{"id":1825151,"date":"2026-03-13T10:00:39","date_gmt":"2026-03-13T07:00:39","guid":{"rendered":"https:\/\/analyse.optim.biz\/?p=1825151"},"modified":"2026-03-13T10:00:39","modified_gmt":"2026-03-13T07:00:39","slug":"embracing-friction-in-the-art-world","status":"publish","type":"post","link":"https:\/\/analyse.optim.biz\/?p=1825151","title":{"rendered":"Embracing Friction in the Art World"},"content":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;&#8221;]<\/p>\n<p><main class=\"gh-main\"><\/p>\n<article class=\"gh-article post tag-daily-newsletter tag-newsletter no-image\">\n<header class=\"gh-article-header gh-canvas\">\n<p>                Daily Newsletter<\/p>\n<h1 class=\"gh-article-title is-title\">Embracing Friction in the Art World<\/h1>\n<p class=\"gh-article-excerpt is-body\">A little Brooklyn exhibition space rejects optimization culture, the Pentagon bans press photographers, and guess who&#8217;s headed to Perrotin?<\/p>\n<div class=\"gh-article-meta\">\n<div class=\"gh-article-author-image instapaper_ignore\"><img decoding=\"async\" class=\"author-profile-image\" src=\"https:\/\/hyperallergic.com\/content\/images\/size\/w160\/2025\/11\/hyperallergic-favicon-d-blank-r-g-s-500.png\" alt=\"Hyperallergic\"><\/div>\n<div class=\"gh-article-meta-wrapper\">\n<h4 class=\"gh-article-author-name\">Hyperallergic<\/h4>\n<div class=\"gh-article-meta-content\"><time class=\"gh-article-meta-date\" datetime=\"2026-03-13\">March 13, 2026<\/time><span class=\"gh-article-meta-length\"><span class=\"bull\">\u2014<\/span> 3 min read<\/span><\/div>\n<\/div>\n<\/div>\n<\/header>\n<section class=\"gh-content gh-canvas is-body\">\n<p>On Franklin Street in Brooklyn\u2019s Greenpoint neighborhood, one non-commercial gallery fosters \u201ca small, stubbornly human space for friction,\u201d writes Associate Editor Lisa Yin Zhang. Friction \u2014 the ubiquitous buzzword that captures the simultaneous delight and discomfort of doing things the slow way \u2014 is at the heart of artists Pap Souleye Fall and Char Jer\u00e9\u2019s current show at Subtitled NYC. It also reflects the overall spirit of this little exhibition space and of a burgeoning movement to reject our culture of optimization in favor of a bumpier, more intimate, less alienating experience.<\/p>\n<p>In the news, pride will not be the capital sin that sends Defense Secretary Pete Hegseth to hell, but it&#8217;s the vice we take the most pleasure in ridiculing him for. The former Fox News host has reportedly banned press photographers from the Pentagon over what he perceived as \u201cunflattering\u201d images of him taken during briefings of the US-Israel war on Iran. Writer Sarah Rose Sharp has a few choice words for the \u201csecretary of war\u201d below. News flash, Pete: Evil people are just ugly.<\/p>\n<p><em>\u2014Valentina Di Liscia, senior editor<\/em><\/p>\n<hr>\n<figure class=\"kg-card kg-image-card kg-card-hascaption\"><img decoding=\"async\" src=\"https:\/\/hyperallergic.com\/content\/images\/2026\/03\/IMG_4740-1.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><figcaption><span>Installation view of work by Pap Souleye Fall at Subtitled NYC (photo by Lisa Yin Zhang\/<\/span><i><em class=\"italic\">Hyperallergic<\/em><\/i><span>)<\/span><\/figcaption><\/figure>\n<h3 id=\"the-tiny-brooklyn-project-space-resisting-the-gallery-machine\">The Tiny Brooklyn Project Space Resisting the Gallery Machine<\/h3>\n<p>The non-commercial Greenpoint-based space Subtitled NYC models the tentative ways we make do in everyday life. | Lisa Yin Zhang<\/p>\n<hr>\n<div class=\"kg-card kg-cta-card kg-cta-bg-white kg-cta-immersive  kg-cta-has-img  \" data-layout=\"immersive\">\n<div class=\"kg-cta-sponsor-label-wrapper\">\n<div class=\"kg-cta-sponsor-label\"><span>SPONSORED<\/span><\/div>\n<\/div>\n<div class=\"kg-cta-content\">\n<div class=\"kg-cta-image-container\"><img decoding=\"async\" src=\"https:\/\/hyperallergic.com\/content\/images\/2026\/03\/HyperallergicblackwLM.png\" alt=\"CTA Image\" data-image-dimensions=\"1200x628\"><\/div>\n<div class=\"kg-cta-content-inner\">\n<div class=\"kg-cta-text\">\n<p><i><b><strong class=\"italic\">Anki King: Then and Now<\/strong><\/b><\/i><b><strong>\u00a0on View at The Lace Mill in Kingston, New York<\/strong><\/b><\/p>\n<p><span>This exhibition by Norwegian artist Anki King features over a decade of drawings and paintings and a substantial presentation of her ceramic sculptures. The collection forms an immersive and psychologically resonant exploration of the human condition.\u00a0<\/span><i><em class=\"italic\">Then and Now<\/em><\/i><span>\u00a0is supported by the Norwegian Consulate General and is on view through March 29.<\/span><\/p>\n<\/div>\n<p>                            Learn more<\/p><\/div>\n<\/div>\n<\/div>\n<hr>\n<h2 id=\"news\">News<\/h2>\n<figure class=\"kg-card kg-image-card kg-card-hascaption\"><img decoding=\"async\" src=\"https:\/\/hyperallergic.com\/content\/images\/2026\/03\/GettyImages-2240097882-1.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><figcaption><span>Musician, producer. and activist Brian Eno at the 32nd National March for Palestine in London on October 11, 2025 (photo Mark Kerrison\/In Pictures via Getty Images)<\/span><\/figcaption><\/figure>\n<ul>\n<li>Brian Eno is among the 200+ artists and cultural groups urging the British Museum to \u201cstop erasing Palestine\u201d after the institution\u00a0altered some wall texts in its Middle East Galleries\u00a0in the wake of pressure from a pro-Israel group.<\/li>\n<li>The Pentagon has reportedly banned photography at briefings because Secretary of Defense Pete Hegseth complained about \u201cunflattering\u201d photos.<\/li>\n<\/ul>\n<hr>\n<div class=\"kg-card kg-cta-card kg-cta-bg-white kg-cta-immersive  kg-cta-has-img  \" data-layout=\"immersive\">\n<div class=\"kg-cta-sponsor-label-wrapper\">\n<div class=\"kg-cta-sponsor-label\"><span>SPONSORED<\/span><\/div>\n<\/div>\n<div class=\"kg-cta-content\">\n<div class=\"kg-cta-image-container\"><img decoding=\"async\" src=\"https:\/\/hyperallergic.com\/content\/images\/2026\/03\/Hyperallergic-announcment-post-01-2.jpg\" alt=\"CTA Image\" data-image-dimensions=\"1200x675\"><\/div>\n<div class=\"kg-cta-content-inner\">\n<div class=\"kg-cta-text\">\n<p><b><strong>The Museum at FIT Presents \u201cArt X Fashion\u201d<\/strong><\/b><\/p>\n<p><span>This exhibition explores the entangled and shifting relationship between fine art and fashion, tracing parallel aesthetics from 18th-century Rococo to postmodernism.<\/span><\/p>\n<\/div>\n<p>                            Learn more<\/p><\/div>\n<\/div>\n<\/div>\n<hr>\n<h2 id=\"community\">Community<\/h2>\n<figure class=\"kg-card kg-image-card kg-card-hascaption\"><img decoding=\"async\" src=\"https:\/\/hyperallergic.com\/content\/images\/2026\/03\/alma-allen-1.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><figcaption><span>Alma Allen (photo by Ana Hop, courtesy American Arts Conservancy)<\/span><\/figcaption><\/figure>\n<h3 id=\"art-movements-look-who%E2%80%99s-headed-to-perrotin-gallery\">Art Movements: Look Who\u2019s Headed to Perrotin Gallery<\/h3>\n<p>Alma Allen gets mega-gallery representation, Marina Abramovi\u0107 forays into balloon art, and more industry news.<\/p>\n<h3 id=\"required-reading\">Required Reading<\/h3>\n<p>This week: women\u2019s strike in Argentina, graffiti dialogues in Brooklyn, UK museums hold human remains from former colonies, mini Tudor paintings, mapping The Met, and more links from around the web.<\/p>\n<h3 id=\"a-view-from-the-easel\">A View From the Easel<\/h3>\n<p>This week, Zo\u00eb Elena Moldenhauer invents their own alphabet while LUSMERLIN investigates the collapse of the universe. <\/p>\n<p>Want to take part? Check out our\u00a0submission guidelines.<\/p>\n<hr>\n<h2 id=\"member-comment\">Member Comment<\/h2>\n<p>Antonio C. Cuyler on Nasser Mohamed&#8217;s &#8220;Don\u2019t Believe What Art Basel Qatar Is Trying to Sell You&#8221;:<\/p>\n<div class=\"kg-card kg-callout-card kg-callout-card-yellow\">\n<div class=\"kg-callout-text\">Thank you for sharing what happens when cultural policy, cultural diplomacy, cultural tourism, and marginalized identities collide in an oppressive regime. As a non-citizen bystander witnessing the injustice it can be difficult to know what role one can and should play in these situations. I appreciate the invitation to consider.<\/div>\n<\/div>\n<hr>\n<h2 id=\"from-the-archive\">From the Archive<\/h2>\n<figure class=\"kg-card kg-image-card kg-card-hascaption\"><img decoding=\"async\" src=\"https:\/\/hyperallergic.com\/content\/images\/2026\/03\/eno_still2.jpg\" class=\"kg-image\" alt=\"You Can\u2019t Finish This Brian Eno Doc in a Single Lifetime\" loading=\"lazy\" width=\"1200\" height=\"675\"><figcaption><span>Still from\u00a0<\/span><i><em class=\"italic\">Eno<\/em><\/i><span>\u00a0(2024), directed by Gary Hustwit<\/span><\/figcaption><\/figure>\n<h3 id=\"you-can%E2%80%99t-finish-this-brian-eno-doc-in-a-single-lifetime\">You Can\u2019t Finish This Brian Eno Doc in a Single Lifetime<\/h3>\n<p>An algorithm organizes a unique ordering of scenes for each screening, meaning there are millions of versions of the film. | Dan Schindel<\/p>\n<ul class=\"post-tags\">\n<li>\n                        Daily Newsletter\n                      <\/li>\n<li>\n                        Newsletter\n                      <\/li>\n<\/ul>\n<\/section>\n<\/article>\n<p><\/main><\/p>\n<article class=\"gh-article post tag-daily-newsletter tag-newsletter no-image\">\n<header class=\"gh-article-header gh-canvas\">\n<p>                Daily Newsletter<\/p>\n<h1 class=\"gh-article-title is-title\">Embracing Friction in the Art World<\/h1>\n<p class=\"gh-article-excerpt is-body\">A little Brooklyn exhibition space rejects optimization culture, the Pentagon bans press photographers, and guess who&#8217;s headed to Perrotin?<\/p>\n<div class=\"gh-article-meta\">\n<div class=\"gh-article-author-image instapaper_ignore\"><img decoding=\"async\" class=\"author-profile-image\" src=\"https:\/\/hyperallergic.com\/content\/images\/size\/w160\/2025\/11\/hyperallergic-favicon-d-blank-r-g-s-500.png\" alt=\"Hyperallergic\"><\/div>\n<div class=\"gh-article-meta-wrapper\">\n<h4 class=\"gh-article-author-name\">Hyperallergic<\/h4>\n<div class=\"gh-article-meta-content\"><time class=\"gh-article-meta-date\" datetime=\"2026-03-13\">March 13, 2026<\/time><span class=\"gh-article-meta-length\"><span class=\"bull\">\u2014<\/span> 3 min read<\/span><\/div>\n<\/div>\n<\/div>\n<\/header>\n<section class=\"gh-content gh-canvas is-body\">\n<p>On Franklin Street in Brooklyn\u2019s Greenpoint neighborhood, one non-commercial gallery fosters \u201ca small, stubbornly human space for friction,\u201d writes Associate Editor Lisa Yin Zhang. Friction \u2014 the ubiquitous buzzword that captures the simultaneous delight and discomfort of doing things the slow way \u2014 is at the heart of artists Pap Souleye Fall and Char Jer\u00e9\u2019s current show at Subtitled NYC. It also reflects the overall spirit of this little exhibition space and of a burgeoning movement to reject our culture of optimization in favor of a bumpier, more intimate, less alienating experience.<\/p>\n<p>In the news, pride will not be the capital sin that sends Defense Secretary Pete Hegseth to hell, but it&#8217;s the vice we take the most pleasure in ridiculing him for. The former Fox News host has reportedly banned press photographers from the Pentagon over what he perceived as \u201cunflattering\u201d images of him taken during briefings of the US-Israel war on Iran. Writer Sarah Rose Sharp has a few choice words for the \u201csecretary of war\u201d below. News flash, Pete: Evil people are just ugly.<\/p>\n<p><em>\u2014Valentina Di Liscia, senior editor<\/em><\/p>\n<hr>\n<figure class=\"kg-card kg-image-card kg-card-hascaption\"><img decoding=\"async\" src=\"https:\/\/hyperallergic.com\/content\/images\/2026\/03\/IMG_4740-1.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><figcaption><span>Installation view of work by Pap Souleye Fall at Subtitled NYC (photo by Lisa Yin Zhang\/<\/span><i><em class=\"italic\">Hyperallergic<\/em><\/i><span>)<\/span><\/figcaption><\/figure>\n<h3 id=\"the-tiny-brooklyn-project-space-resisting-the-gallery-machine\">The Tiny Brooklyn Project Space Resisting the Gallery Machine<\/h3>\n<p>The non-commercial Greenpoint-based space Subtitled NYC models the tentative ways we make do in everyday life. | Lisa Yin Zhang<\/p>\n<hr>\n<div class=\"kg-card kg-cta-card kg-cta-bg-white kg-cta-immersive  kg-cta-has-img  \" data-layout=\"immersive\">\n<div class=\"kg-cta-sponsor-label-wrapper\">\n<div class=\"kg-cta-sponsor-label\"><span>SPONSORED<\/span><\/div>\n<\/div>\n<div class=\"kg-cta-content\">\n<div class=\"kg-cta-image-container\"><img decoding=\"async\" src=\"https:\/\/hyperallergic.com\/content\/images\/2026\/03\/HyperallergicblackwLM.png\" alt=\"CTA Image\" data-image-dimensions=\"1200x628\"><\/div>\n<div class=\"kg-cta-content-inner\">\n<div class=\"kg-cta-text\">\n<p><i><b><strong class=\"italic\">Anki King: Then and Now<\/strong><\/b><\/i><b><strong>\u00a0on View at The Lace Mill in Kingston, New York<\/strong><\/b><\/p>\n<p><span>This exhibition by Norwegian artist Anki King features over a decade of drawings and paintings and a substantial presentation of her ceramic sculptures. The collection forms an immersive and psychologically resonant exploration of the human condition.\u00a0<\/span><i><em class=\"italic\">Then and Now<\/em><\/i><span>\u00a0is supported by the Norwegian Consulate General and is on view through March 29.<\/span><\/p>\n<\/div>\n<p>                            Learn more<\/p><\/div>\n<\/div>\n<\/div>\n<hr>\n<h2 id=\"news\">News<\/h2>\n<figure class=\"kg-card kg-image-card kg-card-hascaption\"><img decoding=\"async\" src=\"https:\/\/hyperallergic.com\/content\/images\/2026\/03\/GettyImages-2240097882-1.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><figcaption><span>Musician, producer. and activist Brian Eno at the 32nd National March for Palestine in London on October 11, 2025 (photo Mark Kerrison\/In Pictures via Getty Images)<\/span><\/figcaption><\/figure>\n<ul>\n<li>Brian Eno is among the 200+ artists and cultural groups urging the British Museum to \u201cstop erasing Palestine\u201d after the institution\u00a0altered some wall texts in its Middle East Galleries\u00a0in the wake of pressure from a pro-Israel group.<\/li>\n<li>The Pentagon has reportedly banned photography at briefings because Secretary of Defense Pete Hegseth complained about \u201cunflattering\u201d photos.<\/li>\n<\/ul>\n<hr>\n<div class=\"kg-card kg-cta-card kg-cta-bg-white kg-cta-immersive  kg-cta-has-img  \" data-layout=\"immersive\">\n<div class=\"kg-cta-sponsor-label-wrapper\">\n<div class=\"kg-cta-sponsor-label\"><span>SPONSORED<\/span><\/div>\n<\/div>\n<div class=\"kg-cta-content\">\n<div class=\"kg-cta-image-container\"><img decoding=\"async\" src=\"https:\/\/hyperallergic.com\/content\/images\/2026\/03\/Hyperallergic-announcment-post-01-2.jpg\" alt=\"CTA Image\" data-image-dimensions=\"1200x675\"><\/div>\n<div class=\"kg-cta-content-inner\">\n<div class=\"kg-cta-text\">\n<p><b><strong>The Museum at FIT Presents \u201cArt X Fashion\u201d<\/strong><\/b><\/p>\n<p><span>This exhibition explores the entangled and shifting relationship between fine art and fashion, tracing parallel aesthetics from 18th-century Rococo to postmodernism.<\/span><\/p>\n<\/div>\n<p>                            Learn more<\/p><\/div>\n<\/div>\n<\/div>\n<hr>\n<h2 id=\"community\">Community<\/h2>\n<figure class=\"kg-card kg-image-card kg-card-hascaption\"><img decoding=\"async\" src=\"https:\/\/hyperallergic.com\/content\/images\/2026\/03\/alma-allen-1.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><figcaption><span>Alma Allen (photo by Ana Hop, courtesy American Arts Conservancy)<\/span><\/figcaption><\/figure>\n<h3 id=\"art-movements-look-who%E2%80%99s-headed-to-perrotin-gallery\">Art Movements: Look Who\u2019s Headed to Perrotin Gallery<\/h3>\n<p>Alma Allen gets mega-gallery representation, Marina Abramovi\u0107 forays into balloon art, and more industry news.<\/p>\n<h3 id=\"required-reading\">Required Reading<\/h3>\n<p>This week: women\u2019s strike in Argentina, graffiti dialogues in Brooklyn, UK museums hold human remains from former colonies, mini Tudor paintings, mapping The Met, and more links from around the web.<\/p>\n<h3 id=\"a-view-from-the-easel\">A View From the Easel<\/h3>\n<p>This week, Zo\u00eb Elena Moldenhauer invents their own alphabet while LUSMERLIN investigates the collapse of the universe. <\/p>\n<p>Want to take part? Check out our\u00a0submission guidelines.<\/p>\n<hr>\n<h2 id=\"member-comment\">Member Comment<\/h2>\n<p>Antonio C. Cuyler on Nasser Mohamed&#8217;s &#8220;Don\u2019t Believe What Art Basel Qatar Is Trying to Sell You&#8221;:<\/p>\n<div class=\"kg-card kg-callout-card kg-callout-card-yellow\">\n<div class=\"kg-callout-text\">Thank you for sharing what happens when cultural policy, cultural diplomacy, cultural tourism, and marginalized identities collide in an oppressive regime. As a non-citizen bystander witnessing the injustice it can be difficult to know what role one can and should play in these situations. I appreciate the invitation to consider.<\/div>\n<\/div>\n<hr>\n<h2 id=\"from-the-archive\">From the Archive<\/h2>\n<figure class=\"kg-card kg-image-card kg-card-hascaption\"><img decoding=\"async\" src=\"https:\/\/hyperallergic.com\/content\/images\/2026\/03\/eno_still2.jpg\" class=\"kg-image\" alt=\"You Can\u2019t Finish This Brian Eno Doc in a Single Lifetime\" loading=\"lazy\" width=\"1200\" height=\"675\"><figcaption><span>Still from\u00a0<\/span><i><em class=\"italic\">Eno<\/em><\/i><span>\u00a0(2024), directed by Gary Hustwit<\/span><\/figcaption><\/figure>\n<h3 id=\"you-can%E2%80%99t-finish-this-brian-eno-doc-in-a-single-lifetime\">You Can\u2019t Finish This Brian Eno Doc in a Single Lifetime<\/h3>\n<p>An algorithm organizes a unique ordering of scenes for each screening, meaning there are millions of versions of the film. | Dan Schindel<\/p>\n<ul class=\"post-tags\">\n<li>\n                        Daily Newsletter\n                      <\/li>\n<li>\n                        Newsletter\n                      <\/li>\n<\/ul>\n<\/section>\n<\/article>\n<section class=\"gh-content gh-canvas is-body\">\n<p>On Franklin Street in Brooklyn\u2019s Greenpoint neighborhood, one non-commercial gallery fosters \u201ca small, stubbornly human space for friction,\u201d writes Associate Editor Lisa Yin Zhang. Friction \u2014 the ubiquitous buzzword that captures the simultaneous delight and discomfort of doing things the slow way \u2014 is at the heart of artists Pap Souleye Fall and Char Jer\u00e9\u2019s current show at Subtitled NYC. It also reflects the overall spirit of this little exhibition space and of a burgeoning movement to reject our culture of optimization in favor of a bumpier, more intimate, less alienating experience.<\/p>\n<p>In the news, pride will not be the capital sin that sends Defense Secretary Pete Hegseth to hell, but it&#8217;s the vice we take the most pleasure in ridiculing him for. The former Fox News host has reportedly banned press photographers from the Pentagon over what he perceived as \u201cunflattering\u201d images of him taken during briefings of the US-Israel war on Iran. Writer Sarah Rose Sharp has a few choice words for the \u201csecretary of war\u201d below. News flash, Pete: Evil people are just ugly.<\/p>\n<p><em>\u2014Valentina Di Liscia, senior editor<\/em><\/p>\n<hr>\n<figure class=\"kg-card kg-image-card kg-card-hascaption\"><img decoding=\"async\" src=\"https:\/\/hyperallergic.com\/content\/images\/2026\/03\/IMG_4740-1.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><figcaption><span>Installation view of work by Pap Souleye Fall at Subtitled NYC (photo by Lisa Yin Zhang\/<\/span><i><em class=\"italic\">Hyperallergic<\/em><\/i><span>)<\/span><\/figcaption><\/figure>\n<h3 id=\"the-tiny-brooklyn-project-space-resisting-the-gallery-machine\">The Tiny Brooklyn Project Space Resisting the Gallery Machine<\/h3>\n<p>The non-commercial Greenpoint-based space Subtitled NYC models the tentative ways we make do in everyday life. | Lisa Yin Zhang<\/p>\n<hr>\n<div class=\"kg-card kg-cta-card kg-cta-bg-white kg-cta-immersive  kg-cta-has-img  \" data-layout=\"immersive\">\n<div class=\"kg-cta-sponsor-label-wrapper\">\n<div class=\"kg-cta-sponsor-label\"><span>SPONSORED<\/span><\/div>\n<\/div>\n<div class=\"kg-cta-content\">\n<div class=\"kg-cta-image-container\"><img decoding=\"async\" src=\"https:\/\/hyperallergic.com\/content\/images\/2026\/03\/HyperallergicblackwLM.png\" alt=\"CTA Image\" data-image-dimensions=\"1200x628\"><\/div>\n<div class=\"kg-cta-content-inner\">\n<div class=\"kg-cta-text\">\n<p><i><b><strong class=\"italic\">Anki King: Then and Now<\/strong><\/b><\/i><b><strong>\u00a0on View at The Lace Mill in Kingston, New York<\/strong><\/b><\/p>\n<p><span>This exhibition by Norwegian artist Anki King features over a decade of drawings and paintings and a substantial presentation of her ceramic sculptures. The collection forms an immersive and psychologically resonant exploration of the human condition.\u00a0<\/span><i><em class=\"italic\">Then and Now<\/em><\/i><span>\u00a0is supported by the Norwegian Consulate General and is on view through March 29.<\/span><\/p>\n<\/div>\n<p>                            Learn more<\/p><\/div>\n<\/div>\n<\/div>\n<hr>\n<h2 id=\"news\">News<\/h2>\n<figure class=\"kg-card kg-image-card kg-card-hascaption\"><img decoding=\"async\" src=\"https:\/\/hyperallergic.com\/content\/images\/2026\/03\/GettyImages-2240097882-1.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><figcaption><span>Musician, producer. and activist Brian Eno at the 32nd National March for Palestine in London on October 11, 2025 (photo Mark Kerrison\/In Pictures via Getty Images)<\/span><\/figcaption><\/figure>\n<ul>\n<li>Brian Eno is among the 200+ artists and cultural groups urging the British Museum to \u201cstop erasing Palestine\u201d after the institution\u00a0altered some wall texts in its Middle East Galleries\u00a0in the wake of pressure from a pro-Israel group.<\/li>\n<li>The Pentagon has reportedly banned photography at briefings because Secretary of Defense Pete Hegseth complained about \u201cunflattering\u201d photos.<\/li>\n<\/ul>\n<hr>\n<div class=\"kg-card kg-cta-card kg-cta-bg-white kg-cta-immersive  kg-cta-has-img  \" data-layout=\"immersive\">\n<div class=\"kg-cta-sponsor-label-wrapper\">\n<div class=\"kg-cta-sponsor-label\"><span>SPONSORED<\/span><\/div>\n<\/div>\n<div class=\"kg-cta-content\">\n<div class=\"kg-cta-image-container\"><img decoding=\"async\" src=\"https:\/\/hyperallergic.com\/content\/images\/2026\/03\/Hyperallergic-announcment-post-01-2.jpg\" alt=\"CTA Image\" data-image-dimensions=\"1200x675\"><\/div>\n<div class=\"kg-cta-content-inner\">\n<div class=\"kg-cta-text\">\n<p><b><strong>The Museum at FIT Presents \u201cArt X Fashion\u201d<\/strong><\/b><\/p>\n<p><span>This exhibition explores the entangled and shifting relationship between fine art and fashion, tracing parallel aesthetics from 18th-century Rococo to postmodernism.<\/span><\/p>\n<\/div>\n<p>                            Learn more<\/p><\/div>\n<\/div>\n<\/div>\n<hr>\n<h2 id=\"community\">Community<\/h2>\n<figure class=\"kg-card kg-image-card kg-card-hascaption\"><img decoding=\"async\" src=\"https:\/\/hyperallergic.com\/content\/images\/2026\/03\/alma-allen-1.jpg\" class=\"kg-image\" alt loading=\"lazy\" width=\"1200\" height=\"675\"><figcaption><span>Alma Allen (photo by Ana Hop, courtesy American Arts Conservancy)<\/span><\/figcaption><\/figure>\n<h3 id=\"art-movements-look-who%E2%80%99s-headed-to-perrotin-gallery\">Art Movements: Look Who\u2019s Headed to Perrotin Gallery<\/h3>\n<p>Alma Allen gets mega-gallery representation, Marina Abramovi\u0107 forays into balloon art, and more industry news.<\/p>\n<h3 id=\"required-reading\">Required Reading<\/h3>\n<p>This week: women\u2019s strike in Argentina, graffiti dialogues in Brooklyn, UK museums hold human remains from former colonies, mini Tudor paintings, mapping The Met, and more links from around the web.<\/p>\n<h3 id=\"a-view-from-the-easel\">A View From the Easel<\/h3>\n<p>This week, Zo\u00eb Elena Moldenhauer invents their own alphabet while LUSMERLIN investigates the collapse of the universe. <\/p>\n<p>Want to take part? Check out our\u00a0submission guidelines.<\/p>\n<hr>\n<h2 id=\"member-comment\">Member Comment<\/h2>\n<p>Antonio C. Cuyler on Nasser Mohamed&#8217;s &#8220;Don\u2019t Believe What Art Basel Qatar Is Trying to Sell You&#8221;:<\/p>\n<div class=\"kg-card kg-callout-card kg-callout-card-yellow\">\n<div class=\"kg-callout-text\">Thank you for sharing what happens when cultural policy, cultural diplomacy, cultural tourism, and marginalized identities collide in an oppressive regime. As a non-citizen bystander witnessing the injustice it can be difficult to know what role one can and should play in these situations. I appreciate the invitation to consider.<\/div>\n<\/div>\n<hr>\n<h2 id=\"from-the-archive\">From the Archive<\/h2>\n<figure class=\"kg-card kg-image-card kg-card-hascaption\"><img decoding=\"async\" src=\"https:\/\/hyperallergic.com\/content\/images\/2026\/03\/eno_still2.jpg\" class=\"kg-image\" alt=\"You Can\u2019t Finish This Brian Eno Doc in a Single Lifetime\" loading=\"lazy\" width=\"1200\" height=\"675\"><figcaption><span>Still from\u00a0<\/span><i><em class=\"italic\">Eno<\/em><\/i><span>\u00a0(2024), directed by Gary Hustwit<\/span><\/figcaption><\/figure>\n<h3 id=\"you-can%E2%80%99t-finish-this-brian-eno-doc-in-a-single-lifetime\">You Can\u2019t Finish This Brian Eno Doc in a Single Lifetime<\/h3>\n<p>An algorithm organizes a unique ordering of scenes for each screening, meaning there are millions of versions of the film. | Dan Schindel<\/p>\n<ul class=\"post-tags\">\n<li>\n                        Daily Newsletter\n                      <\/li>\n<li>\n                        Newsletter\n                      <\/li>\n<\/ul>\n<\/section>\n<article class=\"gh-card post\">\n<figure class=\"gh-card-image\"><img decoding=\"async\" src=\"https:\/\/hyperallergic.com\/content\/images\/size\/w600\/2026\/03\/PortraitofAlikhanian.jpg\" alt=\"Haroutiun Galentz: The Form of Colour\" loading=\"lazy\"><\/figure>\n<div class=\"gh-card-wrapper\">\n<h3 class=\"gh-card-title is-title\">Haroutiun Galentz: The Form of Colour<\/h3>\n<p class=\"gh-card-excerpt is-body\">A new English-language monograph repositions the Armenian\u2013Lebanese painter as a cosmopolitan modernist whose work demands to be read beyond national canons.<\/p>\n<footer class=\"gh-card-meta\"><span class=\"gh-card-author\">Armenian Arts Council<\/span><\/footer>\n<\/div>\n<\/article>\n<article class=\"gh-card post\">\n<figure class=\"gh-card-image\"><img decoding=\"async\" src=\"https:\/\/hyperallergic.com\/content\/images\/size\/w600\/2026\/03\/PNG-image-1.png\" alt=\"Deepen Your Creative Practice at Vermont Studio Center\" loading=\"lazy\"><\/figure>\n<div class=\"gh-card-wrapper\">\n<h3 class=\"gh-card-title is-title\">Deepen Your Creative Practice at Vermont Studio Center<\/h3>\n<p class=\"gh-card-excerpt is-body\">Sessions include resident presentations, open studios, and the acclaimed Visiting Artist &amp; Writer program. Applications are open for early 2027.<\/p>\n<footer class=\"gh-card-meta\"><span class=\"gh-card-author\">Vermont Studio Center<\/span><\/footer>\n<\/div>\n<\/article>\n<article class=\"gh-card post\">\n<figure class=\"gh-card-image\"><img decoding=\"async\" src=\"https:\/\/hyperallergic.com\/content\/images\/size\/w600\/2026\/03\/Vijgen-04_AES_Key_Generator.png\" alt=\"Merging Craft Practices and New Media at the Museum of Craft and Design\" loading=\"lazy\"><\/figure>\n<div class=\"gh-card-wrapper\">\n<h3 class=\"gh-card-title is-title\">Merging Craft Practices and New Media at the Museum of Craft and Design<\/h3>\n<p class=\"gh-card-excerpt is-body\">Through themes of encoding, looping, and sampling, \u201cVideo Craft\u201d brings the craft roots of emerging film technologies into focus. Now on view in San Francisco.<\/p>\n<footer class=\"gh-card-meta\"><span class=\"gh-card-author\">Museum of Craft and Design<\/span><\/footer>\n<\/div>\n<\/article>\n<article class=\"gh-card post\">\n<figure class=\"gh-card-image\"><img decoding=\"async\" src=\"https:\/\/hyperallergic.com\/content\/images\/size\/w600\/2026\/03\/CA200040-2400x1350.jpg\" alt=\"Olafur Eliasson: A symphony of disappearing sounds for the Great Salt Lake\" loading=\"lazy\"><\/figure>\n<div class=\"gh-card-wrapper\">\n<h3 class=\"gh-card-title is-title\">Olafur Eliasson: A symphony of disappearing sounds for the Great Salt Lake<\/h3>\n<p class=\"gh-card-excerpt is-body\">As the lake\u2019s ecological crisis worsens, the artist\u2019s new site-specific installation in Salt Lake City renders audible what is increasingly at risk of vanishing.<\/p>\n<footer class=\"gh-card-meta\"><span class=\"gh-card-author\">Wake the Great Salt Lake<\/span><\/footer>\n<\/div>\n<\/article>\n<p>[analyse_source url=&#8221;https:\/\/hyperallergic.com\/embracing-friction-in-the-art-world\/&#8221;]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;&#8221;] Daily Newsletter Embracing Friction in the Art World A little Brooklyn exhibition space rejects optimization culture, the Pentagon bans press photographers, and guess who&#8217;s headed to Perrotin? Hyperallergic March 13, 2026\u2014 3 min read On Franklin Street in Brooklyn\u2019s Greenpoint neighborhood, one non-commercial gallery fosters \u201ca small, stubbornly human space for friction,\u201d [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[226,69],"class_list":["post-1825151","post","type-post","status-publish","format-standard","hentry","category-politics","tag-crawlmanager","tag-hyperallergic-com"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1825151","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1825151"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1825151\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1825151"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1825151"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1825151"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}