{"id":1810356,"date":"2026-03-06T02:26:00","date_gmt":"2026-03-05T23:26:00","guid":{"rendered":"https:\/\/analyse.optim.biz\/?p=1810356"},"modified":"2026-03-06T02:26:00","modified_gmt":"2026-03-05T23:26:00","slug":"a-la-fondazione-merz-lart-contemporain-face-a-une-planete-qui-brule","status":"publish","type":"post","link":"https:\/\/analyse.optim.biz\/?p=1810356","title":{"rendered":"\u00c0 la Fondazione Merz, l\u2019art contemporain face \u00e0 une plan\u00e8te qui br\u00fble"},"content":{"rendered":"<div class=\"entry-content\">\n<section class=\"single-header padding-top-s\">\n<div class=\"container\">\n<div class=\"row justify-content-between\">\n<div class=\"col-lg-9 col-xl-8\">\n<div class=\"video-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n<div class=\"container-img desktop\">\n\t\t\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/03\/fiona-banner-fondazione-merz-turin-push-limits.jpg\" alt=\"Exposition PUSH THE LIMITS Fondazione Merz Turin\"><\/p>\n<p class=\"number big\">5<\/p>\n<\/p><\/div>\n<div class=\"container-img mobile\">\n\t\t\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/03\/mona-hatoum-fondazione-merz-turin-push-limits.jpg\" alt=\"Exposition PUSH THE LIMITS Fondazione Merz Turin\"><\/p>\n<p class=\"number big\">5<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"col col-lg-3 col-xl-4 desktop\">\n<div class=\"ad grand-angle desktop\">\n    <!-- \/21730003857\/numero-ad-unit\/numero-grand-angle --><\/p>\n<div id=\"div-gpt-ad-1757063143832-0\" class=\"px-0\">\n<p>            googletag.cmd.push(function () {<br \/>\n                googletag.display(&#8216;div-gpt-ad-1757063143832-0&#8217;);<br \/>\n            });<\/p><\/div>\n<\/div><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/section>\n<section class=\"post-content\">\n<div class=\"container\">\n<div class=\"row g-0 justify-content-between\">\n<div class=\"col-lg-9 col-xl-8 padding-top-s\">\n<p class=\"share-widget\" id=\"share-widget\"><img decoding=\"async\" src=\"https:\/\/numero.com\/wp-content\/themes\/%09%09%09understrap-child-main\/src\/public\/images\/share.svg\" alt=\"share-widget\"><\/p>\n<div class=\"share-icons\" id=\"share-icons\">\n<p class=\"copy-link\"><img decoding=\"async\" src=\"https:\/\/numero.com\/wp-content\/themes\/understrap-child-main\/src\/public\/images\/copy-link.svg\" alt=\"copy-link\"><\/p>\n<p>\t\t\t\t\t\t\t<a href=\"https:\/\/www.facebook.com\/sharer\/sharer.php?u=https:\/\/numero.com\/art\/art-art\/fondazione-merz-turin-push-limits-mona-hatoum\/\" class=\"facebook\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/numero.com\/wp-content\/themes\/understrap-child-main\/src\/public\/images\/facebook.svg\" alt=\"facebook\"><\/a><br \/>\n\t\t\t\t\t\t\t<a href=\"https:\/\/twitter.com\/share?url=https:\/\/numero.com\/art\/art-art\/fondazione-merz-turin-push-limits-mona-hatoum\/\" class=\"twitter\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/numero.com\/wp-content\/themes\/understrap-child-main\/src\/public\/images\/twitter.svg\" alt=\"twitter\"><\/a>\n\t\t\t\t\t\t<\/div>\n<p>\t\t\t\t\t\t<span class id=\"custom-tooltip\">Lien copi\u00e9<\/span><\/p>\n<div class=\"col-lg-10\">\n<div class=\"meta d-flex justify-content-between align-items-center\">\n<div class=\"cat\">\n\t\t\t\t\t\t\t\t\t<a class=\"cat-title\" href=\"https:\/\/numero.com\/category\/art\/art-art\/\">Art<\/a>\t\t\t\t\t\t\t\t<\/div>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t5 mars 2026\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<h1>\u00c0 la Fondazione Merz, l\u2019art contemporain face \u00e0 une plan\u00e8te qui br\u00fble<\/h1>\n<div class=\"introduction\">\n<p>Inaugur\u00e9e en octobre dernier, l\u2019exposition \u201cPush the Limits 2\u201d \u00e0 la Fondazione Merz forme un deuxi\u00e8me volet \u00e0 celle pr\u00e9sent\u00e9e en 2020. Les \u0153uvres prot\u00e9iformes d\u2019une quinzaine d\u2019artistes, de Nora Turato \u00e0 Mona Hatoum, y invitent \u00e0 d\u00e9crypter les crises que traverse notre \u00e9poque.<\/p>\n<\/div>\n<li class=\"credits d-flex\">\n<p>\n\t\t\t\t\t\t\t\t\t\t\tPar\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/numero.com\/contributeur\/matthieu-jacquet\/\">Matthieu Jacquet<\/a>.\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/li>\n<div id=\"ads03\" class=\"mobile\">\n<div class=\"ad-wrapper\">\n<div class=\"ad interscroller desktop\">\n<\/div>\n<p><!-- \/21730003857\/numero-ad-unit\/numero-interscroller --><\/p>\n<div id=\"div-gpt-ad-1757521738078-0\">\n<p>        googletag.cmd.push(function () {<br \/>\n            googletag.display(&#8216;div-gpt-ad-1757521738078-0&#8217;);<br \/>\n            googletag.pubads().addEventListener(&#8216;slotRenderEnded&#8217;, function (event) {<br \/>\n                if (event.slot.getSlotElementId() === &#8216;div-gpt-ad-1757521738078-0&#8217;) {<br \/>\n                    const iframe = document.querySelector(&#8216;#div-gpt-ad-1757521738078-0 iframe&#8217;);<br \/>\n                    if (iframe) {<br \/>\n                        iframe.style.width = &#8216;100%&#8217;;<br \/>\n                        iframe.style.aspectRatio = iframe.getAttribute(&#8216;width&#8217;) + &#8216; \/ &#8216; + iframe.getAttribute(&#8216;height&#8217;);<br \/>\n                        iframe.style.height = &#8216;auto&#8217;;<br \/>\n                        const doc = iframe.contentDocument || iframe.contentWindow.document;<br \/>\n                        if (doc) {<br \/>\n                            const img = doc.querySelector(&#8216;a img.img_ad&#8217;);<br \/>\n                            img.style.width = &#8216;100%&#8217;;<br \/>\n                            img.style.height = &#8216;auto&#8217;;<br \/>\n                        }<br \/>\n                    }<br \/>\n                }<br \/>\n            });<br \/>\n        });<\/p>\n<\/div><\/div>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t&lt;!&#8211; <\/p>\n<div class=\"padding-bottom-s\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n<p> &#8211;&gt;<\/p>\n<figure data-wp-context='{\"imageId\":\"69aa6d3a7f6a3\"}' data-wp-interactive=\"core\/image\" class=\"wp-block-image size-large wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on-async--click=\"actions.showLightbox\" data-wp-on-async--load=\"callbacks.setButtonStyles\" data-wp-on-async-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/03\/mona-hatoum-hot-spot-stand-768x1024.jpg\" alt=\"Exposition PUSH THE LIMITS Fondazione Merz Turin\" class=\"wp-image-809410\"><button class=\"lightbox-trigger\" type=\"button\" aria-haspopup=\"dialog\" aria-label=\"Agrandir\" data-wp-init=\"callbacks.initTriggerButton\" data-wp-on-async--click=\"actions.showLightbox\" data-wp-style--right=\"state.imageButtonRight\" data-wp-style--top=\"state.imageButtonTop\"><\/p>\n<p>\t\t<\/button><figcaption class=\"wp-element-caption\">Mona Hatoum,\u00a0<em>Hot Spot (stand)<\/em>\u00a0(2018 ; acier inoxydable et tube n\u00e9on, 172 x 83 x 80 cm) \u00a9 Mona Hatoum. Photo : Ollie Hammick, \u00a9 White Cube<\/figcaption><\/figure>\n<h2 class=\"wp-block-heading\">Push The Limits : une exposition en deux volets \u00e0 la Fondazione Merz<\/h2>\n<p>Nous sommes d\u00e9but septembre 2020. Alors que le monde sort \u00e0 peine d\u2019une p\u00e9riode de confinement in\u00e9dite, et les esprits sont encore bien anxieux face \u00e0 l\u2019impact mondial de la pand\u00e9mie de Covid-19, la <strong>Fondazione Merz <\/strong>\u00e0 Turin inaugure sa nouvelle exposition collective au nom plut\u00f4t \u00e9vocateur : <strong><em>\u201cPUSH THE LIMITS\u201d <\/em><\/strong>(\u201cRepousser les limites\u201d). Au programme, une quinzaine de grands noms de l\u2019art contemporain, de <a href=\"https:\/\/numero.com\/art\/art-art\/interview-artiste-sophie-calle\/\">Sophie Calle<\/a> \u00e0 <a href=\"https:\/\/numero.com\/art\/art-art\/lartiste-katharina-grosse-drape-venise-de-metal-etincelant\/\">Katharina Grosse<\/a> en passant par <strong>Jenny Holzer <\/strong>et <a href=\"https:\/\/numero.com\/art\/art-art\/qui-est-chiharu-shiota-artiste-japonaise-exposition-au-grand-palais-paris\/\">Chiharu Shiota<\/a>, et un projet plut\u00f4t ambitieux : utiliser la cr\u00e9ation pour repousser les limites de la pens\u00e9e, de la perception et du discours. En somme, raconter notre monde \u00e0 travers des langages plastiques et visuels originaux et vari\u00e9s pour mieux le d\u00e9crypter, et comprendre nos mani\u00e8res de constamment nous y adapter.<\/p>\n<p>Depuis cette proposition il y a cinq ans, de nombreux \u00e9v\u00e9nements majeurs se sont pass\u00e9s. Sortie de la pand\u00e9mie et crise \u00e9conomique, guerres d\u00e9vastatrices en Ukraine et au Proche-Orient, mont\u00e9e vertigineuse des nationalismes et imp\u00e9rialismes, triomphe des gouvernements autoritaires, urgence climatique et d\u00e9sastres \u00e9cologiques\u2026 Un contexte charg\u00e9 qui a motiv\u00e9 les deux commissaires de l\u2019institution italienne \u00e0 pr\u00e9parer un second volet de ce projet curatorial, qu\u2019elles ont inaugur\u00e9 fin octobre dernier, pendant la derni\u00e8re \u00e9dition de la <strong>foire Artissima<\/strong>. S\u2019y rencontrent les \u0153uvres de dix-neuf artistes contemporaines, l\u00e0 aussi toutes des femmes, dont deux \u00e9taient d\u00e9j\u00e0 pr\u00e9sentes dans la pr\u00e9c\u00e9dente exposition : <strong>Mona Hatoum <\/strong>et <strong>Emily Jacir<\/strong>.<\/p>\n<figure data-wp-context='{\"imageId\":\"69aa6d3a7fa82\"}' data-wp-interactive=\"core\/image\" class=\"wp-block-image size-large wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on-async--click=\"actions.showLightbox\" data-wp-on-async--load=\"callbacks.setButtonStyles\" data-wp-on-async-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/03\/fiona-banner-pranayama-organ-1024x576.jpg\" alt=\"Exposition PUSH THE LIMITS Fondazione Merz Turin\" class=\"wp-image-809404\"><button class=\"lightbox-trigger\" type=\"button\" aria-haspopup=\"dialog\" aria-label=\"Agrandir\" data-wp-init=\"callbacks.initTriggerButton\" data-wp-on-async--click=\"actions.showLightbox\" data-wp-style--right=\"state.imageButtonRight\" data-wp-style--top=\"state.imageButtonTop\"><\/p>\n<p>\t\t<\/button><figcaption class=\"wp-element-caption\">Fiona Banner,\u00a0<em>Pranayama Organ<\/em>\u00a0(2021 ; vid\u00e9o HD avec bande sonore, 10\u201926\u2019\u2019). Avec l\u2019aimable autorisation de l\u2019artiste et de la Frith Street Gallery, Londres \u00a9 Fiona Banner Studio.<\/figcaption><\/figure>\n<h2 class=\"wp-block-heading\">L\u2019\u00e9tat des lieux d\u2019un monde en crise<\/h2>\n<p>Afin d\u2019ancrer le projet dans l\u2019histoire de la fondation italienne, une citation de <a href=\"https:\/\/numero.com\/art\/numero-art\/arte-povera-bourse-de-commerce-interview-carolyn-christov-bakargiev\/\">l\u2019artiste Mario Merz<\/a> s\u2019appose au titre initial qui introduit ce nouveau chapitre : <em>\u201cLa culture se d\u00e9nude et fait appara\u00eetre la guerre\u201d<\/em>. Une phrase qui, si elle pr\u00e9sage des \u0153uvres travers\u00e9es par l\u2019histoire, les conflits arm\u00e9s et la g\u00e9opolitique, pr\u00e9suppose surtout un enjeu artistique majeur : comment repr\u00e9senter avec justesse la violence de notre monde contemporain ? \u00c0 l\u2019entr\u00e9e du b\u00e2timent, la fameuse mappemonde de<strong>\u00a0Mona\u00a0Hatoum<\/strong> (<em>Hot Spot (stand)<\/em>, 2018) semble faire office de balise. Avec cet imposant globe en m\u00e9tal o\u00f9 les continents se dessinent en n\u00e9ons \u00e9carlates, l\u2019objet familier des le\u00e7ons de g\u00e9ographie devient tout \u00e0 coup mena\u00e7ant, montrant notre plan\u00e8te comme une zone sensible. Par ailleurs, l\u2019utilisation du n\u00e9on n\u2019est pas sans rappeler les sculptures embl\u00e9matiques de Mario Merz : en 1968, le ma\u00eetre de l\u2019<strong>arte povera<\/strong> r\u00e9alisait son tout premier igloo en r\u00e9action \u00e0 la guerre du Vietnam, comme une forme d\u2019utopie habitable et universelle. <\/p>\n<p>Si les affres de la guerre sont ind\u00e9niablement fertiles pour les artistes expos\u00e9es, plusieurs \u0153uvres contournent habilement les poncifs paresseux. Ainsi, \u00e0 quelques pas, l\u2019artiste\u00a0<strong>Katerina Kovaleva <\/strong>a dress\u00e9 une grande table couverte d\u2019une nappe blanche pour tenir un \u00e9trange d\u00eener sans convives : dans des assiettes m\u00e9talliques se trouvent un miroir circulaire, et les verres sont chapeaut\u00e9s de petits blocs de granit. Ici se rejoue une tradition connue des foyers russes, consistant \u00e0 laisser sur la table un verre de vodka et un morceau de pain pour les invit\u00e9s qui ne viendront jamais. C\u2019est en regardant mieux dans ces miroirs que l\u2019on s\u2019attarde sur les dessins qui les surplombent et s\u2019y refl\u00e8tent : sur un large drap blanc aux airs de parachute, des anges semblent sonner l\u2019hommage \u00e0 ces soldats disparus. Au sous-sol, c\u2019est \u00e0 travers un po\u00e9tique et \u00e9tonnant ballet dans la nature que <strong>Fiona Banner<\/strong> (alias <strong>The Vanity Press<\/strong>) : deux danseurs v\u00eatus de costumes gonflables \u00e0 l\u2019effigie d\u2019avions militaires se meuvent au gr\u00e9 des vents puissants des c\u00f4tes de la Manche. Aux bruits d\u2019un orgue d\u2019\u00e9glise, ces outils de destruction et de pouvoir vacillent et s\u2019\u00e9puisent, respirent, montrent leur fragilit\u00e9\u2026 et leur humanit\u00e9.<\/p>\n<figure data-wp-context='{\"imageId\":\"69aa6d3a7fdf0\"}' data-wp-interactive=\"core\/image\" class=\"wp-block-image size-large wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on-async--click=\"actions.showLightbox\" data-wp-on-async--load=\"callbacks.setButtonStyles\" data-wp-on-async-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/03\/mostra-push-the-limits-1-1024x683.jpg\" alt=\"Exposition PUSH THE LIMITS Fondazione Merz Turin\" class=\"wp-image-809412\"><button class=\"lightbox-trigger\" type=\"button\" aria-haspopup=\"dialog\" aria-label=\"Agrandir\" data-wp-init=\"callbacks.initTriggerButton\" data-wp-on-async--click=\"actions.showLightbox\" data-wp-style--right=\"state.imageButtonRight\" data-wp-style--top=\"state.imageButtonTop\"><\/p>\n<p>\t\t<\/button><figcaption class=\"wp-element-caption\">Vue de l\u2019exposition <em>\u201cPush the limits 2. Culture strips to reveal war\u201d<\/em> \u00e0 la Fondazione Merz, Turin. Photo : A. Guermani.<\/figcaption><\/figure>\n<h2 class=\"wp-block-heading\">Parler des corps sans les montrer<\/h2>\n<p>Fait plut\u00f4t rare dans les expositions d\u2019art parlant de notre \u00e9poque, le corps est relativement peu visible, sans \u00eatre pour autant absent de ce corpus : tant\u00f4t cach\u00e9 derri\u00e8re une cam\u00e9ra tenue \u00e0 la main, tant\u00f4t dans des images d\u00e9coll\u00e9es de leurs \u00e9tag\u00e8res\u2026 Une discr\u00e9tion qui \u00e9vite \u00e0 l\u2019ensemble de sombrer dans le pathos, la figuration du tragique \u00e9tant souvent assortie d\u2019une certaine th\u00e9\u00e2tralit\u00e9. Au contraire, plusieurs d\u2019entre elles jouent avec l\u2019inframince et avec ce qu\u2019on ne voit pas, comme l\u2019installation sonore de <strong>Teresa Margolles <\/strong>qui nous accueille dans la deuxi\u00e8me salle. En approchant l\u2019oreille de quelques discrets hauts-parleurs incrust\u00e9s dans une cimaise blanche on entend des chants d\u2019oiseaux, bruits de motos et de voitures retranscrivant le quotidien anim\u00e9 d\u2019une ville. Chaque bande-son a en r\u00e9alit\u00e9 \u00e9t\u00e9 enregistr\u00e9e sur le lieu d\u2019un meurtre non \u00e9lucid\u00e9 de femme survenu durant l\u2019ann\u00e9e 1993 \u00e0 Ciudad Juar\u00e8z, au Mexique \u2013 une mani\u00e8re pour l\u2019artiste, originaire de ce pays, de faire perdurer la m\u00e9moire de ces nombreuses victimes anonymes. <\/p>\n<p>En face, un tr\u00e8s \u00e9l\u00e9gant dialogue se dessine dans l\u2019espace, \u00e9clair\u00e9 par la lumi\u00e8re qui traverse les hautes fen\u00eatres du b\u00e2timent : les balan\u00e7oires en cha\u00eenes m\u00e9talliques de <strong>Monica Bonvicini<\/strong>, suspendues au plafond, rencontrent le rideau en perles de verre bleut\u00e9 de <strong>Latifa Echakhch.<\/strong> Deux \u0153uvres aux interpr\u00e9tations ouvertes et multiples, ou le mat\u00e9riau d\u00e9montre par sa pure force plastique sa capacit\u00e9 \u00e0 exprimer des paradoxes puissants et universels : la fragilit\u00e9 et la solidit\u00e9, l\u2019individu et la masse, l\u2019ordre et le chaos\u2026<\/p>\n<figure data-wp-context='{\"imageId\":\"69aa6d3a8014e\"}' data-wp-interactive=\"core\/image\" class=\"wp-block-image size-large wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on-async--click=\"actions.showLightbox\" data-wp-on-async--load=\"callbacks.setButtonStyles\" data-wp-on-async-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/03\/FMERZ_PushTheLimits25-059-1024x683.jpg\" alt=\"Exposition PUSH THE LIMITS Fondazione Merz Turin\" class=\"wp-image-809406\"><button class=\"lightbox-trigger\" type=\"button\" aria-haspopup=\"dialog\" aria-label=\"Agrandir\" data-wp-init=\"callbacks.initTriggerButton\" data-wp-on-async--click=\"actions.showLightbox\" data-wp-style--right=\"state.imageButtonRight\" data-wp-style--top=\"state.imageButtonTop\"><\/p>\n<p>\t\t<\/button><figcaption class=\"wp-element-caption\">Nora Turato, <em>Speaking my TRUTH!!!<\/em> (2024\/2025). Photo : A. Guermani.<\/figcaption><\/figure>\n<p>Dans le sillage de <strong>Mario Merz<\/strong>, et tout comme dans le premier volet de <em>\u201cPUSH THE LIMITS\u201d<\/em> en 2020, le langage est un autre motif r\u00e9current des \u0153uvres pr\u00e9sent\u00e9es dans ce nouveau corpus. Inscrite par <strong>Nora Turato<\/strong> au-dessus de la porte d\u2019entr\u00e9e du b\u00e2timent, la formule <em>\u201cspeaking my TRUTH!!!\u201d<\/em> (\u201cDire ma v\u00e9rit\u00e9 !!!\u201d) reprend non sans ironie une expression fr\u00e9quemment employ\u00e9e \u00e0 l\u2019\u00e8re des r\u00e9seaux sociaux, occasionnant souvent des effets d\u2019annonce et des r\u00e9v\u00e9lations. Elle t\u00e9moigne surtout de la capacit\u00e9 d\u2019une g\u00e9n\u00e9ration \u201cdigital native\u201d \u00e0 mettre en sc\u00e8ne et romancer sa propre vie, quand le marketing de soi remplace les unes des magazines. <\/p>\n<p>Quant \u00e0 <a href=\"https:\/\/numero.com\/art\/numero-art\/qui-est-zineb-sedira-biennale-de-venise-mention-speciale-jury-pavillon-francais\/\">l\u2019artiste franco-alg\u00e9rienne Zineb Sedira<\/a>, qui a particuli\u00e8rement \u00e9tudi\u00e9 la place de la langue dans la construction de l\u2019identit\u00e9 et de la m\u00e9moire, elle pr\u00e9sente ici quelques unes de ses bo\u00eetes lumineuses diffusant, sur fond color\u00e9, des messages diffus\u00e9s en pr\u00e9ambule des films activistes des ann\u00e9es 60-70 \u2013 sonnant, sous cette forme, comme des manifestes. Chez <strong>Helena Metaferia<\/strong>, la dimension collective est constituante de l\u2019\u0153uvre m\u00eame, puisque son projet<em> The Work <\/em>invite depuis bient\u00f4t dix ans des personnes racis\u00e9es et autochtones \u00e0 r\u00e9fl\u00e9chir \u00e0 des mani\u00e8res de transformer notre monde \u2013 \u00e9changes dont r\u00e9sultent, notamment, des pancartes et banni\u00e8res aux slogans politiques. Ainsi, lorsque les mots risquent de r\u00e9duire, d\u2019\u00e9touffer voire de s\u2019approprier les v\u00e9cus d\u2019autrui, une solution ne serait-elle pas que l\u2019artiste se mette en retrait au profit du groupe ?<\/p>\n<figure data-wp-context='{\"imageId\":\"69aa6d3a80476\"}' data-wp-interactive=\"core\/image\" class=\"wp-block-image size-large wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on-async--click=\"actions.showLightbox\" data-wp-on-async--load=\"callbacks.setButtonStyles\" data-wp-on-async-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/03\/latifa-echakhch-untitled-tears-fall-1024x683.jpg\" alt=\"Exposition PUSH THE LIMITS Fondazione Merz Turin\" class=\"wp-image-809408\"><button class=\"lightbox-trigger\" type=\"button\" aria-haspopup=\"dialog\" aria-label=\"Agrandir\" data-wp-init=\"callbacks.initTriggerButton\" data-wp-on-async--click=\"actions.showLightbox\" data-wp-style--right=\"state.imageButtonRight\" data-wp-style--top=\"state.imageButtonTop\"><\/p>\n<p>\t\t<\/button><figcaption class=\"wp-element-caption\">Latifa Echakhch,\u00a0<em>Untitled (Tears Fall)<\/em>\u00a0(2025 ; perles de verre et fil de nylon, 700 x 700 x 50 cm). Avec l\u2019aimable autorisation de l\u2019artiste, de la Pace Gallery et de kaufmann repetto Milan\/NewYork. Photo : Sebastiano Pellion di Persano.<\/figcaption><\/figure>\n<p>Au-del\u00e0 du visible, de la m\u00e9moire et du discours, l\u2019exposition de la Fondation Merz nous montre avant tout comment cr\u00e9er sans exploiter, sensibiliser sans d\u00e9truire, faire voyager sans d\u00e9tourner du r\u00e9el. Empreintes, pour certaines, de tendresse, de po\u00e9sie voire de l\u00e9g\u00e8ret\u00e9, les \u0153uvres pr\u00e9sent\u00e9es ici restent profondes et suffisamment vastes pour \u00eatre rattach\u00e9es \u00e0 de nombreux aspects de notre \u00e9poque. Parmi les plus situ\u00e9es, on retiendra toutefois deux \u0153uvres centr\u00e9es sur le conflit au Proche-Orient, \u00e0 commencer par une vid\u00e9o captivante d\u2019<strong>Emily Jacir<\/strong>, film\u00e9e pendant huit jours en 2002, lors de son voyage traversant la fronti\u00e8re isra\u00e9lo-palestinienne et les nombreux obstacles rencontr\u00e9s au cours de ce trajet. <\/p>\n<p>Comme le pendant actuel de cette \u0153uvre, la salle adjacente pr\u00e9sente une installation entam\u00e9e par la plasticienne palestinienne <strong>Mirna Bamieh<\/strong> apr\u00e8s les attaques du 7 octobre 2023, lorsqu\u2019elle pense devoir quitter sa demeure \u00e0 Ramallah. <em>\u201cSerais-je libre si j\u2019\u00e9tais un objet ?\u201d<\/em>, r\u00e9p\u00e8te la voix dans l\u2019espace, tandis qu\u2019\u00e0 l\u2019image, des vases en c\u00e9ramique et bocaux sont vid\u00e9s \u2013 comme une cuisine se vide de ses souvenirs. L\u2019\u0153uvre semble annoncer la prochaine exposition qui ouvrira dans l\u2019institution turinoise, le 21 avril prochain, r\u00e9unissant des dizaines d\u2019artefacts recueillis \u00e0 Gaza et aux alentours pour raconter l\u2019histoire \u2013 Mirna Bamieh y sera d\u2019ailleurs aussi pr\u00e9sente. Car \u201crepousser les limites\u201d, c\u2019est aussi sortir du cadre de l\u2019\u0153uvre fig\u00e9e, rang\u00e9e en r\u00e9serve apr\u00e8s exposition, pour continuer de vivre avec nous et nous aider \u00e0 parcourir les reliques de l\u2019histoire avec la conscience aigu\u00eb du temps pr\u00e9sent.<\/p>\n<p><em>\u201cPush the limits 2. Culture strips to reveal war\u201d, jusqu\u2019au 8 mars 2026 \u00e0 la <a href=\"https:\/\/www.fondazionemerz.org\/en\/\">Fondazione Merz,<\/a> Turin.<\/em><br \/><em>\u201cGAZA, crossroads of the Mediterranean. The future has an ancient hear\u201d, du 21 avril au 27 septembre 2026 \u00e0 la Fondazione Merz, Turin.<\/em><\/p>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"col-lg-3\">\n<div class=\"suggested-posts padding-top-s\">\n<div class=\"title\">Recommand\u00e9<\/div>\n<div class=\"post-card\">\n\t\t\t\t\t\t\t\t\t\t<a class=\"post-link d-flex\" href=\"https:\/\/numero.com\/art\/avoir-15-ans-a-cuba-la-vie-des-quinceaneras-vue-par-le-photographe-frank-thiel\/\"><\/p>\n<div class=\"container-img\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1600\" height=\"790\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2024\/06\/frank-thiel-arlett-acosta-fajardo-la-habana-marianao-santa-felicia-2016-courtesy-the-artist-and-blainsouthern-numero-magazine-push.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt>\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<p class=\"number\">7<\/p>\n<\/p><\/div>\n<div class=\"card-info d-flex\">\n<div>\n<p class=\"cat-title\">Art &amp; Design<\/p>\n<h3 class=\"post-title\">Avoir 15 ans \u00e0 Cuba ? La vie des Quincea\u00f1eras vue par le photographe Frank Thiel<\/h3>\n<\/p><\/div>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t7 juin 2018\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/div>\n<div class=\"post-card\">\n\t\t\t\t\t\t\t\t\t\t<a class=\"post-link d-flex\" href=\"https:\/\/numero.com\/mode\/telfar-va-mettre-en-vente-ses-creations-sur-sa-propre-chaine-de-television\/\"><\/p>\n<div class=\"container-img\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1600\" height=\"790\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2024\/06\/push-telfar-chaine-numero-magazine.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt>\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<p class=\"number\">14<\/p>\n<\/p><\/div>\n<div class=\"card-info d-flex\">\n<div>\n<p class=\"cat-title\">Mode<\/p>\n<h3 class=\"post-title\">Telfar va mettre en vente ses cr\u00e9ations sur sa propre cha\u00eene de t\u00e9l\u00e9vision<\/h3>\n<\/p><\/div>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t14 sept 2021\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/div>\n<div class=\"post-card\">\n\t\t\t\t\t\t\t\t\t\t<a class=\"post-link d-flex\" href=\"https:\/\/numero.com\/mode\/fashion-week\/5-pieces-du-defile-acne-studios-que-lon-veut-deja-porter\/\"><\/p>\n<div class=\"container-img\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1600\" height=\"790\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2024\/06\/defile-acne-studios-automne-hiver-2024-2025-2.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"d\u00e9fil\u00e9, Acne Studios, automne-hiver 2024-\">\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<p class=\"number\">29<\/p>\n<\/p><\/div>\n<div class=\"card-info d-flex\">\n<div>\n<p class=\"cat-title\">Fashion Week<\/p>\n<h3 class=\"post-title\">5 pi\u00e8ces du d\u00e9fil\u00e9 Acne Studios que l\u2019on veut d\u00e9j\u00e0 porter<\/h3>\n<\/p><\/div>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t29 f\u00e9v 2024\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/div>\n<div class=\"post-card\">\n\t\t\t\t\t\t\t\t\t\t<a class=\"post-link d-flex\" href=\"https:\/\/numero.com\/culture\/musique\/king-krule-en-solitaire-angoisse-dans-son-nouveau-clip\/\"><\/p>\n<div class=\"container-img\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1600\" height=\"790\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2024\/06\/push-cover-king-krule-nouveau-clip-alone-omen-3-man-alive-numero-magazine.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt>\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<p class=\"number\">6<\/p>\n<\/p><\/div>\n<div class=\"card-info d-flex\">\n<div>\n<p class=\"cat-title\">Culture<\/p>\n<h3 class=\"post-title\">King Krule en solitaire angoiss\u00e9 dans son nouveau clip<\/h3>\n<\/p><\/div>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t6 f\u00e9v 2020\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"padding-top-s\">\n<div class=\"ad banner desktop\">\n<div class=\"container\">\n<div class=\"row\">\n            <!-- \/21730003857\/numero-ad-unit\/numero-banner-1 --><\/p>\n<div id=\"div-gpt-ad-1757006327907-0\" style=\"min-width: 350px\">\n<p>                    googletag.cmd.push(function() { googletag.display(&#8216;div-gpt-ad-1757006327907-0&#8217;); });<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div><\/div>\n<\/p><\/div>\n<\/section>\n<p>        <button class=\"btn-newsletter btn-outline-white my-5\" id=\"open-modal-newsletter\">Inscrivez-vous \u00e0 la newsletter<\/button>\t\t<\/p>\n<section class=\"related-posts post-list padding-top-m padding-bottom-s\">\n<div class=\"container\">\n<h2 class=\"title mx-auto\">\u00c0 lire aussi<\/h2>\n<div class=\"row\">\n<div class=\"col-lg-3\">\n<div class=\"post-card desktop\">\n\t\t\t\t\t\t\t\t\t\t<a class=\"post-link\" href=\"https:\/\/numero.com\/art\/numero-art\/desert-x-alula-2026\/\"><\/p>\n<div class=\"container-img\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/03\/THUMB-DESERT-X.jpg\" alt=\"Hector Zamora, Desert X AlUla 2026\"><\/p>\n<div class=\"number\">05<\/div>\n<\/p><\/div>\n<div class=\"card-info\">\n<div class=\"meta d-flex justify-content-between\">\n<p class=\"cat-title\">Num\u00e9ro Art<\/p>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t5 mars 2026\t\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<div class=\"post-title\">Desert X AlUla : l\u2019art contemporain dialogue avec le d\u00e9sert et les canyons sur un site exceptionnel<\/div>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/div>\n<div class=\"post-card mobile\">\n\t\t\t\t\t\t\t\t\t\t<a class=\"post-link d-flex\" href=\"https:\/\/numero.com\/art\/numero-art\/desert-x-alula-2026\/\"><\/p>\n<div class=\"container-img\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1300\" height=\"1634\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/03\/THUMB-DESERT-X.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"Hector Zamora, Desert X AlUla 2026\">\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<div class=\"number\">05<\/div>\n<\/p><\/div>\n<div class=\"card-info d-flex\">\n<div>\n<p class=\"cat-title\">Num\u00e9ro Art<\/p>\n<h3 class=\"post-title\">Desert X AlUla : l\u2019art contemporain dialogue avec le d\u00e9sert et les canyons sur un site exceptionnel<\/h3>\n<\/p><\/div>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t5 mars 2026\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/div>\n<\/p><\/div>\n<div class=\"col-lg-3\">\n<div class=\"post-card desktop\">\n\t\t\t\t\t\t\t\t\t\t<a class=\"post-link\" href=\"https:\/\/numero.com\/mode\/fashion-week\/fashion-week-evenements-ouverts-au-public\/\"><\/p>\n<div class=\"container-img\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2025\/10\/Dover-Street-Market.jpg\" alt=\"Le pop-up store Dover Street Market.\"><\/p>\n<div class=\"number\">03<\/div>\n<\/p><\/div>\n<div class=\"card-info\">\n<div class=\"meta d-flex justify-content-between\">\n<p class=\"cat-title\">Fashion Week<\/p>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t3 mars 2026\t\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<div class=\"post-title\">Fashion Week : les \u00e9v\u00e9nements \u00e0 ne pas manquer pendant la semaine de la mode<\/div>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/div>\n<div class=\"post-card mobile\">\n\t\t\t\t\t\t\t\t\t\t<a class=\"post-link d-flex\" href=\"https:\/\/numero.com\/mode\/fashion-week\/fashion-week-evenements-ouverts-au-public\/\"><\/p>\n<div class=\"container-img\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1300\" height=\"1634\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2025\/10\/Dover-Street-Market.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"Le pop-up store Dover Street Market.\">\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<div class=\"number\">03<\/div>\n<\/p><\/div>\n<div class=\"card-info d-flex\">\n<div>\n<p class=\"cat-title\">Fashion Week<\/p>\n<h3 class=\"post-title\">Fashion Week : les \u00e9v\u00e9nements \u00e0 ne pas manquer pendant la semaine de la mode<\/h3>\n<\/p><\/div>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t3 mars 2026\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/div>\n<\/p><\/div>\n<div class=\"col-lg-3\">\n<div class=\"post-card desktop\">\n\t\t\t\t\t\t\t\t\t\t<a class=\"post-link\" href=\"https:\/\/numero.com\/art\/numero-art\/annee-imhof-musee-serralves\/\"><\/p>\n<div class=\"container-img\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/03\/THUMB-IMHOF.jpg\" alt=\"Portrait de Anne Imhof par Sean and Seng.\"><\/p>\n<div class=\"number\">02<\/div>\n<\/p><\/div>\n<div class=\"card-info\">\n<div class=\"meta d-flex justify-content-between\">\n<p class=\"cat-title\">Num\u00e9ro Art<\/p>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t2 mars 2026\t\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<div class=\"post-title\">Anne Imhof prend d\u2019assaut le plus grand mus\u00e9e portugais<\/div>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/div>\n<div class=\"post-card mobile\">\n\t\t\t\t\t\t\t\t\t\t<a class=\"post-link d-flex\" href=\"https:\/\/numero.com\/art\/numero-art\/annee-imhof-musee-serralves\/\"><\/p>\n<div class=\"container-img\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1300\" height=\"1634\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/03\/THUMB-IMHOF.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"Portrait de Anne Imhof par Sean and Seng.\">\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<div class=\"number\">02<\/div>\n<\/p><\/div>\n<div class=\"card-info d-flex\">\n<div>\n<p class=\"cat-title\">Num\u00e9ro Art<\/p>\n<h3 class=\"post-title\">Anne Imhof prend d\u2019assaut le plus grand mus\u00e9e portugais<\/h3>\n<\/p><\/div>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t2 mars 2026\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/div>\n<\/p><\/div>\n<div class=\"col-lg-3\">\n<div class=\"post-card desktop\">\n\t\t\t\t\t\t\t\t\t\t<a class=\"post-link\" href=\"https:\/\/numero.com\/art\/numero-art\/biennale-de-venise-bvlgari-pavillon-invite-lartiste-lotus-l-kang\/\"><\/p>\n<div class=\"container-img\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/03\/BVLGARI-THUMB.jpg\" alt><\/p>\n<div class=\"number\">02<\/div>\n<\/p><\/div>\n<div class=\"card-info\">\n<div class=\"meta d-flex justify-content-between\">\n<p class=\"cat-title\">Num\u00e9ro Art<\/p>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t2 mars 2026\t\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<div class=\"post-title\">Biennale de Venise : Bvlgari, nouveau partenaire exclusif, pr\u00e9sente une \u0153uvre de Lotus L. Kang<\/div>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/div>\n<div class=\"post-card mobile\">\n\t\t\t\t\t\t\t\t\t\t<a class=\"post-link d-flex\" href=\"https:\/\/numero.com\/art\/numero-art\/biennale-de-venise-bvlgari-pavillon-invite-lartiste-lotus-l-kang\/\"><\/p>\n<div class=\"container-img\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1300\" height=\"1634\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/03\/BVLGARI-THUMB.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt>\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<div class=\"number\">02<\/div>\n<\/p><\/div>\n<div class=\"card-info d-flex\">\n<div>\n<p class=\"cat-title\">Num\u00e9ro Art<\/p>\n<h3 class=\"post-title\">Biennale de Venise : Bvlgari, nouveau partenaire exclusif, pr\u00e9sente une \u0153uvre de Lotus L. Kang<\/h3>\n<\/p><\/div>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t2 mars 2026\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/section>\n<div class=\"padding-bottom-s\">\n<div class=\"ad banner desktop\">\n<div class=\"container\">\n<div class=\"row\">\n            <!-- \/21730003857\/numero-ad-unit\/numero-banner-1 --><\/p>\n<div id=\"div-gpt-ad-1757006327907-0\" style=\"min-width: 350px\">\n<p>                    googletag.cmd.push(function() { googletag.display(&#8216;div-gpt-ad-1757006327907-0&#8217;); });<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div><\/div>\n<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"<p>5 5 googletag.cmd.push(function () { googletag.display(&#8216;div-gpt-ad-1757063143832-0&#8217;); }); Lien copi\u00e9 Art 5 mars 2026 \u00c0 la Fondazione Merz, l\u2019art contemporain face \u00e0 une plan\u00e8te qui br\u00fble Inaugur\u00e9e en octobre dernier, l\u2019exposition \u201cPush the Limits 2\u201d \u00e0 la Fondazione Merz forme un deuxi\u00e8me volet \u00e0 celle pr\u00e9sent\u00e9e en 2020. Les \u0153uvres prot\u00e9iformes d\u2019une quinzaine d\u2019artistes, de Nora [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[226,258],"class_list":["post-1810356","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-crawlmanager","tag-numero-com"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1810356","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1810356"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1810356\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1810356"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1810356"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1810356"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}