{"id":1774267,"date":"2026-01-26T00:00:00","date_gmt":"2026-01-25T21:00:00","guid":{"rendered":"https:\/\/analyse.optim.biz\/?p=1774267"},"modified":"2026-01-26T00:00:00","modified_gmt":"2026-01-25T21:00:00","slug":"mep-les-etats-unis-redeviennent-enfin-humanistes-avec-lexposition-de-dana-lixenberg","status":"publish","type":"post","link":"https:\/\/analyse.optim.biz\/?p=1774267","title":{"rendered":"MEP : les \u00c9tats-Unis redeviennent (enfin) humanistes avec l\u2019exposition de Dana Lixenberg"},"content":{"rendered":"<div class=\"entry-content\">\n<section class=\"single-header padding-top-s\">\n<div class=\"container\">\n<div class=\"row justify-content-between\">\n<div class=\"col-lg-9 col-xl-8\">\n<div class=\"video-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n<div class=\"container-img desktop\">\n\t\t\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/02\/dana-PUSH.jpg\" alt=\"Photographie de Dana Lixenberg\"><\/p>\n<p class=\"number big\">16<\/p>\n<\/p><\/div>\n<div class=\"container-img mobile\">\n\t\t\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/02\/DANA-THUMB.jpg\" alt=\"Photographie de Dana Lixenberg\"><\/p>\n<p class=\"number big\">16<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"col col-lg-3 col-xl-4 desktop\">\n<div class=\"ad grand-angle desktop\">\n    <!-- \/21730003857\/numero-ad-unit\/numero-grand-angle --><\/p>\n<div id=\"div-gpt-ad-1757063143832-0\" class=\"px-0\">\n<p>            googletag.cmd.push(function () {<br \/>\n                googletag.display(&#8216;div-gpt-ad-1757063143832-0&#8217;);<br \/>\n            });<\/p><\/div>\n<\/div><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/section>\n<section class=\"post-content\">\n<div class=\"container\">\n<div class=\"row g-0 justify-content-between\">\n<div class=\"col-lg-9 col-xl-8 padding-top-s\">\n<p class=\"share-widget\" id=\"share-widget\"><img decoding=\"async\" src=\"https:\/\/numero.com\/wp-content\/themes\/%09%09%09understrap-child-main\/src\/public\/images\/share.svg\" alt=\"share-widget\"><\/p>\n<div class=\"share-icons\" id=\"share-icons\">\n<p class=\"copy-link\"><img decoding=\"async\" src=\"https:\/\/numero.com\/wp-content\/themes\/understrap-child-main\/src\/public\/images\/copy-link.svg\" alt=\"copy-link\"><\/p>\n<p>\t\t\t\t\t\t\t<a href=\"https:\/\/www.facebook.com\/sharer\/sharer.php?u=https:\/\/numero.com\/art\/photographie\/exposition-photographe-dana-lixenberg-mep-paris\/\" class=\"facebook\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/numero.com\/wp-content\/themes\/understrap-child-main\/src\/public\/images\/facebook.svg\" alt=\"facebook\"><\/a><br \/>\n\t\t\t\t\t\t\t<a href=\"https:\/\/twitter.com\/share?url=https:\/\/numero.com\/art\/photographie\/exposition-photographe-dana-lixenberg-mep-paris\/\" class=\"twitter\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/numero.com\/wp-content\/themes\/understrap-child-main\/src\/public\/images\/twitter.svg\" alt=\"twitter\"><\/a>\n\t\t\t\t\t\t<\/div>\n<p>\t\t\t\t\t\t<span class id=\"custom-tooltip\">Lien copi\u00e9<\/span><\/p>\n<div class=\"col-lg-10\">\n<div class=\"meta d-flex justify-content-between align-items-center\">\n<div class=\"cat\">\n\t\t\t\t\t\t\t\t\t<a class=\"cat-title\" href=\"https:\/\/numero.com\/category\/art\/photographie\/\">Photographie<\/a>\t\t\t\t\t\t\t\t<\/div>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t16 f\u00e9v 2026\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<h1>MEP : les \u00c9tats-Unis redeviennent (enfin) humanistes avec l\u2019exposition de Dana Lixenberg<\/h1>\n<div class=\"introduction\">\n<p>Des portraits de figures majeures de la culture am\u00e9ricaine comme Whitney Houston et Jay Z \u00e0 ses projets documentaires au long cours, la photographe n\u00e9erlandaise Dana Lixenberg, encore m\u00e9connue en France, compose une archive sensible des \u00c9tats-Unis depuis ses d\u00e9buts dans les ann\u00e9es 90, attentive aux visages d\u2019anonymes autant qu\u2019aux ic\u00f4nes culturelles. Jusqu\u2019au 24 mai 2026, la MEP lui consacre une exposition d\u2019envergure et d\u00e9voile plus de trois d\u00e9cennies de pratique.<\/p>\n<\/div>\n<li class=\"credits d-flex\">\n<p>\n\t\t\t\t\t\t\t\t\t\t\tpar\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/numero.com\/contributeur\/lucas-barnier-piffault\/\">Lucas Barnier Piffault<\/a>.\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/li>\n<div id=\"ads03\" class=\"mobile\">\n<div class=\"ad-wrapper\">\n<div class=\"ad interscroller desktop\">\n<\/div>\n<p><!-- \/21730003857\/numero-ad-unit\/numero-interscroller --><\/p>\n<div id=\"div-gpt-ad-1757521738078-0\">\n<p>        googletag.cmd.push(function () {<br \/>\n            googletag.display(&#8216;div-gpt-ad-1757521738078-0&#8217;);<br \/>\n            googletag.pubads().addEventListener(&#8216;slotRenderEnded&#8217;, function (event) {<br \/>\n                if (event.slot.getSlotElementId() === &#8216;div-gpt-ad-1757521738078-0&#8217;) {<br \/>\n                    const iframe = document.querySelector(&#8216;#div-gpt-ad-1757521738078-0 iframe&#8217;);<br \/>\n                    if (iframe) {<br \/>\n                        iframe.style.width = &#8216;100%&#8217;;<br \/>\n                        iframe.style.aspectRatio = iframe.getAttribute(&#8216;width&#8217;) + &#8216; \/ &#8216; + iframe.getAttribute(&#8216;height&#8217;);<br \/>\n                        iframe.style.height = &#8216;auto&#8217;;<br \/>\n                        const doc = iframe.contentDocument || iframe.contentWindow.document;<br \/>\n                        if (doc) {<br \/>\n                            const img = doc.querySelector(&#8216;a img.img_ad&#8217;);<br \/>\n                            img.style.width = &#8216;100%&#8217;;<br \/>\n                            img.style.height = &#8216;auto&#8217;;<br \/>\n                        }<br \/>\n                    }<br \/>\n                }<br \/>\n            });<br \/>\n        });<\/p>\n<\/div><\/div>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t&lt;!&#8211; <\/p>\n<div class=\"padding-bottom-s\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n<p> &#8211;&gt;<\/p>\n<figure data-wp-context='{\"imageId\":\"699356931421d\"}' data-wp-interactive=\"core\/image\" class=\"wp-block-image size-full wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"2003\" height=\"2560\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on-async--click=\"actions.showLightbox\" data-wp-on-async--load=\"callbacks.setButtonStyles\" data-wp-on-async-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/02\/TribeCallQuest_%C2%A9DanaLixenberg_lo-res-scaled.jpg\" alt=\"Photographie de Dana Lixenberg Kamaal \u201cQ-Tip\u201d Fareed, Ali Shaheed Muhammad and Malik \u201cPhife\u201d Taylor (A Tribe Called Quest), 1997, expos\u00e9e \u00e0 la MEP\" class=\"wp-image-797830\"><button class=\"lightbox-trigger\" type=\"button\" aria-haspopup=\"dialog\" aria-label=\"Agrandir\" data-wp-init=\"callbacks.initTriggerButton\" data-wp-on-async--click=\"actions.showLightbox\" data-wp-style--right=\"state.imageButtonRight\" data-wp-style--top=\"state.imageButtonTop\"><\/p>\n<p>\t\t<\/button><figcaption class=\"wp-element-caption\">Dana Lixenberg, <em>Kamaal \u201cQ-Tip\u201d Fareed, Ali Shaheed Muhammad and Malik \u201cPhife\u201d Taylor (A Tribe Called Quest)<\/em>, 1997. \u00a9 Dana Lixenberg Courtesy de l\u2019artiste et de Grimm Amsterdam | London | New York.<\/figcaption><\/figure>\n<h2 class=\"wp-block-heading\">Dana Lixenberg, la photographe de l\u2019attente<\/h2>\n<p><em>\u201cPhotographier est comme une danse lente\u201d,<\/em> dit-elle, et la formule, loin d\u2019\u00eatre po\u00e9tique ou anecdotique, r\u00e9sume avec pr\u00e9cision la m\u00e9thode qu\u2019elle affine depuis plus de trente ans : une pratique de la relation, fond\u00e9e sur l\u2019\u00e9coute, la patience et une confiance qui se construit \u00e0 bas bruit avec ses mod\u00e8les. Chez <strong>Dana Lixenberg<\/strong>, la <a href=\"https:\/\/numero.com\/?s=photographie\" target=\"_blank\" rel=\"noreferrer noopener\">photographie<\/a> commence toujours par le temps. Non pas celui press\u00e9 et productif de l\u2019image captur\u00e9e \u00e0 la vol\u00e9e, mais <strong>un temps \u00e9tir\u00e9, presque obstin\u00e9, qui suppose d\u2019attendre<\/strong>, de regarder longtemps avant de d\u00e9clencher l\u2019appareil photo.<\/p>\n<p>N\u00e9e \u00e0 <strong>Amsterdam<\/strong> en 1964 et <strong>install\u00e9e \u00e0 New York<\/strong> \u00e0 la fin des ann\u00e9es 1980, la photographe n\u00e9erlandaise a fait des \u00c9tats-Unis <strong>son principal territoire d\u2019observation<\/strong>, mais elle l\u2019aborde avec la distance lucide de l\u2019\u00e9trang\u00e8re, refusant les mythologies toutes faites pour pr\u00e9f\u00e9rer les r\u00e9cits minuscules, les visages, les pr\u00e9sences \u2013 tout ce qui compose une Am\u00e9rique <strong>v\u00e9cue plut\u00f4t que fantasm\u00e9e<\/strong>.<\/p>\n<figure data-wp-context='{\"imageId\":\"69935693145fe\"}' data-wp-interactive=\"core\/image\" class=\"wp-block-image size-full wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"2009\" height=\"2560\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on-async--click=\"actions.showLightbox\" data-wp-on-async--load=\"callbacks.setButtonStyles\" data-wp-on-async-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/02\/LilKim_%C2%A9DanaLixenberg_lo-res-scaled.jpg\" alt=\"Photographie de Dana Lixenberg Kamaal \u201cQ-Tip\u201d Fareed, Ali Shaheed Muhammad and Malik \u201cPhife\u201d Taylor (A Tribe Called Quest), 1997 expos\u00e9e \u00e0 la MEP \u00e0 Paris\" class=\"wp-image-797834\"><button class=\"lightbox-trigger\" type=\"button\" aria-haspopup=\"dialog\" aria-label=\"Agrandir\" data-wp-init=\"callbacks.initTriggerButton\" data-wp-on-async--click=\"actions.showLightbox\" data-wp-style--right=\"state.imageButtonRight\" data-wp-style--top=\"state.imageButtonTop\"><\/p>\n<p>\t\t<\/button><figcaption class=\"wp-element-caption\">Dana Lixenberg, <em>Kimberly Denise Jones (Lil\u2019 Kim)<\/em>, 1997 \u00a9 Dana Lixenberg Courtesy de l\u2019artiste et de Grimm Amsterdam | London | New York.<\/figcaption><\/figure>\n<h2 class=\"wp-block-heading\">Les \u00c9tats-Unis, principal terrain d\u2019observation de Dana Lixenberg<\/h2>\n<p>Travaillant presque exclusivement \u00e0 <strong>la chambre grand format 4 \u00d7 5 pouces<\/strong>, un dispositif aussi lourd que lent qui impose le tr\u00e9pied, mais aussi une longue pr\u00e9paration et une immobilit\u00e9 partag\u00e9e, <strong>la photographe<\/strong> transforme chaque s\u00e9ance en moment de n\u00e9gociation silencieuse. <\/p>\n<p>On ne vole pas une image, on la construit \u00e0 deux. Cette lenteur structurelle produit des portraits d\u2019une grande pr\u00e9cision, riches en d\u00e9tails et en textures. Chez elle, rien n\u2019est spectaculaire, rien n\u2019est forc\u00e9 ; tout semble tenu, mesur\u00e9, presque retenu, et c\u2019est pr\u00e9cis\u00e9ment cette retenue qui conf\u00e8re \u00e0 son travail une dimension \u00e9thique, proche d\u2019un geste de soin.<mark style=\"color:#000000\" class=\"has-inline-color\">Parce qu\u2019elle implique d\u2019\u00e9couter, de revenir, de montrer les images, de laisser \u00e0 chacun le temps d\u2019\u00eatre \u00e0 l\u2019aise.<\/mark><\/p>\n<h3 class=\"wp-block-heading\">Whitney Houston et Jay-Z c\u00f4toient une femme condamn\u00e9e \u00e0 mort<\/h3>\n<p>Cette lenteur irrigue aussi bien ses commandes pour\u00a0des jouraux comme <em>The New Yorker<\/em>,\u00a0<em>The New York Times Magazine<\/em>\u00a0ou\u00a0<em>Vibe<\/em>,\u00a0que ses projets personnels au long cours. Chez elle, aucune hi\u00e9rarchie :<strong> <a href=\"https:\/\/numero.com\/culture\/cinema\/whitney-houston-biopic-naomi-ackie\/\" target=\"_blank\" rel=\"noreferrer noopener\">Whitney Houston<\/a><\/strong>, <strong>Tupac Shakur<\/strong>, <strong><a href=\"https:\/\/numero.com\/culture\/musique\/why-leonard-cohens-cult-song-hallelujah-almost-never-saw-the-light-of-day\/\" target=\"_blank\" rel=\"noreferrer noopener\">Leonard Cohen<\/a><\/strong>, <a href=\"https:\/\/numero.com\/tag\/kate-moss\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Kate Moss<\/strong>,<\/a> <strong><a href=\"https:\/\/numero.com\/culture\/musique\/jay-z-beyonce-louvre-apeshit\/\" target=\"_blank\" rel=\"noreferrer noopener\">Jay-Z<\/a> <\/strong>ou <strong>Iggy Pop<\/strong> c\u00f4toient une femme condamn\u00e9e \u00e0 mort au Texas, des travailleuses du sexe dans une maison close du Nevada ou des familles sans logement dans une petite ville de l\u2019Indiana. Sans que rien, dans la mise en sc\u00e8ne ou la composition, ne vienne distinguer les uns des autres.<\/p>\n<p><em>\u201cJe m\u2019int\u00e9resse moins \u00e0 l\u2019image qu\u2019une personne souhaite donner qu\u2019\u00e0 ce qui se passe r\u00e9ellement chez elle au moment de la rencontre\u201d<\/em>, explique-t-elle dans le communiqu\u00e9 de presse de <strong>son exposition \u00e0 la MEP<\/strong>. Priv\u00e9s d\u2019indices contextuels trop appuy\u00e9s, ses portraits suspendent les cat\u00e9gories sociales : les c\u00e9l\u00e9brit\u00e9s s\u2019y d\u00e9voilent vuln\u00e9rables, tandis que les anonymes y gagnent en intensit\u00e9. <strong>George Pitts<\/strong>, ancien directeur de la photographie de\u00a0<em>Vibe<\/em>, r\u00e9sume (\u00e9galement au sein du communiqu\u00e9 de presse) cette inversion avec justesse : <em>\u201cAvec les anonymes, elle fait \u00e9merger le charisme et l\u2019individualit\u00e9 ; avec les c\u00e9l\u00e9brit\u00e9s, elle r\u00e9v\u00e8le la vuln\u00e9rabilit\u00e9.\u201d<\/em><\/p>\n<figure data-wp-context='{\"imageId\":\"6993569314a1c\"}' data-wp-interactive=\"core\/image\" class=\"wp-block-image size-full wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"2011\" height=\"2560\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on-async--click=\"actions.showLightbox\" data-wp-on-async--load=\"callbacks.setButtonStyles\" data-wp-on-async-window--resize=\"callbacks.setButtonStyles\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/02\/TupacShakur_1993_%C2%A9DanaLixenberg_lo-res-scaled.jpg\" alt=\"Photographie de Tupac Shakur par Dana Lixenberg en 1993 expos\u00e9e \u00e0 la MEP \u00e0 Paris\" class=\"wp-image-797844\"><button class=\"lightbox-trigger\" type=\"button\" aria-haspopup=\"dialog\" aria-label=\"Agrandir\" data-wp-init=\"callbacks.initTriggerButton\" data-wp-on-async--click=\"actions.showLightbox\" data-wp-style--right=\"state.imageButtonRight\" data-wp-style--top=\"state.imageButtonTop\"><\/p>\n<p>\t\t<\/button><figcaption class=\"wp-element-caption\">Dana Lixenberg, <em>Tupac Shakur<\/em>, 1993 \u00a9 Dana Lixenberg Courtesy de l\u2019artiste et de Grimm Amsterdam | London | New York.<\/figcaption><\/figure>\n<h2 class=\"wp-block-heading\">Un embl\u00e9matique portrait de Tupac Shakur<\/h2>\n<p>Son portrait de <strong>Tupac Shakur<\/strong>, r\u00e9alis\u00e9 en 1993 pour le magazine\u00a0<em>Vibe<\/em>, demeure \u00e0 cet \u00e9gard embl\u00e9matique. Photographi\u00e9 sous une pluie fine \u00e0 Atlanta, alors qu\u2019il n\u2019a que vingt-deux ans, le rappeur, assassin\u00e9 trois ans plus tard, y appara\u00eet pensif, presque vuln\u00e9rable, loin de la posture combative que la culture populaire a retenu de lui ; l\u2019inclinaison de sa t\u00eate et la douceur de son regard laissent deviner une int\u00e9riorit\u00e9 complexe, celle d\u2019un \u00e9crivain et d\u2019un po\u00e8te autant que d\u2019une ic\u00f4ne pop. <\/p>\n<p>Ce refus du spectaculaire traverse \u00e9galement ses s\u00e9ries documentaires, qu\u2019il s\u2019agisse de <em>Jeffersonville, Indiana<\/em> o\u00f9 elle photographie entre 1997 et 2004 des r\u00e9sidents d\u2019un foyer d\u2019accueil sans c\u00e9der au mis\u00e9rabilisme, ou de la s\u00e9rie <em>The Last Days of Shishmaref<\/em> (2008), en Alaska, o\u00f9 la menace climatique (la<mark style=\"color:#000000\" class=\"has-inline-color\">fonte du perg\u00e9lisol, ce sol gel\u00e9 en permanence des r\u00e9gions arctiques)<\/mark>est rel\u00e9gu\u00e9e en arri\u00e8re-plan au profit d\u2019une attention aux visages.<\/p>\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure data-wp-context='{\"imageId\":\"6993569314dde\"}' data-wp-interactive=\"core\/image\" class=\"wp-block-image size-full wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"2004\" height=\"2560\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on-async--click=\"actions.showLightbox\" data-wp-on-async--load=\"callbacks.setButtonStyles\" data-wp-on-async-window--resize=\"callbacks.setButtonStyles\" data-id=\"797842\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/02\/JustinDOUGEdwards_%C2%A9DanaLixenberg_lo-res-scaled.jpg\" alt=\"Photographie de Dana Lixenberg\" class=\"wp-image-797842\"><button class=\"lightbox-trigger\" type=\"button\" aria-haspopup=\"dialog\" aria-label=\"Agrandir\" data-wp-init=\"callbacks.initTriggerButton\" data-wp-on-async--click=\"actions.showLightbox\" data-wp-style--right=\"state.imageButtonRight\" data-wp-style--top=\"state.imageButtonTop\"><\/p>\n<p>\t\t<\/button><figcaption class=\"wp-element-caption\">Dana Lixenberg, <em>Justin \u2018Doug\u2019 Edwards<\/em>, 2000 \u00a9 Dana Lixenberg Courtesy de l\u2019artiste et de Grimm Amsterdam | London | New York.<\/figcaption><\/figure>\n<figure data-wp-context='{\"imageId\":\"6993569315097\"}' data-wp-interactive=\"core\/image\" class=\"wp-block-image size-full wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"2009\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on-async--click=\"actions.showLightbox\" data-wp-on-async--load=\"callbacks.setButtonStyles\" data-wp-on-async-window--resize=\"callbacks.setButtonStyles\" data-id=\"797836\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/02\/FredCharlieWeyiouanna_2007_%C2%A9DanaLixenberg_lo-res-scaled.jpg\" alt=\"Photographie de Dana Lixenberg\" class=\"wp-image-797836\"><button class=\"lightbox-trigger\" type=\"button\" aria-haspopup=\"dialog\" aria-label=\"Agrandir\" data-wp-init=\"callbacks.initTriggerButton\" data-wp-on-async--click=\"actions.showLightbox\" data-wp-style--right=\"state.imageButtonRight\" data-wp-style--top=\"state.imageButtonTop\"><\/p>\n<p>\t\t<\/button><figcaption class=\"wp-element-caption\">Dana Lixenberg, <em>Fred Charlie Weyiouanna, Serpentine Hot Springs<\/em>, 2007 \u00a9 Dana Lixenberg Courtesy de l\u2019artiste et de Grimm Amsterdam | London | New York.<\/figcaption><\/figure>\n<\/figure>\n<h2 class=\"wp-block-heading\">Les \u00e9meutes de Los Angeles, la naissance d\u2019un engagement au long cours<\/h2>\n<p><mark style=\"color:#000000\" class=\"has-inline-color\">Mais c\u2019est avec\u00a0<em>Imperial Courts<\/em>, s\u00e9rie d\u00e9but\u00e9e en 1993 et toujours en cours, que l\u2019engagement de\u00a0<strong>Dana Lixenberg<\/strong>\u00a0prend toute son ampleur, dans le sillage <strong>des \u00e9meutes de\u00a0Los Angeles\u00a0en 1992<\/strong>, d\u00e9clench\u00e9es apr\u00e8s l\u2019acquittement de quatre policiers film\u00e9s en train de frapper violemment\u00a0<strong>Rodney King<\/strong>. Un verdict qui provoqua six jours d\u2019insurrections, plus de cinquante morts et des milliers de bless\u00e9s, r\u00e9v\u00e9lant au grand jour les fractures sociales de la ville.<\/mark><\/p>\n<p><mark style=\"color:#000000\" class=\"has-inline-color\">C\u2019est dans ce contexte br\u00fblant que la photographe choisit de s\u2019immerger durablement au sein du complexe de logements sociaux\u00a0<em>Imperial Courts<\/em>. <\/mark>Depuis plus de trente ans, <strong>Dana Lixenberg<\/strong> retourne dans cet ensemble de logements sociaux de Watts, photographiant les habitants au fil des g\u00e9n\u00e9rations, apportant des tirages, enregistrant leurs voix, et \u00e9largissant ainsi peu \u00e0 peu le projet au son et \u00e0 la vid\u00e9o. <em>\u201cJ\u2019aime me concentrer totalement sur ce que je regarde, faire taire le bruit autour du sujet pour vraiment le voir\u201d<\/em>, dit-elle encore. L\u00e0 o\u00f9 les m\u00e9dias ont souvent r\u00e9duit le quartier \u00e0 la violence, elle compose une archive de pr\u00e9sences, attentive aux continuit\u00e9s comme aux absences.<\/p>\n<p>\u00c0 l\u2019heure des flux num\u00e9riques et des images instantan\u00e9es, l\u2019\u0153uvre de<strong> <\/strong>la photographe n\u00e9erlandaise appara\u00eet ainsi comme une forme de r\u00e9sistance tranquille : un art centr\u00e9 sur la relation, qui refuse la simplification et affirme, image apr\u00e8s image, la valeur irr\u00e9ductible de chaque individu.\u00a0<\/p>\n<p><em>\u201cDana Lixenberg. American Images\u201d,<\/em> exposition jusqu\u2019au 24 mai 2026 \u00e0 la <a href=\"https:\/\/www.mep-fr.org\" target=\"_blank\" rel=\"noreferrer noopener\">Maison Europ\u00e9enne de la Photographie<\/a>, 5\/7 Rue de Fourcy, Paris IVe. L\u2019exposition est curat\u00e9e par Laurie Hurwitz \u00e0 la MEP et Marcel Feil \u00e0 la MAPFRE. <\/p>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"col-lg-3\">\n<div class=\"suggested-posts padding-top-s\">\n<div class=\"title\">Recommand\u00e9<\/div>\n<div class=\"post-card\">\n\t\t\t\t\t\t\t\t\t\t<a class=\"post-link d-flex\" href=\"https:\/\/numero.com\/art\/art-art\/selection-expositions-2026\/\"><\/p>\n<div class=\"container-img\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1300\" height=\"1634\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/01\/thumb-selection-expositions-2026-lucian-freud-national-portrait-gallery-londres.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt>\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<p class=\"number\">26<\/p>\n<\/p><\/div>\n<div class=\"card-info d-flex\">\n<div>\n<p class=\"cat-title\">Art<\/p>\n<h3 class=\"post-title\">Quelles sont les expositions les plus attendues de 2026 ?<\/h3>\n<\/p><\/div>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t26 jan 2026\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/div>\n<div class=\"post-card\">\n\t\t\t\t\t\t\t\t\t\t<a class=\"post-link d-flex\" href=\"https:\/\/numero.com\/art\/art-art\/le-gothique-sinvite-au-louvre-lens\/\"><\/p>\n<div class=\"container-img\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1300\" height=\"1634\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2025\/12\/thumb-gothiques-louvre-lens-brassai.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"exposition gothiques louvre lens\">\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<p class=\"number\">16<\/p>\n<\/p><\/div>\n<div class=\"card-info d-flex\">\n<div>\n<p class=\"cat-title\">Art<\/p>\n<h3 class=\"post-title\">Comment le gothique inspire les artistes contemporains<\/h3>\n<\/p><\/div>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t16 jan 2026\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/div>\n<div class=\"post-card\">\n\t\t\t\t\t\t\t\t\t\t<a class=\"post-link d-flex\" href=\"https:\/\/numero.com\/mode\/les-expositions-mode-a-voir-france-en-2025\/\"><\/p>\n<div class=\"container-img\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1300\" height=\"1634\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2025\/04\/thumb-les-expositions-mode-a-voir-france-en-2025-galerie-christian-dior-paris.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt>\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<p class=\"number\">18<\/p>\n<\/p><\/div>\n<div class=\"card-info d-flex\">\n<div>\n<p class=\"cat-title\">Mode<\/p>\n<h3 class=\"post-title\">10 expositions mode \u00e0 voir partout en France en 2025<\/h3>\n<\/p><\/div>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t18 ao\u00fbt 2025\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/div>\n<div class=\"post-card\">\n\t\t\t\t\t\t\t\t\t\t<a class=\"post-link d-flex\" href=\"https:\/\/numero.com\/art\/numero-art\/martin-parr-exposition-jeu-de-paume\/\"><\/p>\n<div class=\"container-img\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1300\" height=\"1634\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/01\/THUMB-parr-4.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"Martin Parr, Tokyo, Japon, 1998\">\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<p class=\"number\">30<\/p>\n<\/p><\/div>\n<div class=\"card-info d-flex\">\n<div>\n<p class=\"cat-title\">Num\u00e9ro Art<\/p>\n<h3 class=\"post-title\">Expo de la semaine : l\u2019ic\u00f4ne iconoclaste Martin Parr envahit le Jeu de Paume<\/h3>\n<\/p><\/div>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t30 jan 2026\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"padding-top-s\">\n<div class=\"ad banner desktop\">\n<div class=\"container\">\n<div class=\"row\">\n            <!-- \/21730003857\/numero-ad-unit\/numero-banner-1 --><\/p>\n<div id=\"div-gpt-ad-1757006327907-0\" style=\"min-width: 350px\">\n<p>                    googletag.cmd.push(function() { googletag.display(&#8216;div-gpt-ad-1757006327907-0&#8217;); });<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div><\/div>\n<\/p><\/div>\n<\/section>\n<p>        <button class=\"btn-newsletter btn-outline-white my-5\" id=\"open-modal-newsletter\">Inscrivez-vous \u00e0 la newsletter<\/button>\t\t<\/p>\n<section class=\"related-posts post-list padding-top-m padding-bottom-s\">\n<div class=\"container\">\n<h2 class=\"title mx-auto\">\u00c0 lire aussi<\/h2>\n<div class=\"row\">\n<div class=\"col-lg-3\">\n<div class=\"post-card desktop\">\n\t\t\t\t\t\t\t\t\t\t<a class=\"post-link\" href=\"https:\/\/numero.com\/art\/photographie\/selection-de-livre-photographie-a-offrir-art\/\"><\/p>\n<div class=\"container-img\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2025\/08\/thumb-selection-livres-photographie-jonathan-bertin-seoul-impressionism.jpg\" alt><\/p>\n<div class=\"number\">26<\/div>\n<\/p><\/div>\n<div class=\"card-info\">\n<div class=\"meta d-flex justify-content-between\">\n<p class=\"cat-title\">Photographie<\/p>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t26 jan 2026\t\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<div class=\"post-title\">8 livres de photographie \u00e0 d\u00e9couvrir absolument<\/div>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/div>\n<div class=\"post-card mobile\">\n\t\t\t\t\t\t\t\t\t\t<a class=\"post-link d-flex\" href=\"https:\/\/numero.com\/art\/photographie\/selection-de-livre-photographie-a-offrir-art\/\"><\/p>\n<div class=\"container-img\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1300\" height=\"1634\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2025\/08\/thumb-selection-livres-photographie-jonathan-bertin-seoul-impressionism.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt>\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<div class=\"number\">26<\/div>\n<\/p><\/div>\n<div class=\"card-info d-flex\">\n<div>\n<p class=\"cat-title\">Photographie<\/p>\n<h3 class=\"post-title\">8 livres de photographie \u00e0 d\u00e9couvrir absolument<\/h3>\n<\/p><\/div>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t26 jan 2026\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/div>\n<\/p><\/div>\n<div class=\"col-lg-3\">\n<div class=\"post-card desktop\">\n\t\t\t\t\t\t\t\t\t\t<a class=\"post-link\" href=\"https:\/\/numero.com\/mode\/qui-est-jordan-hemingway-artiste-et-photographe\/\"><\/p>\n<div class=\"container-img\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/01\/GettyImages-2198240739-1-scaled.jpg\" alt=\"L'artiste et photographe Jordan hemingway avec Fkw twigs\"><\/p>\n<div class=\"number\">22<\/div>\n<\/p><\/div>\n<div class=\"card-info\">\n<div class=\"meta d-flex justify-content-between\">\n<p class=\"cat-title\">Mode<\/p>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t22 jan 2026\t\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<div class=\"post-title\">Qui est Jordan Hemingway, l\u2019artiste qui affole la mode et collabore avec FKA twigs ?<\/div>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/div>\n<div class=\"post-card mobile\">\n\t\t\t\t\t\t\t\t\t\t<a class=\"post-link d-flex\" href=\"https:\/\/numero.com\/mode\/qui-est-jordan-hemingway-artiste-et-photographe\/\"><\/p>\n<div class=\"container-img\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1707\" height=\"2560\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/01\/GettyImages-2198240739-1-scaled.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"L'artiste et photographe Jordan hemingway avec Fkw twigs\">\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<div class=\"number\">22<\/div>\n<\/p><\/div>\n<div class=\"card-info d-flex\">\n<div>\n<p class=\"cat-title\">Mode<\/p>\n<h3 class=\"post-title\">Qui est Jordan Hemingway, l\u2019artiste qui affole la mode et collabore avec FKA twigs ?<\/h3>\n<\/p><\/div>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t22 jan 2026\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/div>\n<\/p><\/div>\n<div class=\"col-lg-3\">\n<div class=\"post-card desktop\">\n\t\t\t\t\t\t\t\t\t\t<a class=\"post-link\" href=\"https:\/\/numero.com\/mode\/exposition-the-90s-tate-modern\/\"><\/p>\n<div class=\"container-img\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/01\/Kate-Moss-%C2%A9-Juergen-Teller.jpg\" alt=\"Juergen Teller, Young Pink Kate, London 1998 \u00a9 Juergen Teller, All rights Reserved\"><\/p>\n<div class=\"number\">09<\/div>\n<\/p><\/div>\n<div class=\"card-info\">\n<div class=\"meta d-flex justify-content-between\">\n<p class=\"cat-title\">Mode<\/p>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t9 jan 2026\t\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<div class=\"post-title\">Une exposition \u00e0 la Tate Modern va c\u00e9l\u00e9brer la mode des 90\u2019s<\/div>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/div>\n<div class=\"post-card mobile\">\n\t\t\t\t\t\t\t\t\t\t<a class=\"post-link d-flex\" href=\"https:\/\/numero.com\/mode\/exposition-the-90s-tate-modern\/\"><\/p>\n<div class=\"container-img\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1300\" height=\"1634\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2026\/01\/Kate-Moss-%C2%A9-Juergen-Teller.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"Juergen Teller, Young Pink Kate, London 1998 \u00a9 Juergen Teller, All rights Reserved\">\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<div class=\"number\">09<\/div>\n<\/p><\/div>\n<div class=\"card-info d-flex\">\n<div>\n<p class=\"cat-title\">Mode<\/p>\n<h3 class=\"post-title\">Une exposition \u00e0 la Tate Modern va c\u00e9l\u00e9brer la mode des 90\u2019s<\/h3>\n<\/p><\/div>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t9 jan 2026\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/div>\n<\/p><\/div>\n<div class=\"col-lg-3\">\n<div class=\"post-card desktop\">\n\t\t\t\t\t\t\t\t\t\t<a class=\"post-link\" href=\"https:\/\/numero.com\/art\/art-art\/enquete-les-derviches-tourneurs\/\"><\/p>\n<div class=\"container-img\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2025\/12\/thumb-pieter-hugo.jpg\" alt=\"Yasir G\u00fcng\u00f6r, derviche tourneur \u00e0 Konya.\"><\/p>\n<div class=\"number\">29<\/div>\n<\/p><\/div>\n<div class=\"card-info\">\n<div class=\"meta d-flex justify-content-between\">\n<p class=\"cat-title\">Art<\/p>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t29 d\u00e9c 2025\t\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<div class=\"post-title\">Plong\u00e9e dans la qu\u00eate sacr\u00e9e des derviches tourneurs<\/div>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/div>\n<div class=\"post-card mobile\">\n\t\t\t\t\t\t\t\t\t\t<a class=\"post-link d-flex\" href=\"https:\/\/numero.com\/art\/art-art\/enquete-les-derviches-tourneurs\/\"><\/p>\n<div class=\"container-img\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1300\" height=\"1634\" src=\"https:\/\/numero.com\/wp-content\/uploads\/2025\/12\/thumb-pieter-hugo.jpg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"Yasir G\u00fcng\u00f6r, derviche tourneur \u00e0 Konya.\">\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<div class=\"number\">29<\/div>\n<\/p><\/div>\n<div class=\"card-info d-flex\">\n<div>\n<p class=\"cat-title\">Art<\/p>\n<h3 class=\"post-title\">Plong\u00e9e dans la qu\u00eate sacr\u00e9e des derviches tourneurs<\/h3>\n<\/p><\/div>\n<p class=\"date\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t29 d\u00e9c 2025\t\t\t\t\t\t\t\t\t\t\t\t<\/p>\n<\/p><\/div>\n<p>\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/section>\n<div class=\"padding-bottom-s\">\n<div class=\"ad banner desktop\">\n<div class=\"container\">\n<div class=\"row\">\n            <!-- \/21730003857\/numero-ad-unit\/numero-banner-1 --><\/p>\n<div id=\"div-gpt-ad-1757006327907-0\" style=\"min-width: 350px\">\n<p>                    googletag.cmd.push(function() { googletag.display(&#8216;div-gpt-ad-1757006327907-0&#8217;); });<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div><\/div>\n<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"<p>16 16 googletag.cmd.push(function () { googletag.display(&#8216;div-gpt-ad-1757063143832-0&#8217;); }); Lien copi\u00e9 Photographie 16 f\u00e9v 2026 MEP : les \u00c9tats-Unis redeviennent (enfin) humanistes avec l\u2019exposition de Dana Lixenberg Des portraits de figures majeures de la culture am\u00e9ricaine comme Whitney Houston et Jay Z \u00e0 ses projets documentaires au long cours, la photographe n\u00e9erlandaise Dana Lixenberg, encore m\u00e9connue en [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[226,258],"class_list":["post-1774267","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-crawlmanager","tag-numero-com"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1774267","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1774267"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1774267\/revisions"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1774267"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1774267"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1774267"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}