{"id":1857838,"date":"2026-03-31T21:36:02","date_gmt":"2026-03-31T18:36:02","guid":{"rendered":"https:\/\/analyse.optim.biz\/?p=1857838"},"modified":"2026-03-31T21:36:02","modified_gmt":"2026-03-31T18:36:02","slug":"the-backrooms-trailer-combines-creepypasta-dread-and-a24-prestige-horror","status":"publish","type":"post","link":"https:\/\/analyse.optim.biz\/?p=1857838","title":{"rendered":"The Backrooms trailer combines creepypasta dread and A24 prestige horror"},"content":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;https:\/\/s.yimg.com\/ny\/api\/res\/1.2\/QyWvFQdOf3ReVk7hdilqPQ&#8211;\/YXBwaWQ9aGlnaGxhbmRlcjt3PTEyMDA7aD02NzU-\/https:\/\/d29szjachogqwa.cloudfront.net\/images\/user-uploaded\/backrooms___official_trailer_hd_3991.jpg&#8221;]<\/p>\n<article id=\"article-82f8a31b-166c-4bda-9670-c4ed030369de\">\n<div>\n<div class=\"mx-auto flex flex-row justify-between md:px-10 md:max-w-[1220px]\">\n<div class=\"min-w-0 flex-1 self-start\" data-i13n-boundary=\"true\">\n<div>\n<div>\n<nav class=\"relative mx-4 mb-4 border-b pb-4 md:mx-0 md:mb-6 md:max-w-[750px] md:pb-6\" aria-label=\"breadcrumbs\">\n<ol class=\"no-scrollbar overflow-scroll whitespace-nowrap text-battleship\">\n<li class=\"inline\">\n<li class=\"inline-block cursor-default last:pr-10 md:last:pr-20 font-bold\">Entertainment<\/li>\n<li class=\"inline-block cursor-default last:pr-10 md:last:pr-20 ml-2 before:mb-0.5 before:mr-3 before:inline-block before:size-2 before:rotate-45 before:border-r-2 before:border-t-2 before:border-battleship\">TV &amp; movies<\/li>\n<\/ol>\n<\/nav>\n<header class=\"mb-4 px-4 md:mb-6 md:max-w-[750px] md:px-0\">\n<h1 class=\"layout-h1 my-2 font-bold leading-tight\">The Backrooms trailer combines creepypasta dread and A24 prestige horror<\/h1>\n<h2 class=\"rightrail-h2-subheadline my-2 text-[18px] font-light leading-5 md:text-[20px]\/[28px]\">And it&#8217;s carrying some serious star power, thanks to Chiwetel Ejiofor.<\/h2>\n<div class=\"flex-col items-start lg:flex lg:flex-row lg:items-center lg:justify-between mt-6\">\n<div class=\"relative md:mr-[10px]\">\n<div class=\"flex items-center\">\n<div class=\"flex mr-2\">\n<div class=\"shrink-0 cursor-pointer inline-block size-[42px]\"><img decoding=\"async\" alt role=\"img\" loading=\"lazy\" class=\"size-full rounded-full object-cover object-center shadow-[0_0_0_2px_#ffffff]\" src=\"https:\/\/s.yimg.com\/ny\/api\/res\/1.2\/pm9NNYx6s2hTLTQZ6v82Dw--\/YXBwaWQ9aGlnaGxhbmRlcjt3PTgwO2g9ODA-\/https:\/\/s.yimg.com\/os\/creatr-uploaded-images\/2024-01\/7bf86900-aa5a-11ee-af37-00cf16fbdc05\"><\/div>\n<\/div>\n<div class=\"inline-block\">\n<div class=\"w-max text-[0.875rem]\/[1.25rem] font-semibold flex items-center\">\n<div class=\"flex flex-col\">\n<div class=\"flex w-max items-center\">Devindra Hardawar<\/div>\n<p><span class=\"font-normal sm:before:inline-block\">Senior Editor<\/span><\/div>\n<\/div>\n<div class=\"text-[0.75rem] text-dolphin dark:text-shark md:text-[0.875rem]\/[1.25rem] lg:pt-[5px]\">\n<div class=\"inline-block\"><time datetime=\"2026-03-31T21:36:02.000Z\">Tue, March 31, 2026 at 9:36 PM UTC<\/time><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"ml-0 mt-4 flex items-center lg:ml-3 lg:mt-0\">\n<div class=\"ml-0 mr-2\">\n<div class=\"relative flex\">Add Engadget on Google<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/header>\n<div class=\"mx-4 md:mx-0\">\n<div class=\"grid grid-cols-[[fullbleed-start_body-start]_minmax(auto,750px)_[body-end_fullbleed-end]]\">\n<figure class=\"relative col-body mb-4\">\n<div class=\"relative overflow-hidden fig-image-round \"><img decoding=\"async\" alt class=\"object-cover object-center\" src=\"https:\/\/s.yimg.com\/ny\/api\/res\/1.2\/0ymdLCY4XinYzDs41zgh3g--\/YXBwaWQ9aGlnaGxhbmRlcjt3PTEyNDI7aD02OTk-\/https:\/\/s.yimg.com\/uu\/api\/res\/1.2\/kGL2i0g4SHw4FE8rfD5ALQ--~B\/aD0xMDgwO3c9MTkyMDthcHBpZD15dGFjaHlvbg--\/https:\/\/d29szjachogqwa.cloudfront.net\/images\/user-uploaded\/backrooms___official_trailer_hd_3991.jpg\"><\/div><figcaption class=\"relative text-[0.875rem]\/[1.25rem] figure-caption mt-1 line-clamp-2 mt-2.5 md:mt-2 pr-2.5\">\n<div><span class=\"[&amp;_p]:inline\">Chiwetel Ejiofor in The Backrooms.<\/span><span> (A24)<\/span><\/div>\n<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<div class=\"grid grid-cols-article-mobile md:max-w-[750px] md:grid-cols-article\" data-article-body=\"true\">\n<p class=\"col-body mb-4 leading-7 text-[18px] md:leading-8 break-words min-w-0 charcoal-color\">Against all odds, A24\u2019s adaptation of <em>The Backrooms<\/em> actually looks like a proper elevated horror movie. Hell, it\u2019s even got Oscar winner Chiwetel Ejiofor (<em>12 Years a Slave, Serenity<\/em>) and Cannes favorite Renate Reinsve (<em>Sentimental Value<\/em>) onboard. Judging from the film\u2019s fist trailer, which combines <em>The Backrooms<\/em> creepypasta-born dread around liminal spaces, and A24\u2019s slick horror aesthetic, you couldn\u2019t tell that its director can\u2019t even legally drink in the US yet. Yes folks, Kane Parsons is just 20.<\/p>\n<p class=\"col-body mb-4 leading-7 text-[18px] md:leading-8 break-words min-w-0 charcoal-color\">Parsons, AKA Kane Pixels, made a splash four years ago with his original Backrooms shorts, the first of which has amassed over 73 million views on YouTube. Those were relatively simple episodes created in Blender, but they did an admirable job of feeling genuinely creepy. Parsons has also dabbled in live action horror shorts with his series <em>The Oldest Room<\/em>.<\/p>\n<p class=\"col-body mb-4 leading-7 text-[18px] md:leading-8 break-words min-w-0 charcoal-color\">While Parsons certainly has a ton of internet clout behind him, he also has a strong eye for slow-burn horror. This trailer alone is making me feel uneasy about heading into my dimly lit basement office. He also won\u2019t be the first internet creator to reach cinemas this year. Markiplier\u2019s adaptation of the indie game <em>Iron Lung <\/em>was particularly notable, since he funded both the production and theatrical distribution on his own.<\/p>\n<div class=\"col-fullbleed mb-4 bg-marshmallow pb-5 dark:bg-ramones md:invisible md:mb-0 md:h-0 md:overflow-hidden md:pb-0\">\n<div class=\"py-2 text-center text-xs uppercase\">Advertisement<\/div>\n<div class=\"flex w-full flex-nowrap justify-center\">\n<div class=\"flex\" id=\"_R_dgb7b4ilfaiv5tilbH1_\">\n<div class=\"flex size-full items-center justify-center bg-marshmallow text-center leading-3\">Advertisement<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"col-body mb-4 hidden pb-5 dark:bg-ramones md:block\">\n<div class=\"flex w-full flex-nowrap justify-center\">\n<div class=\"flex\" id=\"_R_lgb7b4ilfaiv5tilbH1_\">\n<div class=\"flex size-full items-center justify-center bg-marshmallow text-center leading-3\">Advertisement<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p class=\"col-body mb-4 leading-7 text-[18px] md:leading-8 break-words min-w-0 charcoal-color\"><em>The Backrooms<\/em> joins Genki Kawamura\u2019s adaptation of the game <em>Exit 8<\/em> as another new horror film about spooky liminal spaces. It\u2019ll be interesting to see how the two compare. The former started as 4chan stories and images around eerily empty buildings, while the latter was a game where you slowly walked through a repetitive Tokyo subway. There\u2019s more room for Parsons to turn <em>The Backrooms <\/em>into a narrative of his own, whereas <em>Exit 8<\/em> is somewhat restricted by the original game.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<aside class=\"hidden flex-none md:block ml-8\">\n<div class=\"flex size-full flex-col flex-nowrap\">\n<div class=\"flex-auto\">\n<div class=\"sticky flex flex-none\">\n<div class=\"flex\" id=\"_R_sj7b4ilfaiv5tilbH1_\">\n<div class=\"flex size-full items-center justify-center bg-marshmallow text-center leading-3\">Advertisement<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/aside>\n<\/div>\n<\/div>\n<div class=\"mx-auto md:px-10 md:max-w-[1220px]\">\n<div class=\"grid grid-cols-article-mobile md:max-w-[750px] md:grid-cols-article\">\n<div class=\"no-scrollbar col-body mx-4 mb-8 mt-2.5 overflow-x-scroll whitespace-nowrap md:mx-0 md:max-w-[750px] md:overflow-x-visible\">\n<div class=\"mx-auto max-w-screen-sm\">\n<ul class=\"inline-flex text-xs md:text-sm\">\n<li class=\"mr-6\">About our ads<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<div class=\"grid grid-cols-article-mobile md:max-w-[750px] md:grid-cols-article\" data-article-body=\"true\">\n<p class=\"col-body mb-4 leading-7 text-[18px] md:leading-8 break-words min-w-0 charcoal-color\">Against all odds, A24\u2019s adaptation of <em>The Backrooms<\/em> actually looks like a proper elevated horror movie. Hell, it\u2019s even got Oscar winner Chiwetel Ejiofor (<em>12 Years a Slave, Serenity<\/em>) and Cannes favorite Renate Reinsve (<em>Sentimental Value<\/em>) onboard. Judging from the film\u2019s fist trailer, which combines <em>The Backrooms<\/em> creepypasta-born dread around liminal spaces, and A24\u2019s slick horror aesthetic, you couldn\u2019t tell that its director can\u2019t even legally drink in the US yet. Yes folks, Kane Parsons is just 20.<\/p>\n<p class=\"col-body mb-4 leading-7 text-[18px] md:leading-8 break-words min-w-0 charcoal-color\">Parsons, AKA Kane Pixels, made a splash four years ago with his original Backrooms shorts, the first of which has amassed over 73 million views on YouTube. Those were relatively simple episodes created in Blender, but they did an admirable job of feeling genuinely creepy. Parsons has also dabbled in live action horror shorts with his series <em>The Oldest Room<\/em>.<\/p>\n<p class=\"col-body mb-4 leading-7 text-[18px] md:leading-8 break-words min-w-0 charcoal-color\">While Parsons certainly has a ton of internet clout behind him, he also has a strong eye for slow-burn horror. This trailer alone is making me feel uneasy about heading into my dimly lit basement office. He also won\u2019t be the first internet creator to reach cinemas this year. Markiplier\u2019s adaptation of the indie game <em>Iron Lung <\/em>was particularly notable, since he funded both the production and theatrical distribution on his own.<\/p>\n<div class=\"col-fullbleed mb-4 bg-marshmallow pb-5 dark:bg-ramones md:invisible md:mb-0 md:h-0 md:overflow-hidden md:pb-0\">\n<div class=\"py-2 text-center text-xs uppercase\">Advertisement<\/div>\n<div class=\"flex w-full flex-nowrap justify-center\">\n<div class=\"flex\" id=\"_R_dgb7b4ilfaiv5tilbH1_\">\n<div class=\"flex size-full items-center justify-center bg-marshmallow text-center leading-3\">Advertisement<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"col-body mb-4 hidden pb-5 dark:bg-ramones md:block\">\n<div class=\"flex w-full flex-nowrap justify-center\">\n<div class=\"flex\" id=\"_R_lgb7b4ilfaiv5tilbH1_\">\n<div class=\"flex size-full items-center justify-center bg-marshmallow text-center leading-3\">Advertisement<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p class=\"col-body mb-4 leading-7 text-[18px] md:leading-8 break-words min-w-0 charcoal-color\"><em>The Backrooms<\/em> joins Genki Kawamura\u2019s adaptation of the game <em>Exit 8<\/em> as another new horror film about spooky liminal spaces. It\u2019ll be interesting to see how the two compare. The former started as 4chan stories and images around eerily empty buildings, while the latter was a game where you slowly walked through a repetitive Tokyo subway. There\u2019s more room for Parsons to turn <em>The Backrooms <\/em>into a narrative of his own, whereas <em>Exit 8<\/em> is somewhat restricted by the original game.<\/p>\n<\/div>\n<p>[analyse_source url=&#8221;https:\/\/www.engadget.com\/entertainment\/tv-movies\/the-backrooms-trailer-combines-creepypasta-dread-and-a24-prestige-horror-213602238.html&#8221;]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;https:\/\/s.yimg.com\/ny\/api\/res\/1.2\/QyWvFQdOf3ReVk7hdilqPQ&#8211;\/YXBwaWQ9aGlnaGxhbmRlcjt3PTEyMDA7aD02NzU-\/https:\/\/d29szjachogqwa.cloudfront.net\/images\/user-uploaded\/backrooms___official_trailer_hd_3991.jpg&#8221;] Entertainment TV &amp; movies The Backrooms trailer combines creepypasta dread and A24 prestige horror And it&#8217;s carrying some serious star power, thanks to Chiwetel Ejiofor. Devindra Hardawar Senior Editor Tue, March 31, 2026 at 9:36 PM UTC Add Engadget on Google Chiwetel Ejiofor in The Backrooms. (A24) Against all odds, A24\u2019s adaptation [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[226,63],"class_list":["post-1857838","post","type-post","status-publish","format-standard","hentry","category-politics","tag-crawlmanager","tag-engadget-com"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1857838","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1857838"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1857838\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1857838"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1857838"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1857838"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}