{"id":1812790,"date":"2026-03-05T11:00:16","date_gmt":"2026-03-05T08:00:16","guid":{"rendered":"https:\/\/analyse.optim.biz\/?p=1812790"},"modified":"2026-03-05T11:00:16","modified_gmt":"2026-03-05T08:00:16","slug":"how-to-heal-your-creative-hangover","status":"publish","type":"post","link":"https:\/\/analyse.optim.biz\/?p=1812790","title":{"rendered":"How to Heal Your Creative Hangover"},"content":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;&#8221;]<\/p>\n<p><main class=\"gh-main\"><\/p>\n<article class=\"gh-article post tag-daily-newsletter tag-newsletter no-image\">\n<header class=\"gh-article-header gh-canvas\">\n<p>                Daily Newsletter<\/p>\n<h1 class=\"gh-article-title is-title\">How to Heal Your Creative Hangover<\/h1>\n<p class=\"gh-article-excerpt is-body\">Long-lost Rembrandt goes on view, 3D scans of The Met&#8217;s treasures, spring shows outside NYC, and how to cure the emotional crash after artistic bursts.  <\/p>\n<div class=\"gh-article-meta\">\n<div class=\"gh-article-author-image instapaper_ignore\"><img decoding=\"async\" class=\"author-profile-image\" src=\"https:\/\/hyperallergic.com\/content\/images\/size\/w160\/2025\/11\/hyperallergic-favicon-d-blank-r-g-s-500.png\" alt=\"Hyperallergic\"><\/div>\n<div class=\"gh-article-meta-wrapper\">\n<h4 class=\"gh-article-author-name\">Hyperallergic<\/h4>\n<div class=\"gh-article-meta-content\"><time class=\"gh-article-meta-date\" datetime=\"2026-03-05\">March 5, 2026<\/time><span class=\"gh-article-meta-length\"><span class=\"bull\">\u2014<\/span> 4 min read<\/span><\/div>\n<\/div>\n<\/div>\n<\/header>\n<section class=\"gh-content gh-canvas is-body\">\n<p>What are my favorite things about New York City? The art. The culture. The people. Oh, and getting the hell out of it. Yes, you can love something, and love leaving it, too \u2014\u00a0and our guide to 15 art excursions outside the city this spring gives you a pretty good reason. <\/p>\n<p>Picture yourself in a room made entirely of fuzzy white fur. Or looking at an interdimensional light painting. Or gazing into lush, realist vistas of the Caribbean. Escape is a state of mind \u2014\u00a0but sometimes it&#8217;s also a ride on the MetroNorth. \u00a0<\/p>\n<p><em>\u2014Lisa Yin Zhang, associate editor<\/em><\/p>\n<hr>\n<figure class=\"kg-card kg-image-card kg-card-hascaption\"><img decoding=\"async\" src=\"https:\/\/hyperallergic.com\/content\/images\/2026\/03\/image-33-1-1.png\" class=\"kg-image\" alt loading=\"lazy\" width=\"1800\" height=\"1013\"><figcaption><span>Jeremy Dennis, \u201cHill Top\u201d (2019) (\u00a9 Jeremy Dennis; courtesy Parrish Art Museum)<\/span><\/figcaption><\/figure>\n<h3 id=\"15-art-excursions-outside-nyc-this-spring\">15 Art Excursions Outside NYC This Spring<\/h3>\n<p>Our editors rounded up must-see shows a mere train ride or drive from the city, including Rina Banerjee&#8217;s diaphanous monuments at the Yale Center for British Art, Agnes Martin&#8217;s serene paintings at Dia Beacon, Piero Manzoni&#8217;s avant-garde environments at Magazzino, and more. <\/p>\n<hr>\n<div class=\"kg-card kg-cta-card kg-cta-bg-white kg-cta-immersive  kg-cta-has-img  \" data-layout=\"immersive\">\n<div class=\"kg-cta-sponsor-label-wrapper\">\n<div class=\"kg-cta-sponsor-label\"><span>SPONSORED<\/span><\/div>\n<\/div>\n<div class=\"kg-cta-content\">\n<div class=\"kg-cta-image-container\"><img decoding=\"async\" src=\"https:\/\/hyperallergic.com\/content\/images\/2026\/03\/260227_Dialoguse_DigitalAd_Hyperallergic-1.jpg\" alt=\"CTA Image\" data-image-dimensions=\"1200x675\"><\/div>\n<div class=\"kg-cta-content-inner\">\n<div class=\"kg-cta-text\">\n<p><b><strong>The Myth of Leonardo da Vinci and More:\u00a0<\/strong><\/b><i><b><strong class=\"italic\">Dialogues<\/strong><\/b><\/i><b><strong>\u00a0Season 10<\/strong><\/b><\/p>\n<p><i><em class=\"italic\">Dialogues: The David Zwirner Podcast<\/em><\/i><span>\u00a0is back for its tenth season, with episodes on Leonardo da Vinci, Michael Armitage, Amy Sillman, Marcel Duchamp, Todd Haynes, Pee-wee Herman, Walter Benjamin, Paul Klee, and more. Listen to\u00a0<\/span><i><em class=\"italic\">Dialogues<\/em><\/i><span>\u00a0wherever you get your podcasts.<\/span><\/p>\n<\/div>\n<p>                            Listen now<\/p><\/div>\n<\/div>\n<\/div>\n<hr>\n<h2 id=\"news\">News<\/h2>\n<figure class=\"kg-card kg-image-card kg-card-hascaption\"><img decoding=\"async\" src=\"https:\/\/hyperallergic.com\/content\/images\/2026\/03\/image-29-1.png\" class=\"kg-image\" alt loading=\"lazy\" width=\"2000\" height=\"1125\"><figcaption><span>Some of the 3D scans were done in collaboration with Japan\u2019s national broadcaster NHK. (image courtesy the Metropolitan Museum of Art)<\/span><\/figcaption><\/figure>\n<ul>\n<li>The Metropolitan Museum of Art just released 100 high-quality 3D scans on its website for free, ranging from a Neolithic figurine to one of Claude Monet&#8217;s haystacks, allowing viewers to get up-close and personal. <\/li>\n<li>A two-year study by Amsterdam&#8217;s Rijksmuseum recently revealed that a work long thought to be painted by one of Rembrandt&#8217;s pupils was actually made by the Dutch Master himself. Now, it&#8217;s going on view for the first time in more than 60 years. <\/li>\n<li>You know that feeling of emptiness and exhaustion after a creative spurt? A new study has a name for this phenomenon \u2014 &#8220;creative hangover&#8221; \u2014\u00a0and some surprising findings. <\/li>\n<\/ul>\n<hr>\n<h2 id=\"inside-the-studio\">Inside the Studio<\/h2>\n<figure class=\"kg-card kg-image-card kg-card-hascaption\"><img decoding=\"async\" src=\"https:\/\/hyperallergic.com\/content\/images\/2026\/03\/image-28-1.png\" class=\"kg-image\" alt loading=\"lazy\" width=\"1600\" height=\"900\"><figcaption><span>A selection of paintings in Cordy Ryman\u2019s studio (photo courtesy Cordy Ryman)<\/span><\/figcaption><\/figure>\n<h3 id=\"cordy-ryman%E2%80%99s-playful-remix-of-minimalism\">Cordy Ryman\u2019s Playful Remix of Minimalism<\/h3>\n<p>John Yau visits the studio of New York-based artist Cordy Ryman. The son of legendary painters, Ryman has developed his own visual language, transforming aspects of his parents\u2019 work, and Minimalism, into something recognizably his. &#8220;Despite working within the parameters of his materials, his art is playful, inventive, and exuberant,&#8221; Yau writes about Ryman. \u00a0 <\/p>\n<hr>\n<div class=\"kg-card kg-cta-card kg-cta-bg-white kg-cta-immersive  kg-cta-has-img  \" data-layout=\"immersive\">\n<div class=\"kg-cta-sponsor-label-wrapper\">\n<div class=\"kg-cta-sponsor-label\"><span>SPONSORED<\/span><\/div>\n<\/div>\n<div class=\"kg-cta-content\">\n<div class=\"kg-cta-image-container\"><img decoding=\"async\" src=\"https:\/\/hyperallergic.com\/content\/images\/2026\/03\/RedStairwell16x26-2.jpeg\" alt=\"CTA Image\" data-image-dimensions=\"1200x675\"><\/div>\n<div class=\"kg-cta-content-inner\">\n<div class=\"kg-cta-text\">\n<p><b><strong>Mitchell Johnson\u2019s Personal Color at Galerie Mercier in Paris<\/strong><\/b><\/p>\n<p><span>Intimate paintings spanning nearly four decades of the artist\u2019s career are on view at the gallery from February 28 to March 21.<\/span><\/p>\n<\/div>\n<p>                            Learn more<\/p><\/div>\n<\/div>\n<\/div>\n<hr>\n<h2 id=\"in-memoriam\">In Memoriam<\/h2>\n<figure class=\"kg-card kg-image-card kg-card-hascaption\"><img decoding=\"async\" src=\"https:\/\/hyperallergic.com\/content\/images\/2026\/03\/image-27-1.png\" class=\"kg-image\" alt loading=\"lazy\" width=\"2000\" height=\"1125\"><figcaption><span>Late philanthropist Iris Cantor (photo by Jemal Countess\/WireImage)<\/span><\/figcaption><\/figure>\n<h3 id=\"remembering-iris-cantor-ulysses-jenkins-and-rena-bransten\">Remembering Iris Cantor, Ulysses Jenkins, and Rena Bransten<\/h3>\n<p>An arts patron, a video artist, and a San Francisco gallerist are among the community members we honor this week.  <\/p>\n<hr>\n<h2 id=\"member-comment\">Member Comment<\/h2>\n<p>Michael Cammer on Blake Gopnik\u2019s \u201cAndy Warhol\u2019s Defiant Hopes for Queer Art\u201d:<\/p>\n<div class=\"kg-card kg-callout-card kg-callout-card-yellow\">\n<div class=\"kg-callout-text\">This is a fascinating article about a big part of Warhol&#8217;s work which I didn&#8217;t previously know.<\/p>\n<p>I do have to take issue with &#8220;&#8230;Warhol\u2019s innovation lay in using accepted styles, sometimes almost no style at all, to give a transparent window onto the novel content he wanted to show. Without the distractions of style, that is, Warhol could play a game of show-and-tell that was much more about showing than about how it chose to tell.&#8221;<\/p>\n<p>Warhol is style; some would say all style. Clean crisp spare lines. Assurance in their variations and fluid curves. Flat colors. The drawing \u201cUnknown Male\u201d (1950s) is both beautiful and highly stylized. His art is no less stylized than Tom of Finland, Sargent, or Schultz&#8217;s Peanuts.<\/p><\/div>\n<\/div>\n<hr>\n<div class=\"kg-card kg-cta-card kg-cta-bg-grey kg-cta-minimal    \" data-layout=\"minimal\">\n<div class=\"kg-cta-sponsor-label-wrapper\">\n<div class=\"kg-cta-sponsor-label\"><span>FEATURED OPPORTUNITY<\/span><\/div>\n<\/div>\n<div class=\"kg-cta-content\">\n<div class=\"kg-cta-content-inner\">\n<div class=\"kg-cta-text\">\n<p><b><strong>Hyundai Artlab &#8211; 2026 Artlab Editorial Fellowship<\/strong><\/b><br \/><span>Two art writers at any career stage will each receive $10,000 and mentorship from one of this year\u2019s Advisors, Mira Dayal and Gary Zhexi Zhang, and Artlab Editorial Editor Shannon Lee, as they produce three original articles. Open to applicants globally.<\/span><\/p>\n<p><span>Deadline: March 9, 2026 |\u00a0<\/span><span>artlab.hyundai.com<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>See more in\u00a0this month\u2019s list of opportunities\u00a0for artists, writers, and art workers!<\/p>\n<hr>\n<h2 id=\"from-the-archive\">From the Archive<\/h2>\n<figure class=\"kg-card kg-image-card kg-card-hascaption\"><img decoding=\"async\" src=\"https:\/\/hyperallergic.com\/content\/images\/2026\/03\/image-32-1-1.png\" class=\"kg-image\" alt loading=\"lazy\" width=\"2000\" height=\"1125\"><figcaption><span>Workers at the Rijksmuseum in the Netherlands assembling missing panels of Rembrandt\u2019s 1642 masterpiece \u201cThe Night Watch\u201d (photo y Reinier Gerritsen for the Rijksmuseum)<\/span><\/figcaption><\/figure>\n<h3 id=\"see-rembrandt%E2%80%99s-%E2%80%9Cthe-night-watch%E2%80%9D-in-its-entirety-thanks-to-ai-restoration\">See Rembrandt\u2019s \u201cThe Night Watch\u201d in Its Entirety, Thanks to AI Restoration<\/h3>\n<p>In 1715, the colossal painting was trimmed from all four sides, and the removed pieces were later lost. | Hakim Bishara<\/p>\n<hr>\n<ul class=\"post-tags\">\n<li>\n                        Daily Newsletter\n                      <\/li>\n<li>\n                        Newsletter\n                      <\/li>\n<\/ul>\n<\/section>\n<\/article>\n<p><\/main><\/p>\n<article class=\"gh-article post tag-daily-newsletter tag-newsletter no-image\">\n<header class=\"gh-article-header gh-canvas\">\n<p>                Daily Newsletter<\/p>\n<h1 class=\"gh-article-title is-title\">How to Heal Your Creative Hangover<\/h1>\n<p class=\"gh-article-excerpt is-body\">Long-lost Rembrandt goes on view, 3D scans of The Met&#8217;s treasures, spring shows outside NYC, and how to cure the emotional crash after artistic bursts.  <\/p>\n<div class=\"gh-article-meta\">\n<div class=\"gh-article-author-image instapaper_ignore\"><img decoding=\"async\" class=\"author-profile-image\" src=\"https:\/\/hyperallergic.com\/content\/images\/size\/w160\/2025\/11\/hyperallergic-favicon-d-blank-r-g-s-500.png\" alt=\"Hyperallergic\"><\/div>\n<div class=\"gh-article-meta-wrapper\">\n<h4 class=\"gh-article-author-name\">Hyperallergic<\/h4>\n<div class=\"gh-article-meta-content\"><time class=\"gh-article-meta-date\" datetime=\"2026-03-05\">March 5, 2026<\/time><span class=\"gh-article-meta-length\"><span class=\"bull\">\u2014<\/span> 4 min read<\/span><\/div>\n<\/div>\n<\/div>\n<\/header>\n<section class=\"gh-content gh-canvas is-body\">\n<p>What are my favorite things about New York City? The art. The culture. The people. Oh, and getting the hell out of it. Yes, you can love something, and love leaving it, too \u2014\u00a0and our guide to 15 art excursions outside the city this spring gives you a pretty good reason. <\/p>\n<p>Picture yourself in a room made entirely of fuzzy white fur. Or looking at an interdimensional light painting. Or gazing into lush, realist vistas of the Caribbean. Escape is a state of mind \u2014\u00a0but sometimes it&#8217;s also a ride on the MetroNorth. \u00a0<\/p>\n<p><em>\u2014Lisa Yin Zhang, associate editor<\/em><\/p>\n<hr>\n<figure class=\"kg-card kg-image-card kg-card-hascaption\"><img decoding=\"async\" src=\"https:\/\/hyperallergic.com\/content\/images\/2026\/03\/image-33-1-1.png\" class=\"kg-image\" alt loading=\"lazy\" width=\"1800\" height=\"1013\"><figcaption><span>Jeremy Dennis, \u201cHill Top\u201d (2019) (\u00a9 Jeremy Dennis; courtesy Parrish Art Museum)<\/span><\/figcaption><\/figure>\n<h3 id=\"15-art-excursions-outside-nyc-this-spring\">15 Art Excursions Outside NYC This Spring<\/h3>\n<p>Our editors rounded up must-see shows a mere train ride or drive from the city, including Rina Banerjee&#8217;s diaphanous monuments at the Yale Center for British Art, Agnes Martin&#8217;s serene paintings at Dia Beacon, Piero Manzoni&#8217;s avant-garde environments at Magazzino, and more. <\/p>\n<hr>\n<div class=\"kg-card kg-cta-card kg-cta-bg-white kg-cta-immersive  kg-cta-has-img  \" data-layout=\"immersive\">\n<div class=\"kg-cta-sponsor-label-wrapper\">\n<div class=\"kg-cta-sponsor-label\"><span>SPONSORED<\/span><\/div>\n<\/div>\n<div class=\"kg-cta-content\">\n<div class=\"kg-cta-image-container\"><img decoding=\"async\" src=\"https:\/\/hyperallergic.com\/content\/images\/2026\/03\/260227_Dialoguse_DigitalAd_Hyperallergic-1.jpg\" alt=\"CTA Image\" data-image-dimensions=\"1200x675\"><\/div>\n<div class=\"kg-cta-content-inner\">\n<div class=\"kg-cta-text\">\n<p><b><strong>The Myth of Leonardo da Vinci and More:\u00a0<\/strong><\/b><i><b><strong class=\"italic\">Dialogues<\/strong><\/b><\/i><b><strong>\u00a0Season 10<\/strong><\/b><\/p>\n<p><i><em class=\"italic\">Dialogues: The David Zwirner Podcast<\/em><\/i><span>\u00a0is back for its tenth season, with episodes on Leonardo da Vinci, Michael Armitage, Amy Sillman, Marcel Duchamp, Todd Haynes, Pee-wee Herman, Walter Benjamin, Paul Klee, and more. Listen to\u00a0<\/span><i><em class=\"italic\">Dialogues<\/em><\/i><span>\u00a0wherever you get your podcasts.<\/span><\/p>\n<\/div>\n<p>                            Listen now<\/p><\/div>\n<\/div>\n<\/div>\n<hr>\n<h2 id=\"news\">News<\/h2>\n<figure class=\"kg-card kg-image-card kg-card-hascaption\"><img decoding=\"async\" src=\"https:\/\/hyperallergic.com\/content\/images\/2026\/03\/image-29-1.png\" class=\"kg-image\" alt loading=\"lazy\" width=\"2000\" height=\"1125\"><figcaption><span>Some of the 3D scans were done in collaboration with Japan\u2019s national broadcaster NHK. (image courtesy the Metropolitan Museum of Art)<\/span><\/figcaption><\/figure>\n<ul>\n<li>The Metropolitan Museum of Art just released 100 high-quality 3D scans on its website for free, ranging from a Neolithic figurine to one of Claude Monet&#8217;s haystacks, allowing viewers to get up-close and personal. <\/li>\n<li>A two-year study by Amsterdam&#8217;s Rijksmuseum recently revealed that a work long thought to be painted by one of Rembrandt&#8217;s pupils was actually made by the Dutch Master himself. Now, it&#8217;s going on view for the first time in more than 60 years. <\/li>\n<li>You know that feeling of emptiness and exhaustion after a creative spurt? A new study has a name for this phenomenon \u2014 &#8220;creative hangover&#8221; \u2014\u00a0and some surprising findings. <\/li>\n<\/ul>\n<hr>\n<h2 id=\"inside-the-studio\">Inside the Studio<\/h2>\n<figure class=\"kg-card kg-image-card kg-card-hascaption\"><img decoding=\"async\" src=\"https:\/\/hyperallergic.com\/content\/images\/2026\/03\/image-28-1.png\" class=\"kg-image\" alt loading=\"lazy\" width=\"1600\" height=\"900\"><figcaption><span>A selection of paintings in Cordy Ryman\u2019s studio (photo courtesy Cordy Ryman)<\/span><\/figcaption><\/figure>\n<h3 id=\"cordy-ryman%E2%80%99s-playful-remix-of-minimalism\">Cordy Ryman\u2019s Playful Remix of Minimalism<\/h3>\n<p>John Yau visits the studio of New York-based artist Cordy Ryman. The son of legendary painters, Ryman has developed his own visual language, transforming aspects of his parents\u2019 work, and Minimalism, into something recognizably his. &#8220;Despite working within the parameters of his materials, his art is playful, inventive, and exuberant,&#8221; Yau writes about Ryman. \u00a0 <\/p>\n<hr>\n<div class=\"kg-card kg-cta-card kg-cta-bg-white kg-cta-immersive  kg-cta-has-img  \" data-layout=\"immersive\">\n<div class=\"kg-cta-sponsor-label-wrapper\">\n<div class=\"kg-cta-sponsor-label\"><span>SPONSORED<\/span><\/div>\n<\/div>\n<div class=\"kg-cta-content\">\n<div class=\"kg-cta-image-container\"><img decoding=\"async\" src=\"https:\/\/hyperallergic.com\/content\/images\/2026\/03\/RedStairwell16x26-2.jpeg\" alt=\"CTA Image\" data-image-dimensions=\"1200x675\"><\/div>\n<div class=\"kg-cta-content-inner\">\n<div class=\"kg-cta-text\">\n<p><b><strong>Mitchell Johnson\u2019s Personal Color at Galerie Mercier in Paris<\/strong><\/b><\/p>\n<p><span>Intimate paintings spanning nearly four decades of the artist\u2019s career are on view at the gallery from February 28 to March 21.<\/span><\/p>\n<\/div>\n<p>                            Learn more<\/p><\/div>\n<\/div>\n<\/div>\n<hr>\n<h2 id=\"in-memoriam\">In Memoriam<\/h2>\n<figure class=\"kg-card kg-image-card kg-card-hascaption\"><img decoding=\"async\" src=\"https:\/\/hyperallergic.com\/content\/images\/2026\/03\/image-27-1.png\" class=\"kg-image\" alt loading=\"lazy\" width=\"2000\" height=\"1125\"><figcaption><span>Late philanthropist Iris Cantor (photo by Jemal Countess\/WireImage)<\/span><\/figcaption><\/figure>\n<h3 id=\"remembering-iris-cantor-ulysses-jenkins-and-rena-bransten\">Remembering Iris Cantor, Ulysses Jenkins, and Rena Bransten<\/h3>\n<p>An arts patron, a video artist, and a San Francisco gallerist are among the community members we honor this week.  <\/p>\n<hr>\n<h2 id=\"member-comment\">Member Comment<\/h2>\n<p>Michael Cammer on Blake Gopnik\u2019s \u201cAndy Warhol\u2019s Defiant Hopes for Queer Art\u201d:<\/p>\n<div class=\"kg-card kg-callout-card kg-callout-card-yellow\">\n<div class=\"kg-callout-text\">This is a fascinating article about a big part of Warhol&#8217;s work which I didn&#8217;t previously know.<\/p>\n<p>I do have to take issue with &#8220;&#8230;Warhol\u2019s innovation lay in using accepted styles, sometimes almost no style at all, to give a transparent window onto the novel content he wanted to show. Without the distractions of style, that is, Warhol could play a game of show-and-tell that was much more about showing than about how it chose to tell.&#8221;<\/p>\n<p>Warhol is style; some would say all style. Clean crisp spare lines. Assurance in their variations and fluid curves. Flat colors. The drawing \u201cUnknown Male\u201d (1950s) is both beautiful and highly stylized. His art is no less stylized than Tom of Finland, Sargent, or Schultz&#8217;s Peanuts.<\/p><\/div>\n<\/div>\n<hr>\n<div class=\"kg-card kg-cta-card kg-cta-bg-grey kg-cta-minimal    \" data-layout=\"minimal\">\n<div class=\"kg-cta-sponsor-label-wrapper\">\n<div class=\"kg-cta-sponsor-label\"><span>FEATURED OPPORTUNITY<\/span><\/div>\n<\/div>\n<div class=\"kg-cta-content\">\n<div class=\"kg-cta-content-inner\">\n<div class=\"kg-cta-text\">\n<p><b><strong>Hyundai Artlab &#8211; 2026 Artlab Editorial Fellowship<\/strong><\/b><br \/><span>Two art writers at any career stage will each receive $10,000 and mentorship from one of this year\u2019s Advisors, Mira Dayal and Gary Zhexi Zhang, and Artlab Editorial Editor Shannon Lee, as they produce three original articles. Open to applicants globally.<\/span><\/p>\n<p><span>Deadline: March 9, 2026 |\u00a0<\/span><span>artlab.hyundai.com<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>See more in\u00a0this month\u2019s list of opportunities\u00a0for artists, writers, and art workers!<\/p>\n<hr>\n<h2 id=\"from-the-archive\">From the Archive<\/h2>\n<figure class=\"kg-card kg-image-card kg-card-hascaption\"><img decoding=\"async\" src=\"https:\/\/hyperallergic.com\/content\/images\/2026\/03\/image-32-1-1.png\" class=\"kg-image\" alt loading=\"lazy\" width=\"2000\" height=\"1125\"><figcaption><span>Workers at the Rijksmuseum in the Netherlands assembling missing panels of Rembrandt\u2019s 1642 masterpiece \u201cThe Night Watch\u201d (photo y Reinier Gerritsen for the Rijksmuseum)<\/span><\/figcaption><\/figure>\n<h3 id=\"see-rembrandt%E2%80%99s-%E2%80%9Cthe-night-watch%E2%80%9D-in-its-entirety-thanks-to-ai-restoration\">See Rembrandt\u2019s \u201cThe Night Watch\u201d in Its Entirety, Thanks to AI Restoration<\/h3>\n<p>In 1715, the colossal painting was trimmed from all four sides, and the removed pieces were later lost. | Hakim Bishara<\/p>\n<hr>\n<ul class=\"post-tags\">\n<li>\n                        Daily Newsletter\n                      <\/li>\n<li>\n                        Newsletter\n                      <\/li>\n<\/ul>\n<\/section>\n<\/article>\n<section class=\"gh-content gh-canvas is-body\">\n<p>What are my favorite things about New York City? The art. The culture. The people. Oh, and getting the hell out of it. Yes, you can love something, and love leaving it, too \u2014\u00a0and our guide to 15 art excursions outside the city this spring gives you a pretty good reason. <\/p>\n<p>Picture yourself in a room made entirely of fuzzy white fur. Or looking at an interdimensional light painting. Or gazing into lush, realist vistas of the Caribbean. Escape is a state of mind \u2014\u00a0but sometimes it&#8217;s also a ride on the MetroNorth. \u00a0<\/p>\n<p><em>\u2014Lisa Yin Zhang, associate editor<\/em><\/p>\n<hr>\n<figure class=\"kg-card kg-image-card kg-card-hascaption\"><img decoding=\"async\" src=\"https:\/\/hyperallergic.com\/content\/images\/2026\/03\/image-33-1-1.png\" class=\"kg-image\" alt loading=\"lazy\" width=\"1800\" height=\"1013\"><figcaption><span>Jeremy Dennis, \u201cHill Top\u201d (2019) (\u00a9 Jeremy Dennis; courtesy Parrish Art Museum)<\/span><\/figcaption><\/figure>\n<h3 id=\"15-art-excursions-outside-nyc-this-spring\">15 Art Excursions Outside NYC This Spring<\/h3>\n<p>Our editors rounded up must-see shows a mere train ride or drive from the city, including Rina Banerjee&#8217;s diaphanous monuments at the Yale Center for British Art, Agnes Martin&#8217;s serene paintings at Dia Beacon, Piero Manzoni&#8217;s avant-garde environments at Magazzino, and more. <\/p>\n<hr>\n<div class=\"kg-card kg-cta-card kg-cta-bg-white kg-cta-immersive  kg-cta-has-img  \" data-layout=\"immersive\">\n<div class=\"kg-cta-sponsor-label-wrapper\">\n<div class=\"kg-cta-sponsor-label\"><span>SPONSORED<\/span><\/div>\n<\/div>\n<div class=\"kg-cta-content\">\n<div class=\"kg-cta-image-container\"><img decoding=\"async\" src=\"https:\/\/hyperallergic.com\/content\/images\/2026\/03\/260227_Dialoguse_DigitalAd_Hyperallergic-1.jpg\" alt=\"CTA Image\" data-image-dimensions=\"1200x675\"><\/div>\n<div class=\"kg-cta-content-inner\">\n<div class=\"kg-cta-text\">\n<p><b><strong>The Myth of Leonardo da Vinci and More:\u00a0<\/strong><\/b><i><b><strong class=\"italic\">Dialogues<\/strong><\/b><\/i><b><strong>\u00a0Season 10<\/strong><\/b><\/p>\n<p><i><em class=\"italic\">Dialogues: The David Zwirner Podcast<\/em><\/i><span>\u00a0is back for its tenth season, with episodes on Leonardo da Vinci, Michael Armitage, Amy Sillman, Marcel Duchamp, Todd Haynes, Pee-wee Herman, Walter Benjamin, Paul Klee, and more. Listen to\u00a0<\/span><i><em class=\"italic\">Dialogues<\/em><\/i><span>\u00a0wherever you get your podcasts.<\/span><\/p>\n<\/div>\n<p>                            Listen now<\/p><\/div>\n<\/div>\n<\/div>\n<hr>\n<h2 id=\"news\">News<\/h2>\n<figure class=\"kg-card kg-image-card kg-card-hascaption\"><img decoding=\"async\" src=\"https:\/\/hyperallergic.com\/content\/images\/2026\/03\/image-29-1.png\" class=\"kg-image\" alt loading=\"lazy\" width=\"2000\" height=\"1125\"><figcaption><span>Some of the 3D scans were done in collaboration with Japan\u2019s national broadcaster NHK. (image courtesy the Metropolitan Museum of Art)<\/span><\/figcaption><\/figure>\n<ul>\n<li>The Metropolitan Museum of Art just released 100 high-quality 3D scans on its website for free, ranging from a Neolithic figurine to one of Claude Monet&#8217;s haystacks, allowing viewers to get up-close and personal. <\/li>\n<li>A two-year study by Amsterdam&#8217;s Rijksmuseum recently revealed that a work long thought to be painted by one of Rembrandt&#8217;s pupils was actually made by the Dutch Master himself. Now, it&#8217;s going on view for the first time in more than 60 years. <\/li>\n<li>You know that feeling of emptiness and exhaustion after a creative spurt? A new study has a name for this phenomenon \u2014 &#8220;creative hangover&#8221; \u2014\u00a0and some surprising findings. <\/li>\n<\/ul>\n<hr>\n<h2 id=\"inside-the-studio\">Inside the Studio<\/h2>\n<figure class=\"kg-card kg-image-card kg-card-hascaption\"><img decoding=\"async\" src=\"https:\/\/hyperallergic.com\/content\/images\/2026\/03\/image-28-1.png\" class=\"kg-image\" alt loading=\"lazy\" width=\"1600\" height=\"900\"><figcaption><span>A selection of paintings in Cordy Ryman\u2019s studio (photo courtesy Cordy Ryman)<\/span><\/figcaption><\/figure>\n<h3 id=\"cordy-ryman%E2%80%99s-playful-remix-of-minimalism\">Cordy Ryman\u2019s Playful Remix of Minimalism<\/h3>\n<p>John Yau visits the studio of New York-based artist Cordy Ryman. The son of legendary painters, Ryman has developed his own visual language, transforming aspects of his parents\u2019 work, and Minimalism, into something recognizably his. &#8220;Despite working within the parameters of his materials, his art is playful, inventive, and exuberant,&#8221; Yau writes about Ryman. \u00a0 <\/p>\n<hr>\n<div class=\"kg-card kg-cta-card kg-cta-bg-white kg-cta-immersive  kg-cta-has-img  \" data-layout=\"immersive\">\n<div class=\"kg-cta-sponsor-label-wrapper\">\n<div class=\"kg-cta-sponsor-label\"><span>SPONSORED<\/span><\/div>\n<\/div>\n<div class=\"kg-cta-content\">\n<div class=\"kg-cta-image-container\"><img decoding=\"async\" src=\"https:\/\/hyperallergic.com\/content\/images\/2026\/03\/RedStairwell16x26-2.jpeg\" alt=\"CTA Image\" data-image-dimensions=\"1200x675\"><\/div>\n<div class=\"kg-cta-content-inner\">\n<div class=\"kg-cta-text\">\n<p><b><strong>Mitchell Johnson\u2019s Personal Color at Galerie Mercier in Paris<\/strong><\/b><\/p>\n<p><span>Intimate paintings spanning nearly four decades of the artist\u2019s career are on view at the gallery from February 28 to March 21.<\/span><\/p>\n<\/div>\n<p>                            Learn more<\/p><\/div>\n<\/div>\n<\/div>\n<hr>\n<h2 id=\"in-memoriam\">In Memoriam<\/h2>\n<figure class=\"kg-card kg-image-card kg-card-hascaption\"><img decoding=\"async\" src=\"https:\/\/hyperallergic.com\/content\/images\/2026\/03\/image-27-1.png\" class=\"kg-image\" alt loading=\"lazy\" width=\"2000\" height=\"1125\"><figcaption><span>Late philanthropist Iris Cantor (photo by Jemal Countess\/WireImage)<\/span><\/figcaption><\/figure>\n<h3 id=\"remembering-iris-cantor-ulysses-jenkins-and-rena-bransten\">Remembering Iris Cantor, Ulysses Jenkins, and Rena Bransten<\/h3>\n<p>An arts patron, a video artist, and a San Francisco gallerist are among the community members we honor this week.  <\/p>\n<hr>\n<h2 id=\"member-comment\">Member Comment<\/h2>\n<p>Michael Cammer on Blake Gopnik\u2019s \u201cAndy Warhol\u2019s Defiant Hopes for Queer Art\u201d:<\/p>\n<div class=\"kg-card kg-callout-card kg-callout-card-yellow\">\n<div class=\"kg-callout-text\">This is a fascinating article about a big part of Warhol&#8217;s work which I didn&#8217;t previously know.<\/p>\n<p>I do have to take issue with &#8220;&#8230;Warhol\u2019s innovation lay in using accepted styles, sometimes almost no style at all, to give a transparent window onto the novel content he wanted to show. Without the distractions of style, that is, Warhol could play a game of show-and-tell that was much more about showing than about how it chose to tell.&#8221;<\/p>\n<p>Warhol is style; some would say all style. Clean crisp spare lines. Assurance in their variations and fluid curves. Flat colors. The drawing \u201cUnknown Male\u201d (1950s) is both beautiful and highly stylized. His art is no less stylized than Tom of Finland, Sargent, or Schultz&#8217;s Peanuts.<\/p><\/div>\n<\/div>\n<hr>\n<div class=\"kg-card kg-cta-card kg-cta-bg-grey kg-cta-minimal    \" data-layout=\"minimal\">\n<div class=\"kg-cta-sponsor-label-wrapper\">\n<div class=\"kg-cta-sponsor-label\"><span>FEATURED OPPORTUNITY<\/span><\/div>\n<\/div>\n<div class=\"kg-cta-content\">\n<div class=\"kg-cta-content-inner\">\n<div class=\"kg-cta-text\">\n<p><b><strong>Hyundai Artlab &#8211; 2026 Artlab Editorial Fellowship<\/strong><\/b><br \/><span>Two art writers at any career stage will each receive $10,000 and mentorship from one of this year\u2019s Advisors, Mira Dayal and Gary Zhexi Zhang, and Artlab Editorial Editor Shannon Lee, as they produce three original articles. Open to applicants globally.<\/span><\/p>\n<p><span>Deadline: March 9, 2026 |\u00a0<\/span><span>artlab.hyundai.com<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>See more in\u00a0this month\u2019s list of opportunities\u00a0for artists, writers, and art workers!<\/p>\n<hr>\n<h2 id=\"from-the-archive\">From the Archive<\/h2>\n<figure class=\"kg-card kg-image-card kg-card-hascaption\"><img decoding=\"async\" src=\"https:\/\/hyperallergic.com\/content\/images\/2026\/03\/image-32-1-1.png\" class=\"kg-image\" alt loading=\"lazy\" width=\"2000\" height=\"1125\"><figcaption><span>Workers at the Rijksmuseum in the Netherlands assembling missing panels of Rembrandt\u2019s 1642 masterpiece \u201cThe Night Watch\u201d (photo y Reinier Gerritsen for the Rijksmuseum)<\/span><\/figcaption><\/figure>\n<h3 id=\"see-rembrandt%E2%80%99s-%E2%80%9Cthe-night-watch%E2%80%9D-in-its-entirety-thanks-to-ai-restoration\">See Rembrandt\u2019s \u201cThe Night Watch\u201d in Its Entirety, Thanks to AI Restoration<\/h3>\n<p>In 1715, the colossal painting was trimmed from all four sides, and the removed pieces were later lost. | Hakim Bishara<\/p>\n<hr>\n<ul class=\"post-tags\">\n<li>\n                        Daily Newsletter\n                      <\/li>\n<li>\n                        Newsletter\n                      <\/li>\n<\/ul>\n<\/section>\n<article class=\"gh-card post\">\n<figure class=\"gh-card-image\"><img decoding=\"async\" src=\"https:\/\/hyperallergic.com\/content\/images\/size\/w600\/2026\/03\/CA200040-2400x1350.jpg\" alt=\"Olafur Eliasson: A symphony of disappearing sounds for the Great Salt Lake\" loading=\"lazy\"><\/figure>\n<div class=\"gh-card-wrapper\">\n<h3 class=\"gh-card-title is-title\">Olafur Eliasson: A symphony of disappearing sounds for the Great Salt Lake<\/h3>\n<p class=\"gh-card-excerpt is-body\">As the lake\u2019s ecological crisis worsens, the artist\u2019s new site-specific installation in Salt Lake City renders audible what is increasingly at risk of vanishing.<\/p>\n<footer class=\"gh-card-meta\"><span class=\"gh-card-author\">Wake the Great Salt Lake<\/span><\/footer>\n<\/div>\n<\/article>\n<article class=\"gh-card post\">\n<figure class=\"gh-card-image\"><img decoding=\"async\" src=\"https:\/\/hyperallergic.com\/content\/images\/size\/w600\/2026\/03\/LizNielsen_RotatingLandscape1.jpg\" alt=\"Interdimensional Timelines: Hartford Art School Exhibits Liz Nielsen\u2019s Photograms\" loading=\"lazy\"><\/figure>\n<div class=\"gh-card-wrapper\">\n<h3 class=\"gh-card-title is-title\">Interdimensional Timelines: Hartford Art School Exhibits Liz Nielsen\u2019s Photograms<\/h3>\n<p class=\"gh-card-excerpt is-body\">As she concludes her term as the university\u2019s Distinguished Chair in Photography, Nielsen\u2019s \u201clight paintings\u201d are on view this spring in West Hartford, Connecticut.<\/p>\n<footer class=\"gh-card-meta\"><span class=\"gh-card-author\">University of Hartford<\/span><\/footer>\n<\/div>\n<\/article>\n<article class=\"gh-card post\">\n<figure class=\"gh-card-image\"><img decoding=\"async\" src=\"https:\/\/hyperallergic.com\/content\/images\/size\/w600\/2026\/02\/sp_hyper_center-for-craft_archive-fellowship-2022-1.jpg\" alt=\"Call for Applications: 2026 Craft Archive Fellowship\" loading=\"lazy\"><\/figure>\n<div class=\"gh-card-wrapper\">\n<h3 class=\"gh-card-title is-title\">Call for Applications: 2026 Craft Archive Fellowship<\/h3>\n<p class=\"gh-card-excerpt is-body\">The Center for Craft will award up to four $5,000 fellowships to support research on underrepresented craft histories, culminating in an article on Hyperallergic.<\/p>\n<footer class=\"gh-card-meta\"><span class=\"gh-card-author\">Center for Craft<\/span><\/footer>\n<\/div>\n<\/article>\n<article class=\"gh-card post\">\n<figure class=\"gh-card-image\"><img decoding=\"async\" src=\"https:\/\/hyperallergic.com\/content\/images\/size\/w600\/2026\/02\/WW_28_WILSON_Promo-1.34.23---PM-2.jpg\" alt=\"In Conversation: Will Wilson\" loading=\"lazy\"><\/figure>\n<div class=\"gh-card-wrapper\">\n<h3 class=\"gh-card-title is-title\">In Conversation: Will Wilson<\/h3>\n<p class=\"gh-card-excerpt is-body\">In partnership with Art Bridges, the Visual Arts Center of New Jersey presents works by Will Wilson alongside historic photographs by Edward Sheriff Curtis. On view through August 23.<\/p>\n<footer class=\"gh-card-meta\"><span class=\"gh-card-author\">Visual Arts Center of New Jersey<\/span><\/footer>\n<\/div>\n<\/article>\n<p>[analyse_source url=&#8221;https:\/\/hyperallergic.com\/how-to-heal-your-creative-hangover\/&#8221;]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;&#8221;] Daily Newsletter How to Heal Your Creative Hangover Long-lost Rembrandt goes on view, 3D scans of The Met&#8217;s treasures, spring shows outside NYC, and how to cure the emotional crash after artistic bursts. Hyperallergic March 5, 2026\u2014 4 min read What are my favorite things about New York City? The art. The [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[226,69],"class_list":["post-1812790","post","type-post","status-publish","format-standard","hentry","category-politics","tag-crawlmanager","tag-hyperallergic-com"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1812790","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1812790"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1812790\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1812790"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1812790"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1812790"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}