{"id":1855300,"date":"2026-03-30T10:02:00","date_gmt":"2026-03-30T07:02:00","guid":{"rendered":"https:\/\/analyse.optim.biz\/?p=1855300"},"modified":"2026-03-30T10:02:00","modified_gmt":"2026-03-30T07:02:00","slug":"these-photos-capture-the-beauty-and-rage-of-las-girl-mosh-scene","status":"publish","type":"post","link":"https:\/\/analyse.optim.biz\/?p=1855300","title":{"rendered":"These photos capture the beauty and rage of LA\u2019s girl mosh scene"},"content":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;https:\/\/images-prod.dazeddigital.com\/1200\/0-300-2400-1600\/azure\/dazed-prod\/1440\/2\/1442694.jpeg&#8221;]<\/p>\n<article class=\"main-article standard \">\n<div class=\"article-main-content article-wrapper has-media-but-its-an-image\" data-status=\"loaded\" data-primary-article=\"true\" data-url=\"\/beauty\/article\/70006\/1\/pitkisser-mollie-mills-los-angeles-mosh-scene-daisy-zhou\" data-article-id=\"70006\">\n<header class=\"article-header has-portrait-image no-media\">\n<div class=\"wrapper dg-max-width\">\n<div class=\"inner\">\n<figure class=\"main-img has-figcaption\" data-img-aspect-ratio-type=\"portrait\" data-img-aspect-ratio=\"0.8\" data-template=\"Standard Article\"><span class=\"has-css-custom-props image-container\" data-aspect-ratio-type=\"portrait\"><span class=\"preserve-aspect-ratio\"><img loading=\"lazy\" decoding=\"async\" alt=\"9E8A6545\" class=\"img\" height=\"3000\" src=\"https:\/\/images-prod.dazeddigital.com\/1280\/azure\/dazed-prod\/1440\/2\/1442694.jpeg\" width=\"2400\"><\/span><\/span><figcaption class=\"img-caption\"><span class=\"inner\"><span class=\"credit\">Photography Daisy Zhou<\/span><\/span><\/figcaption><\/figure>\n<aside class=\"meta\">\n<div class=\"inner\"><time datetime=\"2026-03-30T10:02:00+00:00\" class=\"timestamp\" title=\"30 March 2026\"><span class=\"month\">March<\/span>\u00a0<br \/>\n<span class=\"day\" data-day=\"30\">30,<\/span>\u00a0<br \/>\n<span class=\"year\">2026<\/span><\/time><\/div>\n<\/aside>\n<div class=\"titles\">\n<div class=\"tags\">\n<div class=\"sections\"><a class=\"category vertical - beauty\" href=\"https:\/\/www.dazeddigital.com\/beauty\">Beauty<\/a><br \/>\n\/<br \/>\n<a class=\"series\" href=\"https:\/\/www.dazeddigital.com\/q-and-a\">Q+A<\/a><\/div>\n<\/div>\n<div class=\"standard-tag-container\"><a class=\"standard-category\" href=\"https:\/\/www.dazeddigital.com\/beauty\">Beauty<\/a> \/<br \/>\n<a class=\"standard-series\" href=\"https:\/\/www.dazeddigital.com\/q-and-a\">Q+A<\/a><\/div>\n<h1 class=\"title\"><span>These photos capture the beauty and rage of LA\u2019s girl <span class=\"nowrap\">mosh scene<\/span><\/span><\/h1>\n<div class=\"standfirst\">\n<h2>Back tattoos, box dyes and baby bangs: Mollie Mills\u2019 PITKISSER takes us into the heart of the pit \u2013 and tells us why women need a space to <span class=\"nowrap\">fight back<\/span><\/h2>\n<\/div>\n<p><time datetime=\"2026-03-30T10:02:00+00:00\" class=\"timestamp\" title=\"30 March 2026\"><span class=\"month\">March<\/span>\u00a0<br \/>\n<span class=\"day\" data-day=\"30\">30,<\/span>\u00a0<br \/>\n<span class=\"year\">2026<\/span><\/time><\/div>\n<\/div>\n<p><time datetime=\"2026-03-30T10:02:00+00:00\" class=\"timestamp\" title=\"30 March 2026\"><span class=\"month\">March<\/span>\u00a0<br \/>\n<span class=\"day\" data-day=\"30\">30,<\/span>\u00a0<br \/>\n<span class=\"year\">2026<\/span><\/time><\/p>\n<div class=\"providers\">\n<div class=\"contributors\"><span class=\"contributor\" data-contributor-role=\"Text\"><span class=\"contributor-role\">Text<\/span><a class=\"contributor-name\" href=\"https:\/\/www.dazeddigital.com\/user\/TiarnaMeehan\">Tiarna<\/a><\/span><\/div>\n<\/div>\n<\/div>\n<\/header>\n<div class=\"article-body-container\">\n<div class=\"article-body wrapper\">\n<div class=\"dazed-gallery has-14-images \">\n<div class=\"inner\">\n<header>\n<div class=\"info\"><span class=\"heading\">PITKISSER<\/span><\/div>\n<\/header>\n<div class=\"gallery\">\n<div class=\"gallery-thumbs\">\n<div class=\"gallery-thumb\"><a href=\"https:\/\/www.dazeddigital.com\/beauty\/gallery\/36900\/0\/pitkisser\"><span class=\"has-css-custom-props image-container\" data-aspect-ratio-type=\"landscape\"><span class=\"preserve-aspect-ratio\"><img loading=\"lazy\" decoding=\"async\" alt=\"9E8A6545\" class=\"img\" height=\"1600\" src=\"https:\/\/images-prod.dazeddigital.com\/320\/0-300-2400-1600\/azure\/dazed-prod\/1440\/2\/1442694.jpeg\" width=\"2400\"><\/span><\/span><\/a><\/div>\n<div class=\"gallery-thumb\"><a href=\"https:\/\/www.dazeddigital.com\/beauty\/gallery\/36900\/1\/pitkisser\"><span class=\"has-css-custom-props image-container\" data-aspect-ratio-type=\"landscape\"><span class=\"preserve-aspect-ratio\"><img loading=\"lazy\" decoding=\"async\" alt=\"IMG_0681\" class=\"img\" height=\"1600\" src=\"https:\/\/images-prod.dazeddigital.com\/320\/0-450-2400-1600\/azure\/dazed-prod\/1440\/2\/1442695.jpeg\" width=\"2400\"><\/span><\/span><\/a><\/div>\n<div class=\"gallery-thumb\"><a href=\"https:\/\/www.dazeddigital.com\/beauty\/gallery\/36900\/2\/pitkisser\"><span class=\"has-css-custom-props image-container\" data-aspect-ratio-type=\"landscape\"><span class=\"preserve-aspect-ratio\"><img loading=\"lazy\" decoding=\"async\" alt=\"IMG_2847\" class=\"img\" height=\"1600\" src=\"https:\/\/images-prod.dazeddigital.com\/320\/0-1163-2400-1600\/azure\/dazed-prod\/1440\/2\/1442696.jpeg\" width=\"2400\"><\/span><\/span><\/a><\/div>\n<div class=\"gallery-thumb\"><a href=\"https:\/\/www.dazeddigital.com\/beauty\/gallery\/36900\/3\/pitkisser\"><span class=\"has-css-custom-props image-container\" data-aspect-ratio-type=\"landscape\"><span class=\"preserve-aspect-ratio\"><img loading=\"lazy\" decoding=\"async\" alt=\"IMG_2845\" class=\"img\" height=\"1600\" src=\"https:\/\/images-prod.dazeddigital.com\/320\/0-660-2400-1600\/azure\/dazed-prod\/1440\/2\/1442697.jpeg\" width=\"2400\"><\/span><\/span><\/a><\/div>\n<div class=\"gallery-thumb\"><a href=\"https:\/\/www.dazeddigital.com\/beauty\/gallery\/36900\/4\/pitkisser\"><span class=\"has-css-custom-props image-container\" data-aspect-ratio-type=\"landscape\"><span class=\"preserve-aspect-ratio\"><img loading=\"lazy\" decoding=\"async\" alt=\"IMG_2842\" class=\"img\" height=\"1600\" src=\"https:\/\/images-prod.dazeddigital.com\/320\/0-563-2400-1600\/azure\/dazed-prod\/1440\/2\/1442722.jpeg\" width=\"2400\"><\/span><\/span><\/a><\/div>\n<div class=\"gallery-thumb\"><a href=\"https:\/\/www.dazeddigital.com\/beauty\/gallery\/36900\/5\/pitkisser\"><span class=\"has-css-custom-props image-container\" data-aspect-ratio-type=\"landscape\"><span class=\"preserve-aspect-ratio\"><img loading=\"lazy\" decoding=\"async\" alt=\"IMG_2853\" class=\"img\" height=\"2000\" src=\"https:\/\/images-prod.dazeddigital.com\/320\/0-0-3000-2000\/azure\/dazed-prod\/1440\/2\/1442700.jpeg\" width=\"3000\"><\/span><\/span><\/a><\/div>\n<\/div>\n<\/div>\n<div class=\"gallery-footer\">Gallery \/ 14 images<\/div>\n<\/div>\n<\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p><span>In 2017, filmmaker and photographer <a href=\"https:\/\/www.instagram.com\/molliemills\/\">Mollie Mills<\/a> encountered <a href=\"https:\/\/www.instagram.com\/rukahuera\/\">Syerrah Escobedo<\/a>, a cashier in a pet store clad in latex and liberty spikes. Struck by her defiant, self-fashioned beauty, Mills found the seed for <em data-start=\"310\" data-end=\"321\">PITKISSER<\/em> \u2013 a two-channel film installation and photobook tracing Los Angeles\u2019 \u2018girl mosh\u2019 subculture.<\/span><\/p>\n<p><span>While the project itself was shot over just two days by cinematographer <a href=\"https:\/\/www.instagram.com\/daysezo\/\">Daisy Zhou<\/a>, it took years to fully take shape. \u201cMy understanding of what we were making at the time feels completely different to what it is now,\u201d says Mills. Built over time, the work became tied to a wider dialogue around how girls reframe violence. \u201cWhen we began making this, we were just kids fucking around and shooting stuff about mosh pits as somatically beautiful spaces \u2013 by the time we decided to put it together into an installation, it was about why we all needed to thrash so badly; why we all needed a consensual space to rage, to fight back; why we all wore this armour every day.\u201d<\/span><\/p>\n<p><span><em>PITKISSER <\/em>follows Syerrah and Kris, two girls in search of redemption from violence as they find their place in the \u201chot lick of the pit\u201d. Moving between moody pool sides, basements and garages, the film is packed with subcultural beauty fixtures: back tattoos, baby bangs, box dyes. It\u2019s a presentation of beauty that Escobedo likens to armour: \u201cIt\u2019s war paint. It feels like armour to me. Personally, it comes from Chicana make-up from my mom, my tias. But my sharp liner, heavy lip, there\u2019s no softness about it. It\u2019s important that it\u2019s feminine, but it\u2019s not fragile.\u201d<\/span><\/p>\n<p><span>Now, as <em>PITKISSER<\/em> is released into the world, it carries a hope of lasting beyond its moment. \u201cI want some kid, somewhere, to find<em> PITKISSER <\/em>in a bookstore years from now and read it in their bedroom and think \u2018I\u2019m going to spike my hair\u2019,\u201d says Mills.<\/span><\/p>\n<p><span>Below, we speak to Mills about the project\u2019s creation.<\/span><\/p>\n<\/div>\n<figure class=\"inline-img expandable dev-view-hide\" data-img=\"4e20489b-9d2b-4dcd-8bc7-b41a00fd4b88\" data-src=\"https:\/\/images-prod.dazeddigital.com\/2000\/azure\/dazed-prod\/1440\/2\/1442702.jpeg\" data-img-aspect-ratio-type=\"portrait\" data-img-aspect-ratio=\"0.8\"><span class=\"has-css-custom-props image-container\" data-aspect-ratio-type=\"portrait\"><span class=\"preserve-aspect-ratio\"><img loading=\"lazy\" decoding=\"async\" alt=\"PITKISSER\" class=\"img\" height=\"3000\" src=\"https:\/\/images-prod.dazeddigital.com\/786\/azure\/dazed-prod\/1440\/2\/1442702.jpeg\" width=\"2400\"><\/span><\/span><figcaption class=\"img-caption\"><span class=\"credit\">Photography Daisy Zhou<\/span><\/figcaption><\/figure>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p><strong>How did the idea for <em>PITKISSER<\/em> come about?<\/strong><\/p>\n<p><strong>Mollie Mills: <\/strong><span><em>PITKISSER<\/em> was an amalgamation of time, practice, curiosity and eventually, the willingness or bravery to release a body of work that is pan-genre. And by that, I mean it took the wonder of seeing Syerrah Escobedo. But that curiosity started long before this specific serendipitous encounter \u2013 because ultimately what we\u2019re touching upon with PITKISSER is the dialogue around how girls reframe violence, which is one I\u2019ve had to have because of my own experience with violence and my own relationship to being a girl.<\/span><\/p>\n<p><strong>How does the LA girl mosh aesthetic sit alongside mainstream beauty aesthetics?<\/strong><\/p>\n<p><strong>Mollie Mills:<\/strong><span> Beauty homogeneity is all around us; wanting to look familial, an era of facsimile, how to replicate one another, illuminate, snatch or enlarge chosen attributes that have become the infinite and never-ending pop paradox of beauty. And those can be wonderful. But the standard is complex; it, of course, never accounts for us all. In a sea of pastel, it\u2019s just so regenerative to see this consideration of punk again.<\/span><\/p>\n<p><span>You could argue that all corners of beauty could be considered armour in some sense, but this corner, that we\u2019ve landed in, just feels so particularly antithetical to the mainstream because its priority is not being pretty: it\u2019s being tenacious, rigorous, tough.\u00a0<\/span><\/p>\n<\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html-embed\">\n<div>\n<div>\n \n <\/div>\n<\/div>\n<\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p><strong>Where did you find influences for the project\u2019s visual direction?<\/strong><\/p>\n<p><span><strong>Mollie Mills:<\/strong> It was incredibly instinctive. I love, and have always loved, static compositional frames in contrast with quite high-octane close movement. That\u2019s actually something I really learned from skate films in my teenage years; the idea of following an action candid and then breaking the wall with a to-camera gesture. Some of the scenes, in the motel, for example, <\/span><span>are long static compositional portraits. You have to just sit with the girls. Let them exist with you for a minute. But then it\u2019ll break into an intentionally impulsive, long-lens follow of one of the girls talking. This creates, for me, an intriguing and slightly off-the-wall surreality.<\/span><\/p>\n<p><span>Splitting the project into two channels also gives you the chance to redirect the eye constantly, turning off one channel just to amplify the other image. Most importantly, I wanted this project to feel timeless, because I felt the girls were timeless. They could have existed in any and every era. Daisy Zhou and I agreed to shoot the entire thing on one 16mm lens. That, and this aforementioned approach, gives it this very particular feeling <\/span><span>that you can\u2019t quite place when it was shot.<\/span><\/p>\n<p><strong>Do you have a particular favourite look from <em>PITKISSER<\/em>?<\/strong><\/p>\n<p><strong>Mollie Mills: <\/strong><span>Syerrah designed all the costumes \u2013 she\u2019s a power-house, and everyone <\/span><span>should hire her. Also, the liberty spikes are so special, so true to the girls, and what <\/span><span>PITKISSER embodies \u2013 a kind of\u00a0\u2018don\u2019t touch me\u2019<\/span><span>, quite literally.<\/span><\/p>\n<\/div>\n<figure class=\"inline-img expandable dev-view-hide\" data-img=\"e119fcbc-1e76-4c2e-8b0f-b41a00fd4ed0\" data-src=\"https:\/\/images-prod.dazeddigital.com\/2000\/azure\/dazed-prod\/1440\/2\/1442703.jpeg\" data-img-aspect-ratio-type=\"portrait\" data-img-aspect-ratio=\"0.8\"><span class=\"has-css-custom-props image-container\" data-aspect-ratio-type=\"portrait\"><span class=\"preserve-aspect-ratio\"><img loading=\"lazy\" decoding=\"async\" alt=\"PITKISSER\" class=\"img\" height=\"3000\" src=\"https:\/\/images-prod.dazeddigital.com\/786\/azure\/dazed-prod\/1440\/2\/1442703.jpeg\" width=\"2400\"><\/span><\/span><figcaption class=\"img-caption\"><span class=\"credit\">Photography Daisy Zhou<\/span><\/figcaption><\/figure>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p><strong>What can you tell us about the audio-visual component?<\/strong><\/p>\n<p><span><strong>Mollie Mills:<\/strong> I want to give a particular shout-out to Deaton Chris Anthony who did composition and sound design on the project. The licensed music (Miss Kittin &amp; The Hacker, Peggy Lee) is all intentionally left of field, gentler adjacent works that were playing as we were shooting together. The audio is a necessary slant of softness and euphoria against <\/span><span>some of the harder visual language. But the techno element is an important and beautiful <\/span><span>addition, because the techno-industrial scene attracts the same kids that go to punk shows. <\/span><span>Same body, different muscle, familiar physio-release.<\/span><\/p>\n<p><strong>How does the book extend the project?<\/strong><\/p>\n<p><span><strong>Mollie Mills: <\/strong>I wrote a short story on our relationship to one another and to violence. One should never underestimate how hard it is to just say, \u2018this happened to me and I want to fight back.\u2019 The film is an installation; it poses more questions than perhaps answers them. So the book was a chance to put some of those quite definitives in writing.<\/span><\/p>\n<p><em>The PITKISSER book is available\u00a0to purchase <a href=\"https:\/\/somesuch.co\/shop\/pitkisser-by-mollie-mills\">here<\/a><\/em><\/p>\n<\/div>\n<figure class=\"inline-img expandable dev-view-hide\" data-img=\"69e74a8d-ebb4-4288-b8ef-b41a00fd47cf\" data-src=\"https:\/\/images-prod.dazeddigital.com\/2000\/azure\/dazed-prod\/1440\/2\/1442701.jpeg\" data-img-aspect-ratio-type=\"portrait\" data-img-aspect-ratio=\"0.8\"><span class=\"has-css-custom-props image-container\" data-aspect-ratio-type=\"portrait\"><span class=\"preserve-aspect-ratio\"><img loading=\"lazy\" decoding=\"async\" alt=\"PITKISSER\" class=\"img\" height=\"3000\" src=\"https:\/\/images-prod.dazeddigital.com\/786\/azure\/dazed-prod\/1440\/2\/1442701.jpeg\" width=\"2400\"><\/span><\/span><figcaption class=\"img-caption\"><span class=\"credit\">Photography Daisy Zhou<\/span><\/figcaption><\/figure>\n<div id=\"newsletter-inline-last\">\n<div class=\"newsletter-small\">\n<div class=\"inner\">\n<h1 class=\"newsletter-title\">Escape the algorithm! 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class=\"preserve-aspect-ratio\"><img decoding=\"async\" alt=\"4844 (1)\" src=\"https:\/\/images-prod.dazeddigital.com\/480\/34-71-745-496\/azure\/dazed-prod\/1440\/2\/1442223.jpg\"><\/span><\/span><\/div>\n<div class=\"card-latest__content\">\n<h3 class=\"card-latest__title\">YSL Beauty\u2019s Block Party showed the changing face of gen Z nightlife<\/h3>\n<\/div>\n<p><\/a><a class=\"card-latest\" href=\"https:\/\/www.dazeddigital.com\/beauty\/article\/69932\/1\/serena-fiore-nail-art-naples-maximalist-cybersigil\"><\/p>\n<div class=\"card-latest__img-wrapper\"><span class=\"image-container\" data-aspect-ratio-type=\"landscape\"><span class=\"preserve-aspect-ratio\"><img decoding=\"async\" alt=\"Serena Fiore\" src=\"https:\/\/images-prod.dazeddigital.com\/480\/0-21-1080-718\/azure\/dazed-prod\/1440\/2\/1442212.jpg\"><\/span><\/span><\/div>\n<div class=\"card-latest__content\">\n<h3 class=\"card-latest__title\">Manga boobs and cybersigilism: Nail art is entering its maximalist era<\/h3>\n<\/div>\n<p><\/a><\/div>\n<\/div>\n<\/div>\n<div class=\"swiper-slide list-element\">\n<div class=\"scard-latest__section\">\n<div class=\"card-latest__wrapper\"><a class=\"card-latest\" href=\"https:\/\/www.dazeddigital.com\/beauty\/article\/69917\/1\/we-need-more-normal-looking-people-on-tv-botox-tweakments\"><\/p>\n<div class=\"card-latest__img-wrapper\"><span class=\"image-container\" data-aspect-ratio-type=\"landscape\"><span class=\"preserve-aspect-ratio\"><img decoding=\"async\" alt=\"Top of the Pops\" src=\"https:\/\/images-prod.dazeddigital.com\/480\/239-55-1374-914\/azure\/dazed-prod\/1440\/1\/1441753.jpeg\"><\/span><\/span><\/div>\n<div class=\"card-latest__content\">\n<h3 class=\"card-latest__title\">We need more \u2018normal\u2019 looking people on TV<\/h3>\n<\/div>\n<p><\/a><a class=\"card-latest\" href=\"https:\/\/www.dazeddigital.com\/beauty\/article\/69891\/1\/troye-sivan-sweat-tour-smelt-like-tsu-lange-yor-sweat-poppers\"><\/p>\n<div class=\"card-latest__img-wrapper\"><span class=\"image-container\" data-aspect-ratio-type=\"landscape\"><span class=\"preserve-aspect-ratio\"><img decoding=\"async\" alt=\"Tsu Lange Yor Troye Sivan\" src=\"https:\/\/images-prod.dazeddigital.com\/480\/69-21-2159-1436\/azure\/dazed-prod\/1350\/1\/1351397.jpg\"><\/span><\/span><\/div>\n<div class=\"card-latest__content\">\n<h3 class=\"card-latest__title\">We asked Troye Sivan what the SWEAT tour smelt like<\/h3>\n<\/div>\n<p><\/a><a class=\"card-latest\" href=\"https:\/\/www.dazeddigital.com\/beauty\/article\/69915\/1\/running-influencer-world-crisis-marathon-injuries-instagram-runfluencer\"><\/p>\n<div class=\"card-latest__img-wrapper\"><span class=\"image-container\" data-aspect-ratio-type=\"landscape\"><span class=\"preserve-aspect-ratio\"><img decoding=\"async\" alt=\"BeFunky-collage-7\" src=\"https:\/\/images-prod.dazeddigital.com\/480\/0-60-3000-1995\/azure\/dazed-prod\/1440\/1\/1441756.jpg\"><\/span><\/span><\/div>\n<div class=\"card-latest__content\">\n<h3 class=\"card-latest__title\">Why is everyone hating on runfluencers now?<\/h3>\n<\/div>\n<p><\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"newsletter-inline\" data-newsletter hidden>\n<div class=\"newsletter-small\">\n<div class=\"inner\">\n<h1 class=\"newsletter-title\">Escape the algorithm! Get The Drop<\/h1>\n<div class=\"meta-row\">\n<p class=\"meta\">Get must-see stories direct to your inbox every weekday.<\/p>\n<p class=\"paragraph\"><a href=\"https:\/\/www.dazeddigital.com\/privacy-policy\" class=\"meta-link\" target=\"_blank\" rel=\"noopener\"><br \/>\nPrivacy policy<br \/>\n<\/a><\/p>\n<\/div>\n<div class=\"confirmation\" aria-live=\"polite\">\n<p class=\"confirmation-title\">Thank you. You have been subscribed<\/p>\n<p><a href=\"https:\/\/www.dazeddigital.com\/privacy-policy\" class=\"meta-link\" target=\"_blank\" rel=\"noopener\"><br \/>\nPrivacy policy<br \/>\n<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<div class=\"article-body wrapper\">\n<div class=\"dazed-gallery has-14-images \">\n<div class=\"inner\">\n<header>\n<div class=\"info\"><span class=\"heading\">PITKISSER<\/span><\/div>\n<\/header>\n<div class=\"gallery\">\n<div class=\"gallery-thumbs\">\n<div class=\"gallery-thumb\"><a href=\"https:\/\/www.dazeddigital.com\/beauty\/gallery\/36900\/0\/pitkisser\"><span class=\"has-css-custom-props image-container\" data-aspect-ratio-type=\"landscape\"><span class=\"preserve-aspect-ratio\"><img loading=\"lazy\" decoding=\"async\" alt=\"9E8A6545\" class=\"img\" height=\"1600\" src=\"https:\/\/images-prod.dazeddigital.com\/320\/0-300-2400-1600\/azure\/dazed-prod\/1440\/2\/1442694.jpeg\" width=\"2400\"><\/span><\/span><\/a><\/div>\n<div class=\"gallery-thumb\"><a href=\"https:\/\/www.dazeddigital.com\/beauty\/gallery\/36900\/1\/pitkisser\"><span class=\"has-css-custom-props image-container\" data-aspect-ratio-type=\"landscape\"><span class=\"preserve-aspect-ratio\"><img loading=\"lazy\" decoding=\"async\" alt=\"IMG_0681\" class=\"img\" height=\"1600\" src=\"https:\/\/images-prod.dazeddigital.com\/320\/0-450-2400-1600\/azure\/dazed-prod\/1440\/2\/1442695.jpeg\" width=\"2400\"><\/span><\/span><\/a><\/div>\n<div class=\"gallery-thumb\"><a href=\"https:\/\/www.dazeddigital.com\/beauty\/gallery\/36900\/2\/pitkisser\"><span class=\"has-css-custom-props image-container\" data-aspect-ratio-type=\"landscape\"><span class=\"preserve-aspect-ratio\"><img loading=\"lazy\" decoding=\"async\" alt=\"IMG_2847\" class=\"img\" height=\"1600\" src=\"https:\/\/images-prod.dazeddigital.com\/320\/0-1163-2400-1600\/azure\/dazed-prod\/1440\/2\/1442696.jpeg\" width=\"2400\"><\/span><\/span><\/a><\/div>\n<div class=\"gallery-thumb\"><a href=\"https:\/\/www.dazeddigital.com\/beauty\/gallery\/36900\/3\/pitkisser\"><span class=\"has-css-custom-props image-container\" data-aspect-ratio-type=\"landscape\"><span class=\"preserve-aspect-ratio\"><img loading=\"lazy\" decoding=\"async\" alt=\"IMG_2845\" class=\"img\" height=\"1600\" src=\"https:\/\/images-prod.dazeddigital.com\/320\/0-660-2400-1600\/azure\/dazed-prod\/1440\/2\/1442697.jpeg\" width=\"2400\"><\/span><\/span><\/a><\/div>\n<div class=\"gallery-thumb\"><a href=\"https:\/\/www.dazeddigital.com\/beauty\/gallery\/36900\/4\/pitkisser\"><span class=\"has-css-custom-props image-container\" data-aspect-ratio-type=\"landscape\"><span class=\"preserve-aspect-ratio\"><img loading=\"lazy\" decoding=\"async\" alt=\"IMG_2842\" class=\"img\" height=\"1600\" src=\"https:\/\/images-prod.dazeddigital.com\/320\/0-563-2400-1600\/azure\/dazed-prod\/1440\/2\/1442722.jpeg\" width=\"2400\"><\/span><\/span><\/a><\/div>\n<div class=\"gallery-thumb\"><a href=\"https:\/\/www.dazeddigital.com\/beauty\/gallery\/36900\/5\/pitkisser\"><span class=\"has-css-custom-props image-container\" data-aspect-ratio-type=\"landscape\"><span class=\"preserve-aspect-ratio\"><img loading=\"lazy\" decoding=\"async\" alt=\"IMG_2853\" class=\"img\" height=\"2000\" src=\"https:\/\/images-prod.dazeddigital.com\/320\/0-0-3000-2000\/azure\/dazed-prod\/1440\/2\/1442700.jpeg\" width=\"3000\"><\/span><\/span><\/a><\/div>\n<\/div>\n<\/div>\n<div class=\"gallery-footer\">Gallery \/ 14 images<\/div>\n<\/div>\n<\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p><span>In 2017, filmmaker and photographer <a href=\"https:\/\/www.instagram.com\/molliemills\/\">Mollie Mills<\/a> encountered <a href=\"https:\/\/www.instagram.com\/rukahuera\/\">Syerrah Escobedo<\/a>, a cashier in a pet store clad in latex and liberty spikes. Struck by her defiant, self-fashioned beauty, Mills found the seed for <em data-start=\"310\" data-end=\"321\">PITKISSER<\/em> \u2013 a two-channel film installation and photobook tracing Los Angeles\u2019 \u2018girl mosh\u2019 subculture.<\/span><\/p>\n<p><span>While the project itself was shot over just two days by cinematographer <a href=\"https:\/\/www.instagram.com\/daysezo\/\">Daisy Zhou<\/a>, it took years to fully take shape. \u201cMy understanding of what we were making at the time feels completely different to what it is now,\u201d says Mills. Built over time, the work became tied to a wider dialogue around how girls reframe violence. \u201cWhen we began making this, we were just kids fucking around and shooting stuff about mosh pits as somatically beautiful spaces \u2013 by the time we decided to put it together into an installation, it was about why we all needed to thrash so badly; why we all needed a consensual space to rage, to fight back; why we all wore this armour every day.\u201d<\/span><\/p>\n<p><span><em>PITKISSER <\/em>follows Syerrah and Kris, two girls in search of redemption from violence as they find their place in the \u201chot lick of the pit\u201d. Moving between moody pool sides, basements and garages, the film is packed with subcultural beauty fixtures: back tattoos, baby bangs, box dyes. It\u2019s a presentation of beauty that Escobedo likens to armour: \u201cIt\u2019s war paint. It feels like armour to me. Personally, it comes from Chicana make-up from my mom, my tias. But my sharp liner, heavy lip, there\u2019s no softness about it. It\u2019s important that it\u2019s feminine, but it\u2019s not fragile.\u201d<\/span><\/p>\n<p><span>Now, as <em>PITKISSER<\/em> is released into the world, it carries a hope of lasting beyond its moment. \u201cI want some kid, somewhere, to find<em> PITKISSER <\/em>in a bookstore years from now and read it in their bedroom and think \u2018I\u2019m going to spike my hair\u2019,\u201d says Mills.<\/span><\/p>\n<p><span>Below, we speak to Mills about the project\u2019s creation.<\/span><\/p>\n<\/div>\n<figure class=\"inline-img expandable dev-view-hide\" data-img=\"4e20489b-9d2b-4dcd-8bc7-b41a00fd4b88\" data-src=\"https:\/\/images-prod.dazeddigital.com\/2000\/azure\/dazed-prod\/1440\/2\/1442702.jpeg\" data-img-aspect-ratio-type=\"portrait\" data-img-aspect-ratio=\"0.8\"><span class=\"has-css-custom-props image-container\" data-aspect-ratio-type=\"portrait\"><span class=\"preserve-aspect-ratio\"><img loading=\"lazy\" decoding=\"async\" alt=\"PITKISSER\" class=\"img\" height=\"3000\" src=\"https:\/\/images-prod.dazeddigital.com\/786\/azure\/dazed-prod\/1440\/2\/1442702.jpeg\" width=\"2400\"><\/span><\/span><figcaption class=\"img-caption\"><span class=\"credit\">Photography Daisy Zhou<\/span><\/figcaption><\/figure>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p><strong>How did the idea for <em>PITKISSER<\/em> come about?<\/strong><\/p>\n<p><strong>Mollie Mills: <\/strong><span><em>PITKISSER<\/em> was an amalgamation of time, practice, curiosity and eventually, the willingness or bravery to release a body of work that is pan-genre. And by that, I mean it took the wonder of seeing Syerrah Escobedo. But that curiosity started long before this specific serendipitous encounter \u2013 because ultimately what we\u2019re touching upon with PITKISSER is the dialogue around how girls reframe violence, which is one I\u2019ve had to have because of my own experience with violence and my own relationship to being a girl.<\/span><\/p>\n<p><strong>How does the LA girl mosh aesthetic sit alongside mainstream beauty aesthetics?<\/strong><\/p>\n<p><strong>Mollie Mills:<\/strong><span> Beauty homogeneity is all around us; wanting to look familial, an era of facsimile, how to replicate one another, illuminate, snatch or enlarge chosen attributes that have become the infinite and never-ending pop paradox of beauty. And those can be wonderful. But the standard is complex; it, of course, never accounts for us all. In a sea of pastel, it\u2019s just so regenerative to see this consideration of punk again.<\/span><\/p>\n<p><span>You could argue that all corners of beauty could be considered armour in some sense, but this corner, that we\u2019ve landed in, just feels so particularly antithetical to the mainstream because its priority is not being pretty: it\u2019s being tenacious, rigorous, tough.\u00a0<\/span><\/p>\n<\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html-embed\">\n<div>\n<div>\n \n <\/div>\n<\/div>\n<\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p><strong>Where did you find influences for the project\u2019s visual direction?<\/strong><\/p>\n<p><span><strong>Mollie Mills:<\/strong> It was incredibly instinctive. I love, and have always loved, static compositional frames in contrast with quite high-octane close movement. That\u2019s actually something I really learned from skate films in my teenage years; the idea of following an action candid and then breaking the wall with a to-camera gesture. Some of the scenes, in the motel, for example, <\/span><span>are long static compositional portraits. You have to just sit with the girls. Let them exist with you for a minute. But then it\u2019ll break into an intentionally impulsive, long-lens follow of one of the girls talking. This creates, for me, an intriguing and slightly off-the-wall surreality.<\/span><\/p>\n<p><span>Splitting the project into two channels also gives you the chance to redirect the eye constantly, turning off one channel just to amplify the other image. Most importantly, I wanted this project to feel timeless, because I felt the girls were timeless. They could have existed in any and every era. Daisy Zhou and I agreed to shoot the entire thing on one 16mm lens. That, and this aforementioned approach, gives it this very particular feeling <\/span><span>that you can\u2019t quite place when it was shot.<\/span><\/p>\n<p><strong>Do you have a particular favourite look from <em>PITKISSER<\/em>?<\/strong><\/p>\n<p><strong>Mollie Mills: <\/strong><span>Syerrah designed all the costumes \u2013 she\u2019s a power-house, and everyone <\/span><span>should hire her. Also, the liberty spikes are so special, so true to the girls, and what <\/span><span>PITKISSER embodies \u2013 a kind of\u00a0\u2018don\u2019t touch me\u2019<\/span><span>, quite literally.<\/span><\/p>\n<\/div>\n<figure class=\"inline-img expandable dev-view-hide\" data-img=\"e119fcbc-1e76-4c2e-8b0f-b41a00fd4ed0\" data-src=\"https:\/\/images-prod.dazeddigital.com\/2000\/azure\/dazed-prod\/1440\/2\/1442703.jpeg\" data-img-aspect-ratio-type=\"portrait\" data-img-aspect-ratio=\"0.8\"><span class=\"has-css-custom-props image-container\" data-aspect-ratio-type=\"portrait\"><span class=\"preserve-aspect-ratio\"><img loading=\"lazy\" decoding=\"async\" alt=\"PITKISSER\" class=\"img\" height=\"3000\" src=\"https:\/\/images-prod.dazeddigital.com\/786\/azure\/dazed-prod\/1440\/2\/1442703.jpeg\" width=\"2400\"><\/span><\/span><figcaption class=\"img-caption\"><span class=\"credit\">Photography Daisy Zhou<\/span><\/figcaption><\/figure>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p><strong>What can you tell us about the audio-visual component?<\/strong><\/p>\n<p><span><strong>Mollie Mills:<\/strong> I want to give a particular shout-out to Deaton Chris Anthony who did composition and sound design on the project. The licensed music (Miss Kittin &amp; The Hacker, Peggy Lee) is all intentionally left of field, gentler adjacent works that were playing as we were shooting together. The audio is a necessary slant of softness and euphoria against <\/span><span>some of the harder visual language. But the techno element is an important and beautiful <\/span><span>addition, because the techno-industrial scene attracts the same kids that go to punk shows. <\/span><span>Same body, different muscle, familiar physio-release.<\/span><\/p>\n<p><strong>How does the book extend the project?<\/strong><\/p>\n<p><span><strong>Mollie Mills: <\/strong>I wrote a short story on our relationship to one another and to violence. One should never underestimate how hard it is to just say, \u2018this happened to me and I want to fight back.\u2019 The film is an installation; it poses more questions than perhaps answers them. So the book was a chance to put some of those quite definitives in writing.<\/span><\/p>\n<p><em>The PITKISSER book is available\u00a0to purchase <a href=\"https:\/\/somesuch.co\/shop\/pitkisser-by-mollie-mills\">here<\/a><\/em><\/p>\n<\/div>\n<figure class=\"inline-img expandable dev-view-hide\" data-img=\"69e74a8d-ebb4-4288-b8ef-b41a00fd47cf\" data-src=\"https:\/\/images-prod.dazeddigital.com\/2000\/azure\/dazed-prod\/1440\/2\/1442701.jpeg\" data-img-aspect-ratio-type=\"portrait\" data-img-aspect-ratio=\"0.8\"><span class=\"has-css-custom-props image-container\" data-aspect-ratio-type=\"portrait\"><span class=\"preserve-aspect-ratio\"><img loading=\"lazy\" decoding=\"async\" alt=\"PITKISSER\" class=\"img\" height=\"3000\" src=\"https:\/\/images-prod.dazeddigital.com\/786\/azure\/dazed-prod\/1440\/2\/1442701.jpeg\" width=\"2400\"><\/span><\/span><figcaption class=\"img-caption\"><span class=\"credit\">Photography Daisy Zhou<\/span><\/figcaption><\/figure>\n<div id=\"newsletter-inline-last\">\n<div class=\"newsletter-small\">\n<div class=\"inner\">\n<h1 class=\"newsletter-title\">Escape the algorithm! Get The Drop<\/h1>\n<div class=\"meta-row\">\n<p class=\"meta\">Get must-see stories direct to your inbox every weekday.<\/p>\n<p class=\"paragraph\"><a href=\"https:\/\/www.dazeddigital.com\/privacy-policy\" class=\"meta-link\" target=\"_blank\" rel=\"noopener\"><br \/>\nPrivacy policy<br \/>\n<\/a><\/p>\n<\/div>\n<div class=\"confirmation\" aria-live=\"polite\">\n<p class=\"confirmation-title\">Thank you. You have been subscribed<\/p>\n<p><a href=\"https:\/\/www.dazeddigital.com\/privacy-policy\" class=\"meta-link\" target=\"_blank\" rel=\"noopener\"><br \/>\nPrivacy policy<br \/>\n<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>[analyse_source url=&#8221;https:\/\/www.dazeddigital.com\/beauty\/article\/70006\/1\/pitkisser-mollie-mills-los-angeles-mosh-scene-daisy-zhou&#8221;]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;https:\/\/images-prod.dazeddigital.com\/1200\/0-300-2400-1600\/azure\/dazed-prod\/1440\/2\/1442694.jpeg&#8221;] Photography Daisy Zhou March\u00a0 30,\u00a0 2026 Beauty \/ Q+A Beauty \/ Q+A These photos capture the beauty and rage of LA\u2019s girl mosh scene Back tattoos, box dyes and baby bangs: Mollie Mills\u2019 PITKISSER takes us into the heart of the pit \u2013 and tells us why women need a space to [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[226,76],"class_list":["post-1855300","post","type-post","status-publish","format-standard","hentry","category-politics","tag-crawlmanager","tag-dazeddigital-com"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1855300","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1855300"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1855300\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1855300"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1855300"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1855300"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}