{"id":1841191,"date":"2026-03-22T15:00:27","date_gmt":"2026-03-22T12:00:27","guid":{"rendered":"https:\/\/analyse.optim.biz\/?p=1841191"},"modified":"2026-03-22T15:00:27","modified_gmt":"2026-03-22T12:00:27","slug":"agosto-machado-dead-shrine-sculptor-in-whitney-biennial-dies","status":"publish","type":"post","link":"https:\/\/analyse.optim.biz\/?p=1841191","title":{"rendered":"Agosto Machado Dead: Shrine Sculptor in Whitney Biennial Dies"},"content":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/03\/GettyImages-499353822.jpg?w=1024&#8243;]<\/p>\n<div class=\"a-content a-content--offset lrv-a-floated-parent lrv-u-font-family-body lrv-u-line-height-normal lrv-u-font-size-18 lrv-u-position-relative\">\n<div class=\"pmc-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tAgosto Machado, an artist and activist associated with the Downtown New York art scene whose altar sculptures currently appear in the Whitney Biennial, died on Saturday following a brief illness. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tIn keeping with his own wishes, his gallery, the New York\u2013based Gordon Robichaux, did not announce Machado\u2019s age in the obituary it sent out on Sunday. Speaking of his decision never to publicly share his birth year last year, Machado said, \u201cA lady never tells.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tWithin the art world, Machado is now recognized as an artist, though he has also been described variously as an archivist and an activist. In interviews, he opted for a different descriptor: \u201cpre-Stonewall street queen.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tAn active participant in the Stonewall uprising of 1969 and the Gay Liberation Movement of the 1970s that followed, Machado was part of a circle that included activists such as Marsha P. Johnson and Sylvia Rivera; artists such as Peter Hujar, Thomas Lanigan-Schmidt, Jack Smith, and Andy Warhol; and multi-hyphenates such as Candy Darling, Mario Montez, and Stephen Varble. Through his performances at venues such as La MaMa and the Pyramid Club, Machado established himself as one of the essential figures of the Downtown New York scene.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tEven before the AIDS crisis, Machado had begun collecting ephemera related to his community, whose history was constantly at risk of being lost. From tchotchkes, printed matter, and refuse, Machado created portraits of people he knew and personal heroes. Once AIDS began claiming members of his community, these shrines took on a new valence.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tAsked why he began making the altars in 2022 by the artist Tourmaline, Machado said, \u201cWell, it\u2019s really ancestor worship, my gratitude for all these people who came through my life. And\u2014this is way before AIDS\u2014many disappeared or went someplace. But they contributed to our community, and it behooves me to share my knowledge from the street with the new people.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tOne of his shrines in the Whitney Biennial, for example, pays homage to Ethyl Eichelberger, a drag performer who died by suicide in 1990 while undergoing treatment for an AIDS diagnosis. That shrine, from 2024, is a sprawling array of objects related to Eichelberger: a Hujar photograph of him, a makeup compact, a glittery mask, a glass jar with ephemera in it, performance documentation, an oversized feather butterfly made by hand. The piece was acquired by the Whitney Museum last year, which had never owned a work by Machado before then.<\/p>\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   size-large alignnone lrv-u-max-width-100p\">\n<div class=\"c-lazy-image  \">\n<div class=\"lrv-a-crop-16x9\"><img loading=\"lazy\" decoding=\"async\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/03\/WMAA98094_Machado_A_02_lpr.jpg?w=400\" alt=\"An array of unframed paintings and photographs sit on a wall-shelf with a table cloth. They are joined by tassels and masks and a plastic bin with buttons and other nick nacks.\" height=\"1250\" width=\"834\"><\/div>\n<\/div><figcaption class=\"c-figcaption  lrv-u-font-size-12 lrv-u-flex lrv-u-flex-direction-column lrv-u-padding-tb-025\"><span class=\"lrv-u-font-size-14@desktop\">Agosto Machado, <em>Ethyl (Altar)<\/em>, 2024.<br \/>\n<\/span><cite class=\"lrv-u-text-transform-uppercase lrv-u-color-grey\">\u00a9 Agosto Machado. Courtesy the Whitney Museum of American Art.<\/cite><\/figcaption><\/figure>\n<\/div>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tMachado\u2019s work existed at the fringes of what museums might term art until very recently. His sculptures\u2019 entry into New York museums is in large part thanks to the work of Gordon Robichaux, the gallery that organized three solo shows for Machado, including one held at Maureen Paley gallery in London\u2014through a gallery share program\u2014that closed last week.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tSigns that Machado is now officially a part of \u201980s art history can be found at the Museum of Modern Art, where one of Machado\u2019s shrines hangs in the same gallery as paintings by David Wojnarowicz and Martin Wong and photographs by Hujar and Tseng Kwong Chi.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t Few details are known about Machado\u2019s early years. In an issue of <em>Artforum<\/em> last year, critic Alex Jovanovich reported that Machado \u201cgrew up an orphan in Manhattan\u2019s Hell\u2019s Kitchen neighborhood and spent much of his youth without a roof over his head and nary a dollar to his name.\u201d Machado quit school during the sixth grade and took to the streets. According to Jovanovich, in the late 1950s, Machado gravitated toward Greenwich Village, a hotbed of artistic activity and a crucial neighborhood for the queer community.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tA Chinese-Spanish-Filipino-American, Machado recalled that he \u201ccame into being\u201d in 1959, the year he took on an alias inspired by the model China Machado. She appeared in the pages of <em>Harper\u2019s Bazaar<\/em> around the same time, qualifying her as the first model of color to figure in a major American fashion magazine.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tMachado said that during the \u201960s, he was a \u201cstreet queen.\u201d He began his practice of accruing materials of all kinds\u2014\u201cmementos,\u201d as he called them in the Whitney Biennial catalog\u2014during this era. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tRecalling this practice in a 2025 interview with the <em>Paris Review<\/em>, he said, \u201cEmotionally, this is what I embraced because I had nothing. I thought, These memories dwell within my heart. These people, if they\u2019d had time, would have done so much more. So I collected these mementos of the street queens.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tHis act of collecting all this ephemera was often read as a means of preserving queer history when it was under attack. In 1969, police raided the Stonewall Inn, spurring an array of demonstrations from the queer community. \u201cIt wasn\u2019t the first time Stonewall, or any of the gay bars, had a raid except the situation at hand was like a magnet,\u201d Machado said in a 2019 oral history conducted by the LGBTQ History Project. \u201cWith street kids like me, we had nothing to lose.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tMachado expressed admiration for Marsha P. Johnson and Sylvia Rivera, who \u201cput their lives on the line,\u201d as he told Tourmaline. Feeling that he was \u201ctoo timid\u201d to do the same, he joined the Gay Activists Alliance and attended demonstrations.<\/p>\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   size-large alignnone lrv-u-max-width-100p\">\n<div class=\"c-lazy-image  \">\n<div class=\"lrv-a-crop-16x9\"><img loading=\"lazy\" decoding=\"async\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/03\/WMAA98095_Machado_A_04_lpr.jpg?w=400\" alt=\"An assemblage of materials, including a mask, a book called Theatre of the Ridiculous, a picture of Jesus Christ,a nd various trinkets.\" height=\"1799\" width=\"1200\"><\/div>\n<\/div><figcaption class=\"c-figcaption  lrv-u-font-size-12 lrv-u-flex lrv-u-flex-direction-column lrv-u-padding-tb-025\"><span class=\"lrv-u-font-size-14@desktop\">Agosto Machado, <em>Downtown (Altar)<\/em>, 2024.<\/span><cite class=\"lrv-u-text-transform-uppercase lrv-u-color-grey\">Photo Greg Carideo\/\u00a9Agosto Machado\/Courtesy the artist and Gordon Robichaux, New York<\/cite><\/figcaption><\/figure>\n<\/div>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tDuring the AIDS era, Machado spent 12 years organizing caregiving efforts. \u201cWord got out that Agosto is helping those people, so when I would go to a gay bar or a gathering, people would move away from me; they\u2019d barely acknowledge me,\u201d Machado told Charlie Porter in the 2026 Whitney Biennial catalog. \u201cI said, \u2018Well, I\u2019m an untouchable, but I don\u2019t care. I\u2019m going to help my friends.\u2019 They lived in my building, on my block, in my neighborhood\u2014hardly anyone wanted to visit them or boost their morale or help them get to doctors. But there was a network of wonderful people who did. Unsung heroes.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tWhile museums and other institutions commonly entomb history, Machado ensured that his shrine sculptures kept his memories alive. According to Gordon Robichaux, Machado was frequently on hand during public visiting hours for his shows, where he would personally regale viewers with stories related to the works he was presenting. And in interviews, Machado also said that he intended to make sure that he was himself never interred.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cMy body will be taken over to Elizabeth, New Jersey, and cremated,\u201d Machado said in the Whitney Biennial interview. \u201cAnd then, quietly, my ashes will be mixed with those of eleven other people, including Jack Smith and Marsha P. Johnson\u2014you know, a little portion of many dear friends\u2014and it will be put in the Hudson, not far from where Marsha\u2019s body was found in the river after she died.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tHe continued, \u201cThe transitory nature and continuum of life is the reason I don\u2019t feel I need a funeral or a memorial that people will remember. I remember all the people in my heart.\u201d<\/p>\n<\/div>\n<\/div>\n<p>[analyse_source url=&#8221;https:\/\/www.artnews.com\/art-news\/news\/agosto-machado-artist-activist-dead-whitney-biennial-1234778425\/&#8221;]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/03\/GettyImages-499353822.jpg?w=1024&#8243;] Agosto Machado, an artist and activist associated with the Downtown New York art scene whose altar sculptures currently appear in the Whitney Biennial, died on Saturday following a brief illness. In keeping with his own wishes, his gallery, the New York\u2013based Gordon Robichaux, did not announce Machado\u2019s age in the obituary it [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[61,226],"class_list":["post-1841191","post","type-post","status-publish","format-standard","hentry","category-politics","tag-artnews-com","tag-crawlmanager"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1841191","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1841191"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1841191\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1841191"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1841191"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1841191"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}