{"id":1812328,"date":"2026-03-06T19:53:17","date_gmt":"2026-03-06T16:53:17","guid":{"rendered":"https:\/\/analyse.optim.biz\/?p=1812328"},"modified":"2026-03-06T19:53:17","modified_gmt":"2026-03-06T16:53:17","slug":"pedro-friedeberg-dead-surrealist-artist-behind-hand-chair-dies-at-90","status":"publish","type":"post","link":"https:\/\/analyse.optim.biz\/?p=1812328","title":{"rendered":"Pedro Friedeberg Dead: Surrealist Artist Behind Hand-Chair Dies at 90"},"content":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/03\/GettyImages-1152928205.jpg?w=1024&#8243;]<\/p>\n<div class=\"a-content a-content--offset lrv-a-floated-parent lrv-u-font-family-body lrv-u-line-height-normal lrv-u-font-size-18 lrv-u-position-relative\">\n<div class=\"pmc-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tPedro Friedeberg, an artist affiliated with the Mexican offshoot of the Surrealist movement and who is now best known for his absurdist designs, including the iconic Hand-Chair, died on Thursday in San Miguel de Allende. He was 90, according to his New York gallery, Ruiz-Healy Art.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tFriedeberg\u2019s diverse practice included paintings dense with dreamy imagery and design objects that looked like body parts and animals. Though commonly labeled a Surrealist, he bristled against being associated with that movement. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tWhen a <em>W<\/em> magazine journalist made the error of claiming that he was the last of the Surrealists in 2024, Friedeberg said, \u201cThat\u2019s a terrible mistake. I\u2019m neither a Surrealist nor the last of anything.\u201d He also didn\u2019t like being labeled an artist\u2014\u201ca horrible word,\u201d he once told an interviewer for Christie\u2019s\u2014and said that, if his career took a different turn, he would have become \u201ca spiritualist or a gigolo.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tHe is most fondly remembered for the Hand-Chair, a seat resembling a large palm that he designed during the early 1960s. He had been assigned to provide work to a carpenter of a friend of Friedeberg\u2019s knew, and the artist told that carpenter to go sculpt a hand. \u201cI thought that would be funny,\u201d Friedeberg recalled in a 2017 interview with <em>Architectural Digest<\/em>.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe sculpture ended up becoming popular in Mexico. \u201cEveryone had a Friedeberg at home,\u201d the writer D\u00e9borah Holtz said in <em>Pedro<\/em>, a 2022 Netflix documentary about him. \u201cEveryone had a Hand-Chair.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tWhile he remains best known for his design objects, he also produced paintings that feature arrays of birds and mind-bending architectural spaces whose walls and floors are depicted with zigzag patterns.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tPedro Friedeberg was born in Florence in 1936. His parents were Jewish, and so, amid the threat posed by Benito Mussolini\u2019s fascist regime, the family fled for Mexico in 1940. He would later reflect on a culture shock that continued to influence his taste for absurdism. \u201cI was born in Italy during the era of Mussolini, who made all trains run on time,\u201d he once said. \u201cImmediately thereafter, I moved to M\u00e9xico, where the trains are never on time, but where once they start moving, they pass pyramids.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tHis father, an engineer, inspired him to study architecture at the Universidad Iberoamericana in Mexico City. After graduation, he worked with Mathias Goeritz, an artist who had likewise fled Europe for Mexico. Having closely observed the work of modernist artists in his native Germany, Goeritz brought an experimental spirit to Mexico City\u2019s art scene that influenced Friedeberg.<\/p>\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   size-large alignnone lrv-u-max-width-100p\">\n<div class=\"c-lazy-image  \">\n<div class=\"lrv-a-crop-16x9\"><img loading=\"lazy\" decoding=\"async\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/03\/GettyImages-452190756.jpg?w=400\" alt=\"A golden chair resembling an open palm on two human legs.\" height=\"900\" width=\"1200\"><\/div>\n<\/div><figcaption class=\"c-figcaption  lrv-u-font-size-12 lrv-u-flex lrv-u-flex-direction-column lrv-u-padding-tb-025\"><span class=\"lrv-u-font-size-14@desktop\">A Hand-Chair designed by Pedro Friedeberg.<\/span><cite class=\"lrv-u-text-transform-uppercase lrv-u-color-grey\">Photo Tim Johnson\/Tribune News Service via Getty Images<\/cite><\/figcaption><\/figure>\n<\/div>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThrough Goeritz, Friedeberg went on to meet many European and American expatriates living in Mexico City, among them Surrealist painters such as Alice Rahon and Leonora Carrington, as well as the photographer Kati Horna.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cI was telling my parents I was studying architecture, which was a big lie,\u201d Friedeberg told <em>W<\/em>. \u201cI was just hanging around other people\u2019s houses. That\u2019s how I met Leonora and Kati and all these fascinating people.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tFriedeberg\u2019s practice is widely recognized in Mexico City, where he received a retrospective at the Museo del Palacio de Bellas Artes in 2009. In 2016, the Riverside Art Museum in California surveyed his early work.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tHe worked prolifically and actively well into the later stages of his career. On the occasion of his 2009 retrospective, he told the <em>New York Times<\/em>, \u201cI never relax. My art is my therapy, my medication.\u201d<\/p>\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   size-large alignnone lrv-u-max-width-100p\">\n<div class=\"c-lazy-image  \">\n<div class=\"lrv-a-crop-16x9\"><img loading=\"lazy\" decoding=\"async\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/03\/f9481cf48851f3e376fa81d0573c0ff1.jpg?w=400\" alt=\"A painting of a columned atrium filled with bright palm trees and flooring with a zigzagging pattern on it.\" height=\"1027\" width=\"1000\"><\/div>\n<\/div><figcaption class=\"c-figcaption  lrv-u-font-size-12 lrv-u-flex lrv-u-flex-direction-column lrv-u-padding-tb-025\"><span class=\"lrv-u-font-size-14@desktop\">Pedro Friedeberg, <em>Palmengarten<\/em>, 1994.<\/span><cite class=\"lrv-u-text-transform-uppercase lrv-u-color-grey\">Courtesy the artist and Ruiz-Healy Art<\/cite><\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div>\n<p>[analyse_source url=&#8221;https:\/\/www.artnews.com\/art-news\/news\/pedro-friedeberg-surrealist-artist-dead-hand-chair-1234775992\/&#8221;]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;https:\/\/www.artnews.com\/wp-content\/uploads\/2026\/03\/GettyImages-1152928205.jpg?w=1024&#8243;] Pedro Friedeberg, an artist affiliated with the Mexican offshoot of the Surrealist movement and who is now best known for his absurdist designs, including the iconic Hand-Chair, died on Thursday in San Miguel de Allende. He was 90, according to his New York gallery, Ruiz-Healy Art. Friedeberg\u2019s diverse practice included paintings dense [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[61,226],"class_list":["post-1812328","post","type-post","status-publish","format-standard","hentry","category-politics","tag-artnews-com","tag-crawlmanager"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1812328","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1812328"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1812328\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1812328"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1812328"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1812328"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}