{"id":1823583,"date":"2026-03-12T11:00:00","date_gmt":"2026-03-12T08:00:00","guid":{"rendered":"https:\/\/analyse.optim.biz\/?p=1823583"},"modified":"2026-03-12T11:00:00","modified_gmt":"2026-03-12T08:00:00","slug":"fab-5-freddy-shares-his-top-five-recent-obsessions","status":"publish","type":"post","link":"https:\/\/analyse.optim.biz\/?p=1823583","title":{"rendered":"Fab 5 Freddy Shares His Top Five Recent Obsessions"},"content":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/03\/GettyImages-1146398564.jpg?w=1024&#8243;]<\/p>\n<div class=\"a-content a-content--offset lrv-a-floated-parent lrv-u-font-family-body lrv-u-line-height-normal lrv-u-font-size-18 lrv-u-position-relative\">\n<div class=\"pmc-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">The formative graffiti artist and hip-hop pioneer, whose memoir <em>Everybody\u2019s Fly: A Life of Art, Music, and Changing the Culture<\/em> was published on March 10, discusses Black piracy and news of the day.<\/p>\n<div id=\"pmc-gallery-vertical\">\n<div class=\"c-gallery-vertical-loader u-gallery-app-shell-loader\">\n<ul class=\"pmc-fallback-list-items lrv-a-unstyle-list lrv-u-margin-t-2\">\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2><em>The Black Count: Glory, Revolution, Betrayal, and the Real Count of Monte Cristo<\/em><\/h2>\n<figure><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"615\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/03\/The-Black-Count-Glory-Revolution-Betrayal-and-the-Real-Count-of-Monte-Cristo-1.jpg?w=400\" class=\"attachment-medium size-medium\" alt><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"615\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/03\/The-Black-Count-Glory-Revolution-Betrayal-and-the-Real-Count-of-Monte-Cristo-1.jpg?w=400\" class=\"attachment-medium size-medium\" alt><\/figure>\n<div class=\"pmc-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">Even with all the films made about pirates, you would never know that a lot of pirates during the time of <em>Pirates of the Caribbean<\/em> [the 18th century] were of African descent, particularly when the big moneymakers were the slave trade and sugar. It\u2019s like with Westerns: Watching them, you would never know that Black folks played significant roles in the West. There were a lot of Black pirates; a good book about them is <em>The Black Count: Glory, Revolution, Betrayal, and the Real Count of Monte Cristo,<\/em> by Tom Reiss. It stars the father of Alexandre Dumas, who wrote <em>The Three Musketeers<\/em> (1844) and <em>The Count of Monte Cristo <\/em>(1846). One purpose of his own books was to keep the legacy of his father\u2014Thomas-Alexandre Dumas, a great general during the time of Napoleon\u2014alive. Every boy grows up wanting to grab a couple broomsticks and do the sword-fighting thing. As a young African American, I would have been excited to know that one of the best who ever did it happened to be a Black guy.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2><em>The Black Prince of Florence: The Spectacular Life and Treacherous World of Alessandro de\u2019 Medici<\/em><\/h2>\n<figure><img loading=\"lazy\" decoding=\"async\" width=\"378\" height=\"600\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/03\/The-Black-Prince-of-Florence-The-Spectacular-Life-and-Treacherous-World-of-Alessandro-de-Medici-1.jpg?w=378\" class=\"attachment-medium size-medium\" alt><img loading=\"lazy\" decoding=\"async\" width=\"378\" height=\"600\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/03\/The-Black-Prince-of-Florence-The-Spectacular-Life-and-Treacherous-World-of-Alessandro-de-Medici-1.jpg?w=378\" class=\"attachment-medium size-medium\" alt><\/figure>\n<div class=\"pmc-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \"><em>The Black Prince of Florence: The Spectacular Life and Treacherous World of Alessandro de\u2019 Medici, <\/em>by Catherine Fletcher, tells another story that has been swept under the rug: One of the Medicis during the time of the Renaissance happened to be of African descent. Alessandro was a Medici who ruled Florence [in the 1530s], making him, next to Barack Obama, a Black man who ruled a Great Western Power. His dad was a Medici and, because of his bloodline, when his father passed, he became the ruler of Florence. He was a contemporary of Machiavelli. <em>The Black Prince<\/em> is an academic read, but it really gets in and breaks down all the nuances of his life.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2><em>The Black Jacobins: Toussaint L\u2019Ouverture and the San Domingo Revolution<\/em><\/h2>\n<figure><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"617\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/03\/The-Black-Jacobins-Toussaint-LOuverture-and-the-San-Domingo-Revolution.jpg?w=400\" class=\"attachment-medium size-medium\" alt><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"617\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/03\/The-Black-Jacobins-Toussaint-LOuverture-and-the-San-Domingo-Revolution.jpg?w=400\" class=\"attachment-medium size-medium\" alt><\/figure>\n<div class=\"pmc-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">Another book I\u2019ve been rereading is <em>The Black Jacobins: Toussaint L\u2019Ouverture and the San Domingo Revolution, <\/em>byC.L.R. James, one of the definitive stories about the Haitian Revolution and its leader. It was perhaps Napoleon\u2019s greatest defeat, and it was the only successful slave uprising in the history of this hemisphere. It created so much fear that the revolution was going to spread. Toussaint demonstrated a real kind of leadership and savvy. He didn\u2019t try to kill the French plantation owners but worked out a way that they could function on a more equitable basis. It\u2019s remarkable what he put into place, after the barbarism of slavery at that point. It\u2019s fascinating, once again, to think of him and the type of leadership he created.\u00a0<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2><em>The Lost Pirate Kingdom\u00a0<\/em><\/h2>\n<figure><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"600\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/03\/THE-LOST-PIRATE-KINGDOM-poster-James-Oliver-Wheatley-as-Edward-Blackbeard-Thatch-Season-1-premiered-March-15-2021-Netflix-1.jpg?w=400\" class=\"attachment-medium size-medium\" alt><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"600\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/03\/THE-LOST-PIRATE-KINGDOM-poster-James-Oliver-Wheatley-as-Edward-Blackbeard-Thatch-Season-1-premiered-March-15-2021-Netflix-1.jpg?w=400\" class=\"attachment-medium size-medium\" alt><\/figure>\n<div class=\"pmc-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \"><em>The Lost Pirate Kingdom <\/em>is a documentary series on Netflix that\u2019s another pirates-in-the-Caribbean story. It\u2019s pretty well done, and there are some good historical nuggets. The way it was shot has been giving me direction for a body of visual work I\u2019ve been developing about Black pirates. I scratched the surface a couple years ago with a series of paintings I made with some digital assistance. You can see some, from my series \u201cBlack Pirates, Return,\u201d on my website, fab5freddy.com. I\u2019ve been doing more research and am looking to expand on those. I\u2019m developing a narrative as well.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>The Prof G Pod with Scott Galloway<\/h2>\n<figure><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"400\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/03\/The-Prof-G-Pod-copy-1.jpg?w=400\" class=\"attachment-medium size-medium\" alt><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"400\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/03\/The-Prof-G-Pod-copy-1.jpg?w=400\" class=\"attachment-medium size-medium\" alt><\/figure>\n<div class=\"pmc-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">My favorite podcast of late has been <em>The Prof G Pod with Scott Galloway<\/em>. He\u2019s a really smart guy, and listening to him has become a way to get an update and an assessment of all the madness that we\u2019re living through right now. He breaks things down. Unlike more and more mainstream journalists who have become afraid to express how they really see things, he has very smart takes on politics that he puts together in succinct, clear ways.He has greateconomic assessments of what we\u2019re dealing with and how our world is severely altering. And he\u2019s not afraid to push back on certain things and expose the kind of bullshit that is so glaring.<\/p>\n<\/div>\n<\/article>\n<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>[analyse_source url=&#8221;https:\/\/www.artnews.com\/list\/art-in-america\/interviews\/fab-5-freddy-five-recent-obsessions-1234776434\/&#8221;]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/03\/GettyImages-1146398564.jpg?w=1024&#8243;] The formative graffiti artist and hip-hop pioneer, whose memoir Everybody\u2019s Fly: A Life of Art, Music, and Changing the Culture was published on March 10, discusses Black piracy and news of the day. The Black Count: Glory, Revolution, Betrayal, and the Real Count of Monte Cristo Even with all the films made [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[61,226],"class_list":["post-1823583","post","type-post","status-publish","format-standard","hentry","category-politics","tag-artnews-com","tag-crawlmanager"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1823583","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1823583"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1823583\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1823583"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1823583"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1823583"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}