{"id":1830482,"date":"2026-03-17T00:00:00","date_gmt":"2026-03-16T21:00:00","guid":{"rendered":"https:\/\/analyse.optim.biz\/?p=1830482"},"modified":"2026-03-17T00:00:00","modified_gmt":"2026-03-16T21:00:00","slug":"wonderland-86","status":"publish","type":"post","link":"https:\/\/analyse.optim.biz\/?p=1830482","title":{"rendered":"Wonderland"},"content":{"rendered":"<div class=\"post-wrap\">\n<h1 class=\"logo\">\n\t\t<a href=\"https:\/\/www.wonderlandmagazine.com\/\"><br \/>\n\t\t\t<span class=\"logo-text\">Wonderland<\/span><br \/>\n<span class=\"logo-image logo-image-black icons_wonderland\"><\/span><br \/>\n<span class=\"logo-image logo-image-white icons_wonderland_white\"><\/span><br \/>\n\t\t<\/a><br \/>\n\t<\/h1>\n<section class=\"post-header\">\n<h2 style=\"font-size:6vw;font-size:clamp(1rem, 6vw, 7rem)\">\n\t\t\t<span>SHY ONE IS ON REPEAT<\/span><br \/>\n\t\t<\/h2>\n<\/section>\n<section class=\"post-text\">\n<div class=\"bialty-container\">\n<h3 class=\"wp-block-heading\"><strong>Don Blackman, Prince Buster, Dwele: these are just a few of the artists shaping the listening habits of one of London\u2019s most versatile DJs.<\/strong><br \/><\/h3>\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1780\" height=\"1200\" src=\"https:\/\/media.wonderlandmagazine.com\/uploads\/2026\/03\/Shy-One-2025-Ronan-McKenzie-JPG-1780x1200.jpg\" alt=\"Shy One Is On Repeat\" class=\"wp-image-288647\"><figcaption class=\"wp-element-caption\">Photography by Ronan McKenzie<\/figcaption><\/figure>\n<\/div>\n<p>Mali Larrington-Nelson, aka Shy One, has long been woven into the fabric of London\u2019s underground music scene. Born and raised on the city\u2019s outskirts, the DJ, producer and broadcaster has spent two decades gliding through its many sonic worlds, from pirate radio and grime crews to the soulful, genre-blurring sets she\u2019s now known for across clubs, studios and airwaves. She\u2019s rightfully earned her spot as a staple on the UK music and club circuit scene, cementing herself as one of its top DJs.\u00a0<\/p>\n<p>With shows on NTS Radio and Balamii Radio, releases on labels like DVA Music and Eglo Records, her impact on the culture doesn\u2019t go amiss. With deep roots in the city\u2019s nightlife, her musical palette is well seasoned. Raised by a raver mum and in a family where CDs and records were shared like plates of food, Larrington-Nelson was DJing grime by the age of 13. That musical curiosity still defines her approach today, allowing her to move seamlessly between sounds and scenes behind the decks.<\/p>\n<p>Now, with her new self-titled album <em>Mali<\/em>, we\u2019re hearing the London-based producer and DJ at a fine-tuned point of clarity. With this project, she captures a period of personal and sonic decluttering, leaning into a sound that, in her own words, \u201cfeels more like me.\u201d Released via South London label and community hub Touching Bass, the record arrives following a run of well-received singles including \u201cMoonlight\u201d, \u201cNort Wess\u201d, and \u201cI Can Tell\u201d, featuring collaborators including Private Joy and George Riley.\u00a0<\/p>\n<p>A standout moment from the focus track, \u201cDriving On Sand,\u201d featuring the legendary Steve Spacek, shows his unmistakable, airy vocal slide over Shy One\u2019s syncopated percussion and atmospheric production. Blending house, techno, broken beat, dub, and rap across ten tracks, <em>Mali<\/em> reflects the full spectrum of sounds that have moulded Shy One\u2019s career, bridging generations of Black British electronic music.\u00a0<\/p>\n<p>To celebrate the release, she was joined by friends, collaborators and Touching Bass founder Errol as she headlined her biggest show to date at Village Underground. But for now, she shares the tracks that she\u2019s currently got On Repeat\u2026<\/p>\n<p><em>Listen to the album\u2026<\/em><\/p>\n<figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\">\n<div class=\"wp-block-embed__wrapper\">\n<\/div>\n<\/figure>\n<p><em>Shy One Is On Repeat\u2026<\/em><\/p>\n<p class=\"has-text-align-center\"><strong>Dwele \u2013 \u201cFlywun\u201d<\/strong><\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\">\n<div class=\"wp-block-embed__wrapper\">\n<\/div>\n<\/figure>\n<p>Dwele is one of the artists responsible for my love of the Rhodes piano. I\u2019ve listened to <em>Rize<\/em> countless times since my teens and have no doubt his stripped-back, soulful production contributed largely to my preference for that style.\u00a0<\/p>\n<p class=\"has-text-align-center\"><strong>Silhouette Brown \u2013 \u201cWhose In Charge\u201d<\/strong><\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\">\n<div class=\"wp-block-embed__wrapper\">\n<\/div>\n<\/figure>\n<p>Another of my most-played albums in life. This track, in particular, I especially love the filtered bass, sounds like something you\u2019d hear in UKG or Grime, but they\u2019ve used it with Neo-soul and nu-jazz instrumentation and vocals. I fell in love with this kind of broken beat so easily, whilst actively being obsessed with Grime, it sounded to me like Grime and UKG\u2019s older, chilled-out cousin who studied Jazz.\u00a0<\/p>\n<p class=\"has-text-align-center\"><strong>Joe Gibbs Allstars \u2013 \u201cLover\u2019s Serenade\u201d<\/strong><\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\">\n<div class=\"wp-block-embed__wrapper\">\n<\/div>\n<\/figure>\n<p>Whilst finishing the album, I read a couple of books on the history of the Jamaican recording industry and spent a lot of my downtime and travels listening to the producers mentioned. Lover\u2019s Serenade was a standout of that Dub period and another reason I knew I needed a little guitar on the project.\u00a0<\/p>\n<p class=\"has-text-align-center\"><strong>Prince Buster \u2013 \u201cIt\u2019s Burke\u2019s Law\u201d<\/strong><\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\">\n<div class=\"wp-block-embed__wrapper\">\n<\/div>\n<\/figure>\n<p>I\u2019ve loved the guitar skank of ska since a toddler due to my great-grandfather playing records like Burke\u2019s Law. I\u2019ve tried to imitate it in some beats in the past, but after discovering what the source of that sound actually is, I had Simeon Jones record some guitar for me to use in a dub-inspired track on the album.<\/p>\n<p class=\"has-text-align-center\"><strong>King Jammy \u2013 \u201cStormy Weather Dub\u201d<\/strong><\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\">\n<div class=\"wp-block-embed__wrapper\">\n<\/div>\n<\/figure>\n<p>Jammy (and Tubby\u2019s) use of effects on this track and many others inspired me to combine guitar pedals and other effects processors to have fun and do \u2018lil rough dub-like attempts of my own.<\/p>\n<p class=\"has-text-align-center\"><strong>Mark de Clive-Lowe \u2013 \u201cSlide\u201d<\/strong><\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\">\n<div class=\"wp-block-embed__wrapper\">\n<\/div>\n<\/figure>\n<p>Another tune and album that had a big impact on me as a child, and is the root of my love for certain types of sounds that I\u2019ve gone on to use in my own productions.\u00a0<\/p>\n<p class=\"has-text-align-center\"><strong>Rhian Benson \u2013 \u201cSay How I Feel (Bugz In the Attic Remix)\u201d<\/strong><\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\">\n<div class=\"wp-block-embed__wrapper\">\n<\/div>\n<\/figure>\n<p>Bugz\u2019s use of tremolo and panning on this track used to gas me up so much, definitely another core memory and reason I\u2019m fond of that effect.\u00a0<\/p>\n<p class=\"has-text-align-center\"><strong>Wookie \u2013 \u201cVCF\u201d\u00a0<\/strong><\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\">\n<div class=\"wp-block-embed__wrapper\">\n<\/div>\n<\/figure>\n<p>This track (and Lady Saw\u2019s \u2018Hice it Up\u2019) are partly the reason I bought a Roland JV1080 synth, however many years ago. Wookie\u2019s one of my biggest influences; he\u2019s given us some of the greatest electronic tracks to come out of Britain, in my opinion.\u00a0<\/p>\n<p class=\"has-text-align-center\"><strong>Don Blackman \u2013 \u201cHolding you, loving you\u201d\u00a0<\/strong><\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\">\n<div class=\"wp-block-embed__wrapper\">\n<\/div>\n<\/figure>\n<p>This 1982 album is not a \u2018piano album\u2019, but it\u2019s probably one of my favourite albums because of the Piano in it.\u00a0<\/p>\n<p class=\"has-text-align-center\"><strong>Jay Daniel \u2013 \u201cbrainz\u201d\u00a0<\/strong><\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\">\n<div class=\"wp-block-embed__wrapper\">\n<\/div>\n<\/figure>\n<p>I\u2019ll never tire of this track or feel guilty for still playing it in my sets year after year after year after year. Some of the sickest \u2018n\u2019 roughest drums. Gritty drums are always the one for me.<\/p>\n<\/div>\n<\/section>\n<p>\t\t<!-- \/.post-content --><\/p>\n<section class=\"post-footer\">\n<div class=\"post-date\">\n\t\t\t\t17 March 2026\t\t\t<\/div>\n<div class=\"categories-and-tags\">\n<div class=\"categories\">\n<div class=\"category\"><a href=\"https:\/\/www.wonderlandmagazine.com\/category\/music\/\">Music<\/a><\/div>\n<div class=\"category\"><a href=\"https:\/\/www.wonderlandmagazine.com\/category\/on-repeat\/\">On Repeat<\/a><\/div>\n<\/p><\/div>\n<div class=\"categories tags\"><\/div>\n<\/p><\/div>\n<p>\t\t\t<span class=\"post-share-logos\"><br \/>\n\t\t\t\t<a href=\"https:\/\/twitter.com\/share?original_referer=https%3A%2F%2Fwww.wonderlandmagazine.com%2F2026%2F03%2F17%2Fshy-one-on-repeat%2F&amp;related=&amp;source=tweetbutton&amp;text=Wonderland+%E2%80%94+Shy+One+Is+On+Repeat&amp;url=https%3A%2F%2Fwww.wonderlandmagazine.com%2F2026%2F03%2F17%2Fshy-one-on-repeat%2F\" target=\"_blank\"><br \/>\n\t\t\t\t\t<span class=\"icons icons_twitter post-twitter\"><\/span><br \/>\n\t\t\t\t<\/a><br \/>\n\t\t\t\t<a href=\"https:\/\/www.facebook.com\/share.php?u=https%3A%2F%2Fwww.wonderlandmagazine.com%2F2026%2F03%2F17%2Fshy-one-on-repeat%2F\" target=\"_blank\"><br \/>\n\t\t\t\t\t<span class=\"icons icons_facebook post-facebook\"><\/span><br \/>\n\t\t\t\t<\/a><br \/>\n\t\t\t\t<a href=\"https:\/\/www.pinterest.com\/pin\/create\/button\/\" data-pin-do=\"buttonBookmark\" data-pin-custom=\"true\"><br \/>\n\t\t\t\t\t<span class=\"icons icons_pinterest post-pinterest\"><\/span><br \/>\n\t\t\t\t<\/a><br \/>\n\t\t\t<\/span><br \/>\n\t\t<\/section>\n<div class=\"previous-next-post previous-post\">\n\t\t\t\t<a href=\"https:\/\/www.wonderlandmagazine.com\/2026\/03\/17\/oscars-2026\/\" rel=\"next\"><span class=\"previous-next-post-title\">ICYMI:  Here\u2019s Who Came Out On Top At The 2026 Oscars<\/span> <span class=\"icons icons_down\"><\/span><\/a>\t\t\t<\/div>\n<div class=\"previous-next-post next-post\">\n\t\t\t\t<a href=\"https:\/\/www.wonderlandmagazine.com\/2026\/03\/17\/wonderland-loves-21\/\" rel=\"prev\"><span class=\"previous-next-post-title\">Wonderland Loves\u00a0<\/span> <span class=\"icons icons_up\"><\/span><\/a>\t\t\t<\/div>\n<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Wonderland SHY ONE IS ON REPEAT Don Blackman, Prince Buster, Dwele: these are just a few of the artists shaping the listening habits of one of London\u2019s most versatile DJs. Photography by Ronan McKenzie Mali Larrington-Nelson, aka Shy One, has long been woven into the fabric of London\u2019s underground music scene. Born and raised on [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[226,257],"class_list":["post-1830482","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-crawlmanager","tag-wonderlandmagazine-com"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1830482","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1830482"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1830482\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1830482"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1830482"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1830482"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}