{"id":1789644,"date":"2025-11-28T00:00:00","date_gmt":"2025-11-27T21:00:00","guid":{"rendered":"https:\/\/analyse.optim.biz\/?p=1789644"},"modified":"2025-11-28T00:00:00","modified_gmt":"2025-11-27T21:00:00","slug":"nouvelle-vague-que-vaut-le-film-le-plus-nomme-aux-cesar-2026","status":"publish","type":"post","link":"https:\/\/analyse.optim.biz\/?p=1789644","title":{"rendered":"Nouvelle Vague : que vaut le film le plus nomm\u00e9 aux C\u00e9sar 2026 ?"},"content":{"rendered":"<div class=\"entry-content\">\n<section class=\"single-header padding-top-s\">\n<div class=\"container\">\n<div class=\"row justify-content-between\">\n<div class=\"col-lg-9 col-xl-8\">\n<div class=\"video-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n<div class=\"container-img desktop\">\n\t\t\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2025\/05\/critique-film-nouvelle-vague-Richard-Linklater-1.jpg\" alt=\"critique film nouvelle vague festival de cannes 2025\"><\/p>\n<p class=\"number big\">24<\/p>\n<\/p><\/div>\n<div class=\"container-img mobile\">\n\t\t\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2025\/10\/nouvelle-vague-richard-linklater.jpg\" alt=\"Le film Nouvelle Vague de Richard Linklater.\"><\/p>\n<p class=\"number big\">24<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"col col-lg-3 col-xl-4 desktop\">\n<div class=\"ad grand-angle desktop\">\n    <!-- \/21730003857\/numero-ad-unit\/numero-grand-angle --><\/p>\n<div id=\"div-gpt-ad-1757063143832-0\" class=\"px-0\">\n<p>            googletag.cmd.push(function () {<br \/>\n                googletag.display(&#8216;div-gpt-ad-1757063143832-0&#8217;);<br \/>\n            });<\/p><\/div>\n<\/div><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/section>\n<section class=\"post-content\">\n<div class=\"container\">\n<div class=\"row g-0 justify-content-between\">\n<div class=\"col-lg-9 col-xl-8 padding-top-s\">\n<p class=\"share-widget\" id=\"share-widget\"><img decoding=\"async\" src=\"https:\/\/numero.com\/wp-content\/themes\/%09%09%09understrap-child-main\/src\/public\/images\/share.svg\" alt=\"share-widget\"><\/p>\n<div class=\"share-icons\" id=\"share-icons\">\n<p class=\"copy-link\"><img decoding=\"async\" src=\"https:\/\/numero.com\/wp-content\/themes\/understrap-child-main\/src\/public\/images\/copy-link.svg\" alt=\"copy-link\"><\/p>\n<p>\t\t\t\t\t\t\t<a href=\"https:\/\/www.facebook.com\/sharer\/sharer.php?u=https:\/\/numero.com\/culture\/cinema\/nouvelle-vague-film-hommage-godard\/\" class=\"facebook\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/numero.com\/wp-content\/themes\/understrap-child-main\/src\/public\/images\/facebook.svg\" alt=\"facebook\"><\/a><br \/>\n\t\t\t\t\t\t\t<a href=\"https:\/\/twitter.com\/share?url=https:\/\/numero.com\/culture\/cinema\/nouvelle-vague-film-hommage-godard\/\" class=\"twitter\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/numero.com\/wp-content\/themes\/understrap-child-main\/src\/public\/images\/twitter.svg\" alt=\"twitter\"><\/a>\n\t\t\t\t\t\t<\/div>\n<p>\t\t\t\t\t\t<span class id=\"custom-tooltip\">Lien copi\u00e9<\/span><\/p>\n<div class=\"col-lg-10\">\n<div class=\"meta d-flex justify-content-between align-items-center\">\n<div class=\"cat\">\n\t\t\t\t\t\t\t\t\t<a class=\"cat-title\" href=\"https:\/\/numero.com\/category\/culture\/cinema\/\">Cin\u00e9ma<\/a>\t\t\t\t\t\t\t\t<\/div>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t24 f\u00e9v 2026\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<h1>Nouvelle Vague : que vaut le film le plus nomm\u00e9 aux C\u00e9sar 2026 ?<\/h1>\n<div class=\"introduction\">\n<p>R\u00e9jouissante com\u00e9die sur le tournage d\u2019<em>\u00c0 bout de Souffle<\/em> et r\u00e9flexion ambigu\u00eb sur l\u2019art du cin\u00e9ma, le film <em>Nouvelle Vague<\/em> du r\u00e9alisateur de <em>Before Sunrise<\/em> a \u00e9t\u00e9 nomm\u00e9 dix fois aux C\u00e9sar 2026. Notre chronique du long-m\u00e9trage qui ressort en salles le 25 f\u00e9vrier 2026.<\/p>\n<\/div>\n<li class=\"credits d-flex\">\n<p>\n\t\t\t\t\t\t\t\t\t\t\tpar\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/numero.com\/contributeur\/olivier-joyard\/\">Olivier Joyard<\/a>.\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/li>\n<p class=\"edition-date\">Publi\u00e9 le 7 octobre 2025. Modifi\u00e9 le 24 f\u00e9vrier 2026.<\/p>\n<div id=\"ads03\" class=\"mobile\">\n<div class=\"ad-wrapper\">\n<div class=\"ad interscroller desktop\">\n<\/div>\n<p><!-- \/21730003857\/numero-ad-unit\/numero-interscroller --><\/p>\n<div id=\"div-gpt-ad-1757521738078-0\">\n<p>        googletag.cmd.push(function () {<br \/>\n            googletag.display(&#8216;div-gpt-ad-1757521738078-0&#8217;);<br \/>\n            googletag.pubads().addEventListener(&#8216;slotRenderEnded&#8217;, function (event) {<br \/>\n                if (event.slot.getSlotElementId() === &#8216;div-gpt-ad-1757521738078-0&#8217;) {<br \/>\n                    const iframe = document.querySelector(&#8216;#div-gpt-ad-1757521738078-0 iframe&#8217;);<br \/>\n                    if (iframe) {<br \/>\n                        iframe.style.width = &#8216;100%&#8217;;<br \/>\n                        iframe.style.aspectRatio = iframe.getAttribute(&#8216;width&#8217;) + &#8216; \/ &#8216; + iframe.getAttribute(&#8216;height&#8217;);<br \/>\n                        iframe.style.height = &#8216;auto&#8217;;<br \/>\n                        const doc = iframe.contentDocument || iframe.contentWindow.document;<br \/>\n                        if (doc) {<br \/>\n                            const img = doc.querySelector(&#8216;a img.img_ad&#8217;);<br \/>\n                            img.style.width = &#8216;100%&#8217;;<br \/>\n                            img.style.height = &#8216;auto&#8217;;<br \/>\n                        }<br \/>\n                    }<br \/>\n                }<br \/>\n            });<br \/>\n        });<\/p>\n<\/div><\/div>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t&lt;!&#8211; <\/p>\n<div class=\"padding-bottom-s\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n<p> &#8211;&gt;<\/p>\n<figure data-wp-context='{\"imageId\":\"699d86506cd9c\"}' data-wp-interactive=\"core\/image\" class=\"wp-block-image size-large wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"653\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on-async--click=\"actions.showLightbox\" data-wp-on-async--load=\"callbacks.setButtonStyles\" data-wp-on-async-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2025\/09\/push-nouvelle-vague-zoey-deutch-numero-magazine-1024x653.jpg\" alt=\"Photo de l'actrice Zoey Deutch dans le film Nouvelle Vague (2025) de Richard Linklater.\" class=\"wp-image-720557\"><button class=\"lightbox-trigger\" type=\"button\" aria-haspopup=\"dialog\" aria-label=\"Agrandir\" data-wp-init=\"callbacks.initTriggerButton\" data-wp-on-async--click=\"actions.showLightbox\" data-wp-style--right=\"state.imageButtonRight\" data-wp-style--top=\"state.imageButtonTop\"><\/p>\n<p>\t\t<\/button><figcaption class=\"wp-element-caption\">Zoey Deutch dans le film <em>Nouvelle Vague<\/em> (2025) de Richard Linklater. \u00a9 Jean-Louis Fernandez.<\/figcaption><\/figure>\n<p>Une salle hilare et \u00e9mue devant un film en noir et blanc en comp\u00e9tition\u00a0? Au <strong>Festival de Cannes<\/strong>, \u00e7a n\u2019arrive pas tous les jours. Le v\u00e9t\u00e9ran am\u00e9ricain <strong>Richard Linklater<\/strong>, une vingtaine de r\u00e9alisations au compteur (dont la trilogie d\u00e9but\u00e9e avec <em>Before Sunrise<\/em>, le superbe<strong> <em>Boyhood<\/em><\/strong> ou plus r\u00e9cemment le tr\u00e8s r\u00e9ussi <em>Hitman<\/em>) l\u2019a fait avec son film <em><strong>Nouvelle Vague<\/strong> <\/em>(2025), qui ressort au cin\u00e9ma le 25 f\u00e9vrier 2026. Ce dernier, nomm\u00e9 dix fois aux <strong>C\u00e9sar 2026<\/strong>, raconte comme une cavalcade le tournage du chef-d\u2019\u0153uvre de <strong><a href=\"https:\/\/numero.com\/culture\/cinema\/nouvelle-vague-richard-linklater-godard\/\" target=\"_blank\" rel=\"noreferrer noopener\">Jean-Luc Godard<\/a><\/strong>, <em><strong>\u00c0 bout de souffle<\/strong><\/em>.<\/p>\n<h2 class=\"wp-block-heading\"><em>Nouvelle Vague<\/em>, un film en hommage \u00e0 Godard<\/h2>\n<p>Ce film embl\u00e9matique sort en 1959 \u00e0 l\u2019heure du <strong>cin\u00e9ma-r\u00e9volution<\/strong>, dans les pas d\u2019une revue, les <em><strong>Cahiers du cin\u00e9ma<\/strong><\/em>, qui regroupe alors \u00e0 Paris la fine fleur de la critique et des r\u00e9alisateurs en devenir. Parmi eux, <strong>Fran\u00e7ois Truffaut<\/strong>, <strong>Claude Chabrol<\/strong>, <strong>\u00c9ric Rohmer<\/strong>, <strong>Jacques Rivette<\/strong>. Mais aussi un certain <strong>Jean-Luc Godard<\/strong>, l\u2019homme aux lunettes noires et \u00e0 l\u2019accent suisse trainant. Celui qui ne c\u00e9dera jamais sur son d\u00e9sir de faire <a href=\"https:\/\/numero.com\/category\/cinema\/\">cin\u00e9ma<\/a> arrach\u00e9 \u00e0 la fois \u00e0 l\u2019histoire des formes et \u00e0 la vie de celles et ceux qui le fabriquent.<\/p>\n<p>Godard est mort en 2022, \u00e0 l\u2019\u00e2ge de 91 ans. On le retrouve ici bien vivant. Il n\u2019a pas encore trente ans et se d\u00e9place comme un clich\u00e9 ambulant. Mais <strong>un clich\u00e9 g\u00e9nial<\/strong>, d\u00e9bitant des citations de grands cin\u00e9astes et d\u2019auteurs ch\u00e9ris, marchant sur les mains, refusant de travailler dans les r\u00e8gles de l\u2019art.<\/p>\n<h2 class=\"wp-block-heading\">10 nominations aux C\u00e9sar<\/h2>\n<p><strong>Richard Linklater<\/strong> le regarde avec admiration et une forme de distance amus\u00e9e. Et ce, tandis que Godard convainc \u00e0 la fois un producteur (<strong>Georges de Beauregard<\/strong>), des com\u00e9diens (<strong>Jean-Paul Belmondo <\/strong>et<strong> Jean Seberg<\/strong>) mais aussi un chef op\u00e9rateur pass\u00e9 par l\u2019arm\u00e9e (<strong>Raoul Coutard<\/strong>), d\u2019embarquer avec lui pour un tournage sans sc\u00e9nario \u00e9crit \u00e0 l\u2019avance, ni lumi\u00e8re artificielle, ni maquillage, ni horaires fixes. Les prises s\u2018encha\u00eenent\u2026 ou pas. Si l\u2019inspiration n\u2019est pas l\u00e0, tout le monde restera au caf\u00e9.<\/p>\n<figure data-wp-context='{\"imageId\":\"699d86506d204\"}' data-wp-interactive=\"core\/image\" class=\"wp-block-image size-full wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"681\" height=\"1024\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on-async--click=\"actions.showLightbox\" data-wp-on-async--load=\"callbacks.setButtonStyles\" data-wp-on-async-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2025\/05\/GettyImages-2215605098.jpg\" alt=\"Les acteurs du film, Aubry Dullin, Zoey Deutch et Guillaume Marbeck, lors de la mont\u00e9e des marches \u00e0 Cannes.\" class=\"wp-image-677605\"><button class=\"lightbox-trigger\" type=\"button\" aria-haspopup=\"dialog\" aria-label=\"Agrandir\" data-wp-init=\"callbacks.initTriggerButton\" data-wp-on-async--click=\"actions.showLightbox\" data-wp-style--right=\"state.imageButtonRight\" data-wp-style--top=\"state.imageButtonTop\"><\/p>\n<p>\t\t<\/button><figcaption class=\"wp-element-caption\">Aubry Dullin, Zoey Deutch et Guillaume Marbeck, les acteurs du film <em>Nouvelle Vague<\/em> au Festival de Cannes 2025. \u00a9 Stephane Cardinale \u2013 Corbis\/Corbis via Getty Images.<\/figcaption><\/figure>\n<h2 class=\"wp-block-heading\">Le cin\u00e9ma mis en abyme au Festival de Cannes<\/h2>\n<p>En faisant d\u00e9filer les grands noms du cin\u00e9ma bouillonnant de l\u2019\u00e9poque \u2013 de <strong>Suzanne Schiffman <\/strong>\u00e0 <strong>Robert Bresson<\/strong>, en passant par <strong>Roberto Rossellini <\/strong>et <strong>Jean-Pierre Melville<\/strong> -, Richard Linklater malaxe une mati\u00e8re f\u00e9tichiste. Mais il saisit \u00e9galement une \u00e9poque o\u00f9 naissait ce qu\u2019on a appel\u00e9 le \u201ccin\u00e9ma moderne\u201d. Pour les cin\u00e9philes, cela \u00e9quivaut \u00e0 boire du petit lait. C\u2019est aussi tr\u00e8s p\u00e9dagogique, tant le film d\u00e9taille une anti-m\u00e9thode.<\/p>\n<p>C\u2019est la part la plus r\u00e9jouissante du film <em>Nouvelle Vague<\/em><strong> <\/strong>qui d\u00e9gomme toute vell\u00e9it\u00e9 nostalgique pour rappeler ici et maintenant qu\u2019une certaine mani\u00e8re de faire du cin\u00e9ma a exist\u00e9. Contrairement au ton plus parodique de <strong>Michel Hazanavicius<\/strong>, qui dressait le portrait du Godard de la fin des ann\u00e9es 1960 dans <em>Le Redoutable<\/em> (pr\u00e9sent\u00e9 \u00e0 Cannes en 2017), <strong>Linklater<\/strong> montre le travail concret d\u2019un tournage. <\/p>\n<p>Celui-ci consiste \u00e0 r\u00e9gler des probl\u00e8mes imm\u00e9diats\u00a0avec la r\u00e9alit\u00e9, qui s\u2019obstine \u00e0 ne rien rendre facile, mais aussi avec les \u00e9motions envahissantes. Celles que Godard voulait toujours laisser entrer dans le processus de l\u2019art, m\u00eame si elles provoquent une forme de chaos.<\/p>\n<figure data-wp-context='{\"imageId\":\"699d86506d5a4\"}' data-wp-interactive=\"core\/image\" class=\"wp-block-image size-full wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"870\" height=\"1024\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on-async--click=\"actions.showLightbox\" data-wp-on-async--load=\"callbacks.setButtonStyles\" data-wp-on-async-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2025\/05\/GettyImages-106155309.jpg\" alt=\"Jean Luc Godard et Jean Seberg.\" class=\"wp-image-677607\"><button class=\"lightbox-trigger\" type=\"button\" aria-haspopup=\"dialog\" aria-label=\"Agrandir\" data-wp-init=\"callbacks.initTriggerButton\" data-wp-on-async--click=\"actions.showLightbox\" data-wp-style--right=\"state.imageButtonRight\" data-wp-style--top=\"state.imageButtonTop\"><\/p>\n<p>\t\t<\/button><figcaption class=\"wp-element-caption\">Jean-Luc Godard et Jean Seberg lors de la soir\u00e9e du film A bout de Souffle en 1960 \u00e0 Paris. \u00a9 Keystone-France\/Gamma-Keystone via Getty Images.<\/figcaption><\/figure>\n<h2 class=\"wp-block-heading\">Richard Linklater d\u00e9passe-t-il le ma\u00eetre ?<\/h2>\n<p>Au-del\u00e0 de cette surface brillante et tr\u00e8s plaisante, il existe un film peut-\u00eatre plus secret et plus ambigu. Il s\u2019enclenche quand le personnage de Jean-Luc Godard (jou\u00e9 par l\u2019excellent <strong>Guillaume Marbeck<\/strong>) cite <strong>T.S. Eliot<\/strong>\u00a0: <em>\u201cLes po\u00e8tes immatures imitent, les po\u00e8tes murs volent\u201d<\/em>. Godard, lui, revendiquait le vol. De <strong>Nicholas Ray <\/strong>\u00e0 <strong>Bogart<\/strong>, jusqu\u2019\u00e0 <strong>Bergman<\/strong>, il s\u2019est inspir\u00e9 partout pour ce film. Il a m\u00eame construit son cin\u00e9ma pendant plusieurs d\u00e9cennies en prise directe avec d\u2019autres images, d\u2019autres formes.<\/p>\n<p>Qu\u2019essaie vraiment de faire <strong><a href=\"https:\/\/numero.com\/culture\/cinema\/nouvelle-vague-richard-linklater-ressuscite-godard-et-belmondo-au-festival-de-cannes\/\">Richard Linklater<\/a><\/strong>, pour d\u00e9passer l\u2019exercice de re-cr\u00e9ation\u00a0? Si son film est tourn\u00e9 en noir et blanc, il n\u2019utilise pas la mani\u00e8re de filmer branlante instaur\u00e9e par Godard sur <em><a href=\"https:\/\/numero.com\/culture\/a-bout-de-souffle-le-chef-doeuvre-de-godard-fait-son-retour-en-salle\/\">A bout de souffle<\/a><\/em>, ni les sauts d\u2019images, les fameux \u00ab\u00a0jump-cuts\u00a0\u00bb, invent\u00e9s au montage par la suite. Le r\u00e9alisateur am\u00e9ricain ne se voit donc pas du c\u00f4t\u00e9 de ceux qui copient.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\">\n<div class=\"wp-block-embed__wrapper\">\n<div class=\"cookieconsent-optout-statistics cookieconsent-optout-marketing\"><\/div>\n<\/div><figcaption class=\"wp-element-caption\">La bande-annonce du film <em>Nouvelle Vague <\/em>(2025).<\/figcaption><\/figure>\n<h2 class=\"wp-block-heading\">Des emprunts \u00e0 Godard<\/h2>\n<p>Appartient-il lui aussi aux voleurs, aux bandits de grand chemin du cin\u00e9ma\u00a0? Linklater vole \u00e0 Godard non seulement l\u2019histoire de son tournage, ses mimiques, sa l\u00e9gende, mais aussi le titre de l\u2019un de ses films.<strong> <em>Nouvelle Vague<\/em><\/strong> de <strong>Jean-Luc Godard<\/strong>, avec <strong>Alain Delon <\/strong>est sorti en 1990. Ce qu\u2019il d\u00e9sire profond\u00e9ment, c\u2019est peut-\u00eatre lui voler son \u00e2me, celle de l\u2019un des grands cr\u00e9ateurs du vingti\u00e8me si\u00e8cle. Ou alors capturer quelque chose de son g\u00e9nie pour le restituer \u00e0 un monde qui ne le voit plus.<\/p>\n<p>L\u2019ambition est noble, coh\u00e9rente, y compris au regard de la le\u00e7on prof\u00e9r\u00e9e par Godard lui-m\u00eame. Mais le film n\u2019est pas assez fou pour vraiment y parvenir. On y voit plut\u00f4t la d\u00e9monstration en actes que le cin\u00e9ma n\u2019a plus trouv\u00e9 la clef pour rester l\u2019art r\u00e9volutionnaire qu\u2019il a \u00e9t\u00e9. <strong>Richard Linklater <\/strong>a l\u2019\u00e9l\u00e9gance de ne pas en faire tout un plat, c\u2019est son talent et sa limite.<\/p>\n<p><em><em>Nouvelle Vague (2025) de Richard Linklater, de nouveau au cin\u00e9ma le 25 f\u00e9vrier 2026.<\/em><\/em><\/p>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"col-lg-3\">\n<div class=\"suggested-posts padding-top-s\">\n<div class=\"title\">Recommand\u00e9<\/div>\n<div class=\"post-card\">\n\t\t\t\t\t\t\t\t\t\t<a class=\"post-link d-flex\" href=\"https:\/\/numero.com\/culture\/cinema\/eva-yelmani-dites-lui-que-je-l-aime-interview\/\"><\/p>\n<div class=\"container-img\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1300\" height=\"1634\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2025\/06\/eva-yelmani2-1.jpg\" 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alt=\"Shu Qi dans le film Resurrection.\">\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<p class=\"number\">8<\/p>\n<\/p><\/div>\n<div class=\"card-info d-flex\">\n<div>\n<p class=\"cat-title\">Cin\u00e9ma<\/p>\n<h3 class=\"post-title\">Resurrection : pourquoi il faut voir le film du prodige chinois Bi Gan<\/h3>\n<\/p><\/div>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t8 d\u00e9c 2025\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/div>\n<div class=\"post-card\">\n\t\t\t\t\t\t\t\t\t\t<a class=\"post-link d-flex\" href=\"https:\/\/numero.com\/culture\/cinema\/monia-chokri-interview-love-me-tender\/\"><\/p>\n<div class=\"container-img\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1300\" height=\"1634\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2025\/06\/monia-chokri1.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"L'actrice Monia Chokri au Festival de Cannes.\">\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<p class=\"number\">5<\/p>\n<\/p><\/div>\n<div class=\"card-info d-flex\">\n<div>\n<p class=\"cat-title\">Cin\u00e9ma<\/p>\n<h3 class=\"post-title\">Les confessions de Monia Chokri, actrice et r\u00e9alisatrice majeure<\/h3>\n<\/p><\/div>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t5 d\u00e9c 2025\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/div>\n<div class=\"post-card\">\n\t\t\t\t\t\t\t\t\t\t<a class=\"post-link d-flex\" href=\"https:\/\/numero.com\/culture\/cinema\/margaret-qualley-the-substance-honey-don-t\/\"><\/p>\n<div class=\"container-img\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1300\" height=\"1634\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2025\/05\/margaret-qualley-1.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"Margaret Qualley en Chanel au Festival de Cannes 2025.\">\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<p class=\"number\">25<\/p>\n<\/p><\/div>\n<div class=\"card-info d-flex\">\n<div>\n<p class=\"cat-title\">Cin\u00e9ma<\/p>\n<h3 class=\"post-title\">Comment Margaret Qualley est devenue l\u2019une des actrices phares d\u2019Hollywood<\/h3>\n<\/p><\/div>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t25 nov 2025\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"padding-top-s\">\n<div class=\"ad banner desktop\">\n<div class=\"container\">\n<div class=\"row\">\n            <!-- \/21730003857\/numero-ad-unit\/numero-banner-1 --><\/p>\n<div id=\"div-gpt-ad-1757006327907-0\" style=\"min-width: 350px\">\n<p>                    googletag.cmd.push(function() { googletag.display(&#8216;div-gpt-ad-1757006327907-0&#8217;); });<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div><\/div>\n<\/p><\/div>\n<\/section>\n<p>        <button class=\"btn-newsletter btn-outline-white my-5\" id=\"open-modal-newsletter\">Inscrivez-vous \u00e0 la newsletter<\/button>\t\t<\/p>\n<section class=\"related-posts post-list padding-top-m padding-bottom-s\">\n<div class=\"container\">\n<h2 class=\"title mx-auto\">\u00c0 lire aussi<\/h2>\n<div class=\"row\">\n<div class=\"col-lg-3\">\n<div class=\"post-card desktop\">\n\t\t\t\t\t\t\t\t\t\t<a class=\"post-link\" href=\"https:\/\/numero.com\/culture\/cinema\/neve-campbell-saga-scream\/\"><\/p>\n<div class=\"container-img\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/02\/neve-campbell-scream1.jpg\" alt=\"Neve Campbell dans la saga Scream.\"><\/p>\n<div class=\"number\">24<\/div>\n<\/p><\/div>\n<div class=\"card-info\">\n<div class=\"meta d-flex justify-content-between\">\n<p class=\"cat-title\">Cin\u00e9ma<\/p>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t24 f\u00e9v 2026\t\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<div class=\"post-title\">Neve 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2026\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/div>\n<\/p><\/div>\n<div class=\"col-lg-3\">\n<div class=\"post-card desktop\">\n\t\t\t\t\t\t\t\t\t\t<a class=\"post-link\" href=\"https:\/\/numero.com\/culture\/musique\/pinkpantheress-fancy-that-interview\/\"><\/p>\n<div class=\"container-img\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2024\/02\/pinkpantheress.jpg\" alt=\"La chanteuse PinkPantheress.\"><\/p>\n<div class=\"number\">24<\/div>\n<\/p><\/div>\n<div class=\"card-info\">\n<div class=\"meta d-flex justify-content-between\">\n<p class=\"cat-title\">Musique<\/p>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t24 f\u00e9v 2026\t\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<div class=\"post-title\">Rencontre avec PinkPantheress, le ph\u00e9nom\u00e8ne musical sacr\u00e9 aux Brit Awards<\/div>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/div>\n<div class=\"post-card mobile\">\n\t\t\t\t\t\t\t\t\t\t<a class=\"post-link d-flex\" href=\"https:\/\/numero.com\/culture\/musique\/pinkpantheress-fancy-that-interview\/\"><\/p>\n<div class=\"container-img\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1300\" height=\"1634\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2024\/02\/pinkpantheress.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"La chanteuse PinkPantheress.\">\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<div class=\"number\">24<\/div>\n<\/p><\/div>\n<div class=\"card-info d-flex\">\n<div>\n<p class=\"cat-title\">Musique<\/p>\n<h3 class=\"post-title\">Rencontre avec PinkPantheress, le ph\u00e9nom\u00e8ne musical sacr\u00e9 aux Brit Awards<\/h3>\n<\/p><\/div>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t24 f\u00e9v 2026\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/div>\n<\/p><\/div>\n<div class=\"col-lg-3\">\n<div class=\"post-card desktop\">\n\t\t\t\t\t\t\t\t\t\t<a class=\"post-link\" href=\"https:\/\/numero.com\/culture\/cinema\/bradley-cooper-laura-dern-andra-day\/\"><\/p>\n<div class=\"container-img\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2025\/11\/Laura-Dern-et-Andra-Day-dans-Is-This-Thing-On-2026-%C2%A9-Searchlight-Pictures-2.jpg\" alt=\"Laura Dern et Andra Day dans Is This Thing On? 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(2026) \u00a9 Searchlight Pictures.\">\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<div class=\"number\">23<\/div>\n<\/p><\/div>\n<div class=\"card-info d-flex\">\n<div>\n<p class=\"cat-title\">Cin\u00e9ma<\/p>\n<h3 class=\"post-title\">Laura Dern et Andra Day nous racontent le nouveau film passionnant de Bradley Cooper<\/h3>\n<\/p><\/div>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t23 f\u00e9v 2026\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/section>\n<div class=\"padding-bottom-s\">\n<div class=\"ad banner desktop\">\n<div class=\"container\">\n<div class=\"row\">\n            <!-- \/21730003857\/numero-ad-unit\/numero-banner-1 --><\/p>\n<div id=\"div-gpt-ad-1757006327907-0\" style=\"min-width: 350px\">\n<p>                    googletag.cmd.push(function() { googletag.display(&#8216;div-gpt-ad-1757006327907-0&#8217;); });<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div><\/div>\n<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"<p>24 24 googletag.cmd.push(function () { googletag.display(&#8216;div-gpt-ad-1757063143832-0&#8217;); }); Lien copi\u00e9 Cin\u00e9ma 24 f\u00e9v 2026 Nouvelle Vague : que vaut le film le plus nomm\u00e9 aux C\u00e9sar 2026 ? R\u00e9jouissante com\u00e9die sur le tournage d\u2019\u00c0 bout de Souffle et r\u00e9flexion ambigu\u00eb sur l\u2019art du cin\u00e9ma, le film Nouvelle Vague du r\u00e9alisateur de Before Sunrise a \u00e9t\u00e9 nomm\u00e9 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[226,258],"class_list":["post-1789644","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-crawlmanager","tag-numero-com"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1789644","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1789644"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1789644\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1789644"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1789644"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1789644"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}