{"id":1846239,"date":"2026-03-26T02:26:00","date_gmt":"2026-03-25T23:26:00","guid":{"rendered":"https:\/\/analyse.optim.biz\/?p=1846239"},"modified":"2026-03-26T02:26:00","modified_gmt":"2026-03-25T23:26:00","slug":"quelle-philosophie-japonaise-inspire-la-nouvelle-exposition-du-19m","status":"publish","type":"post","link":"https:\/\/analyse.optim.biz\/?p=1846239","title":{"rendered":"Quelle philosophie japonaise inspire la nouvelle exposition du 19M ?"},"content":{"rendered":"<div class=\"entry-content\">\n<section class=\"single-header padding-top-s\">\n<div class=\"container\">\n<div class=\"row justify-content-between\">\n<div class=\"col-lg-9 col-xl-8\">\n<div class=\"video-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n<div class=\"container-img desktop\">\n\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"640\" height=\"408\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/03\/19M-PUSH-768x490.jpg\" class=\"img-fluid\" alt=\"Vue de l'exposition &quot;Beyond our Horizons : de Tokyo \u00e0 Paris&quot; au 19M\" loading=\"lazy\">\t\t\t\t\t\t\t\t<\/p>\n<p class=\"number big\">25<\/p>\n<\/p><\/div>\n<div class=\"container-img mobile\">\n\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"640\" height=\"804\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/03\/19M-THUMB-768x965.jpg\" class=\"img-fluid\" alt=\"Vue de l'exposition &quot;Beyond our Horizons : de Tokyo \u00e0 Paris&quot; au 19M.\" loading=\"lazy\">\t\t\t\t\t\t\t\t<\/p>\n<p class=\"number big\">25<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"col col-lg-3 col-xl-4 desktop\">\n<div class=\"ad grand-angle desktop\">\n    <!-- \/21730003857\/numero-ad-unit\/numero-grand-angle --><\/p>\n<div id=\"div-gpt-ad-1757063143832-0\" class=\"px-0\">\n<p>            googletag.cmd.push(function () {<br \/>\n                googletag.display(&#8216;div-gpt-ad-1757063143832-0&#8217;);<br \/>\n            });<\/p><\/div>\n<\/div><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/section>\n<section class=\"post-content\">\n<div class=\"container\">\n<div class=\"row g-0 justify-content-between\">\n<div class=\"col-lg-9 col-xl-8 padding-top-s\">\n<p class=\"share-widget\" id=\"share-widget\"><img decoding=\"async\" src=\"https:\/\/numero.com\/wp-content\/themes\/%09%09%09understrap-child-main\/src\/public\/images\/share.svg\" alt=\"share-widget\"><\/p>\n<div class=\"share-icons\" id=\"share-icons\">\n<p class=\"copy-link\"><img decoding=\"async\" src=\"https:\/\/numero.com\/wp-content\/themes\/understrap-child-main\/src\/public\/images\/copy-link.svg\" alt=\"copy-link\"><\/p>\n<p>\t\t\t\t\t\t\t<a href=\"https:\/\/www.facebook.com\/sharer\/sharer.php?u=https:\/\/numero.com\/art\/numero-art\/quelle-philosophie-japonaise-inspire-la-nouvelle-exposition-du-19m\/\" class=\"facebook\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/numero.com\/wp-content\/themes\/understrap-child-main\/src\/public\/images\/facebook.svg\" alt=\"facebook\"><\/a><br \/>\n\t\t\t\t\t\t\t<a href=\"https:\/\/twitter.com\/share?url=https:\/\/numero.com\/art\/numero-art\/quelle-philosophie-japonaise-inspire-la-nouvelle-exposition-du-19m\/\" class=\"twitter\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/numero.com\/wp-content\/themes\/understrap-child-main\/src\/public\/images\/twitter.svg\" alt=\"twitter\"><\/a>\n\t\t\t\t\t\t<\/div>\n<p>\t\t\t\t\t\t<span class id=\"custom-tooltip\">Lien copi\u00e9<\/span><\/p>\n<div class=\"col-lg-10\">\n<div class=\"meta d-flex justify-content-between align-items-center\">\n<div class=\"cat\">\n\t\t\t\t\t\t\t\t\t<a class=\"cat-title\" href=\"https:\/\/numero.com\/category\/art\/numero-art\/\">Num\u00e9ro Art<\/a>\t\t\t\t\t\t\t\t<\/div>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t25 mars 2026\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<h1>Quelle philosophie japonaise inspire la nouvelle exposition du 19M ?<\/h1>\n<div class=\"introduction\">\n<div class=\"introduction\">\n<section class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [&amp;:has([data-writing-block])&gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-WEB:b8e2e091-aa66-43fc-9866-704cf1c545ec-0\" data-testid=\"conversation-turn-2\" data-scroll-anchor=\"true\" data-turn=\"assistant\">\n<div class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\">\n<div class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\">\n<div class=\"flex max-w-full flex-col gap-4 grow\">\n<div class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+&amp;]:mt-1\" dir=\"auto\" data-message-author-role=\"assistant\" data-message-id=\"fbf72075-1e50-4bf6-aa2b-6ad52f2db964\" data-message-model-slug=\"gpt-5-3\" data-turn-start-message=\"true\">\n<div class=\"flex w-full flex-col gap-1 empty:hidden\">\n<div class=\"markdown prose dark:prose-invert w-full wrap-break-word light markdown-new-styling\">\n<p data-start=\"0\" data-end=\"849\" data-is-last-node data-is-only-node>\u00c0 la\u00a0<span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Galerie du 19M<\/span><\/span>, dans le 19e arrondissement de\u00a0<span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Paris<\/span><\/span>, l\u2019exposition \u201cBeyond our Horizons : de Tokyo \u00e0 Paris\u201d, pr\u00e9sent\u00e9e jusqu\u2019au 26 avril 2026, r\u00e9unit artistes contemporains et artisans d\u2019exception autour d\u2019un dialogue in\u00e9dit entre la France et le Japon. Imagin\u00e9 par la Galerie du 19M et enrichi apr\u00e8s une premi\u00e8re pr\u00e9sentation \u00e0 Tokyo \u00e0 l\u2019automne dernier, ce projet collectif explore les liens entre cr\u00e9ation contemporaine et savoir-faire traditionnels, guid\u00e9s par la philosophie japonaise des cinq \u00e9l\u00e9ments.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n<\/div>\n<ul>\n<li class=\"credits d-flex\">\n<\/li>\n<\/ul>\n<\/div>\n<li class=\"credits d-flex\">\n<p>\n\t\t\t\t\t\t\t\t\t\t\tpar\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/numero.com\/contributeur\/lucas-barnier-piffault\/\">Lucas Barnier Piffault<\/a>.\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/li>\n<div id=\"ads03\" class=\"mobile\">\n<div class=\"ad-wrapper\">\n<div class=\"ad interscroller desktop\">\n<\/div>\n<p><!-- \/21730003857\/numero-ad-unit\/numero-interscroller --><\/p>\n<div id=\"div-gpt-ad-1757521738078-0\">\n<p>        googletag.cmd.push(function () {<br \/>\n            googletag.display(&#8216;div-gpt-ad-1757521738078-0&#8217;);<br \/>\n        });<\/p>\n<\/div><\/div>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t&lt;!&#8211; <\/p>\n<div class=\"padding-bottom-s\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n<p> &#8211;&gt;<\/p>\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"820070\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/03\/image-7-1024x683.png\" alt class=\"wp-image-820070\"><\/figure>\n<\/figure>\n<h2 class=\"wp-block-heading\">La philosophie japonaise des cinq \u00e9l\u00e9ments envahit le 19M<\/h2>\n<p>\u00c0 l\u2019automne <strong>2025<\/strong>, <strong>la Mori Tower de Tokyo<\/strong> accueillait, au 52\u1d49 \u00e9tage, un projet singulier imagin\u00e9 par <strong>la Galerie du\u00a019M<\/strong>\u00a0: une exposition collective o\u00f9 l\u2019art contemporain entrait en r\u00e9sonance avec les savoir-faire d\u2019exception <strong>des Maisons d\u2019art<\/strong> associ\u00e9es \u00e0 <strong>Chanel<\/strong>. Intitul\u00e9e \u201cBeyond our Horizons : de Tokyo \u00e0 Paris\u201d, cette proposition curat\u00e9e par un comit\u00e9 m\u00ealant cr\u00e9ateurs et commissaires d\u2019exposition japonais\u2014 dont Momoko Ando et Shinichiro Ogata \u2014 explorait avec finesse les correspondances entre artisanat et nature, \u00e0 travers <strong>la philosophie japonaise des cinq \u00e9l\u00e9ments.<\/strong>\u00a0Apr\u00e8s avoir captiv\u00e9 le public tokyo\u00efte, l\u2019exposition s\u2019installe donc aujourd\u2019hui \u00e0 Paris, enrichie de nouvelles \u0153uvres et collaborations.<\/p>\n<p>Dans les espaces ouverts du\u00a019M, ce dialogue entre artistes et artisans se d\u00e9ploie d\u00e9sormais comme <strong>un archipel d\u2019exp\u00e9riences sensibles<\/strong> <strong>:<\/strong> <strong>sculptures, textiles et c\u00e9ramiques<\/strong> y forment une cartographie po\u00e9tique o\u00f9 chaque \u00e9l\u00e9ment \u2014 <strong>terre, eau, vent, feu et air<\/strong> \u2014 devient un prisme pour penser la mati\u00e8re.\u00a0Cette exposition,\u00a0commente <strong>Bruno Pavlosky<\/strong>, pr\u00e9sident du\u00a019M\u00a0et de <strong><a href=\"https:\/\/numero.com\/portrait\/chanel\/\" id=\"698924\">Chanel<\/a><\/strong> SAS,\u00a0incarne <em>\u201cle dialogue entre les artisans fran\u00e7ais des Maisons d\u2019art du\u00a019M\u00a0et leurs homologues japonais. Elle illustre la mani\u00e8re dont le patrimoine et l\u2019innovation\u00a0peuvent coexister et se nourrir mutuellement\u201d<\/em>. <em>Num\u00e9ro art <\/em>vous propose une visite guid\u00e9e de l\u2019exposition au travers de ces <strong>cinq grandes th\u00e9matiques<\/strong>.\u00a0<\/p>\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"862\" height=\"1024\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/03\/Detail-dune-lanterne-de-Kojima-Shoten-x-Maison-Michel-c-le19M-Photo-Clarisse-Ain-1-862x1024.jpg\" alt class=\"wp-image-820277\"><\/figure>\n<h2 class=\"wp-block-heading\">La Terre, porteuse d\u2019une m\u00e9moire vivante<\/h2>\n<p>Au <strong>Japon<\/strong>,\u00a0<em>do<\/em>\u00a0\u2014 la terre \u2014 convoque l\u2019id\u00e9e de <strong>m\u00e9moire<\/strong>, de geste r\u00e9p\u00e9t\u00e9, de transmission des savoir-faire. Ici, textiles, c\u00e9ramiques, bois ou papier racontent <strong>cette patience du \u201cfaire\u201d<\/strong>. Des mat\u00e9riaux modestes qui deviennent les porteurs d\u2019une m\u00e9moire vivante, perp\u00e9tu\u00e9e et r\u00e9invent\u00e9e de g\u00e9n\u00e9ration en g\u00e9n\u00e9ration.<\/p>\n<p>L\u2019installation\u00a0<em>Renard<\/em>\u00a0(2025), con\u00e7ue par <strong>Julian Farade<\/strong> avec l\u2019atelier de broderie <strong>Lesage<\/strong>, en est une incarnation particuli\u00e8rement d\u00e9licate. Dans cette sc\u00e8ne sculpturale, un renard et deux grues prennent vie dans un tweed brod\u00e9, <strong>comme \u00e9chapp\u00e9s d\u2019un songe <\/strong>ou d\u2019une peinture ancienne. Le textile, que l\u2019on associe spontan\u00e9ment au v\u00eatement, devient ici alors peau, plumage.<\/p>\n<p>Un peu plus loin, les\u00a0<em>Arbres<\/em>\u00a0(2025) de <strong>Shuji Nakagawa<\/strong> imposent une pr\u00e9sence plus monumentale. H\u00e9ritier d\u2019une lign\u00e9e de fabricants d\u2019<strong>oke<\/strong>\u00a0(des seaux traditionnels japonais en bois), l\u2019artiste assemble avec pr\u00e9cision des segments de c\u00e8dre fendus pour \u00e9lever des<strong> troncs gigantesques de quatre m\u00e8tres<\/strong>. Ces structures, empil\u00e9es comme des anneaux de croissance<strong> <\/strong>(les cernes des arbres, qui permettent de d\u00e9terminer leur \u00e2ge),<strong> \u00e9voquent \u00e0 la fois la for\u00eat et l\u2019atelier<\/strong>. La nature et la main humaine semblent ainsi indissociables\u2026<\/p>\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-4 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"819\" height=\"1024\" data-id=\"819991\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/03\/Vue-dexposition-de-Beyond-our-Horizons-de-Tokyo-a-Paris-section-Terre-c-le19M-Mickael-Llorca-819x1024.jpeg\" alt class=\"wp-image-819991\"><\/figure>\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"819\" data-id=\"819995\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/03\/Vue-dexposition-de-Beyond-our-Horizons-de-Tokyo-a-Paris-sections-Vent-et-Feu-c-le19M-Mickael-Llorca-1024x819.jpeg\" alt class=\"wp-image-819995\"><\/figure>\n<\/figure>\n<h2 class=\"wp-block-heading\">L\u2019Eau, le symbole des transformations<\/h2>\n<p>Avec\u00a0<em>sui<\/em>, l\u2019eau, c\u2019est la transformation lente qui prend forme. Les \u0153uvres r\u00e9unies ici jouent avec les flux, les passages, les m\u00e9tamorphoses.<\/p>\n<p>Les\u00a0<em>Noren basho<\/em>\u00a0(2025) d\u2019<strong>Akiko Ishigaki<\/strong>, r\u00e9alis\u00e9s avec <strong>l\u2019atelier Lesage<\/strong>, accueillent le visiteur avec douceur. Ces <strong>rideaux suspendus, faits de basho<\/strong> (des fibres de bananier japonais et de soie) filtrent la lumi\u00e8re avec subtilit\u00e9. Chaque fil semble charg\u00e9 d\u2019un geste, d\u2019une attention. Ils incarnent, selon l\u2019artiste, \u201c<em>ce qui ne peut \u00eatre fait qu\u2019\u00e0 la main<\/em>\u201d.<\/p>\n<p>Dans un registre plus sculptural, <em>Tako Tsubo I, II <\/em>et<em> III<\/em> (2025) de Pauline Guerrier, r\u00e9alis\u00e9es avec la Maison Desrues, prennent la forme <strong>de<\/strong> <strong>pi\u00e8ges \u00e0 poulpe<\/strong> (\u201cTako Tsubo\u201d signifie litt\u00e9ralement \u201cPi\u00e8ge \u00e0 poulpe\u201d) orn\u00e9s de perles et de pierres semi-pr\u00e9cieuses. Leur titre \u00e9voque <strong>le syndrome de <em>Tako-tsubo<\/em>, un trouble cardiaque provoqu\u00e9 par un choc \u00e9motionnel <\/strong>(souvent appel\u00e9 <em>\u201cSyndrome du c\u0153ur bris\u00e9\u201d<\/em>). Les fissures apparentes des sculptures \u00e9voquent <strong>la technique du <em>kintsugi<\/em> : r\u00e9parer les fractures pour r\u00e9v\u00e9ler leur beaut\u00e9<\/strong>. La surface scintille ainsi, comme une eau travers\u00e9e de reflets.<\/p>\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-5 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"862\" height=\"1024\" data-id=\"819985\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/03\/19M-1-862x1024.jpg\" alt class=\"wp-image-819985\"><\/figure>\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"862\" height=\"1024\" data-id=\"819987\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/03\/Collaboration-entre-Pauline-Guerrier-et-Desrues-Beyond-our-Horizons-c-le19M-Clarisse-Ain-2-862x1024.jpg\" alt class=\"wp-image-819987\"><\/figure>\n<\/figure>\n<h2 class=\"wp-block-heading\">Le Vent, le d\u00e9placement imperceptible de l\u2019air<\/h2>\n<p>Avec\u00a0<em>fu<\/em>, le vent, l\u2019exposition s\u2019attarde sur l\u2019invisible : les vibrations, les circulations d\u2019air, les jeux de lumi\u00e8re presque imperceptibles.<\/p>\n<p>L\u2019installation\u00a0<em>Nature Through the Seasons<\/em>\u00a0(2025), fruit d\u2019<strong>une collaboration entre<\/strong> <strong>Atelier Montex<\/strong>, <strong>Lesage Int\u00e9rieurs et le ma\u00eetre artisan Yukio Fujita<\/strong>, d\u00e9ploie une po\u00e9sie discr\u00e8te. Sur une structure de bois courbe inspir\u00e9e des panneaux\u00a0<strong>shoji<\/strong><em>\u00a0<\/em>(les portes coulissantes traditionnelles japonaises), un d\u00e9cor d\u2019organza brod\u00e9 dessine des paysages saisonniers. \u00c0 mesure que l\u2019on se d\u00e9place, les broderies captent et rel\u00e2chent la lumi\u00e8re, comme si les motifs respiraient sous nos yeux\u2026<\/p>\n<p>Plus organique encore,\u00a0<em>Filles de l\u2019air<\/em>\u00a0(2025) de <strong>Miyoko Yasumoto<\/strong> suspend dans l\u2019espace <strong>une constellation de\u00a0<em>kokedama<\/em><\/strong>, ces sph\u00e8res v\u00e9g\u00e9tales envelopp\u00e9es de mousse. Elles oscillent alors doucement, presque imperceptiblement. Il y a quelque chose de tr\u00e8s apaisant dans ce mouvement lent, comme si le vent devenait soudain visible.<\/p>\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-6 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"819\" height=\"1024\" data-id=\"819997\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/03\/Vue-des-shoji-brodes-et-du-kokedama-de-Miyoko-Yasumoto-c-le19M-Photo-Mickael-LLORCA-819x1024.jpeg\" alt class=\"wp-image-819997\"><\/figure>\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"868\" height=\"1024\" data-id=\"819999\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/03\/Vue-du-Rendez-vous-2-Collaboration-Atelier-Montex-%C3%97-Lesage-Interieurs-%C3%97-Fujita-Gasodo-c-le19M-Photo-Clarisse-Ain-1-868x1024.jpg\" alt class=\"wp-image-819999\"><\/figure>\n<\/figure>\n<h2 class=\"wp-block-heading\">Le Feu, une force de m\u00e9tamorphoses<\/h2>\n<p>Le feu, <em>ka<\/em>, appara\u00eet dans l\u2019exposition comme <strong>une force de m\u00e9tamorphose<\/strong>. Les \u0153uvres r\u00e9unies dans cette section explorent la mani\u00e8re dont la chaleur, la fusion ou la combustion donnent naissance \u00e0 de nouvelles formes.<\/p>\n<p>Avec\u00a0<em>Le Buisson Ardent<\/em>\u00a0(2025), r\u00e9alis\u00e9 avec<strong> la Maison Goossens<\/strong>, <strong>Thomas Takada<\/strong> propose une interpr\u00e9tation \u00e0 la fois sobre et vibrante du motif biblique\u00a0; une ronce stylis\u00e9e en m\u00e9tal dor\u00e9. Rien ne br\u00fble, et pourtant<strong>tout \u00e9voque la combustion<\/strong>. L\u2019\u0153uvre est \u00e0 la fois fig\u00e9e et en tension, comme suspendue dans un instant de transformation.<\/p>\n<p>Autre interpr\u00e9tation de <strong>cette \u00e9nergie du feu<\/strong>,\u00a0<em>Le Rideau de Maholo (Iwaimaku)<\/em>\u00a0(2023) de <strong>Xavier Veilhan<\/strong>, con\u00e7u avec <strong>Atelier Montex<\/strong>. Compos\u00e9 de disques en organza brod\u00e9s, ce rideau monumental laisse appara\u00eetre, progressivement, <strong>un soleil couchant<\/strong>. De pr\u00e8s, la surface scintille ainsi comme une braise fragment\u00e9e ; \u00e0 distance, elle devient horizon incandescent.<\/p>\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-7 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"771\" height=\"1024\" data-id=\"820214\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/03\/PXL_20260311_150913423-771x1024.jpg\" alt class=\"wp-image-820214\"><\/figure>\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"819\" height=\"1024\" data-id=\"819989\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/03\/Detail-de-Fog-Screen-de-Studio-MTX-x-Design-Tochi-et-du-Rideau-Kabuki-Atelier-Montex-x-Xavier-Veilhan-Photo-Mickael-LLORCA-819x1024.jpeg\" alt class=\"wp-image-819989\"><\/figure>\n<\/figure>\n<h2 class=\"wp-block-heading\">L\u2019Air, l\u2019appr\u00e9hension physique du vide<\/h2>\n<p>K<em>u<\/em>\u00a0\u2014 l\u2019air \u2014 est un espace plus qu\u2019un \u00e9l\u00e9ment. Celui qui entoure, relie, et permet aux formes d\u2019exister.<\/p>\n<p>L\u2019installation\u00a0<em>Fog Screen<\/em>\u00a0(2025), con\u00e7ue par <strong>Studio MTX<\/strong> avec <strong>l\u2019atelier Design Tochi<\/strong>, mat\u00e9rialise cette id\u00e9e avec une grande finesse. De vastes panneaux tiss\u00e9s m\u00ealant ainsi fils d\u2019acier et polyamide filtrent la lumi\u00e8re comme une brume l\u00e9g\u00e8re. On a presque l\u2019impression que les surfaces respirent.<\/p>\n<p>Avec\u00a0<em>Leaking, licking<\/em>\u00a0(2025), <strong>Mathilde Albouy<\/strong> propose une approche plus dense. Des plombs de p\u00eache, des perles, de la cire de fonderie composent une constellation suspendue, fragile autant qu\u2019elle s\u2019av\u00e8re lourde. Les \u00e9l\u00e9ments semblent flotter, retenus dans un \u00e9quilibre incertain \u2013 l\u2019\u0153uvre repose alors sur une tension physique\u2026<\/p>\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-8 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"819\" height=\"1024\" data-id=\"819993\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/03\/Vue-dexposition-de-Beyond-our-Horizons-de-Tokyo-a-Paris-sections-Feu-et-Air-c-le19M-Mickael-Llorca-819x1024.jpeg\" alt class=\"wp-image-819993\"><\/figure>\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"818\" height=\"1024\" data-id=\"820216\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/03\/PXL_20260311_1510558242-818x1024.jpg\" alt class=\"wp-image-820216\"><\/figure>\n<\/figure>\n<p><em>\u201cBeyond\u00a0our Horizons : de Tokyo \u00e0 Paris\u201d<\/em>, exposition jusqu\u2019au 26 avril 2026, \u00e0 <a href=\"https:\/\/www.le19m.com\/fr\/agenda\/beyond-our-horizons-de-tokyo-a-paris\" id=\"https:\/\/www.le19m.com\/fr\/agenda\/beyond-our-horizons-de-tokyo-a-paris\">la Galerie du 19M<\/a>, Paris 19e. <\/p>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"col-lg-3\">\n<div class=\"suggested-posts padding-top-s\">\n<div class=\"title\">Recommand\u00e9<\/div>\n<div class=\"post-card\">\n\t\t\t\t\t\t\t\t\t\t<a class=\"post-link d-flex\" href=\"https:\/\/numero.com\/art\/numero-art\/l-architecte-jean-michel-wilmotte-expose-a-la-galerie-dutko\/\"><\/p>\n<div class=\"container-img\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"640\" height=\"804\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/03\/THUMB-WILMOTTE-768x965.jpg\" class=\"img-fluid\" alt=\"Assise de Jean-Michel Wilmotte. \u00a9 Edouard Brane\" loading=\"lazy\">\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<p class=\"number\">17<\/p>\n<\/p><\/div>\n<div class=\"card-info d-flex\">\n<div>\n<p class=\"cat-title\">Num\u00e9ro Art<\/p>\n<h3 class=\"post-title\">Comment l\u2019architecte Jean-Michel Willmotte m\u00e9tamorphose le marbre \u00e0 la galerie Dutko ?<\/h3>\n<\/p><\/div>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t17 mars 2026\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/div>\n<div class=\"post-card\">\n\t\t\t\t\t\t\t\t\t\t<a class=\"post-link d-flex\" href=\"https:\/\/numero.com\/art\/numero-art\/galerie-swatch-ai-dada\/\"><\/p>\n<div class=\"container-img\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"640\" height=\"804\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/02\/swatch-THUMB-768x965.jpg\" class=\"img-fluid\" alt=\"Poster de Keith Haring, Breakdance\" loading=\"lazy\">\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<p class=\"number\">30<\/p>\n<\/p><\/div>\n<div class=\"card-info d-flex\">\n<div>\n<p class=\"cat-title\">Num\u00e9ro Art<\/p>\n<h3 class=\"post-title\">Swatch AI-DADA Lab : la galerie o\u00f9 art et intelligence artificielle se rencontrent\u00a0<\/h3>\n<\/p><\/div>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t30 jan 2026\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/div>\n<div class=\"post-card\">\n\t\t\t\t\t\t\t\t\t\t<a class=\"post-link d-flex\" href=\"https:\/\/numero.com\/art\/art-art\/qui-est-le-peintre-georges-de-la-tour\/\"><\/p>\n<div class=\"container-img\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"640\" height=\"804\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2025\/11\/thumb-qui-est-le-peintre-georges-de-la-tour-768x965.jpg\" class=\"img-fluid\" alt loading=\"lazy\">\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<p class=\"number\">5<\/p>\n<\/p><\/div>\n<div class=\"card-info d-flex\">\n<div>\n<p class=\"cat-title\">Art<\/p>\n<h3 class=\"post-title\">Georges de La Tour : la renomm\u00e9e tardive d\u2019un peintre majeur, de l\u2019ombre \u00e0 la lumi\u00e8re<\/h3>\n<\/p><\/div>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t5 jan 2026\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/div>\n<div class=\"post-card\">\n\t\t\t\t\t\t\t\t\t\t<a class=\"post-link d-flex\" href=\"https:\/\/numero.com\/art\/numero-art\/martin-parr-exposition-jeu-de-paume\/\"><\/p>\n<div class=\"container-img\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"640\" height=\"804\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/01\/THUMB-parr-4-768x965.jpg\" class=\"img-fluid\" alt=\"Martin Parr, Tokyo, Japon, 1998\" loading=\"lazy\">\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<p class=\"number\">30<\/p>\n<\/p><\/div>\n<div class=\"card-info d-flex\">\n<div>\n<p class=\"cat-title\">Num\u00e9ro Art<\/p>\n<h3 class=\"post-title\">Expo de la semaine : l\u2019ic\u00f4ne iconoclaste Martin Parr envahit le Jeu de Paume<\/h3>\n<\/p><\/div>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t30 jan 2026\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"padding-top-s\">\n<div class=\"ad banner desktop\">\n<div class=\"container\">\n<div class=\"row\">\n            <!-- \/21730003857\/numero-ad-unit\/numero-banner-1 --><\/p>\n<div id=\"div-gpt-ad-1757006327907-0\" style=\"min-width: 350px\">\n<p>                    googletag.cmd.push(function () {<br \/>\n                        googletag.display(&#8216;div-gpt-ad-1757006327907-0&#8217;);<br \/>\n                    });<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div><\/div>\n<\/p><\/div>\n<\/section>\n<p>        <button class=\"btn-newsletter btn-outline-white my-5\" id=\"open-modal-newsletter\">Inscrivez-vous \u00e0 la newsletter<\/button>\t\t<\/p>\n<section class=\"related-posts post-list padding-top-m padding-bottom-s\">\n<div class=\"container\">\n<h2 class=\"title mx-auto\">\u00c0 lire aussi<\/h2>\n<div 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2026\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/div>\n<\/p><\/div>\n<div class=\"col-lg-3\">\n<div class=\"post-card desktop\">\n\t\t\t\t\t\t\t\t\t\t<a class=\"post-link\" href=\"https:\/\/numero.com\/art\/numero-art\/l-architecte-jean-michel-wilmotte-expose-a-la-galerie-dutko\/\"><\/p>\n<div class=\"container-img\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"640\" height=\"804\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/03\/THUMB-WILMOTTE-768x965.jpg\" class=\"img-fluid\" alt=\"Assise de Jean-Michel Wilmotte. \u00a9 Edouard Brane\" loading=\"lazy\">\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<div class=\"number\">17<\/div>\n<\/p><\/div>\n<div class=\"card-info\">\n<div class=\"meta d-flex justify-content-between\">\n<p class=\"cat-title\">Num\u00e9ro Art<\/p>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t17 mars 2026\t\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<div class=\"post-title\">Comment l\u2019architecte Jean-Michel Willmotte m\u00e9tamorphose le marbre \u00e0 la galerie Dutko ?<\/div>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/div>\n<div class=\"post-card mobile\">\n\t\t\t\t\t\t\t\t\t\t<a class=\"post-link d-flex\" href=\"https:\/\/numero.com\/art\/numero-art\/l-architecte-jean-michel-wilmotte-expose-a-la-galerie-dutko\/\"><\/p>\n<div class=\"container-img\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"640\" height=\"804\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/03\/THUMB-WILMOTTE-768x965.jpg\" class=\"img-fluid\" alt=\"Assise de Jean-Michel Wilmotte. \u00a9 Edouard Brane\" loading=\"lazy\">\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<div class=\"number\">17<\/div>\n<\/p><\/div>\n<div class=\"card-info d-flex\">\n<div>\n<p class=\"cat-title\">Num\u00e9ro Art<\/p>\n<h3 class=\"post-title\">Comment l\u2019architecte Jean-Michel Willmotte m\u00e9tamorphose le marbre \u00e0 la galerie Dutko ?<\/h3>\n<\/p><\/div>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t17 mars 2026\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/div>\n<\/p><\/div>\n<div class=\"col-lg-3\">\n<div class=\"post-card desktop\">\n\t\t\t\t\t\t\t\t\t\t<a class=\"post-link\" href=\"https:\/\/numero.com\/art\/numero-art\/saint-laurent-rive-droite-expose-les-peintures-d-yvonne-robert\/\"><\/p>\n<div class=\"container-img\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"640\" height=\"804\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/03\/THUMB-YSL-768x965.jpg\" class=\"img-fluid\" alt=\"Vue de l'exposition d'Yvonne Robert \u00e0 Saint Laurent Rive Droite. \u00a9 Thibaut Wychowanok.\" loading=\"lazy\">\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<div class=\"number\">16<\/div>\n<\/p><\/div>\n<div class=\"card-info\">\n<div class=\"meta d-flex justify-content-between\">\n<p class=\"cat-title\">Num\u00e9ro Art<\/p>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t16 mars 2026\t\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<div class=\"post-title\">Saint Laurent Rive Droite pr\u00e9sente les peintures contemplatives d\u2019Yvonne Robert<\/div>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/div>\n<div class=\"post-card mobile\">\n\t\t\t\t\t\t\t\t\t\t<a class=\"post-link d-flex\" href=\"https:\/\/numero.com\/art\/numero-art\/saint-laurent-rive-droite-expose-les-peintures-d-yvonne-robert\/\"><\/p>\n<div class=\"container-img\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"640\" height=\"804\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/03\/THUMB-YSL-768x965.jpg\" class=\"img-fluid\" alt=\"Vue de l'exposition d'Yvonne Robert \u00e0 Saint Laurent Rive Droite. \u00a9 Thibaut Wychowanok.\" loading=\"lazy\">\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<div class=\"number\">16<\/div>\n<\/p><\/div>\n<div class=\"card-info d-flex\">\n<div>\n<p class=\"cat-title\">Num\u00e9ro Art<\/p>\n<h3 class=\"post-title\">Saint Laurent Rive Droite pr\u00e9sente les peintures contemplatives d\u2019Yvonne Robert<\/h3>\n<\/p><\/div>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t16 mars 2026\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/div>\n<\/p><\/div>\n<div class=\"col-lg-3\">\n<div class=\"post-card desktop\">\n\t\t\t\t\t\t\t\t\t\t<a class=\"post-link\" href=\"https:\/\/numero.com\/art\/numero-art\/exposition-theaster-gates-white-cube\/\"><\/p>\n<div class=\"container-img\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"640\" height=\"804\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/03\/THUMB-gates-768x965.jpg\" class=\"img-fluid\" alt=\"Vue de l'exposition And Other Painting, Theaster Gates, White Cube Paris\" loading=\"lazy\">\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<div class=\"number\">09<\/div>\n<\/p><\/div>\n<div class=\"card-info\">\n<div class=\"meta d-flex justify-content-between\">\n<p class=\"cat-title\">Num\u00e9ro Art<\/p>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t9 mars 2026\t\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<div class=\"post-title\">Theaster Gates, artiste am\u00e9ricain majeur, c\u00e9l\u00e9br\u00e9 \u00e0 la galerie White Cube \u00e0 Paris<\/div>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/div>\n<div class=\"post-card mobile\">\n\t\t\t\t\t\t\t\t\t\t<a class=\"post-link d-flex\" href=\"https:\/\/numero.com\/art\/numero-art\/exposition-theaster-gates-white-cube\/\"><\/p>\n<div class=\"container-img\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"640\" height=\"804\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/03\/THUMB-gates-768x965.jpg\" class=\"img-fluid\" alt=\"Vue de l'exposition And Other Painting, Theaster Gates, White Cube Paris\" loading=\"lazy\">\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<div class=\"number\">09<\/div>\n<\/p><\/div>\n<div class=\"card-info d-flex\">\n<div>\n<p class=\"cat-title\">Num\u00e9ro Art<\/p>\n<h3 class=\"post-title\">Theaster Gates, artiste am\u00e9ricain majeur, c\u00e9l\u00e9br\u00e9 \u00e0 la galerie White Cube \u00e0 Paris<\/h3>\n<\/p><\/div>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t9 mars 2026\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/section>\n<div class=\"padding-bottom-s\">\n<div class=\"ad banner desktop\">\n<div class=\"container\">\n<div class=\"row\">\n            <!-- \/21730003857\/numero-ad-unit\/numero-banner-1 --><\/p>\n<div id=\"div-gpt-ad-1757006327907-0\" style=\"min-width: 350px\">\n<p>                    googletag.cmd.push(function () {<br \/>\n                        googletag.display(&#8216;div-gpt-ad-1757006327907-0&#8217;);<br \/>\n                    });<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div><\/div>\n<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"<p>25 25 googletag.cmd.push(function () { googletag.display(&#8216;div-gpt-ad-1757063143832-0&#8217;); }); Lien copi\u00e9 Num\u00e9ro Art 25 mars 2026 Quelle philosophie japonaise inspire la nouvelle exposition du 19M ? \u00c0 la\u00a0Galerie du 19M, dans le 19e arrondissement de\u00a0Paris, l\u2019exposition \u201cBeyond our Horizons : de Tokyo \u00e0 Paris\u201d, pr\u00e9sent\u00e9e jusqu\u2019au 26 avril 2026, r\u00e9unit artistes contemporains et artisans d\u2019exception autour d\u2019un 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