{"id":1835507,"date":"2026-03-19T18:04:00","date_gmt":"2026-03-19T15:04:00","guid":{"rendered":"https:\/\/analyse.optim.biz\/?p=1835507"},"modified":"2026-03-19T18:04:00","modified_gmt":"2026-03-19T15:04:00","slug":"this-photo-book-challenges-how-we-think-about-mixed-identity","status":"publish","type":"post","link":"https:\/\/analyse.optim.biz\/?p=1835507","title":{"rendered":"This photo book challenges how we think about \u2018mixed\u2019 identity"},"content":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;https:\/\/images-prod.dazeddigital.com\/1200\/0-658-1260-840\/azure\/dazed-prod\/1440\/2\/1442025.jpg&#8221;]<\/p>\n<article class=\"main-article standard \">\n<div class=\"article-main-content article-wrapper has-media-but-its-an-image\" data-status=\"loaded\" data-primary-article=\"true\" data-url=\"\/art-photography\/article\/69941\/1\/dev-dhunsi-mixed-mack-spbh-artist-norwegian-indian-photo-book-exhibition-nordic\" data-article-id=\"69941\">\n<header class=\"article-header has-portrait-image no-media\">\n<div class=\"wrapper dg-max-width\">\n<div class=\"inner\">\n<figure class=\"main-img has-figcaption\" data-img-aspect-ratio-type=\"portrait\" data-img-aspect-ratio=\"0.8\" data-template=\"Standard Article\"><span class=\"has-css-custom-props image-container\" data-aspect-ratio-type=\"portrait\"><span class=\"preserve-aspect-ratio\"><img loading=\"lazy\" decoding=\"async\" alt=\"Dev Dhunsi, Mixed \" class=\"img\" height=\"1575\" src=\"https:\/\/images-prod.dazeddigital.com\/1260\/azure\/dazed-prod\/1440\/2\/1442025.jpg\" width=\"1260\"><\/span><\/span><figcaption class=\"img-caption\"><span class=\"inner\"><span class=\"credit\">Courtesy of the artist <span class=\"nowrap\">and MACK.<\/span><\/span><\/span><\/figcaption><\/figure>\n<aside class=\"meta\">\n<div class=\"inner\"><time datetime=\"2026-03-19T18:04:00+00:00\" class=\"timestamp\" title=\"19 March 2026\"><span class=\"month\">March<\/span>\u00a0<br \/>\n<span class=\"day\" data-day=\"19\">19,<\/span>\u00a0<br \/>\n<span class=\"year\">2026<\/span><\/time><\/div>\n<\/aside>\n<div class=\"titles\">\n<div class=\"tags\">\n<div class=\"sections\"><a class=\"category vertical - art-photography\" href=\"https:\/\/www.dazeddigital.com\/art-photography\">Art &amp; Photography<\/a><br \/>\n\/<br \/>\n<a class=\"series\" href=\"https:\/\/www.dazeddigital.com\/lightbox\">Lightbox<\/a><\/div>\n<\/div>\n<div class=\"standard-tag-container\"><a class=\"standard-category\" href=\"https:\/\/www.dazeddigital.com\/art-photography\">Art &amp; Photography<\/a> \/<br \/>\n<a class=\"standard-series\" href=\"https:\/\/www.dazeddigital.com\/lightbox\">Lightbox<\/a><\/div>\n<h1 class=\"title\"><span>This photo book challenges how we think about <span class=\"nowrap\">\u2018mixed\u2019 identity<\/span><\/span><\/h1>\n<div class=\"standfirst\">\n<h2>In a time increasingly concerned with definitive categories, Norwegian-Indian artist Dev Dhunsi delves into the concept <span class=\"nowrap\">of \u2018mixedness\u2019<\/span><\/h2>\n<\/div>\n<p><time datetime=\"2026-03-19T18:04:00+00:00\" class=\"timestamp\" title=\"19 March 2026\"><span class=\"month\">March<\/span>\u00a0<br \/>\n<span class=\"day\" data-day=\"19\">19,<\/span>\u00a0<br \/>\n<span class=\"year\">2026<\/span><\/time><\/div>\n<\/div>\n<p><time datetime=\"2026-03-19T18:04:00+00:00\" class=\"timestamp\" title=\"19 March 2026\"><span class=\"month\">March<\/span>\u00a0<br \/>\n<span class=\"day\" data-day=\"19\">19,<\/span>\u00a0<br \/>\n<span class=\"year\">2026<\/span><\/time><\/p>\n<div class=\"providers\">\n<div class=\"contributors\"><span class=\"contributor\" data-contributor-role=\"Text\"><span class=\"contributor-role\">Text<\/span><a class=\"contributor-name\" href=\"https:\/\/www.dazeddigital.com\/user\/ZaraAfthab\">Zara Afthab<\/a><\/span><\/div>\n<\/div>\n<\/div>\n<\/header>\n<div class=\"article-body-container\">\n<div class=\"article-body wrapper\">\n<div class=\"dazed-gallery has-10-images \">\n<div class=\"inner\">\n<header>\n<div class=\"info\"><span class=\"heading\">Dev Dhunsi, Mixed<\/span><\/div>\n<\/header>\n<div class=\"gallery\">\n<div class=\"gallery-thumbs\">\n<div class=\"gallery-thumb\"><a href=\"https:\/\/www.dazeddigital.com\/art-photography\/gallery\/36864\/0\/dev-dhunsi-mixed\"><span class=\"has-css-custom-props image-container\" data-aspect-ratio-type=\"landscape\"><span class=\"preserve-aspect-ratio\"><img loading=\"lazy\" decoding=\"async\" alt=\"Dev Dhunsi, Mixed \" class=\"img\" height=\"840\" src=\"https:\/\/images-prod.dazeddigital.com\/320\/0-658-1260-840\/azure\/dazed-prod\/1440\/2\/1442025.jpg\" width=\"1260\"><\/span><\/span><\/a><\/div>\n<div class=\"gallery-thumb\"><a href=\"https:\/\/www.dazeddigital.com\/art-photography\/gallery\/36864\/1\/dev-dhunsi-mixed\"><span class=\"has-css-custom-props image-container\" data-aspect-ratio-type=\"landscape\"><span class=\"preserve-aspect-ratio\"><img loading=\"lazy\" decoding=\"async\" alt=\"Dev Dhunsi, Mixed \" class=\"img\" height=\"1050\" src=\"https:\/\/images-prod.dazeddigital.com\/320\/0-79-1575-1050\/azure\/dazed-prod\/1440\/2\/1442017.jpg\" width=\"1575\"><\/span><\/span><\/a><\/div>\n<div class=\"gallery-thumb\"><a href=\"https:\/\/www.dazeddigital.com\/art-photography\/gallery\/36864\/2\/dev-dhunsi-mixed\"><span class=\"has-css-custom-props image-container\" data-aspect-ratio-type=\"landscape\"><span class=\"preserve-aspect-ratio\"><img loading=\"lazy\" decoding=\"async\" alt=\"Dev Dhunsi, Mixed \" class=\"img\" height=\"840\" src=\"https:\/\/images-prod.dazeddigital.com\/320\/0-378-1260-840\/azure\/dazed-prod\/1440\/2\/1442019.jpg\" width=\"1260\"><\/span><\/span><\/a><\/div>\n<div class=\"gallery-thumb\"><a href=\"https:\/\/www.dazeddigital.com\/art-photography\/gallery\/36864\/3\/dev-dhunsi-mixed\"><span class=\"has-css-custom-props image-container\" data-aspect-ratio-type=\"landscape\"><span class=\"preserve-aspect-ratio\"><img loading=\"lazy\" decoding=\"async\" alt=\"Dev Dhunsi, Mixed \" class=\"img\" height=\"840\" src=\"https:\/\/images-prod.dazeddigital.com\/320\/0-264-1260-840\/azure\/dazed-prod\/1440\/2\/1442021.jpg\" width=\"1260\"><\/span><\/span><\/a><\/div>\n<div class=\"gallery-thumb\"><a href=\"https:\/\/www.dazeddigital.com\/art-photography\/gallery\/36864\/4\/dev-dhunsi-mixed\"><span class=\"has-css-custom-props image-container\" data-aspect-ratio-type=\"landscape\"><span class=\"preserve-aspect-ratio\"><img loading=\"lazy\" decoding=\"async\" alt=\"Dev Dhunsi, Mixed \" class=\"img\" height=\"1050\" src=\"https:\/\/images-prod.dazeddigital.com\/320\/0-231-1575-1050\/azure\/dazed-prod\/1440\/2\/1442018.jpg\" width=\"1575\"><\/span><\/span><\/a><\/div>\n<div class=\"gallery-thumb\"><a href=\"https:\/\/www.dazeddigital.com\/art-photography\/gallery\/36864\/5\/dev-dhunsi-mixed\"><span class=\"has-css-custom-props image-container\" data-aspect-ratio-type=\"landscape\"><span class=\"preserve-aspect-ratio\"><img loading=\"lazy\" decoding=\"async\" alt=\"Dev Dhunsi, Mixed \" class=\"img\" height=\"1050\" src=\"https:\/\/images-prod.dazeddigital.com\/320\/0-847-1575-1050\/azure\/dazed-prod\/1440\/2\/1442023.jpg\" width=\"1575\"><\/span><\/span><\/a><\/div>\n<\/div>\n<\/div>\n<div class=\"gallery-footer\">Gallery \/ 10 images<\/div>\n<\/div>\n<\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p><span>The concept of fluidity underscores several aspects of the artist and photographer Dev Dhunsi\u2019s new photo book, <\/span><a href=\"https:\/\/mackbooks.co.uk\/products\/mixed?srsltid=AfmBOopq34rtR-EcBrqApM9mwsXbrbalgxzncmnIMQRVxQ0-EfYnX-rt\"><em><span>Mixed<\/span><\/em><\/a><span>. Published by MACK and Self Publish Be Happy (SPBH), the book is a meditation on what identity could look like when language fails it, materialising as a kaleidoscopic project in colour, photographic genre, and thematic scope. From one page to the next, one can expect to flit from myth to documentary, from archive to text that mimics a screenplay. In one image, a model covered in jewellery poses against a tangerine-hued backdrop; in another, a self-portrait of the artist as the Hindu goddess Kali and a few pages later, a tonally inverted photograph of a bookshelf. \u201cThe term mixed isn\u2019t just fixed to this idea of racial identity. I wanted to use this concept of \u2018mixedness\u2019 as a method,&#8221; Dhunsi explains in a conversation over Zoom. \u201cThere are all sorts of genres of photography within the book, which might make a critic confused. It has lots of text. It\u2019s not just documentary or portraiture photography; it includes archival elements. I wanted the premise of \u2018mixed\u2019 to go beyond the book\u2019s thematic aspects.&#8221;<\/span><\/p>\n<p><span>The book was conceived as a result of the Nordic Photobook Award, which the photographer saw as a means to create something he couldn\u2019t fulfil on his own. \u201cI sat down and imagined what I would do with the opportunity, and instead of applying with an established body of work or my portfolio, I proposed a project just with text,\u201d Dhunsi explains. \u201cIt didn\u2019t make sense for me to apply to the award with something that already has a life. I wanted this book to feel completely new.\u201d<\/span><\/p>\n<\/div>\n<figure class=\"inline-img expandable dev-view-hide\" data-img=\"91594dea-3f54-4e4d-afc8-b41200e9413d\" data-src=\"https:\/\/images-prod.dazeddigital.com\/1575\/azure\/dazed-prod\/1440\/2\/1442017.jpg\" data-img-aspect-ratio-type=\"portrait\" data-img-aspect-ratio=\"0.8\"><span class=\"has-css-custom-props image-container\" data-aspect-ratio-type=\"portrait\"><span class=\"preserve-aspect-ratio\"><img loading=\"lazy\" decoding=\"async\" alt=\"Dev Dhunsi, Mixed \" class=\"img\" height=\"1969\" src=\"https:\/\/images-prod.dazeddigital.com\/786\/azure\/dazed-prod\/1440\/2\/1442017.jpg\" width=\"1575\"><\/span><\/span><figcaption class=\"img-caption\"><span class=\"caption\">Dev Dhunsi, Mixed (SPBH <span class=\"nowrap\">Editions, 2026)<\/span><\/span><span class=\"credit\">Courtesy of the artist <span class=\"nowrap\">and MACK.<\/span><\/span><\/figcaption><\/figure>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p><span>In the initial stages of the project, Dhunsi was curious to examine his own family and roots in Scandinavia. \u201cMy family moved to Norway in the 80s and 90s, which was a significant period of migration into Norway. My cousins are from Algeria, from Morocco, from Argentina. My own heritage is in India, and I guess we are now groups that are supposedly going to have nationalist feelings towards Norway, but struggle with it. I wanted to explore that tension of being from different places.\u201d The text he was working with at the time was titled <em>Fatherland<\/em>, a homage to his father\u2019s Indian heritage. \u201cI initially wanted to travel to all the countries my family are from with them and work with the geographical differences between those places,\u201d Dhunsi explains. \u201cI hoped that I would learn more about them outside the context of Norway through that experience, but the project ended up being way too ambitious.\u201d\u00a0<\/span><\/p>\n<p><span>To fulfil the thematic ambitions of <\/span><em><span>Mixed,<\/span><\/em><span> which are primarily concerned with ideas of identity and visisbility in an era obsessed with definitive categories and purity, Dhunsi had to give up some level of artistic control as a photographer, intentionally lean into the lack of direction and allow the images in the book to be visually influenced by the conversations he had with his subjects instead. \u201cIt opened up the way I was able to work with people and create images. By talking to me about their own cultural heritage and how they felt like representing themselves, I was able to open up my own references and expand the kind of images I was making,\u201d he says, noting how this process allowed him to access spaces and moments he wouldn\u2019t have been able to otherwise. \u201cOur hybrid identities function similarly to being queer in how they teach us to adapt to different rooms and spaces. You can cross a lot of borders and access moments that are unique and exciting. I think that sense of excitement really comes through in the book.\u201d<\/span><\/p>\n<\/div>\n<figure class=\"inline-img expandable dev-view-hide\" data-img=\"8e447f08-71f5-4f0c-a163-b41200e947fc\" data-src=\"https:\/\/images-prod.dazeddigital.com\/1260\/azure\/dazed-prod\/1440\/2\/1442021.jpg\" data-img-aspect-ratio-type=\"portrait\" data-img-aspect-ratio=\"0.8\"><span class=\"has-css-custom-props image-container\" data-aspect-ratio-type=\"portrait\"><span class=\"preserve-aspect-ratio\"><img loading=\"lazy\" decoding=\"async\" alt=\"Dev Dhunsi, Mixed \" class=\"img\" height=\"1575\" src=\"https:\/\/images-prod.dazeddigital.com\/786\/azure\/dazed-prod\/1440\/2\/1442021.jpg\" width=\"1260\"><\/span><\/span><figcaption class=\"img-caption\"><span class=\"caption\">Dev Dhunsi, Mixed (SPBH <span class=\"nowrap\">Editions, 2026)<\/span><\/span><span class=\"credit\">Courtesy of the artist <span class=\"nowrap\">and MACK.<\/span><\/span><\/figcaption><\/figure>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p><span>In the book, Dhunsi&#8217;s staged and documentary photographs of his subjects and the physical world around them sit alongside material from The State Institute for Racial Biology in Sweden, which shuttered in 1959 and housed documents and photographic material relating to racial biology and eugenics. \u201cI wanted to include this archival material as a backstory for the project, but I also wanted to emphasise that this racial archive is totally different to my way of working. They were violently capturing their subjects, stripping them naked, and measuring them. They didn\u2019t include any names to identify any of the people in the archive, which is why it was so important for me to truthfully represent everyone in <\/span><em><span>Mixed <\/span><\/em><span>and include a thank you page where all their names are listed.\u201d<\/span><\/p>\n<p><span>Dhunsi\u2019s photo book is accompanied by a show at the Nitja Centre for Contemporary Art in Norway titled <a href=\"https:\/\/www.nitja.no\/exhibitions\/devdhunsi\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.nitja.no\/exhibitions\/devdhunsi&amp;source=gmail&amp;ust=1774000928930000&amp;usg=AOvVaw3n5hur3x2Xll-h3pNfmcBv\"><em>Unmistakably You<\/em><\/a><\/span><span>, which extends the book\u2019s themes into the material world. \u201cI decided none of my photos would touch or hang freely on the wall. I didn&#8217;t want to neutralise these portraits or treat them as objects, as something one can theoretically buy and bring home. Instead, I printed one selection of photographs on textiles and stretched them out on canvas stretchers, and another series of works is on tapestry. The archive images on display are embedded into the wall so it looks like someone has ripped up the wall to expose the images,\u201d Dhunsi tells Dazed. For him, the physical space becomes another site of inquiry \u2013 much like the photo book itself \u2013 one that resists the urge to neutralise, label or neatly contain, an examination through medium and method of how limiting traditional modes of presenting and categorising photographs are.<\/span><\/p>\n<p><a href=\"https:\/\/mackbooks.co.uk\/products\/mixed\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/mackbooks.co.uk\/products\/mixed&amp;source=gmail&amp;ust=1774000928930000&amp;usg=AOvVaw1M7jEe81s4YvtgIfoiZyjI\">Mixed<\/a>\u00a0<em>(SPBH Editions, 2026) by Dev Dhunsi is published by MACK.\u00a0<\/em><a href=\"https:\/\/www.nitja.no\/exhibitions\/devdhunsi\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.nitja.no\/exhibitions\/devdhunsi&amp;source=gmail&amp;ust=1774000928930000&amp;usg=AOvVaw3n5hur3x2Xll-h3pNfmcBv\">Unmistakably You<\/a><em>\u00a0is now open at Nitja Centre for Contemporary Art, Norway, until 26 April 2026.\u00a0<\/em><\/p>\n<\/div>\n<div id=\"newsletter-inline-last\">\n<div class=\"newsletter-small\">\n<div class=\"inner\">\n<h1 class=\"newsletter-title\">Escape the algorithm! 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class=\"preserve-aspect-ratio\"><img decoding=\"async\" alt=\"Anne Imhof, Poppy Runner III (2025)\" src=\"https:\/\/images-prod.dazeddigital.com\/480\/402-234-2405-1600\/azure\/dazed-prod\/1440\/1\/1441525.jpg\"><\/span><\/span><\/div>\n<div class=\"card-latest__content\">\n<h3 class=\"card-latest__title\">What to look out for at Art Basel Hong Kong 2026<\/h3>\n<\/div>\n<p><\/a><\/div>\n<\/div>\n<\/div>\n<div class=\"swiper-slide list-element\">\n<div class=\"scard-latest__section\">\n<div class=\"card-latest__wrapper\"><a class=\"card-latest\" href=\"https:\/\/www.dazeddigital.com\/art-photography\/article\/69877\/1\/nan-goldin-sisters-saints-and-sibyls-photo-book-thames-hudson-barbara\"><\/p>\n<div class=\"card-latest__img-wrapper\"><span class=\"image-container\" data-aspect-ratio-type=\"landscape\"><span class=\"preserve-aspect-ratio\"><img decoding=\"async\" alt=\"Nan Goldin, Sisters, Saints and Sibyls\" 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href=\"https:\/\/www.dazeddigital.com\/art-photography\/article\/69823\/1\/dazed-club-photographers-and-artists-on-our-radar-march-2026\"><\/p>\n<div class=\"card-latest__img-wrapper\"><span class=\"image-container\" data-aspect-ratio-type=\"landscape\"><span class=\"preserve-aspect-ratio\"><img decoding=\"async\" alt=\"Courteney Frisby Spotlight\" src=\"https:\/\/images-prod.dazeddigital.com\/480\/0-1066-2000-1330\/azure\/dazed-prod\/1440\/0\/1440257.jpg\"><\/span><\/span><\/div>\n<div class=\"card-latest__content\">\n<h3 class=\"card-latest__title\">Dazed Club photographers and artists who have been on our radar lately<\/h3>\n<\/div>\n<p><\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"newsletter-inline\" data-newsletter hidden>\n<div class=\"newsletter-small\">\n<div class=\"inner\">\n<h1 class=\"newsletter-title\">Escape the algorithm! Get The Drop<\/h1>\n<div class=\"meta-row\">\n<p class=\"meta\">Get must-see stories direct to your inbox every weekday.<\/p>\n<p class=\"paragraph\"><a href=\"https:\/\/www.dazeddigital.com\/privacy-policy\" class=\"meta-link\" target=\"_blank\" rel=\"noopener\"><br \/>\nPrivacy policy<br \/>\n<\/a><\/p>\n<\/div>\n<div class=\"confirmation\" aria-live=\"polite\">\n<p class=\"confirmation-title\">Thank you. You have been subscribed<\/p>\n<p><a href=\"https:\/\/www.dazeddigital.com\/privacy-policy\" class=\"meta-link\" target=\"_blank\" rel=\"noopener\"><br \/>\nPrivacy policy<br \/>\n<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<div class=\"article-body wrapper\">\n<div class=\"dazed-gallery has-10-images \">\n<div class=\"inner\">\n<header>\n<div class=\"info\"><span class=\"heading\">Dev Dhunsi, Mixed<\/span><\/div>\n<\/header>\n<div class=\"gallery\">\n<div class=\"gallery-thumbs\">\n<div class=\"gallery-thumb\"><a href=\"https:\/\/www.dazeddigital.com\/art-photography\/gallery\/36864\/0\/dev-dhunsi-mixed\"><span class=\"has-css-custom-props image-container\" data-aspect-ratio-type=\"landscape\"><span class=\"preserve-aspect-ratio\"><img loading=\"lazy\" decoding=\"async\" alt=\"Dev Dhunsi, Mixed \" class=\"img\" height=\"840\" src=\"https:\/\/images-prod.dazeddigital.com\/320\/0-658-1260-840\/azure\/dazed-prod\/1440\/2\/1442025.jpg\" width=\"1260\"><\/span><\/span><\/a><\/div>\n<div class=\"gallery-thumb\"><a href=\"https:\/\/www.dazeddigital.com\/art-photography\/gallery\/36864\/1\/dev-dhunsi-mixed\"><span class=\"has-css-custom-props image-container\" data-aspect-ratio-type=\"landscape\"><span class=\"preserve-aspect-ratio\"><img loading=\"lazy\" decoding=\"async\" alt=\"Dev Dhunsi, Mixed \" class=\"img\" height=\"1050\" src=\"https:\/\/images-prod.dazeddigital.com\/320\/0-79-1575-1050\/azure\/dazed-prod\/1440\/2\/1442017.jpg\" width=\"1575\"><\/span><\/span><\/a><\/div>\n<div class=\"gallery-thumb\"><a href=\"https:\/\/www.dazeddigital.com\/art-photography\/gallery\/36864\/2\/dev-dhunsi-mixed\"><span class=\"has-css-custom-props image-container\" data-aspect-ratio-type=\"landscape\"><span class=\"preserve-aspect-ratio\"><img loading=\"lazy\" decoding=\"async\" alt=\"Dev Dhunsi, Mixed \" class=\"img\" height=\"840\" src=\"https:\/\/images-prod.dazeddigital.com\/320\/0-378-1260-840\/azure\/dazed-prod\/1440\/2\/1442019.jpg\" width=\"1260\"><\/span><\/span><\/a><\/div>\n<div class=\"gallery-thumb\"><a href=\"https:\/\/www.dazeddigital.com\/art-photography\/gallery\/36864\/3\/dev-dhunsi-mixed\"><span class=\"has-css-custom-props image-container\" data-aspect-ratio-type=\"landscape\"><span class=\"preserve-aspect-ratio\"><img loading=\"lazy\" decoding=\"async\" alt=\"Dev Dhunsi, Mixed \" class=\"img\" height=\"840\" src=\"https:\/\/images-prod.dazeddigital.com\/320\/0-264-1260-840\/azure\/dazed-prod\/1440\/2\/1442021.jpg\" width=\"1260\"><\/span><\/span><\/a><\/div>\n<div class=\"gallery-thumb\"><a href=\"https:\/\/www.dazeddigital.com\/art-photography\/gallery\/36864\/4\/dev-dhunsi-mixed\"><span class=\"has-css-custom-props image-container\" data-aspect-ratio-type=\"landscape\"><span class=\"preserve-aspect-ratio\"><img loading=\"lazy\" decoding=\"async\" alt=\"Dev Dhunsi, Mixed \" class=\"img\" height=\"1050\" src=\"https:\/\/images-prod.dazeddigital.com\/320\/0-231-1575-1050\/azure\/dazed-prod\/1440\/2\/1442018.jpg\" width=\"1575\"><\/span><\/span><\/a><\/div>\n<div class=\"gallery-thumb\"><a href=\"https:\/\/www.dazeddigital.com\/art-photography\/gallery\/36864\/5\/dev-dhunsi-mixed\"><span class=\"has-css-custom-props image-container\" data-aspect-ratio-type=\"landscape\"><span class=\"preserve-aspect-ratio\"><img loading=\"lazy\" decoding=\"async\" alt=\"Dev Dhunsi, Mixed \" class=\"img\" height=\"1050\" src=\"https:\/\/images-prod.dazeddigital.com\/320\/0-847-1575-1050\/azure\/dazed-prod\/1440\/2\/1442023.jpg\" width=\"1575\"><\/span><\/span><\/a><\/div>\n<\/div>\n<\/div>\n<div class=\"gallery-footer\">Gallery \/ 10 images<\/div>\n<\/div>\n<\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p><span>The concept of fluidity underscores several aspects of the artist and photographer Dev Dhunsi\u2019s new photo book, <\/span><a href=\"https:\/\/mackbooks.co.uk\/products\/mixed?srsltid=AfmBOopq34rtR-EcBrqApM9mwsXbrbalgxzncmnIMQRVxQ0-EfYnX-rt\"><em><span>Mixed<\/span><\/em><\/a><span>. Published by MACK and Self Publish Be Happy (SPBH), the book is a meditation on what identity could look like when language fails it, materialising as a kaleidoscopic project in colour, photographic genre, and thematic scope. From one page to the next, one can expect to flit from myth to documentary, from archive to text that mimics a screenplay. In one image, a model covered in jewellery poses against a tangerine-hued backdrop; in another, a self-portrait of the artist as the Hindu goddess Kali and a few pages later, a tonally inverted photograph of a bookshelf. \u201cThe term mixed isn\u2019t just fixed to this idea of racial identity. I wanted to use this concept of \u2018mixedness\u2019 as a method,&#8221; Dhunsi explains in a conversation over Zoom. \u201cThere are all sorts of genres of photography within the book, which might make a critic confused. It has lots of text. It\u2019s not just documentary or portraiture photography; it includes archival elements. I wanted the premise of \u2018mixed\u2019 to go beyond the book\u2019s thematic aspects.&#8221;<\/span><\/p>\n<p><span>The book was conceived as a result of the Nordic Photobook Award, which the photographer saw as a means to create something he couldn\u2019t fulfil on his own. \u201cI sat down and imagined what I would do with the opportunity, and instead of applying with an established body of work or my portfolio, I proposed a project just with text,\u201d Dhunsi explains. \u201cIt didn\u2019t make sense for me to apply to the award with something that already has a life. I wanted this book to feel completely new.\u201d<\/span><\/p>\n<\/div>\n<figure class=\"inline-img expandable dev-view-hide\" data-img=\"91594dea-3f54-4e4d-afc8-b41200e9413d\" data-src=\"https:\/\/images-prod.dazeddigital.com\/1575\/azure\/dazed-prod\/1440\/2\/1442017.jpg\" data-img-aspect-ratio-type=\"portrait\" data-img-aspect-ratio=\"0.8\"><span class=\"has-css-custom-props image-container\" data-aspect-ratio-type=\"portrait\"><span class=\"preserve-aspect-ratio\"><img loading=\"lazy\" decoding=\"async\" alt=\"Dev Dhunsi, Mixed \" class=\"img\" height=\"1969\" src=\"https:\/\/images-prod.dazeddigital.com\/786\/azure\/dazed-prod\/1440\/2\/1442017.jpg\" width=\"1575\"><\/span><\/span><figcaption class=\"img-caption\"><span class=\"caption\">Dev Dhunsi, Mixed (SPBH <span class=\"nowrap\">Editions, 2026)<\/span><\/span><span class=\"credit\">Courtesy of the artist <span class=\"nowrap\">and MACK.<\/span><\/span><\/figcaption><\/figure>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p><span>In the initial stages of the project, Dhunsi was curious to examine his own family and roots in Scandinavia. \u201cMy family moved to Norway in the 80s and 90s, which was a significant period of migration into Norway. My cousins are from Algeria, from Morocco, from Argentina. My own heritage is in India, and I guess we are now groups that are supposedly going to have nationalist feelings towards Norway, but struggle with it. I wanted to explore that tension of being from different places.\u201d The text he was working with at the time was titled <em>Fatherland<\/em>, a homage to his father\u2019s Indian heritage. \u201cI initially wanted to travel to all the countries my family are from with them and work with the geographical differences between those places,\u201d Dhunsi explains. \u201cI hoped that I would learn more about them outside the context of Norway through that experience, but the project ended up being way too ambitious.\u201d\u00a0<\/span><\/p>\n<p><span>To fulfil the thematic ambitions of <\/span><em><span>Mixed,<\/span><\/em><span> which are primarily concerned with ideas of identity and visisbility in an era obsessed with definitive categories and purity, Dhunsi had to give up some level of artistic control as a photographer, intentionally lean into the lack of direction and allow the images in the book to be visually influenced by the conversations he had with his subjects instead. \u201cIt opened up the way I was able to work with people and create images. By talking to me about their own cultural heritage and how they felt like representing themselves, I was able to open up my own references and expand the kind of images I was making,\u201d he says, noting how this process allowed him to access spaces and moments he wouldn\u2019t have been able to otherwise. \u201cOur hybrid identities function similarly to being queer in how they teach us to adapt to different rooms and spaces. You can cross a lot of borders and access moments that are unique and exciting. I think that sense of excitement really comes through in the book.\u201d<\/span><\/p>\n<\/div>\n<figure class=\"inline-img expandable dev-view-hide\" data-img=\"8e447f08-71f5-4f0c-a163-b41200e947fc\" data-src=\"https:\/\/images-prod.dazeddigital.com\/1260\/azure\/dazed-prod\/1440\/2\/1442021.jpg\" data-img-aspect-ratio-type=\"portrait\" data-img-aspect-ratio=\"0.8\"><span class=\"has-css-custom-props image-container\" data-aspect-ratio-type=\"portrait\"><span class=\"preserve-aspect-ratio\"><img loading=\"lazy\" decoding=\"async\" alt=\"Dev Dhunsi, Mixed \" class=\"img\" height=\"1575\" src=\"https:\/\/images-prod.dazeddigital.com\/786\/azure\/dazed-prod\/1440\/2\/1442021.jpg\" width=\"1260\"><\/span><\/span><figcaption class=\"img-caption\"><span class=\"caption\">Dev Dhunsi, Mixed (SPBH <span class=\"nowrap\">Editions, 2026)<\/span><\/span><span class=\"credit\">Courtesy of the artist <span class=\"nowrap\">and MACK.<\/span><\/span><\/figcaption><\/figure>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p><span>In the book, Dhunsi&#8217;s staged and documentary photographs of his subjects and the physical world around them sit alongside material from The State Institute for Racial Biology in Sweden, which shuttered in 1959 and housed documents and photographic material relating to racial biology and eugenics. \u201cI wanted to include this archival material as a backstory for the project, but I also wanted to emphasise that this racial archive is totally different to my way of working. They were violently capturing their subjects, stripping them naked, and measuring them. They didn\u2019t include any names to identify any of the people in the archive, which is why it was so important for me to truthfully represent everyone in <\/span><em><span>Mixed <\/span><\/em><span>and include a thank you page where all their names are listed.\u201d<\/span><\/p>\n<p><span>Dhunsi\u2019s photo book is accompanied by a show at the Nitja Centre for Contemporary Art in Norway titled <a href=\"https:\/\/www.nitja.no\/exhibitions\/devdhunsi\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.nitja.no\/exhibitions\/devdhunsi&amp;source=gmail&amp;ust=1774000928930000&amp;usg=AOvVaw3n5hur3x2Xll-h3pNfmcBv\"><em>Unmistakably You<\/em><\/a><\/span><span>, which extends the book\u2019s themes into the material world. \u201cI decided none of my photos would touch or hang freely on the wall. I didn&#8217;t want to neutralise these portraits or treat them as objects, as something one can theoretically buy and bring home. Instead, I printed one selection of photographs on textiles and stretched them out on canvas stretchers, and another series of works is on tapestry. The archive images on display are embedded into the wall so it looks like someone has ripped up the wall to expose the images,\u201d Dhunsi tells Dazed. For him, the physical space becomes another site of inquiry \u2013 much like the photo book itself \u2013 one that resists the urge to neutralise, label or neatly contain, an examination through medium and method of how limiting traditional modes of presenting and categorising photographs are.<\/span><\/p>\n<p><a href=\"https:\/\/mackbooks.co.uk\/products\/mixed\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/mackbooks.co.uk\/products\/mixed&amp;source=gmail&amp;ust=1774000928930000&amp;usg=AOvVaw1M7jEe81s4YvtgIfoiZyjI\">Mixed<\/a>\u00a0<em>(SPBH Editions, 2026) by Dev Dhunsi is published by MACK.\u00a0<\/em><a href=\"https:\/\/www.nitja.no\/exhibitions\/devdhunsi\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.nitja.no\/exhibitions\/devdhunsi&amp;source=gmail&amp;ust=1774000928930000&amp;usg=AOvVaw3n5hur3x2Xll-h3pNfmcBv\">Unmistakably You<\/a><em>\u00a0is now open at Nitja Centre for Contemporary Art, Norway, until 26 April 2026.\u00a0<\/em><\/p>\n<\/div>\n<div id=\"newsletter-inline-last\">\n<div class=\"newsletter-small\">\n<div class=\"inner\">\n<h1 class=\"newsletter-title\">Escape the algorithm! Get The Drop<\/h1>\n<div class=\"meta-row\">\n<p class=\"meta\">Get must-see stories direct to your inbox every weekday.<\/p>\n<p class=\"paragraph\"><a href=\"https:\/\/www.dazeddigital.com\/privacy-policy\" class=\"meta-link\" target=\"_blank\" rel=\"noopener\"><br \/>\nPrivacy policy<br \/>\n<\/a><\/p>\n<\/div>\n<div class=\"confirmation\" aria-live=\"polite\">\n<p class=\"confirmation-title\">Thank you. You have been subscribed<\/p>\n<p><a href=\"https:\/\/www.dazeddigital.com\/privacy-policy\" class=\"meta-link\" target=\"_blank\" rel=\"noopener\"><br \/>\nPrivacy policy<br \/>\n<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>[analyse_source url=&#8221;https:\/\/www.dazeddigital.com\/art-photography\/article\/69941\/1\/dev-dhunsi-mixed-mack-spbh-artist-norwegian-indian-photo-book-exhibition-nordic&#8221;]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;https:\/\/images-prod.dazeddigital.com\/1200\/0-658-1260-840\/azure\/dazed-prod\/1440\/2\/1442025.jpg&#8221;] Courtesy of the artist and MACK. March\u00a0 19,\u00a0 2026 Art &amp; Photography \/ Lightbox Art &amp; Photography \/ Lightbox This photo book challenges how we think about \u2018mixed\u2019 identity In a time increasingly concerned with definitive categories, Norwegian-Indian artist Dev Dhunsi delves into the concept of \u2018mixedness\u2019 March\u00a0 19,\u00a0 2026 March\u00a0 19,\u00a0 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[226,76],"class_list":["post-1835507","post","type-post","status-publish","format-standard","hentry","category-politics","tag-crawlmanager","tag-dazeddigital-com"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1835507","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1835507"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1835507\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1835507"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1835507"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1835507"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}