{"id":1781192,"date":"2026-02-20T11:59:00","date_gmt":"2026-02-20T08:59:00","guid":{"rendered":"https:\/\/analyse.optim.biz\/?p=1781192"},"modified":"2026-02-20T11:59:00","modified_gmt":"2026-02-20T08:59:00","slug":"the-moment-how-a-g-cook-turned-brat-summer-into-a-nightmare","status":"publish","type":"post","link":"https:\/\/analyse.optim.biz\/?p=1781192","title":{"rendered":"The Moment: How A.G. Cook turned Brat summer into a nightmare"},"content":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;https:\/\/images-prod.dazeddigital.com\/1200\/389-818-1510-1007\/azure\/dazed-prod\/1430\/8\/1438099.jpg&#8221;]<\/p>\n<article class=\"main-article standard \">\n<div class=\"article-main-content article-wrapper has-media-but-its-an-image\" data-status=\"loaded\" data-primary-article=\"true\" data-url=\"\/music\/article\/69695\/1\/ag-cook-charli-xcx-brat-moment-sundance-interview-first-film-score-2026\" data-article-id=\"69695\">\n<header class=\"article-header has-portrait-image no-media\">\n<div class=\"wrapper dg-max-width\">\n<div class=\"inner\">\n<figure class=\"main-img has-figcaption\" data-img-aspect-ratio-type=\"portrait\" data-img-aspect-ratio=\"0.67\" data-template=\"Standard Article\"><span class=\"has-css-custom-props image-container\" data-aspect-ratio-type=\"portrait\"><span class=\"preserve-aspect-ratio\"><img loading=\"lazy\" decoding=\"async\" alt=\"AG Cook the moment sundance\" class=\"img\" height=\"3000\" src=\"https:\/\/images-prod.dazeddigital.com\/1280\/azure\/dazed-prod\/1430\/8\/1438099.jpg\" width=\"2000\"><\/span><\/span><figcaption class=\"img-caption\"><span class=\"inner\"><span class=\"credit\">Photography Cat Cardenas<\/span><\/span><\/figcaption><\/figure>\n<aside class=\"meta\">\n<div class=\"inner\"><time datetime=\"2026-02-20T11:59:00+00:00\" class=\"timestamp\" title=\"20 February 2026\"><span class=\"month\">February<\/span>\u00a0<br \/>\n<span class=\"day\" data-day=\"20\">20,<\/span>\u00a0<br \/>\n<span class=\"year\">2026<\/span><\/time><\/div>\n<\/aside>\n<div class=\"titles\">\n<div class=\"tags\">\n<div class=\"sections\"><a class=\"category vertical - music\" href=\"https:\/\/www.dazeddigital.com\/music\">Music<\/a><br \/>\n\/<br \/>\n<a class=\"series\" href=\"https:\/\/www.dazeddigital.com\/feature\">Feature<\/a><\/div>\n<\/div>\n<div class=\"standard-tag-container\"><a class=\"standard-category\" href=\"https:\/\/www.dazeddigital.com\/music\">Music<\/a> \/<br \/>\n<a class=\"standard-series\" href=\"https:\/\/www.dazeddigital.com\/feature\">Feature<\/a><\/div>\n<h1 class=\"title\"><span>The Moment: How A.G. Cook turned Brat summer into <span class=\"nowrap\">a nightmare<\/span><\/span><\/h1>\n<div class=\"standfirst\">\n<h2>As The Moment lands in UK cinemas, Charli xcx\u2019s longtime collaborator discusses transforming pop superstardom into something darker, spookier and <span class=\"nowrap\">more \u2018hysterical\u2019<\/span><\/h2>\n<\/div>\n<p><time datetime=\"2026-02-20T11:59:00+00:00\" class=\"timestamp\" title=\"20 February 2026\"><span class=\"month\">February<\/span>\u00a0<br \/>\n<span class=\"day\" data-day=\"20\">20,<\/span>\u00a0<br \/>\n<span class=\"year\">2026<\/span><\/time><\/div>\n<\/div>\n<p><time datetime=\"2026-02-20T11:59:00+00:00\" class=\"timestamp\" title=\"20 February 2026\"><span class=\"month\">February<\/span>\u00a0<br \/>\n<span class=\"day\" data-day=\"20\">20,<\/span>\u00a0<br \/>\n<span class=\"year\">2026<\/span><\/time><\/p>\n<div class=\"providers\">\n<div class=\"contributors\"><span class=\"contributor\" data-contributor-role=\"Text\"><span class=\"contributor-role\">Text<\/span><a class=\"contributor-name\" href=\"https:\/\/www.dazeddigital.com\/user\/CatCardenas\">Cat Cardenas<\/a><\/span><\/div>\n<\/div>\n<\/div>\n<\/header>\n<div class=\"article-body-container\">\n<div class=\"article-body wrapper\">\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p><span>Can you make a moment last forever? Or does drawing it out only leave it feeling hollow? That\u2019s the conflict at the heart of <a href=\"https:\/\/www.dazeddigital.com\/charli-xcx\">Charli xcx<\/a>\u2019s tour mockumentary, <\/span><em><span>The Moment<\/span><\/em><span>.\u00a0<\/span><\/p>\n<p><span>For nearly a decade, the singer had earned a reputation as a beloved underground pop icon \u2013 a counterpoint, or an antidote, to more mainstream acts. Then came <\/span><a href=\"https:\/\/www.dazeddigital.com\/tag\/brat\"><em><span>Brat<\/span><\/em><\/a><span>. In 2024, the album\u2019s caustic green facade and pulsing club-soaked beats became inescapable, sending xcx to the stratosphere.\u00a0<\/span><\/p>\n<p><em><span>The Moment<\/span><\/em><span> picks up in the immediate aftermath of \u201cBrat Summer,\u201d following a fictionalised version of xcx as she grapples with a popstar\u2019s Faustian bargain. Facing down the barrel of unprecedented success, she has to choose between her artistic integrity, navigating fame her way, or giving the industry what it wants and letting herself get swallowed up in the glow of <\/span><em><span>Brat<\/span><\/em><span>\u2019s acclaim.\u00a0\u00a0<\/span><\/p>\n<p><span>Less \u201cSpinal Brat\u201d and more \u201cBrat Swan,\u201d the film is a descent into madness, closing in on an xcx suffocated by executives, brands, and managers who want to spin Brat green into gold and sell her vision to as wide an audience as possible.\u00a0<\/span><\/p>\n<p><span>Accentuated by a hypnotic score from longtime xcx collaborator and producer, <a href=\"https:\/\/www.dazeddigital.com\/a-g-cook\">A.G. Cook<\/a>, the film isn\u2019t a sing-along of the album\u2019s greatest hits, but rather a deconstruction of it. The clashing elements, discordant sounds, and heartthumping beats that made hits like \u201cGuess\u201d, \u201c360\u201d, and \u201cSympathy is a Knife\u201d, are retooled and stripped down to their elements, creating a soundscape that\u2019s familiar, but unsettling, as if filtered through a dream (or in this case, Charli\u2019s nightmare).<\/span><\/p>\n<p><span>Following the film\u2019s world premiere at the Sundance Film Festival in Park City, Utah, we spoke with Cook about the film, working with Charli, and finally saying farewell to <\/span><em><span>Brat<\/span><\/em><span>.\u00a0<\/span><\/p>\n<\/div>\n<div class=\"src-youtube video-container embed-content\" data-embed-type=\"media-youtube\" data-id=\"Pxqhi7Sgvu8\"><span class=\"preserve-aspect-ratio\"><iframe loading=\"lazy\" allowfullscreen frameborder height=\"422\" scrolling=\"no\" src=\"https:\/\/www.youtube.com\/embed\/Pxqhi7Sgvu8\" webkitallowfullscreen width=\"750\"><\/iframe><\/span><\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p><strong>The vibe at the Sundance premiere was insane. There were people lined up for hours in -10\u00ba weather. How did it feel to see the finished product with a big audience?<\/strong><\/p>\n<p><strong>A.G. Cook:<\/strong><span> I kind of wanted to wait until the premiere to see the final version, just to feel a bit more of that buzz. It was nice to see people laugh at the right places, and it was hilarious that it was in a high school. I mean, that high school is nicer than most cinemas, but it blew my mind.\u00a0<\/span><\/p>\n<p><strong>You\u2019ve been one of Charli\u2019s closest collaborators, and you were there for the actual madness of <\/strong><strong><em>Brat <\/em><\/strong><strong>summer. How does the fictionalised version we see in <\/strong><strong><em>The Moment<\/em><\/strong><strong> stack up?<\/strong><\/p>\n<p><span><strong>A.G. Cook:<\/strong> I mean, it\u2019s obvious that the movie is quite meta, but for me, it\u2019s genuinely quite emotional just because I\u2019ve been working with Charli for decades. It\u2019s been amped up slightly, but it also feels really true to me. Some of those scenes bring me back to when I was helping Charli through conversations with record labels, or hearing her talk to concert venues and managers, and it\u2019s nice to see that translate into something more universal.\u00a0\u00a0\u00a0<\/span><\/p>\n<p><strong>Charli previously said that she\u2019s playing a \u201chell version\u201d of herself in the film. What are your thoughts on her portrayal? <\/strong><\/p>\n<p><strong><span><strong>A.G. Cook:<\/strong><\/span><\/strong><span>I think that kind of humour comes through in her music as well. We\u2019re a little bit alike in that way, but Charli\u2019s obviously more of a legit superstar. [<\/span><em>Laughs<\/em><span>] She\u2019s very willing to embody this kind of high-octane version of herself and really push herself to the limit. I think that\u2019s actually related to her songwriting as well: her ability to portray herself in different ways to make quite exciting music. Even before<\/span><em> Brat<\/em><span>, where she found a whole new angle on that approach, you have something like \u201cI Love It.\u201d The lyrics were written in half an hour, and they encapsulate something larger than life and true, but also sort of cartoony. In a way, that DNA has always been there with her.\u00a0<\/span><\/p>\n<\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<blockquote>\n<p><span>\u201cIt\u2019s genuinely quite emotional just because I\u2019ve been working with Charli for decades. The film has been amped up slightly, but it also feels really true to me\u201d<\/span><\/p>\n<\/blockquote>\n<\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p><strong>Even the score has this sort of meta element to it as well, where it captures a version of <\/strong><strong><em>Brat<\/em><\/strong><strong> without replicating it. How did you want to approach it?<\/strong><\/p>\n<p><strong><strong><span>A.G. Cook: <\/span><\/strong><\/strong><span>I definitely set myself a few rules to make it easy to create some kind of difference in practice between how I work as a producer and someone scoring a film. I think it was clear that we didn\u2019t want to have anything that was very overtly \u2018<\/span><em><span>Brat\u2019<\/span><\/em><span>\u00a0unless it was a meaningful part of the scene. A lot of the sound design for the score was related to the palette of the album, but made more minimal, malleable, and flexible. Over the course of the movie, we started with these kick drums and saws with these slightly <\/span><em><span>Brat<\/span><\/em><span>-coded sounds, but then let it kind of dissolve into something more\u2026 not ambient, exactly, but spooky or almost hysterical.\u00a0<\/span><\/p>\n<p><strong>I loved that even the songs we <\/strong><strong><em>do<\/em><\/strong><strong> hear are used in the film to heighten that bizarre, hysterical effect. Like \u2018I might say something stupid\u2019, for example, is already crushing on its own, but in the context of the film, we\u2019re watching Charli perform it during rehearsals, mostly for an audience that doesn\u2019t seem to understand or care about her vision. It takes the isolation she\u2019s singing about to another level. <\/strong><\/p>\n<p><strong><strong><strong><span>A.G. Cook:<\/span><\/strong><\/strong><\/strong><span>Yeah, I knew the songs we used would have their own kind of distinctive purposes from the script. There\u2019s that feeling, I think, especially in the first half of the film, where it\u2019s a bit more overtly documentary, and the music is more like a fly on the wall. Then it\u2019s not until the second half or even the final third that it becomes a bit more like a movie.\u00a0<\/span><\/p>\n<p><span>I think that\u2019s related to Charli\u2019s own character as well \u2013 her inner monologue and justification that she\u2019s being a popstar and not necessarily being \u2018Charli the person\u2019 anymore. The way the story permeates through to the cinematography and the sound mixing as well was very intentional.\u00a0<\/span><\/p>\n<p><strong>There\u2019s one major needle drop in the film, and it\u2019s The Verve\u2019s \u2018Bittersweet Symphony\u2019. How early on did you know that was going to be in the movie, and how did it influence your plans for the score with that particular scene? <\/strong><\/p>\n<p><span><strong><strong><span>A.G. Cook:<\/span><\/strong><\/strong>That needle drop was pretty much a part of the script, so I knew that was coming from the beginning. Because of that, there were a few acoustic instruments, some piano and strings that I had saved for the final third of the film. I wanted to make sure because the strings in \u2018Bittersweet Symphony\u2019 are so iconic, that we had no strings until that moment hits, Charli\u2019s removing her makeup, the piano comes in, and it gets swallowed up by the song. It felt really instinctive.\u00a0<\/span><\/p>\n<\/div>\n<figure class=\"inline-img expandable dev-view-hide\" data-img=\"216bfaef-e089-49ce-804b-b3f700bc3281\" data-src=\"https:\/\/images-prod.dazeddigital.com\/2000\/azure\/dazed-prod\/1430\/8\/1438098.jpg\" data-img-aspect-ratio-type=\"portrait\" data-img-aspect-ratio=\"0.67\"><span class=\"has-css-custom-props image-container\" data-aspect-ratio-type=\"portrait\"><span class=\"preserve-aspect-ratio\"><img loading=\"lazy\" decoding=\"async\" alt=\"AG Cooke-6821\" class=\"img\" height=\"3000\" src=\"https:\/\/images-prod.dazeddigital.com\/786\/azure\/dazed-prod\/1430\/8\/1438098.jpg\" width=\"2000\"><\/span><\/span><figcaption class=\"img-caption\"><span class=\"credit\">Photography Cat Cardenas<\/span><\/figcaption><\/figure>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p><strong>At the core of the film, there\u2019s this struggle for control. Charli creates an album to express her creative vision, but once it\u2019s released, it becomes this unwieldy thing \u2013 a symbol, a product for executives to cash in on, a magnet for discourse.\u00a0 What do you think about the success of <\/strong><strong><em>Brat<\/em><\/strong><strong> now, two years on?\u00a0<\/strong><\/p>\n<p><strong><strong><span>A.G. Cook:<\/span><\/strong><\/strong><span>Well, you know, it&#8217;s funny. [<\/span><em><span>Brat<\/span><\/em><span>] was certainly the first time in my career that something became such a truly overtly mainstream thing. I had various levels of this, even from the earliest days of doing PC Music. When I graduated university in 2013, the music I was making around then was very obscure, and suddenly, it was being picked up by blogs and people in different countries, and that\u2019s sort of how I ended up meeting Charli. Flash forward another seven years or so, and you have the emergence of hyperpop as a label.\u00a0<\/span><\/p>\n<p><span>I think it\u2019s all a very valid, interesting push and pull, but I don\u2019t really try to think of it too much. I have a long list of ideas of people I want to work with, and I\u2019m really drawn to strong personalities. I find it really musically inspiring, so I\u2019ve found funny ways of doing A.G. Cook albums that still surprise me and challenge me.\u00a0<\/span><\/p>\n<p><strong>How does that approach inform your work with Charli? Is that an outlook you both share?<\/strong><\/p>\n<p><span><strong><strong><span>A.G. Cook:<\/span><\/strong><\/strong>Yeah, I<\/span><span>\u00a0think that\u2019s why, when Charli and I work together, we like to work very fast and keep it quite visceral. It doesn\u2019t mean that we don\u2019t have completely separate conversations about other people\u2019s campaigns, or talking about music and culture as a whole. There\u2019s just something inherently escapist about making music and the way you can get lost in it.\u00a0<\/span><\/p>\n<p><em><span>Brat<\/span><\/em><span> happened, really, because Charli and I, after collaborating on a few different kinds of albums, were talking about making something for the hardcore fans, for ourselves, for the people who enjoyed \u201cTrack 10.\u201d That was the kind of ethos we went in with. I guess the thing that we truly, finally did for ourselves is the thing that communicated the furthest. So it\u2019s just been this really interesting journey with <\/span><em><span>Brat<\/span><\/em><span>, where I tried to focus on the core of enjoying the making, whether it\u2019s songwriting, sound design, production, or collaboration.\u00a0<\/span><\/p>\n<p><strong>The Charli we see in the film doesn\u2019t want <\/strong><strong><em>Brat <\/em><\/strong><strong>to end, because she\u2019s scared of what the future might hold when it does. Where do you see the real-life Charli going from here?<\/strong><\/p>\n<p><strong><span><strong><strong>A.G. Cook:<\/strong><\/strong><\/span><\/strong><span>She\u2019s playing with that idea in the movie, but truly, she does want that era to end. [<\/span><em>Laughs<\/em><span>] Charli is someone who\u2019s really interested in making new music and setting up new challenges. She\u2019s not easy on herself, and she\u2019s very ambitious as well. That\u2019s very evident. I think there\u2019s always that question of do you have the confidence to let something go if it\u2019s really clicking? And how does that work?\u00a0<\/span><\/p>\n<p><span>Artists are always pressured to reinvent themselves. But then as soon as something does well, there\u2019s another pressure to keep it going. I think [<\/span><em><span>The Moment<\/span><\/em><span>] works because it\u2019s quite clear that Charli is someone who\u2019s always evolving, and has <\/span><em><span>enjoyed<\/span><\/em><span> evolving. She\u2019s kept her core personality, but taken on so many creative forms and adopted them into this quite idiosyncratic worldview.<\/span><\/p>\n<\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p>The Moment<em><span>, and <\/span><\/em>The Moment (The Score)<em><span>, are both out now<\/span><\/em><\/p>\n<\/div>\n<div id=\"newsletter-inline-last\">\n<div class=\"newsletter-small\">\n<div class=\"inner\">\n<h1 class=\"newsletter-title\">Escape the algorithm! Get The Drop<\/h1>\n<div class=\"meta-row\">\n<p class=\"meta\">Get must-see stories direct to your inbox every weekday.<\/p>\n<p class=\"paragraph\"><a href=\"https:\/\/www.dazeddigital.com\/privacy-policy\" class=\"meta-link\" target=\"_blank\" rel=\"noopener\"><br \/>\nPrivacy policy<br \/>\n<\/a><\/p>\n<\/div>\n<div class=\"confirmation\" aria-live=\"polite\">\n<p class=\"confirmation-title\">Thank you. You have been subscribed<\/p>\n<p><a href=\"https:\/\/www.dazeddigital.com\/privacy-policy\" class=\"meta-link\" target=\"_blank\" rel=\"noopener\"><br \/>\nPrivacy policy<br \/>\n<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<footer class=\"article-footer\">\n<div class=\"wrapper\">\n<div class=\"article-series\">\n<h4 class=\"heading\">More on these topics<\/h4>\n<\/div>\n<div class=\"article-series\"><a class=\"series\" href=\"https:\/\/www.dazeddigital.com\/music\">Music<\/a><a class=\"series\" href=\"https:\/\/www.dazeddigital.com\/feature\">Feature<\/a><a class=\"series\" href=\"https:\/\/www.dazeddigital.com\/q-and-a\">Q+A<\/a><a class=\"series\" href=\"https:\/\/www.dazeddigital.com\/tag\/charli-xcx\">Charli XCX<\/a><a class=\"series\" href=\"https:\/\/www.dazeddigital.com\/tag\/a-g-cook\">A.G. Cook<\/a><a class=\"series\" href=\"https:\/\/www.dazeddigital.com\/tag\/brat\">brat<\/a><\/div>\n<\/div>\n<\/footer>\n<div class=\"grid\">\n<div class=\"lava-lamp\">\n<div class=\"lava-lamp-text-container\">\n<h3 class=\"lava-lamp-subheading\">Expand your creative community and connect with 15,000 creatives from around the world.<\/h3>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"grid section-header\">\n<div class=\"section-header__link\"><a href=\"https:\/\/www.dazeddigital.com\/music\/article\/69695\/1\/music\"><\/p>\n<h2 class=\"section-header__title\">READ MORE<\/h2>\n<p><\/a><\/div>\n<\/div>\n<div class=\"grid tag-article-list\">\n<div class=\"swiper swiper-latest\">\n<div class=\"swiper-wrapper\">\n<div class=\"swiper-slide list-element\">\n<div class=\"scard-latest__section\">\n<div class=\"card-latest__wrapper\"><a class=\"card-latest\" href=\"https:\/\/www.dazeddigital.com\/music\/article\/69688\/1\/2026-winter-olympics-figure-skating-music-tracks-alysa-liu-taylor-swift-laufey\"><\/p>\n<div class=\"card-latest__img-wrapper\"><span class=\"image-container\" data-aspect-ratio-type=\"landscape\"><span class=\"preserve-aspect-ratio\"><img decoding=\"async\" alt=\"GettyImages-2262215859\" src=\"https:\/\/images-prod.dazeddigital.com\/480\/0-2-3000-1995\/azure\/dazed-prod\/1430\/8\/1438050.jpg\"><\/span><\/span><\/div>\n<div class=\"card-latest__content\">\n<h3 class=\"card-latest__title\">Winter Olympics 2026: Ranking the best music from the figure skating events<\/h3>\n<\/div>\n<p><\/a><a class=\"card-latest\" href=\"https:\/\/www.dazeddigital.com\/music\/article\/69686\/1\/beyonce-rumoured-rock-era-black-betty-glastonbury-act-iii-2026-album\"><\/p>\n<div class=\"card-latest__img-wrapper\"><span class=\"image-container\" data-aspect-ratio-type=\"landscape\"><span class=\"preserve-aspect-ratio\"><img decoding=\"async\" alt=\"Beyonc&#233; performs with Prince at the 46th Grammys\" src=\"https:\/\/images-prod.dazeddigital.com\/480\/0-2-3000-1995\/azure\/dazed-prod\/1430\/8\/1438045.jpg\"><\/span><\/span><\/div>\n<div class=\"card-latest__content\">\n<h3 class=\"card-latest__title\">Everything we know about Beyonc\u00e9\u2019s rumoured rock era<\/h3>\n<\/div>\n<p><\/a><a class=\"card-latest\" href=\"https:\/\/www.dazeddigital.com\/fashion\/article\/69652\/1\/salomon-film-nowness-shaping-new-futures-annecy-headquarters\"><\/p>\n<div class=\"card-latest__img-wrapper\">\n<p class=\"optional-paragraph\">Salomon<\/p>\n<p><span class=\"image-container\" data-aspect-ratio-type=\"landscape\"><span class=\"preserve-aspect-ratio\"><img decoding=\"async\" alt=\"00234_SALOMON_Dazed_Catherine_Hyland_0100137000013\" src=\"https:\/\/images-prod.dazeddigital.com\/480\/261-883-1825-1214\/azure\/dazed-prod\/1430\/7\/1437504.jpg\"><\/span><\/span><\/div>\n<div class=\"card-latest__content\">\n<h3 class=\"card-latest__title\">Watch a mini documentary about the inner workings of Salomon<\/h3>\n<\/div>\n<p><\/a><\/div>\n<\/div>\n<\/div>\n<div class=\"swiper-slide list-element\">\n<div class=\"scard-latest__section\">\n<div class=\"card-latest__wrapper\"><a class=\"card-latest\" href=\"https:\/\/www.dazeddigital.com\/music\/article\/69683\/1\/mgna-crrrta-internet-culture-recs-electro-pop-beautiful-disaster\"><\/p>\n<div class=\"card-latest__img-wrapper\"><span class=\"image-container\" data-aspect-ratio-type=\"landscape\"><span class=\"preserve-aspect-ratio\"><img decoding=\"async\" alt=\"press - beautiful disaster 3\" src=\"https:\/\/images-prod.dazeddigital.com\/480\/0-1-2999-1995\/azure\/dazed-prod\/1430\/8\/1438040.jpeg\"><\/span><\/span><\/div>\n<div class=\"card-latest__content\">\n<h3 class=\"card-latest__title\">I(nterne)t girl duo Mgna Crrrta share their pop culture picks<\/h3>\n<\/div>\n<p><\/a><a class=\"card-latest\" href=\"https:\/\/www.dazeddigital.com\/music\/article\/69677\/1\/pick-a-piece-lego-stop-motion-fakemink-jorja-smith-youtube-pa-salieu-jim-legxacy\"><\/p>\n<div class=\"card-latest__img-wrapper\"><span class=\"image-container\" data-aspect-ratio-type=\"landscape\"><span class=\"preserve-aspect-ratio\"><img decoding=\"async\" alt=\"Lego Editorial 16x9 1\" src=\"https:\/\/images-prod.dazeddigital.com\/480\/339-0-1581-1052\/azure\/dazed-prod\/1430\/8\/1438037.png\"><\/span><\/span><\/div>\n<div class=\"card-latest__content\">\n<h3 class=\"card-latest__title\">The stop-motion Lego chat show starring all your favourite artists<\/h3>\n<\/div>\n<p><\/a><a class=\"card-latest\" href=\"https:\/\/www.dazeddigital.com\/fashion\/article\/69580\/1\/the-north-face-red-box-line-loyle-carner-ambassador\"><\/p>\n<div class=\"card-latest__img-wrapper\">\n<p class=\"optional-paragraph\">The North Face<\/p>\n<p><span class=\"image-container\" data-aspect-ratio-type=\"landscape\"><span class=\"preserve-aspect-ratio\"><img decoding=\"async\" alt=\"Tom Schwimbeck Loyle Carner Red Box 2\" src=\"https:\/\/images-prod.dazeddigital.com\/480\/0-0-1972-1312\/azure\/dazed-prod\/1430\/6\/1436626.png\"><\/span><\/span><\/div>\n<div class=\"card-latest__content\">\n<h3 class=\"card-latest__title\">The North Face joins forces with Loyle Carner for Red Box Live<\/h3>\n<\/div>\n<p><\/a><\/div>\n<\/div>\n<\/div>\n<div class=\"swiper-slide list-element\">\n<div class=\"scard-latest__section\">\n<div class=\"card-latest__wrapper\"><a class=\"card-latest\" href=\"https:\/\/www.dazeddigital.com\/music\/article\/69665\/1\/is-rap-music-dead-hip-hop-k-pop-reggaeton\"><\/p>\n<div class=\"card-latest__img-wrapper\"><span class=\"image-container\" data-aspect-ratio-type=\"landscape\"><span class=\"preserve-aspect-ratio\"><img decoding=\"async\" alt=\"Screenshot 2026-02-17 at 12.22.24\" src=\"https:\/\/images-prod.dazeddigital.com\/480\/0-84-2326-1547\/azure\/dazed-prod\/1430\/7\/1437825.png\"><\/span><\/span><\/div>\n<div class=\"card-latest__content\">\n<h3 class=\"card-latest__title\">Rap music isn\u2019t dead \u2013 it\u2019s evolving<\/h3>\n<\/div>\n<p><\/a><a class=\"card-latest\" href=\"https:\/\/www.dazeddigital.com\/music\/article\/69656\/1\/the-moment-charli-xcx-music-mockumentary-spiceworld-8-mile-prince\"><\/p>\n<div class=\"card-latest__img-wrapper\"><span class=\"image-container\" data-aspect-ratio-type=\"landscape\"><span class=\"preserve-aspect-ratio\"><img decoding=\"async\" alt=\"The Moment\" src=\"https:\/\/images-prod.dazeddigital.com\/480\/0-171-2240-1489\/azure\/dazed-prod\/1430\/7\/1437806.jpg\"><\/span><\/span><\/div>\n<div class=\"card-latest__content\">\n<h3 class=\"card-latest__title\">The Moment: 6 times musicians made their own films<\/h3>\n<\/div>\n<p><\/a><a class=\"card-latest\" href=\"https:\/\/www.dazeddigital.com\/music\/article\/69596\/1\/berlin-club-closures-is-the-party-over-techno-schwuz-cost-of-living-clubbing\"><\/p>\n<div class=\"card-latest__img-wrapper\"><span class=\"image-container\" data-aspect-ratio-type=\"landscape\"><span class=\"preserve-aspect-ratio\"><img decoding=\"async\" alt=\"Rush-Troye-Sivan-2\" src=\"https:\/\/images-prod.dazeddigital.com\/480\/0-99-1440-957\/azure\/dazed-prod\/1430\/6\/1436779.png\"><\/span><\/span><\/div>\n<div class=\"card-latest__content\">\n<h3 class=\"card-latest__title\">Berlin: Is the party finally over?<\/h3>\n<\/div>\n<p><\/a><\/div>\n<\/div>\n<\/div>\n<div class=\"swiper-slide list-element\">\n<div class=\"scard-latest__section\">\n<div class=\"card-latest__wrapper\"><a class=\"card-latest\" href=\"https:\/\/www.dazeddigital.com\/music\/article\/69621\/1\/indie-pop-yearner-sarah-kinsley-fleeting-internet-obsessions\"><\/p>\n<div class=\"card-latest__img-wrapper\"><span class=\"image-container\" data-aspect-ratio-type=\"landscape\"><span class=\"preserve-aspect-ratio\"><img decoding=\"async\" alt=\"Sarah Kinsley\" src=\"https:\/\/images-prod.dazeddigital.com\/480\/0-166-2447-1628\/azure\/dazed-prod\/1430\/7\/1437106.jpg\"><\/span><\/span><\/div>\n<div class=\"card-latest__content\">\n<h3 class=\"card-latest__title\">Alt-pop yearner Sarah Kinsley shares her internet obsessions<\/h3>\n<\/div>\n<p><\/a><a class=\"card-latest\" href=\"https:\/\/www.dazeddigital.com\/music\/article\/69643\/1\/listen-to-slushy-noobz-loverboy-playlist-youtube-valentines-day\"><\/p>\n<div class=\"card-latest__img-wrapper\"><span class=\"image-container\" data-aspect-ratio-type=\"landscape\"><span class=\"preserve-aspect-ratio\"><img decoding=\"async\" alt=\"Slushy Noobz Loverboy\" src=\"https:\/\/images-prod.dazeddigital.com\/480\/243-334-2515-1673\/azure\/dazed-prod\/1430\/7\/1437343.jpg\"><\/span><\/span><\/div>\n<div class=\"card-latest__content\">\n<h3 class=\"card-latest__title\">Listen to Slushy Noobz\u2019 loverboy playlist<\/h3>\n<\/div>\n<p><\/a><a class=\"card-latest\" href=\"https:\/\/www.dazeddigital.com\/music\/article\/69629\/1\/5-times-charli-xcx-soundtracked-the-big-screen\"><\/p>\n<div class=\"card-latest__img-wrapper\"><span class=\"image-container\" data-aspect-ratio-type=\"landscape\"><span class=\"preserve-aspect-ratio\"><img decoding=\"async\" alt=\"Charli xcx wuthering heights\" src=\"https:\/\/images-prod.dazeddigital.com\/480\/0-82-724-482\/azure\/dazed-prod\/1430\/7\/1437307.png\"><\/span><\/span><\/div>\n<div class=\"card-latest__content\">\n<h3 class=\"card-latest__title\">5 times Charli xcx soundtracked the big screen<\/h3>\n<\/div>\n<p><\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"newsletter-inline\" data-newsletter hidden>\n<div class=\"newsletter-small\">\n<div class=\"inner\">\n<h1 class=\"newsletter-title\">Escape the algorithm! Get The Drop<\/h1>\n<div class=\"meta-row\">\n<p class=\"meta\">Get must-see stories direct to your inbox every weekday.<\/p>\n<p class=\"paragraph\"><a href=\"https:\/\/www.dazeddigital.com\/privacy-policy\" class=\"meta-link\" target=\"_blank\" rel=\"noopener\"><br \/>\nPrivacy policy<br \/>\n<\/a><\/p>\n<\/div>\n<div class=\"confirmation\" aria-live=\"polite\">\n<p class=\"confirmation-title\">Thank you. You have been subscribed<\/p>\n<p><a href=\"https:\/\/www.dazeddigital.com\/privacy-policy\" class=\"meta-link\" target=\"_blank\" rel=\"noopener\"><br \/>\nPrivacy policy<br \/>\n<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<div class=\"article-body wrapper\">\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p><span>Can you make a moment last forever? Or does drawing it out only leave it feeling hollow? That\u2019s the conflict at the heart of <a href=\"https:\/\/www.dazeddigital.com\/charli-xcx\">Charli xcx<\/a>\u2019s tour mockumentary, <\/span><em><span>The Moment<\/span><\/em><span>.\u00a0<\/span><\/p>\n<p><span>For nearly a decade, the singer had earned a reputation as a beloved underground pop icon \u2013 a counterpoint, or an antidote, to more mainstream acts. Then came <\/span><a href=\"https:\/\/www.dazeddigital.com\/tag\/brat\"><em><span>Brat<\/span><\/em><\/a><span>. In 2024, the album\u2019s caustic green facade and pulsing club-soaked beats became inescapable, sending xcx to the stratosphere.\u00a0<\/span><\/p>\n<p><em><span>The Moment<\/span><\/em><span> picks up in the immediate aftermath of \u201cBrat Summer,\u201d following a fictionalised version of xcx as she grapples with a popstar\u2019s Faustian bargain. Facing down the barrel of unprecedented success, she has to choose between her artistic integrity, navigating fame her way, or giving the industry what it wants and letting herself get swallowed up in the glow of <\/span><em><span>Brat<\/span><\/em><span>\u2019s acclaim.\u00a0\u00a0<\/span><\/p>\n<p><span>Less \u201cSpinal Brat\u201d and more \u201cBrat Swan,\u201d the film is a descent into madness, closing in on an xcx suffocated by executives, brands, and managers who want to spin Brat green into gold and sell her vision to as wide an audience as possible.\u00a0<\/span><\/p>\n<p><span>Accentuated by a hypnotic score from longtime xcx collaborator and producer, <a href=\"https:\/\/www.dazeddigital.com\/a-g-cook\">A.G. Cook<\/a>, the film isn\u2019t a sing-along of the album\u2019s greatest hits, but rather a deconstruction of it. The clashing elements, discordant sounds, and heartthumping beats that made hits like \u201cGuess\u201d, \u201c360\u201d, and \u201cSympathy is a Knife\u201d, are retooled and stripped down to their elements, creating a soundscape that\u2019s familiar, but unsettling, as if filtered through a dream (or in this case, Charli\u2019s nightmare).<\/span><\/p>\n<p><span>Following the film\u2019s world premiere at the Sundance Film Festival in Park City, Utah, we spoke with Cook about the film, working with Charli, and finally saying farewell to <\/span><em><span>Brat<\/span><\/em><span>.\u00a0<\/span><\/p>\n<\/div>\n<div class=\"src-youtube video-container embed-content\" data-embed-type=\"media-youtube\" data-id=\"Pxqhi7Sgvu8\"><span class=\"preserve-aspect-ratio\"><iframe loading=\"lazy\" allowfullscreen frameborder height=\"422\" scrolling=\"no\" src=\"https:\/\/www.youtube.com\/embed\/Pxqhi7Sgvu8\" webkitallowfullscreen width=\"750\"><\/iframe><\/span><\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p><strong>The vibe at the Sundance premiere was insane. There were people lined up for hours in -10\u00ba weather. How did it feel to see the finished product with a big audience?<\/strong><\/p>\n<p><strong>A.G. Cook:<\/strong><span> I kind of wanted to wait until the premiere to see the final version, just to feel a bit more of that buzz. It was nice to see people laugh at the right places, and it was hilarious that it was in a high school. I mean, that high school is nicer than most cinemas, but it blew my mind.\u00a0<\/span><\/p>\n<p><strong>You\u2019ve been one of Charli\u2019s closest collaborators, and you were there for the actual madness of <\/strong><strong><em>Brat <\/em><\/strong><strong>summer. How does the fictionalised version we see in <\/strong><strong><em>The Moment<\/em><\/strong><strong> stack up?<\/strong><\/p>\n<p><span><strong>A.G. Cook:<\/strong> I mean, it\u2019s obvious that the movie is quite meta, but for me, it\u2019s genuinely quite emotional just because I\u2019ve been working with Charli for decades. It\u2019s been amped up slightly, but it also feels really true to me. Some of those scenes bring me back to when I was helping Charli through conversations with record labels, or hearing her talk to concert venues and managers, and it\u2019s nice to see that translate into something more universal.\u00a0\u00a0\u00a0<\/span><\/p>\n<p><strong>Charli previously said that she\u2019s playing a \u201chell version\u201d of herself in the film. What are your thoughts on her portrayal? <\/strong><\/p>\n<p><strong><span><strong>A.G. Cook:<\/strong><\/span><\/strong><span>I think that kind of humour comes through in her music as well. We\u2019re a little bit alike in that way, but Charli\u2019s obviously more of a legit superstar. [<\/span><em>Laughs<\/em><span>] She\u2019s very willing to embody this kind of high-octane version of herself and really push herself to the limit. I think that\u2019s actually related to her songwriting as well: her ability to portray herself in different ways to make quite exciting music. Even before<\/span><em> Brat<\/em><span>, where she found a whole new angle on that approach, you have something like \u201cI Love It.\u201d The lyrics were written in half an hour, and they encapsulate something larger than life and true, but also sort of cartoony. In a way, that DNA has always been there with her.\u00a0<\/span><\/p>\n<\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<blockquote>\n<p><span>\u201cIt\u2019s genuinely quite emotional just because I\u2019ve been working with Charli for decades. The film has been amped up slightly, but it also feels really true to me\u201d<\/span><\/p>\n<\/blockquote>\n<\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p><strong>Even the score has this sort of meta element to it as well, where it captures a version of <\/strong><strong><em>Brat<\/em><\/strong><strong> without replicating it. How did you want to approach it?<\/strong><\/p>\n<p><strong><strong><span>A.G. Cook: <\/span><\/strong><\/strong><span>I definitely set myself a few rules to make it easy to create some kind of difference in practice between how I work as a producer and someone scoring a film. I think it was clear that we didn\u2019t want to have anything that was very overtly \u2018<\/span><em><span>Brat\u2019<\/span><\/em><span>\u00a0unless it was a meaningful part of the scene. A lot of the sound design for the score was related to the palette of the album, but made more minimal, malleable, and flexible. Over the course of the movie, we started with these kick drums and saws with these slightly <\/span><em><span>Brat<\/span><\/em><span>-coded sounds, but then let it kind of dissolve into something more\u2026 not ambient, exactly, but spooky or almost hysterical.\u00a0<\/span><\/p>\n<p><strong>I loved that even the songs we <\/strong><strong><em>do<\/em><\/strong><strong> hear are used in the film to heighten that bizarre, hysterical effect. Like \u2018I might say something stupid\u2019, for example, is already crushing on its own, but in the context of the film, we\u2019re watching Charli perform it during rehearsals, mostly for an audience that doesn\u2019t seem to understand or care about her vision. It takes the isolation she\u2019s singing about to another level. <\/strong><\/p>\n<p><strong><strong><strong><span>A.G. Cook:<\/span><\/strong><\/strong><\/strong><span>Yeah, I knew the songs we used would have their own kind of distinctive purposes from the script. There\u2019s that feeling, I think, especially in the first half of the film, where it\u2019s a bit more overtly documentary, and the music is more like a fly on the wall. Then it\u2019s not until the second half or even the final third that it becomes a bit more like a movie.\u00a0<\/span><\/p>\n<p><span>I think that\u2019s related to Charli\u2019s own character as well \u2013 her inner monologue and justification that she\u2019s being a popstar and not necessarily being \u2018Charli the person\u2019 anymore. The way the story permeates through to the cinematography and the sound mixing as well was very intentional.\u00a0<\/span><\/p>\n<p><strong>There\u2019s one major needle drop in the film, and it\u2019s The Verve\u2019s \u2018Bittersweet Symphony\u2019. How early on did you know that was going to be in the movie, and how did it influence your plans for the score with that particular scene? <\/strong><\/p>\n<p><span><strong><strong><span>A.G. Cook:<\/span><\/strong><\/strong>That needle drop was pretty much a part of the script, so I knew that was coming from the beginning. Because of that, there were a few acoustic instruments, some piano and strings that I had saved for the final third of the film. I wanted to make sure because the strings in \u2018Bittersweet Symphony\u2019 are so iconic, that we had no strings until that moment hits, Charli\u2019s removing her makeup, the piano comes in, and it gets swallowed up by the song. It felt really instinctive.\u00a0<\/span><\/p>\n<\/div>\n<figure class=\"inline-img expandable dev-view-hide\" data-img=\"216bfaef-e089-49ce-804b-b3f700bc3281\" data-src=\"https:\/\/images-prod.dazeddigital.com\/2000\/azure\/dazed-prod\/1430\/8\/1438098.jpg\" data-img-aspect-ratio-type=\"portrait\" data-img-aspect-ratio=\"0.67\"><span class=\"has-css-custom-props image-container\" data-aspect-ratio-type=\"portrait\"><span class=\"preserve-aspect-ratio\"><img loading=\"lazy\" decoding=\"async\" alt=\"AG Cooke-6821\" class=\"img\" height=\"3000\" src=\"https:\/\/images-prod.dazeddigital.com\/786\/azure\/dazed-prod\/1430\/8\/1438098.jpg\" width=\"2000\"><\/span><\/span><figcaption class=\"img-caption\"><span class=\"credit\">Photography Cat Cardenas<\/span><\/figcaption><\/figure>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p><strong>At the core of the film, there\u2019s this struggle for control. Charli creates an album to express her creative vision, but once it\u2019s released, it becomes this unwieldy thing \u2013 a symbol, a product for executives to cash in on, a magnet for discourse.\u00a0 What do you think about the success of <\/strong><strong><em>Brat<\/em><\/strong><strong> now, two years on?\u00a0<\/strong><\/p>\n<p><strong><strong><span>A.G. Cook:<\/span><\/strong><\/strong><span>Well, you know, it&#8217;s funny. [<\/span><em><span>Brat<\/span><\/em><span>] was certainly the first time in my career that something became such a truly overtly mainstream thing. I had various levels of this, even from the earliest days of doing PC Music. When I graduated university in 2013, the music I was making around then was very obscure, and suddenly, it was being picked up by blogs and people in different countries, and that\u2019s sort of how I ended up meeting Charli. Flash forward another seven years or so, and you have the emergence of hyperpop as a label.\u00a0<\/span><\/p>\n<p><span>I think it\u2019s all a very valid, interesting push and pull, but I don\u2019t really try to think of it too much. I have a long list of ideas of people I want to work with, and I\u2019m really drawn to strong personalities. I find it really musically inspiring, so I\u2019ve found funny ways of doing A.G. Cook albums that still surprise me and challenge me.\u00a0<\/span><\/p>\n<p><strong>How does that approach inform your work with Charli? Is that an outlook you both share?<\/strong><\/p>\n<p><span><strong><strong><span>A.G. Cook:<\/span><\/strong><\/strong>Yeah, I<\/span><span>\u00a0think that\u2019s why, when Charli and I work together, we like to work very fast and keep it quite visceral. It doesn\u2019t mean that we don\u2019t have completely separate conversations about other people\u2019s campaigns, or talking about music and culture as a whole. There\u2019s just something inherently escapist about making music and the way you can get lost in it.\u00a0<\/span><\/p>\n<p><em><span>Brat<\/span><\/em><span> happened, really, because Charli and I, after collaborating on a few different kinds of albums, were talking about making something for the hardcore fans, for ourselves, for the people who enjoyed \u201cTrack 10.\u201d That was the kind of ethos we went in with. I guess the thing that we truly, finally did for ourselves is the thing that communicated the furthest. So it\u2019s just been this really interesting journey with <\/span><em><span>Brat<\/span><\/em><span>, where I tried to focus on the core of enjoying the making, whether it\u2019s songwriting, sound design, production, or collaboration.\u00a0<\/span><\/p>\n<p><strong>The Charli we see in the film doesn\u2019t want <\/strong><strong><em>Brat <\/em><\/strong><strong>to end, because she\u2019s scared of what the future might hold when it does. Where do you see the real-life Charli going from here?<\/strong><\/p>\n<p><strong><span><strong><strong>A.G. Cook:<\/strong><\/strong><\/span><\/strong><span>She\u2019s playing with that idea in the movie, but truly, she does want that era to end. [<\/span><em>Laughs<\/em><span>] Charli is someone who\u2019s really interested in making new music and setting up new challenges. She\u2019s not easy on herself, and she\u2019s very ambitious as well. That\u2019s very evident. I think there\u2019s always that question of do you have the confidence to let something go if it\u2019s really clicking? And how does that work?\u00a0<\/span><\/p>\n<p><span>Artists are always pressured to reinvent themselves. But then as soon as something does well, there\u2019s another pressure to keep it going. I think [<\/span><em><span>The Moment<\/span><\/em><span>] works because it\u2019s quite clear that Charli is someone who\u2019s always evolving, and has <\/span><em><span>enjoyed<\/span><\/em><span> evolving. She\u2019s kept her core personality, but taken on so many creative forms and adopted them into this quite idiosyncratic worldview.<\/span><\/p>\n<\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p>The Moment<em><span>, and <\/span><\/em>The Moment (The Score)<em><span>, are both out now<\/span><\/em><\/p>\n<\/div>\n<div id=\"newsletter-inline-last\">\n<div class=\"newsletter-small\">\n<div class=\"inner\">\n<h1 class=\"newsletter-title\">Escape the algorithm! Get The Drop<\/h1>\n<div class=\"meta-row\">\n<p class=\"meta\">Get must-see stories direct to your inbox every weekday.<\/p>\n<p class=\"paragraph\"><a href=\"https:\/\/www.dazeddigital.com\/privacy-policy\" class=\"meta-link\" target=\"_blank\" rel=\"noopener\"><br \/>\nPrivacy policy<br \/>\n<\/a><\/p>\n<\/div>\n<div class=\"confirmation\" aria-live=\"polite\">\n<p class=\"confirmation-title\">Thank you. You have been subscribed<\/p>\n<p><a href=\"https:\/\/www.dazeddigital.com\/privacy-policy\" class=\"meta-link\" target=\"_blank\" rel=\"noopener\"><br \/>\nPrivacy policy<br \/>\n<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>[analyse_source url=&#8221;https:\/\/www.dazeddigital.com\/music\/article\/69695\/1\/ag-cook-charli-xcx-brat-moment-sundance-interview-first-film-score-2026&#8243;]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[analyse_image type=&#8221;featured&#8221; src=&#8221;https:\/\/images-prod.dazeddigital.com\/1200\/389-818-1510-1007\/azure\/dazed-prod\/1430\/8\/1438099.jpg&#8221;] Photography Cat Cardenas February\u00a0 20,\u00a0 2026 Music \/ Feature Music \/ Feature The Moment: How A.G. Cook turned Brat summer into a nightmare As The Moment lands in UK cinemas, Charli xcx\u2019s longtime collaborator discusses transforming pop superstardom into something darker, spookier and more \u2018hysterical\u2019 February\u00a0 20,\u00a0 2026 February\u00a0 20,\u00a0 2026 TextCat [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[226,76],"class_list":["post-1781192","post","type-post","status-publish","format-standard","hentry","category-politics","tag-crawlmanager","tag-dazeddigital-com"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1781192","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1781192"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1781192\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1781192"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1781192"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1781192"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}