{"id":1811253,"date":"2026-03-06T14:36:29","date_gmt":"2026-03-06T11:36:29","guid":{"rendered":"https:\/\/analyse.optim.biz\/?p=1811253"},"modified":"2026-03-06T14:36:29","modified_gmt":"2026-03-06T11:36:29","slug":"bad-gyal-wants-to-make-the-best-club-bangers-possible","status":"publish","type":"post","link":"https:\/\/analyse.optim.biz\/?p=1811253","title":{"rendered":"Bad Gyal Wants To Make The Best Club Bangers Possible"},"content":{"rendered":"
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Courtesy of Bad Gyal<\/span><\/div>\n

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Entertainment<\/p>\n<\/div>\n

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Bad Gyal Wants To Make The Best Club Bangers Possible<\/h1>\n
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The trap princess of Barcelona is releasing her second studio album, M\u00e1s Cara.<\/em> Her winning formula hasn\u2019t changed much.<\/p>\n<\/div>\n<\/div>\n

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by Kevin LeBlanc<\/a><\/address>\n
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The music industry is in its \u201ceras\u201d era<\/a>. Every artist feels like they need to start and finish an album cycle<\/a> neatly, and after Taylor Swift<\/a>\u2019s three-year tour celebrating her distinct moments, the pressure is only higher. Bad Gyal doesn\u2019t feel any of the pressure around redefining herself or creating a radically new vision \u2014 she only feels the pressure to get bigger and better. As she tells NYLON, \u201cI f*ck with the artists that work like that and I admire them a lot, but it’s not my case. I’m more like a vibe, more like a party girl. Let’s have fun with the music.\u201d<\/p>\n

In case you\u2019re not aware, she\u2019s been having fun with music-making for roughly a decade in the public eye. Growing up in Barcelona, she was influenced by dancehall hits on TV (think \u201cTurn Me On\u201d by Alison Hinds and Kevin Lyttle and Sean Paul\u2019s Trinity<\/em>) and, as any late-90s baby, used YouTube and later Spotify to harness her interests in Caribbean music. After all, her industry break came from YouTube; her Catalan cover of \u201cWork\u201d by Rihanna<\/a> and Drake shattered genre and nationality lines, which is a through-line in her body of work. Her first studio sessions were inspired by reggaeton, dembow, old-school dancehall, and trap music, as she says: \u201cI was at the studio and I tried to jump over a speaker-knocker, trap beat, and I did really good.\u201d At 19 years old, she had already found her niche.<\/p>\n

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Txema Yeste<\/cite><\/figcaption><\/div>\n
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Txema Yeste<\/cite><\/figcaption><\/div>\n<\/div>\n<\/div>\n
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