{"id":1818808,"date":"2026-03-10T17:11:30","date_gmt":"2026-03-10T14:11:30","guid":{"rendered":"https:\/\/analyse.optim.biz\/?p=1818808"},"modified":"2026-03-10T17:11:30","modified_gmt":"2026-03-10T14:11:30","slug":"designer-dries-van-noten-to-launch-foundation-in-venice","status":"publish","type":"post","link":"https:\/\/analyse.optim.biz\/?p=1818808","title":{"rendered":"Designer Dries Van Noten to Launch Foundation in Venice"},"content":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/03\/29_GC_FONDAZIONE-DVN_PRESENTATION_PALAZZO-PISANI-MORETTA_Ph-Camilla-Glorioso.jpg?w=1024&#8243;]<\/p>\n<div class=\"a-content a-content--offset lrv-a-floated-parent lrv-u-font-family-body lrv-u-line-height-normal lrv-u-font-size-18 lrv-u-position-relative\">\n<div class=\"pmc-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tFashion designer Dries Van Noten and his partner Patrick Vangheluwe will launch next month a new foundation in Venice dedicated to craftsmanship.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe new Fondazione Dries Van Noten will be located in the historic Palazzo Pisani Moretta on the Grand Canal in the San Polo neighborhood. Over the course of each year, the foundation will stage a number of presentations, collaborative projects, residencies, special events, and activations for artists, designers, and craftsmen at all levels of their careers.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe goal of the Fondazione is \u201cto unite the arts by dissolving traditional boundaries, affirming that all creative expression stems from the gestures and skills that define human making,\u201d according to a release.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tA manifesto published by the Fondazione reads, \u201cHere, centuries of craftsmanship serve as a backdrop for new dialogues: between artworks and artisans, between past and present, and between local talent and international creativity. The Fondazione envisions Venice not as a static museum, but as a living, evolving hub where ideas circulate as freely as the tides.\u201d<\/p>\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   size-full alignnone lrv-u-max-width-100p\">\n<div class=\"c-lazy-image  \">\n<div class=\"lrv-a-crop-16x9\"><img loading=\"lazy\" decoding=\"async\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/03\/27_GC_FONDAZIONE-DVN_PRESENTATION_PALAZZO-PISANI-MORETTA_Facade.jpg?w=400\" alt=\"The exterior of a Venetian palazzo on the Grand Canal. \" height=\"1366\" width=\"1024\"><\/div>\n<\/div><figcaption class=\"c-figcaption  lrv-u-font-size-12 lrv-u-flex lrv-u-flex-direction-column lrv-u-padding-tb-025\"><span class=\"lrv-u-font-size-14@desktop\">The Gothic exterior of the Palazzo Pisani Moretta. <\/span><cite class=\"lrv-u-text-transform-uppercase lrv-u-color-grey\">Courtesy Fondazione Dries Van Noten<\/cite><\/figcaption><\/figure>\n<\/div>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tBuilt in the second half of the 15th century by the Pisani family, the Palazzo Pisani is known for its exterior in the Gothic Floral style and for its Baroque interiors, completed by several Venetian artists in the 18th century. In the near future, the Palazzo will undergo a renovation by Venetian architect Alberto Torsello. A satellite site Studio San Polo will open later this year.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cVenice is more than a weekend destination; it\u2019s a city full of life, from its markets to its young residents, with a one-of-a-kind cultural stimulus. We fell in love with the Palazzo Pisani Moretta not as a monument frozen in time, but as a stage for creativity,\u201d Van Noten and Vangheluwe said in a statement about the project.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThey added, \u201cThrough the Fondazione, we aim to develop a pulsing venue where artists and artisans can present their work, where students can engage in hands-on exploration, and where visitors experience making as an act of culture. It\u2019s about nurturing an ecosystem that empowers craft, giving it visibility, relevance, and vitality in the age of machines and digital revolution, while connecting the city\u2019s past, present, and future.\u201d<\/p>\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   size-full alignnone lrv-u-max-width-100p\">\n<div class=\"c-lazy-image  \">\n<div class=\"lrv-a-crop-16x9\"><img loading=\"lazy\" decoding=\"async\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/03\/03_GC_FONDAZIONE-DVN_PRESENTATION_COMPOSITION_Courtesy-Fondazione-Dries-Van-Noten.jpg?w=400\" alt=\"A composite image of a Venetian palazzo (right) with a mood board (left). \" height=\"642\" width=\"1024\"><\/div>\n<\/div><figcaption class=\"c-figcaption  lrv-u-font-size-12 lrv-u-flex lrv-u-flex-direction-column lrv-u-padding-tb-025\"><span class=\"lrv-u-font-size-14@desktop\">A teaser image for \u201cTHE ONLY TRUE PROTEST IS BEAUTY\u201d at the Fondazione Dries Van Noten, Venice. <\/span><cite class=\"lrv-u-text-transform-uppercase lrv-u-color-grey\">Courtesy Fondazione Dries Van Noten<\/cite><\/figcaption><\/figure>\n<\/div>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tOpening on April 25, the Fondazione Dries Van Noten\u2019s first presentation will take the title \u201cTHE ONLY TRUE PROTEST IS BEAUTY,\u201d and will be curated by Van Noten and fellow Belgian fashion designer Geert Bruloot.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cHere, the concept of beauty,\u201d a release describing the exhibition reads, \u201cis not understood as mere prettiness, but as a moment of intensity: a charged encounter, an unexpected harmony, or a subtle disturbance capable of unsettling, awakening, and creating space for the new.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe exhibition will be spread over 20 rooms of the Palazzo Pisani Moretta and gather together more than 200 objects, ranging from \u201cfashion, jewellery, art, collectible design, photography, glass, ceramics, [to] material experimentation within a shared investigation of beauty\u2019s ability to question norms and disrupt dogma,\u201d according to a release.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tCouture pieces by Christian Lacroix and Comme des Gar\u00e7ons will mix with photographs by Steven Shearer and sculptures by Joyce J. Scott and Peter Buggenhout. Emerging Palestinian fashion designer Ayham Hassan shown his pieces in proximity to ceramics by Rebecca Manson and Kaori Kurihara. Artists represented by contemporary design galleries, like Antewerp\u2019s Supercut, Brussels\u2019s Objects With Narratives, New York\u2019s Friedman Benda, and Barcelona\u2019s Side Gallery, will also feature in the exhibition.<\/p>\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   size-full alignnone lrv-u-max-width-100p\">\n<div class=\"c-lazy-image  \">\n<div class=\"lrv-a-crop-16x9\"><img loading=\"lazy\" decoding=\"async\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/03\/01b_GC_FONDAZIONE-DRIES-VAN-NOTEN_PORTRAIT_Ph-Camilla-Glorioso.jpg?w=400\" alt=\"Portrait of Dries Van Noten, with Venice seen in the background. \" height=\"1536\" width=\"1024\"><\/div>\n<\/div><figcaption class=\"c-figcaption  lrv-u-font-size-12 lrv-u-flex lrv-u-flex-direction-column lrv-u-padding-tb-025\"><span class=\"lrv-u-font-size-14@desktop\">Dries Van Noten. <\/span><cite class=\"lrv-u-text-transform-uppercase lrv-u-color-grey\">Photo Camilla Glorioso<\/cite><\/figcaption><\/figure>\n<\/div>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cWe are interested in beauty not as an answer, but as a question,\u201d Van Noten and Vangheluwe said in a statement about the exhibition. \u201cIt is not an escape from reality, but a way of engaging with it. When beauty allows for ambiguity, slowness, and contradiction, when it disturbs rather than resolves, then it becomes a subtle form of protest.\u201d<\/p>\n<\/div>\n<\/div>\n<p>[analyse_source url=&#8221;https:\/\/www.artnews.com\/art-news\/news\/dries-van-noten-launch-foundation-venice-1234776799\/&#8221;]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/03\/29_GC_FONDAZIONE-DVN_PRESENTATION_PALAZZO-PISANI-MORETTA_Ph-Camilla-Glorioso.jpg?w=1024&#8243;] Fashion designer Dries Van Noten and his partner Patrick Vangheluwe will launch next month a new foundation in Venice dedicated to craftsmanship. The new Fondazione Dries Van Noten will be located in the historic Palazzo Pisani Moretta on the Grand Canal in the San Polo neighborhood. Over the course of each year, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[61,226],"class_list":["post-1818808","post","type-post","status-publish","format-standard","hentry","category-politics","tag-artnews-com","tag-crawlmanager"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1818808","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1818808"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1818808\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1818808"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1818808"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1818808"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}