[analyse_image type=”featured” src=”https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/03\/Callirrhoe_Nikolas-Ventourakis-XXIX.-a-pile-of-many-colours-and-a-multitude-of-textures_2022_IND_2026.jpg?w=1024″]<\/p>\n
\n\tIndependent has announced the 76 exhibitors that will participate in its upcoming 17th edition, which will run May 14\u201317 at a new venue, Pier 36 in the Lower East Side.<\/p>\n
\n\tThe fair will feature the work of over 100 artists, with more than 70 percent of the booths being single-artist presentations. Among these are Jason Fox at David Kordansky, Petra Cortright at Interval, Ta\u00edna Cruz at Kraupa-Tuskany Zeidler, Silvia Heyden at Charles Moffett, Ina Gerken at Ryan Lee, Michael B\u00fchler-Rose at Stems, and Trude Viken at Ricco\/Maresca Gallery. Comme Des Gar\u00e7ons will also present a solo of Rei Kawakubo.<\/p>\n
\n\tMore than one-third of the exhibiting artists will also have their first New York solo outing, a program the fair calls \u201cIndependent Debuts,\u201d such as Omar Mismar at Secci, Arna \u00d3ttarsd\u00f3ttir at i8 Gallery, Nabeeha Mohamed at WHATIFTHEWORLD, Larisa Sitar at Suprainfinit, Dan Gunn at Pentimenti, Alessandro Miotti at Mariposa, and Antonio Darden at Kendra Jayne Patrick.<\/p>\n
\n\tWith its move to the LES, Independent is also embracing its new neighbors, inviting several nearby galleries to exhibit at the fair for the first time. They include Spencer Brownstone Gallery, Kiang Malingue, David Peter Francis, and Post Times.<\/p>\n
\n\tThe new venue will also see Independent team up with two design firms to realize the fair\u2019s look and feel, with D_P_S (Diogo Passarinho Studio) doing the exhibition design and Solid Objectives Idenburg Liu (SO\u2013IL) focusing on the venue\u2019s exterior to ensure \u201cthe fair\u2019s integration with its Lower East Side surroundings,\u201d according to a release.<\/p>\n
\n\tAdditionally, Independent will also for the first time have sculptural installations placed throughout the fair, including ones by Gretchen Bender, brought by Spr\u00fcth Magers, and Francis Upritchard, brought by Anton Kern. The fair has also commissioned Nikolas Ventourakis (via Callirrho\u00eb) to create an installation inspired by his photographs of trash heaps at the fair\u2019s entrance.<\/p>\n
\n\t\u201cThis is going to be an extraordinary year for Independent,\u201d Independent founder Elizabeth Dee told ARTnews<\/em> in an email. \u201cMoving to Pier 36 has given us the chance to shake things up. The exhibition design, the number of new solo commissions, New York debuts, artists with institutional representation, and a few surprises will exceed people\u2019s high expectations for what Independent can achieve and how fairs might model our work in the future.\u201d<\/p>\n \n\tThe full exhibitor list follows below. <\/p>\n *Indicates Independent Debuts presentations.<\/em><\/p>\n<\/div>\n<\/div>\n [analyse_source url=”https:\/\/www.artnews.com\/art-news\/market\/independent-2026-exhibitor-list-1234776856\/”]<\/p>\n","protected":false},"excerpt":{"rendered":" [analyse_image type=”featured” src=”https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/03\/Callirrhoe_Nikolas-Ventourakis-XXIX.-a-pile-of-many-colours-and-a-multitude-of-textures_2022_IND_2026.jpg?w=1024″] Independent has announced the 76 exhibitors that will participate in its upcoming 17th edition, which will run May 14\u201317 at a new venue, Pier 36 in the Lower East Side. The fair will feature the work of over 100 artists, with more than 70 percent of the booths being single-artist presentations. Among […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[61,226],"class_list":["post-1820144","post","type-post","status-publish","format-standard","hentry","category-politics","tag-artnews-com","tag-crawlmanager"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1820144","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1820144"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1820144\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1820144"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1820144"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1820144"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}\n\n
\n Exhibitor(s)<\/strong><\/td>\n Location(s)<\/strong><\/td>\n Artist(s)<\/strong><\/td>\n<\/tr>\n \n 12.26 <\/td>\n Dallas<\/td>\n Julia Maiuri*<\/td>\n<\/tr>\n \n A Lighthouse called Kanata <\/td>\n Tokyo<\/td>\n Masanori Maeda*<\/td>\n<\/tr>\n \n Abattoir Gallery<\/td>\n Cleveland<\/td>\n Eleanor Conover*<\/td>\n<\/tr>\n \n Almeida & Dale x David Nolan Gallery<\/td>\n S\u00e3o Paulo; New York<\/td>\n Chakaia Booker and
Miguel Rio Branco<\/td>\n<\/tr>\n\n ATLA<\/td>\n Los Angeles<\/td>\n Yoshikazu Tanaka and
Kuniko Kinoto<\/td>\n<\/tr>\n\n april april x Romance<\/td>\n Pittsburgh; Pittsburgh<\/td>\n Aaronel deRoy Gruber<\/td>\n<\/tr>\n \n Spencer Brownstone Gallery<\/td>\n New York<\/td>\n Mira Dayal, Jane South, and Jaime Pitarch<\/td>\n<\/tr>\n \n Buchmann Galerie<\/td>\n Berlin<\/td>\n Bettina Pousttchi*<\/td>\n<\/tr>\n \n Callirrho\u00eb <\/td>\n Athens<\/td>\n Nikolas Ventourakis*<\/td>\n<\/tr>\n \n Comme Des Gar\u00e7ons<\/td>\n Paris<\/td>\n Rei Kawakubo<\/td>\n<\/tr>\n \n James Cope x Vardaxoglou<\/td>\n Dallas; London<\/td>\n Kentaro Okumura and
Coco Young<\/td>\n<\/tr>\n\n Corbett vs. Dempsey<\/td>\n Chicago<\/td>\n David Hartt and
Gregg Bordowitz<\/td>\n<\/tr>\n\n David Peter Francis<\/td>\n New York<\/td>\n Carrie Schneider<\/td>\n<\/tr>\n \n Double V <\/td>\n Paris, Marseille<\/td>\n Maximilien Pellet*<\/td>\n<\/tr>\n \n EUROPA<\/td>\n New York<\/td>\n Thomas McDonell<\/td>\n<\/tr>\n \n Fredericks & Freiser<\/td>\n New York<\/td>\n Danielle Roberts and
Louisa Owen<\/td>\n<\/tr>\n\n James Fuentes <\/td>\n New York, Los Angeles<\/td>\n Oscar yi Hou, Stipan Tadi\u0107, Keegan Monaghan, Izzy Barber, and Hannah Lee<\/td>\n<\/tr>\n \n Hostler Burrows<\/td>\n New York, Los Angeles<\/td>\n Marianne Nielsen<\/td>\n<\/tr>\n \n House of Seiko<\/td>\n San Francisco, Los Angeles<\/td>\n Salvatore Pione and Steve Kahn<\/td>\n<\/tr>\n \n Hunt Kastner<\/td>\n Prague<\/td>\n Jarom\u00edr Novotny\u0301 and Ji\u0159\u00ed Thy\u0301n<\/td>\n<\/tr>\n \n i8 Gallery<\/td>\n Reykjavik<\/td>\n Arna \u00d3ttarsd\u00f3ttir*<\/td>\n<\/tr>\n \n Interval<\/td>\n London<\/td>\n Petra Cortright<\/td>\n<\/tr>\n \n Josey<\/td>\n Cologne<\/td>\n Terry Atkinson*<\/td>\n<\/tr>\n \n Galerie Judin<\/td>\n Berlin<\/td>\n Ian Davis<\/td>\n<\/tr>\n \n Jupiter<\/td>\n Miami Beach, New York<\/td>\n Ry Rocklen<\/td>\n<\/tr>\n \n Kerlin Gallery<\/td>\n Dublin<\/td>\n Dorothy Cross, Callum Innes, and Hazel O\u2019Sullivan<\/td>\n<\/tr>\n \n Anton Kern Gallery<\/td>\n New York<\/td>\n Francis Upritchard<\/td>\n<\/tr>\n \n Kiang Malingue<\/td>\n Hong Kong, New York<\/td>\n Tseng Chien-Ying*<\/td>\n<\/tr>\n \n David Kordansky Gallery<\/td>\n Los Angeles, New York<\/td>\n Jason Fox<\/td>\n<\/tr>\n \n Tomio Koyama Gallery<\/td>\n Tokyo<\/td>\n Rika Minamitani*<\/td>\n<\/tr>\n \n Kraupa-Tuskany Zeidler<\/td>\n Berlin<\/td>\n Ta\u00edna Cruz<\/td>\n<\/tr>\n \n Silke Lindner<\/td>\n New York<\/td>\n Nina Hartmann<\/td>\n<\/tr>\n \n Lohaus Sominsky<\/td>\n Munich, New York<\/td>\n Hannes Heinrich*<\/td>\n<\/tr>\n \n Jane Lombard Gallery<\/td>\n New York<\/td>\n Via Lewandowsky, Massinissa Selmani, and Jane Bustin<\/td>\n<\/tr>\n \n Long Story Short<\/td>\n New York, Paris<\/td>\n Luisi Mera and
Tomona Matsukawa<\/td>\n<\/tr>\n\n MARCH<\/td>\n New York<\/td>\n Dianna Settles<\/td>\n<\/tr>\n \n Mariposa<\/td>\n New York, Los Angeles<\/td>\n Alessandro Miotti*<\/td>\n<\/tr>\n \n Joel Mesler<\/td>\n East Hampton<\/td>\n The Estate of Joel Mesler<\/td>\n<\/tr>\n \n Charles Moffett<\/td>\n New York<\/td>\n Silvia Heyden<\/td>\n<\/tr>\n \n Moskowitz Bayse<\/td>\n Los Angeles<\/td>\n Anthony Miserendino*<\/td>\n<\/tr>\n \n OSMOS<\/td>\n New York<\/td>\n Anton Stankowski<\/td>\n<\/tr>\n \n Patel Brown <\/td>\n Toronto, Montreal<\/td>\n La\u00efla Mestari*<\/td>\n<\/tr>\n \n Kendra Jayne Patrick<\/td>\n Bern<\/td>\n Antonio Darden*<\/td>\n<\/tr>\n \n PENTIMENTI<\/td>\n Philadelphia<\/td>\n Dan Gunn*<\/td>\n<\/tr>\n \n PIBI Gallery<\/td>\n Seoul<\/td>\n Kyojun Lee*<\/td>\n<\/tr>\n \n Post Times <\/td>\n New York<\/td>\n Frank Gaard*<\/td>\n<\/tr>\n \n Praise Shadows<\/td>\n Boston<\/td>\n Helina Metaferia and
Joiri Minaya<\/td>\n<\/tr>\n\n Ricco\/Maresca Gallery<\/td>\n New York<\/td>\n Trude Viken<\/td>\n<\/tr>\n \n Diane Rosenstein Gallery<\/td>\n Los Angeles<\/td>\n John Brooks<\/td>\n<\/tr>\n \n Ruttkowski;68<\/td>\n New York, Cologne, Dusseldorf, Paris, Bochum<\/td>\n Stefan Strumbel and
Brittany Miller<\/td>\n<\/tr>\n\n RYAN LEE <\/td>\n New York<\/td>\n Ina Gerken<\/td>\n<\/tr>\n \n galerie Sator<\/td>\n Paris<\/td>\n Pu Yingwei*<\/td>\n<\/tr>\n \n SAUER<\/td>\n Rio De Janeiro<\/td>\n \u201cImpossible Flora: A Cabinet of Imagined Botanies\u201d<\/td>\n<\/tr>\n \n SCHENKWEITZD\u00d6RFER<\/td>\n Cologne<\/td>\n Keiyona Stumpf*<\/td>\n<\/tr>\n \n Sea View<\/td>\n Los Angeles<\/td>\n William Wright*<\/td>\n<\/tr>\n \n SECCI<\/td>\n Milan<\/td>\n Omar Mismar*<\/td>\n<\/tr>\n \n SGR Galer\u00eda<\/td>\n Bogot\u00e1<\/td>\n Johan Samboni*<\/td>\n<\/tr>\n \n Jack Shainman Gallery<\/td>\n New York<\/td>\n Lyne Lapointe, Donyel Ivy-Royal, and Charisse Pearlina Weston<\/td>\n<\/tr>\n \n SOCO Gallery<\/td>\n Charlotte<\/td>\n Matt Kleberg<\/td>\n<\/tr>\n \n Mindy Solomon Gallery<\/td>\n Miami<\/td>\n Terri Friedman and
Brittany Mojo<\/td>\n<\/tr>\n\n Spru\u0308th Magers<\/td>\n Berlin, London, New York,
Los Angeles<\/td>\nGretchen Bender<\/td>\n<\/tr>\n \n Stems<\/td>\n Brussels<\/td>\n Michael Bu\u0308hler-Rose<\/td>\n<\/tr>\n \n Superhouse<\/td>\n New York<\/td>\n Dan Friedman<\/td>\n<\/tr>\n \n Suprainfinit<\/td>\n Bucharest<\/td>\n Larisa Sitar*<\/td>\n<\/tr>\n \n The Breeder<\/td>\n Athens<\/td>\n Alexandra Christou*<\/td>\n<\/tr>\n \n The Meeting x David Petersen Gallery <\/td>\n New York; Minneapolis<\/td>\n Janine Iversen<\/td>\n<\/tr>\n \n The Sunday Painter<\/td>\n London<\/td>\n C. Mae Bloom, Ernesto Burgos, Patrick H. Jones, Piotr Bury \u0141akomy, Gillian Lowndes, and Nicholas Pope<\/td>\n<\/tr>\n \n Uffner & Liu<\/td>\n New York<\/td>\n Bernadette Despujols and Sacha Ingber<\/td>\n<\/tr>\n \n Vielmetter Los Angeles<\/td>\n Los Angeles<\/td>\n Samuel Levi Jones, Nate Lewis, and Robert Pruitt<\/td>\n<\/tr>\n \n WHATIFTHEWORLD<\/td>\n Cape Town<\/td>\n Nabeeha Mohamed*<\/td>\n<\/tr>\n \n White Columns<\/td>\n New York<\/td>\n A 20-year retrospective of White Columns editions.<\/td>\n<\/tr>\n \n YveYANG<\/td>\n New York<\/td>\n Anna-Maria \u0160kroba and Raphael Egil<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n