meta\"><span class=\"gh-card-author\">The Vilcek Foundation<\/span><\/footer>\n<\/div>\n<\/article>\n<p>[analyse_source url=&#8221;https:\/\/hyperallergic.com\/talking-raphael\/&#8221;]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;&#8221;] Daily Newsletter Talking Raphael One-on-one with the curator of a historic Raphael exhibition at The Met, Robert Therrien&#8217;s oversized furniture, artists against nuclear weapons, and how to save yourself from AI. Hyperallergic March 30, 2026\u2014 4 min read Raphael: Sublime Poetry at the Metropolitan Museum of Art is by far the biggest [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[226,69],"class_list":["post-1859777","post","type-post","status-publish","format-standard","hentry","category-politics","tag-crawlmanager","tag-hyperallergic-com"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1859777","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1859777"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1859777\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1859777"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1859777"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1859777"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}