{"id":1543244,"date":"2026-01-29T13:20:00","date_gmt":"2026-01-29T10:20:00","guid":{"rendered":"https:\/\/analyse.optim.biz\/?p=1543244"},"modified":"2026-01-29T13:20:00","modified_gmt":"2026-01-29T10:20:00","slug":"the-boy-who-cried-terrified-ranking-all-the-tracks-on-fakeminks-new-ep","status":"publish","type":"post","link":"https:\/\/analyse.optim.biz\/?p=1543244","title":{"rendered":"The Boy who cried Terrified: Ranking all the tracks on fakemink\u2019s new EP"},"content":{"rendered":"<article class=\"main-article standard \">\n<div class=\"article-main-content article-wrapper has-media-but-its-an-image\" data-status=\"loaded\" data-primary-article=\"true\" data-url=\"\/music\/article\/69509\/1\/the-boy-who-cried-terrified-ranking-tracks-fakemink-new-ep-fml\" data-article-id=\"69509\">\n<header class=\"article-header has-portrait-image no-media\">\n<div class=\"wrapper dg-max-width\">\n<div class=\"inner\">\n<figure class=\"main-img has-figcaption\" data-img-aspect-ratio-type=\"portrait\" data-img-aspect-ratio=\"0.75\" data-template=\"Standard Article\"><span class=\"has-css-custom-props image-container\" data-aspect-ratio-type=\"portrait\"><span class=\"preserve-aspect-ratio\"><img loading=\"lazy\" decoding=\"async\" alt=\"ab6761670000ecd4b6987b3bed62263200072ca8\" class=\"img\" height=\"640\" src=\"https:\/\/analyse.optim.biz\/wp-content\/uploads\/2026\/01\/1435849-1.jpeg\" width=\"480\" title=\"1435849-1\"><\/span><\/span><figcaption class=\"img-caption\"><span class=\"inner\"><span class=\"credit\">fakemink promotional image<\/span><\/span><\/figcaption><\/figure>\n<aside class=\"meta\">\n<div class=\"inner\"><time datetime=\"2026-01-29T13:20:00+00:00\" class=\"timestamp\" title=\"29 January 2026\"><span class=\"month\">January<\/span>\u00a0<br \/>\n<span class=\"day\" data-day=\"29\">29,<\/span>\u00a0<br \/>\n<span class=\"year\">2026<\/span><\/time><\/div>\n<\/aside>\n<div class=\"titles\">\n<div class=\"tags\">\n<div class=\"sections\"><a class=\"category vertical - music\" href=\"https:\/\/www.dazeddigital.com\/music\">Music<\/a><br \/>\n\/<br \/>\n<a class=\"series\" href=\"https:\/\/www.dazeddigital.com\/lists\">Lists<\/a><\/div>\n<\/div>\n<div class=\"standard-tag-container\"><a class=\"standard-category\" href=\"https:\/\/www.dazeddigital.com\/music\">Music<\/a> \/<br \/>\n<a class=\"standard-series\" href=\"https:\/\/www.dazeddigital.com\/lists\">Lists<\/a><\/div>\n<h1 class=\"title\"><span>The Boy who cried Terrified: Ranking all the tracks on fakemink\u2019s <span class=\"nowrap\">new EP<\/span><\/span><\/h1>\n<div class=\"standfirst\">\n<h2>Dropped abruptly in the middle of the run-up to his long-awaited sophomore album, we break down our favourite tracks from the UK Ug star\u2019s <span class=\"nowrap\">new EP<\/span><\/h2>\n<\/div>\n<p><time datetime=\"2026-01-29T13:20:00+00:00\" class=\"timestamp\" title=\"29 January 2026\"><span class=\"month\">January<\/span>\u00a0<br \/>\n<span class=\"day\" data-day=\"29\">29,<\/span>\u00a0<br \/>\n<span class=\"year\">2026<\/span><\/time><\/div>\n<\/div>\n<p><time datetime=\"2026-01-29T13:20:00+00:00\" class=\"timestamp\" title=\"29 January 2026\"><span class=\"month\">January<\/span>\u00a0<br \/>\n<span class=\"day\" data-day=\"29\">29,<\/span>\u00a0<br \/>\n<span class=\"year\">2026<\/span><\/time><\/p>\n<div class=\"providers\">\n<div class=\"contributors\"><span class=\"contributor\" data-contributor-role=\"Text\"><span class=\"contributor-role\">Text<\/span><a class=\"contributor-name\" href=\"https:\/\/www.dazeddigital.com\/user\/solomonpacemccarrick\">Solomon Pace-McCarrick<\/a><\/span><span class=\"contributor\" data-contributor-role=\"Text\"><span class=\"contributor-role\">Text<\/span><a class=\"contributor-name\" href=\"https:\/\/www.dazeddigital.com\/user\/JamesGreig\">James Greig<\/a><\/span><\/div>\n<\/div>\n<\/div>\n<\/header>\n<div class=\"article-body-container\">\n<div class=\"article-body wrapper\">\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p><span>In April 2024, Vincenzo Camille rebranded from 9090gate to\u00a0<a href=\"https:\/\/www.dazeddigital.com\/tag\/fakemink\">fakemink<\/a>. Since then, the Essex-born rapper-producer has released around 100 singles, become the breakout star of the <a href=\"https:\/\/www.dazeddigital.com\/music\/article\/69279\/1\/uk-ug-gen-z-brits-reinvented-rap-2025-fakemink-esdeekid-jim-legxacy\">UK Ug movement<\/a>, and topped Dazed\u2019s <a href=\"https:\/\/www.dazeddigital.com\/music\/article\/69273\/1\/20-best-tracks-of-2025-ranked-ethel-cain-smerz-esdeekid-fakemink\">best tracks of 2025 list<\/a>. So despite the mounting anticipation for his first project in almost two years, fakemink\u2019s new seven-track EP, <em data-start=\"495\" data-end=\"524\">The Boy Who Cried Terrified<\/em>, arrived in characteristically unorthodox fashion.<\/span><\/p>\n<p>First, mink announced his sophomore album, <em data-start=\"644\" data-end=\"655\">Terrified<\/em>, in late December. Then, last week, he revealed it would become both an EP and a full album, setting the EP\u2019s release date for January 30. But just as everything seemed locked in, 16-year-old influencer CTI claimed he\u2019d personally called fakemink to bring the EP forward to 12 a.m. today (January 29), <span>prompting pretty much every UK underground fan page to go live in anticipation.<\/span><\/p>\n<p><span>The music had to be good to justify this drama \u2013 and, thankfully, it was. <\/span><em><span>The Boy who cried Terrified <\/span><\/em><span>lands amid swirling speculation as to whether mink\u2019s new releases would sit closer to his lo-fi 2023 debut album, <\/span><em><span>London\u2019s Saviour<\/span><\/em><span>, or the more hectic singles he\u2019s released since. It seems that the answer is a bit of both, plus more. There are hints of \u201cCelebrity Deathmatch\u201d\u2019s melancholy in \u201cBlow the Speaker\u201d\u2019s wistful melodies, and \u201cEaster Pink\u201d\u2019s cluttered chaos in tracks like \u201cDumb\u201d, as well as an entirely new foray into singing on \u201cMr Chow\u201d.\u00a0<\/span><\/p>\n<p><span>And while the EP\u2019s rollout might have been slightly uncoordinated, this is exactly what you would expect from the forerunner of the UK Ug scene. Collectively, artists like EsDeeKid, Feng and Zukovstheworld take foregoing musical conventions as their defining trait: genres are collapsed into a pastiche of browser-based bookmarks, mixes are shoddy and muddied by distortion, and all of this is on full display on <\/span><em><span>The Boy who cried Terrified<\/span><\/em><span>. On it, fakemink shows no qualms transplanting samples from beloved UK dubstep producer Burial and ambient guitarist Flawed Mangoes into his new world of jerk percussion and heady rap lyrics, but it results in tracks that are both pensive and overwhelming. It\u2019s an impressive feat.\u00a0\u00a0<\/span><\/p>\n<p><span>Below, we rank our favourite tracks on the project, from worst to best (they\u2019re all good though).\u00a0<\/span><\/p>\n<\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<h1><span>7. \u201cDUMB\u201d\u00a0<\/span><\/h1>\n<\/div>\n<div class=\"src-youtube video-container embed-content\" data-embed-type=\"media-youtube\" data-id=\"VQUcRFe2k9o\"><span class=\"preserve-aspect-ratio\"><iframe loading=\"lazy\" allowfullscreen frameborder height=\"422\" scrolling=\"no\" src=\"https:\/\/www.youtube.com\/embed\/VQUcRFe2k9o\" webkitallowfullscreen width=\"750\"><\/iframe><\/span><\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p><span>Sparse, scuzzy and distorted, \u201cDumb\u201d builds up to an electrifying crescendo of overlapping, pitch-shifted vocals and UK drill-inspired percussion \u2013 there\u2019s a sense of impending doom that\u2019s reminiscent of fellow UK Ug rapper Sinn6r. Maybe the most remarkable thing about it is how mink makes \u201c<em>having fun, driving in the summer<\/em>\u201d, drinking Cherry Sprite, eating gelato and getting sucked off seem so bad vibes \u2013 the song sounds less like a holiday in Marseilles and more like a descent into hell. <em>(JG)<\/em><\/span><\/p>\n<h1><span>6. \u201cTHE MERCER\u201d <\/span><\/h1>\n<\/div>\n<div class=\"src-youtube video-container embed-content\" data-embed-type=\"media-youtube\" data-id=\"oDPnVoZTvhM\"><span class=\"preserve-aspect-ratio\"><iframe loading=\"lazy\" allowfullscreen frameborder height=\"422\" scrolling=\"no\" src=\"https:\/\/www.youtube.com\/embed\/oDPnVoZTvhM\" webkitallowfullscreen width=\"750\"><\/iframe><\/span><\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p><span>Stacked vocal takes and subtle auto-tune are the main motif that distinguishes <\/span><em><span>The Boy who cried Terrified<\/span><\/em><span> from fakemink\u2019s previous releases and, while this approach is wholly enjoyable, it\u2019s in the project\u2019s more subdued moments that it truly shines. Casting train-of-thought lyrics about \u201cgoing hard\u201d and spending lots of money over his signature, jerk-derived percussion, \u201cThe Mercer\u201d is about as energetic as the new EP gets, but is ultimately one of its less memorable cuts. <\/span><span><em>(SPM)<\/em><\/span><\/p>\n<h1><span>5. \u201cYOUNG MILLIONAIRE\u201d<\/span><\/h1>\n<\/div>\n<div class=\"src-youtube video-container embed-content\" data-embed-type=\"media-youtube\" data-id=\"LSKvA3OVBWc\"><span class=\"preserve-aspect-ratio\"><iframe loading=\"lazy\" allowfullscreen frameborder height=\"422\" scrolling=\"no\" src=\"https:\/\/www.youtube.com\/embed\/LSKvA3OVBWc\" webkitallowfullscreen width=\"750\"><\/iframe><\/span><\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p><span>Burying a Flawed Mangoes shoegaze sample under bombastic bass thumps, the UK Ug\u2019s iconic record scratch sound and distant homages to Lil Wayne\u2019s legendary mixtape run in the early 2000s, \u201cYoung Millionaire\u201d showcases the sonic collisions that make mink\u2019s music so captivating. Meanwhile, there\u2019s also some minor joy to be derived from fakemink\u2019s mimicking of Lil Wayne\u2019s distinctive nasal delivery on the chorus \u2013 <\/span><em><span>\u201cYoung millionaire, I feel like Weezy, uh.\u201d<\/span><\/em><em><span> (SPM)<\/span><\/em><\/p>\n<h1><span>4. \u201cMILK &amp; HONEY\u201d\u00a0<\/span><\/h1>\n<\/div>\n<div class=\"src-youtube video-container embed-content\" data-embed-type=\"media-youtube\" data-id=\"D6IS742tZhc\"><span class=\"preserve-aspect-ratio\"><iframe loading=\"lazy\" allowfullscreen frameborder height=\"422\" scrolling=\"no\" src=\"https:\/\/www.youtube.com\/embed\/D6IS742tZhc\" webkitallowfullscreen width=\"750\"><\/iframe><\/span><\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p><span>Few artists can balance swaggering bravado and existential melancholy as well as fakemink: one minute he can make you feel like you\u2019re on top of the world, the next like you\u2019re a sensitive young man moping around Tokyo in the pouring rain. With its solemn synths and airy percussion, \u201cMilk and Honey\u201d is a strong new addition to the canon of melancholy mink, joining previous tracks like \u201cChinchilla\u201d, \u201cShampoodle\u201d and \u201cBaklava\u201d. But as is often the case with fakemink, the highs and lows exist side by side, and there is a tension between what the music sounds like and what he\u2019s telling you. Milk and Honey\u2019s lyrics\u00a0 (<em>\u201cI know you wanna see me fall and never, ever win again\/ Wake up, win and sleep, wake up, win again\u201d<\/em>) are as bold and defiant as ever, but there\u2019s something brittle and uneasy below the surface. <\/span><span><em>(JG)<\/em><\/span><\/p>\n<h1><span>3. \u201cBLOW THE SPEAKER\u201d\u00a0<\/span><span><br \/><\/span><\/h1>\n<\/div>\n<div class=\"src-youtube video-container embed-content\" data-embed-type=\"media-youtube\" data-id=\"DhiZ02PDwds\"><span class=\"preserve-aspect-ratio\"><iframe loading=\"lazy\" allowfullscreen frameborder height=\"422\" scrolling=\"no\" src=\"https:\/\/www.youtube.com\/embed\/DhiZ02PDwds\" webkitallowfullscreen width=\"750\"><\/iframe><\/span><\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p><span>While fakemink had previously announced that sophomore album <\/span><em><span>Terrified<\/span><\/em><span> would be entirely self-produced, the presence of EsDeeKid producer Wraith9\u2019s signature \u201cOK\u201d beat tag in the opening moments of <\/span><em><span>The Boy who cried Terrified <\/span><\/em><span>immediately dispelled any notions that this new EP would follow suit. Still, set to a loop of ethereal string synths and featuring fakemink deliver conflicted lyrics about \u201crunning away\u201d, \u201cfeeling alone\u201d and \u201cfar from home\u201d, \u201cBlow The Speaker\u201d is permeated by a heavy melancholy that proves to be <\/span><em><span>The Boy who cried Terrified<\/span><\/em><span>\u2019s most enduring quality.<\/span><\/p>\n<p><span>The track\u2019s title is also somewhat ironic, given that, while livestreaming the new release in the early hours of this morning, fakemink received a noise complaint from his neighbour, who angrily complained that she had to be up for work at 7AM. To his credit, mink did turn down the music, but not before cursing her under his breath. <em>(SPM)<\/em><\/span><\/p>\n<h1><span>2. \u201cMR CHOW\u201d<br \/><\/span><\/h1>\n<\/div>\n<div class=\"src-youtube video-container embed-content\" data-embed-type=\"media-youtube\" data-id=\"JKeEoOPBZls\"><span class=\"preserve-aspect-ratio\"><iframe loading=\"lazy\" allowfullscreen frameborder height=\"422\" scrolling=\"no\" src=\"https:\/\/www.youtube.com\/embed\/JKeEoOPBZls\" webkitallowfullscreen width=\"750\"><\/iframe><\/span><\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p><span>After the marathon of singles fakemink has released, you would be forgiven for thinking that you had his style all figured out, but that vocal pass in the opening seconds of \u201cMr Chow\u201d changes everything. Delivered with the subtle melodicism of drill artists like Billy Billions and AbraCadabra\u2019s forays into singing in the late 2010s, this is an approach entirely new to mink\u2019s catalogue. Elsewhere, the track is a little busy \u2013 stacked vocal takes deliver vague affirmations of staying independent from women and record labels, and the track\u2019s title appears to be a reference to the Florida-based Chinese takeaway chain that also features on the EP\u2019s cover \u2013 but, damn, the singing, man. It\u2019s just so good.\u00a0<em>(SPM)<\/em><\/span><\/p>\n<h1><span>1. \u201cFML\u201d\u00a0<\/span><\/h1>\n<\/div>\n<div class=\"src-youtube video-container embed-content\" data-embed-type=\"media-youtube\" data-id=\"PCSh4x1QWEM\"><span class=\"preserve-aspect-ratio\"><iframe loading=\"lazy\" allowfullscreen frameborder height=\"422\" scrolling=\"no\" src=\"https:\/\/www.youtube.com\/embed\/PCSh4x1QWEM\" webkitallowfullscreen width=\"750\"><\/iframe><\/span><\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p><span>Who would have thought that fakemink and Burial would be a match made in heaven? We\u2019ve made it clear that we think mink is at his best when he\u2019s in his feels and \u2018lead single\u2019 (if we can even call it that \u2013 it dropped all but three hours before the actual project itself) \u201cfml\u201d is a prime example. It might sound insane, but mink emerges as somewhat of a spiritual successor to Burial here: Where Burial\u2019s barren dubstep productions soundtracked post-New Labour nihilism of early 00s Britain, mink embodies the hyper-digital ennui that permeates British gen Z experience today. On some level, he seems to be aware of this, too, because, in an apparent homage to the long-running meme that Burial is the sonic equivalent of a London night bus, mink raps: <\/span><em><span>\u201cWent from the all-black E-class, but I still miss them nights on the bus\u201d.\u00a0<\/span><\/em><\/p>\n<p><span>\u201cfml\u201d is also the only track so far from <\/span><em><span>The Boy who cried Terrified<\/span><\/em><span> to receive a music video \u2013 and, far from the low-res iPhone 5 videography of previous releases, it\u2019s actually nice to look at. The video seems to take cues from Wong Kar-Wai\u2019s 1995 film <\/span><em><span>Fallen Angels<\/span><\/em><span>, replete with wide-angle shots and blanket darkness. As one commenter wrote online, the budget has definitely upgraded with this one. \u201cfml\u201d announces fakemink\u2019s new era in spectacular style.\u00a0<\/span><em>(SPM)<\/em><\/p>\n<\/div>\n<div id=\"newsletter-inline-last\">\n<div class=\"newsletter-small\">\n<div class=\"inner\">\n<h1 class=\"newsletter-title\">Escape the algorithm! Get The Drop<\/h1>\n<div class=\"meta-row\">\n<p class=\"meta\">Get must-see stories direct to your inbox every weekday.<\/p>\n<p class=\"paragraph\"><a href=\"https:\/\/www.dazeddigital.com\/privacy-policy\" class=\"meta-link\" target=\"_blank\" rel=\"noopener\"><br \/>\nPrivacy policy<br \/>\n<\/a><\/p>\n<\/div>\n<div class=\"confirmation\" aria-live=\"polite\">\n<p class=\"confirmation-title\">Thank you. 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Cowboy Jan 2026 (c) Charlie\" src=\"https:\/\/analyse.optim.biz\/wp-content\/uploads\/2026\/01\/1434316-3.jpg\" title=\"1434316-3\"><\/span><\/span><\/div>\n<div class=\"card-latest__content\">\n<h3 class=\"card-latest__title\">The rise of \u2018Britainicana\u2019: How Westside Cowboy are reshaping UK indie<\/h3>\n<\/div>\n<p><\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"newsletter-inline\" data-newsletter hidden>\n<div class=\"newsletter-small\">\n<div class=\"inner\">\n<h1 class=\"newsletter-title\">Escape the algorithm! Get The Drop<\/h1>\n<div class=\"meta-row\">\n<p class=\"meta\">Get must-see stories direct to your inbox every weekday.<\/p>\n<p class=\"paragraph\"><a href=\"https:\/\/www.dazeddigital.com\/privacy-policy\" class=\"meta-link\" target=\"_blank\" rel=\"noopener\"><br \/>\nPrivacy policy<br \/>\n<\/a><\/p>\n<\/div>\n<div class=\"confirmation\" aria-live=\"polite\">\n<p class=\"confirmation-title\">Thank you. You have been subscribed<\/p>\n<p><a href=\"https:\/\/www.dazeddigital.com\/privacy-policy\" class=\"meta-link\" target=\"_blank\" rel=\"noopener\"><br \/>\nPrivacy policy<br \/>\n<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<div class=\"article-body wrapper\">\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p><span>In April 2024, Vincenzo Camille rebranded from 9090gate to\u00a0<a href=\"https:\/\/www.dazeddigital.com\/tag\/fakemink\">fakemink<\/a>. Since then, the Essex-born rapper-producer has released around 100 singles, become the breakout star of the <a href=\"https:\/\/www.dazeddigital.com\/music\/article\/69279\/1\/uk-ug-gen-z-brits-reinvented-rap-2025-fakemink-esdeekid-jim-legxacy\">UK Ug movement<\/a>, and topped Dazed\u2019s <a href=\"https:\/\/www.dazeddigital.com\/music\/article\/69273\/1\/20-best-tracks-of-2025-ranked-ethel-cain-smerz-esdeekid-fakemink\">best tracks of 2025 list<\/a>. So despite the mounting anticipation for his first project in almost two years, fakemink\u2019s new seven-track EP, <em data-start=\"495\" data-end=\"524\">The Boy Who Cried Terrified<\/em>, arrived in characteristically unorthodox fashion.<\/span><\/p>\n<p>First, mink announced his sophomore album, <em data-start=\"644\" data-end=\"655\">Terrified<\/em>, in late December. Then, last week, he revealed it would become both an EP and a full album, setting the EP\u2019s release date for January 30. But just as everything seemed locked in, 16-year-old influencer CTI claimed he\u2019d personally called fakemink to bring the EP forward to 12 a.m. today (January 29), <span>prompting pretty much every UK underground fan page to go live in anticipation.<\/span><\/p>\n<p><span>The music had to be good to justify this drama \u2013 and, thankfully, it was. <\/span><em><span>The Boy who cried Terrified <\/span><\/em><span>lands amid swirling speculation as to whether mink\u2019s new releases would sit closer to his lo-fi 2023 debut album, <\/span><em><span>London\u2019s Saviour<\/span><\/em><span>, or the more hectic singles he\u2019s released since. It seems that the answer is a bit of both, plus more. There are hints of \u201cCelebrity Deathmatch\u201d\u2019s melancholy in \u201cBlow the Speaker\u201d\u2019s wistful melodies, and \u201cEaster Pink\u201d\u2019s cluttered chaos in tracks like \u201cDumb\u201d, as well as an entirely new foray into singing on \u201cMr Chow\u201d.\u00a0<\/span><\/p>\n<p><span>And while the EP\u2019s rollout might have been slightly uncoordinated, this is exactly what you would expect from the forerunner of the UK Ug scene. Collectively, artists like EsDeeKid, Feng and Zukovstheworld take foregoing musical conventions as their defining trait: genres are collapsed into a pastiche of browser-based bookmarks, mixes are shoddy and muddied by distortion, and all of this is on full display on <\/span><em><span>The Boy who cried Terrified<\/span><\/em><span>. On it, fakemink shows no qualms transplanting samples from beloved UK dubstep producer Burial and ambient guitarist Flawed Mangoes into his new world of jerk percussion and heady rap lyrics, but it results in tracks that are both pensive and overwhelming. It\u2019s an impressive feat.\u00a0\u00a0<\/span><\/p>\n<p><span>Below, we rank our favourite tracks on the project, from worst to best (they\u2019re all good though).\u00a0<\/span><\/p>\n<\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<h1><span>7. \u201cDUMB\u201d\u00a0<\/span><\/h1>\n<\/div>\n<div class=\"src-youtube video-container embed-content\" data-embed-type=\"media-youtube\" data-id=\"VQUcRFe2k9o\"><span class=\"preserve-aspect-ratio\"><iframe loading=\"lazy\" allowfullscreen frameborder height=\"422\" scrolling=\"no\" src=\"https:\/\/www.youtube.com\/embed\/VQUcRFe2k9o\" webkitallowfullscreen width=\"750\"><\/iframe><\/span><\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p><span>Sparse, scuzzy and distorted, \u201cDumb\u201d builds up to an electrifying crescendo of overlapping, pitch-shifted vocals and UK drill-inspired percussion \u2013 there\u2019s a sense of impending doom that\u2019s reminiscent of fellow UK Ug rapper Sinn6r. Maybe the most remarkable thing about it is how mink makes \u201c<em>having fun, driving in the summer<\/em>\u201d, drinking Cherry Sprite, eating gelato and getting sucked off seem so bad vibes \u2013 the song sounds less like a holiday in Marseilles and more like a descent into hell. <em>(JG)<\/em><\/span><\/p>\n<h1><span>6. \u201cTHE MERCER\u201d <\/span><\/h1>\n<\/div>\n<div class=\"src-youtube video-container embed-content\" data-embed-type=\"media-youtube\" data-id=\"oDPnVoZTvhM\"><span class=\"preserve-aspect-ratio\"><iframe loading=\"lazy\" allowfullscreen frameborder height=\"422\" scrolling=\"no\" src=\"https:\/\/www.youtube.com\/embed\/oDPnVoZTvhM\" webkitallowfullscreen width=\"750\"><\/iframe><\/span><\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p><span>Stacked vocal takes and subtle auto-tune are the main motif that distinguishes <\/span><em><span>The Boy who cried Terrified<\/span><\/em><span> from fakemink\u2019s previous releases and, while this approach is wholly enjoyable, it\u2019s in the project\u2019s more subdued moments that it truly shines. Casting train-of-thought lyrics about \u201cgoing hard\u201d and spending lots of money over his signature, jerk-derived percussion, \u201cThe Mercer\u201d is about as energetic as the new EP gets, but is ultimately one of its less memorable cuts. <\/span><span><em>(SPM)<\/em><\/span><\/p>\n<h1><span>5. \u201cYOUNG MILLIONAIRE\u201d<\/span><\/h1>\n<\/div>\n<div class=\"src-youtube video-container embed-content\" data-embed-type=\"media-youtube\" data-id=\"LSKvA3OVBWc\"><span class=\"preserve-aspect-ratio\"><iframe loading=\"lazy\" allowfullscreen frameborder height=\"422\" scrolling=\"no\" src=\"https:\/\/www.youtube.com\/embed\/LSKvA3OVBWc\" webkitallowfullscreen width=\"750\"><\/iframe><\/span><\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p><span>Burying a Flawed Mangoes shoegaze sample under bombastic bass thumps, the UK Ug\u2019s iconic record scratch sound and distant homages to Lil Wayne\u2019s legendary mixtape run in the early 2000s, \u201cYoung Millionaire\u201d showcases the sonic collisions that make mink\u2019s music so captivating. Meanwhile, there\u2019s also some minor joy to be derived from fakemink\u2019s mimicking of Lil Wayne\u2019s distinctive nasal delivery on the chorus \u2013 <\/span><em><span>\u201cYoung millionaire, I feel like Weezy, uh.\u201d<\/span><\/em><em><span> (SPM)<\/span><\/em><\/p>\n<h1><span>4. \u201cMILK &amp; HONEY\u201d\u00a0<\/span><\/h1>\n<\/div>\n<div class=\"src-youtube video-container embed-content\" data-embed-type=\"media-youtube\" data-id=\"D6IS742tZhc\"><span class=\"preserve-aspect-ratio\"><iframe loading=\"lazy\" allowfullscreen frameborder height=\"422\" scrolling=\"no\" src=\"https:\/\/www.youtube.com\/embed\/D6IS742tZhc\" webkitallowfullscreen width=\"750\"><\/iframe><\/span><\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p><span>Few artists can balance swaggering bravado and existential melancholy as well as fakemink: one minute he can make you feel like you\u2019re on top of the world, the next like you\u2019re a sensitive young man moping around Tokyo in the pouring rain. With its solemn synths and airy percussion, \u201cMilk and Honey\u201d is a strong new addition to the canon of melancholy mink, joining previous tracks like \u201cChinchilla\u201d, \u201cShampoodle\u201d and \u201cBaklava\u201d. But as is often the case with fakemink, the highs and lows exist side by side, and there is a tension between what the music sounds like and what he\u2019s telling you. Milk and Honey\u2019s lyrics\u00a0 (<em>\u201cI know you wanna see me fall and never, ever win again\/ Wake up, win and sleep, wake up, win again\u201d<\/em>) are as bold and defiant as ever, but there\u2019s something brittle and uneasy below the surface. <\/span><span><em>(JG)<\/em><\/span><\/p>\n<h1><span>3. \u201cBLOW THE SPEAKER\u201d\u00a0<\/span><span><br \/><\/span><\/h1>\n<\/div>\n<div class=\"src-youtube video-container embed-content\" data-embed-type=\"media-youtube\" data-id=\"DhiZ02PDwds\"><span class=\"preserve-aspect-ratio\"><iframe loading=\"lazy\" allowfullscreen frameborder height=\"422\" scrolling=\"no\" src=\"https:\/\/www.youtube.com\/embed\/DhiZ02PDwds\" webkitallowfullscreen width=\"750\"><\/iframe><\/span><\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p><span>While fakemink had previously announced that sophomore album <\/span><em><span>Terrified<\/span><\/em><span> would be entirely self-produced, the presence of EsDeeKid producer Wraith9\u2019s signature \u201cOK\u201d beat tag in the opening moments of <\/span><em><span>The Boy who cried Terrified <\/span><\/em><span>immediately dispelled any notions that this new EP would follow suit. Still, set to a loop of ethereal string synths and featuring fakemink deliver conflicted lyrics about \u201crunning away\u201d, \u201cfeeling alone\u201d and \u201cfar from home\u201d, \u201cBlow The Speaker\u201d is permeated by a heavy melancholy that proves to be <\/span><em><span>The Boy who cried Terrified<\/span><\/em><span>\u2019s most enduring quality.<\/span><\/p>\n<p><span>The track\u2019s title is also somewhat ironic, given that, while livestreaming the new release in the early hours of this morning, fakemink received a noise complaint from his neighbour, who angrily complained that she had to be up for work at 7AM. To his credit, mink did turn down the music, but not before cursing her under his breath. <em>(SPM)<\/em><\/span><\/p>\n<h1><span>2. \u201cMR CHOW\u201d<br \/><\/span><\/h1>\n<\/div>\n<div class=\"src-youtube video-container embed-content\" data-embed-type=\"media-youtube\" data-id=\"JKeEoOPBZls\"><span class=\"preserve-aspect-ratio\"><iframe loading=\"lazy\" allowfullscreen frameborder height=\"422\" scrolling=\"no\" src=\"https:\/\/www.youtube.com\/embed\/JKeEoOPBZls\" webkitallowfullscreen width=\"750\"><\/iframe><\/span><\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p><span>After the marathon of singles fakemink has released, you would be forgiven for thinking that you had his style all figured out, but that vocal pass in the opening seconds of \u201cMr Chow\u201d changes everything. Delivered with the subtle melodicism of drill artists like Billy Billions and AbraCadabra\u2019s forays into singing in the late 2010s, this is an approach entirely new to mink\u2019s catalogue. Elsewhere, the track is a little busy \u2013 stacked vocal takes deliver vague affirmations of staying independent from women and record labels, and the track\u2019s title appears to be a reference to the Florida-based Chinese takeaway chain that also features on the EP\u2019s cover \u2013 but, damn, the singing, man. It\u2019s just so good.\u00a0<em>(SPM)<\/em><\/span><\/p>\n<h1><span>1. \u201cFML\u201d\u00a0<\/span><\/h1>\n<\/div>\n<div class=\"src-youtube video-container embed-content\" data-embed-type=\"media-youtube\" data-id=\"PCSh4x1QWEM\"><span class=\"preserve-aspect-ratio\"><iframe loading=\"lazy\" allowfullscreen frameborder height=\"422\" scrolling=\"no\" src=\"https:\/\/www.youtube.com\/embed\/PCSh4x1QWEM\" webkitallowfullscreen width=\"750\"><\/iframe><\/span><\/div>\n<div class=\"embed-content\" data-embed-type=\"raw-html\">\n<p><span>Who would have thought that fakemink and Burial would be a match made in heaven? We\u2019ve made it clear that we think mink is at his best when he\u2019s in his feels and \u2018lead single\u2019 (if we can even call it that \u2013 it dropped all but three hours before the actual project itself) \u201cfml\u201d is a prime example. It might sound insane, but mink emerges as somewhat of a spiritual successor to Burial here: Where Burial\u2019s barren dubstep productions soundtracked post-New Labour nihilism of early 00s Britain, mink embodies the hyper-digital ennui that permeates British gen Z experience today. On some level, he seems to be aware of this, too, because, in an apparent homage to the long-running meme that Burial is the sonic equivalent of a London night bus, mink raps: <\/span><em><span>\u201cWent from the all-black E-class, but I still miss them nights on the bus\u201d.\u00a0<\/span><\/em><\/p>\n<p><span>\u201cfml\u201d is also the only track so far from <\/span><em><span>The Boy who cried Terrified<\/span><\/em><span> to receive a music video \u2013 and, far from the low-res iPhone 5 videography of previous releases, it\u2019s actually nice to look at. The video seems to take cues from Wong Kar-Wai\u2019s 1995 film <\/span><em><span>Fallen Angels<\/span><\/em><span>, replete with wide-angle shots and blanket darkness. As one commenter wrote online, the budget has definitely upgraded with this one. \u201cfml\u201d announces fakemink\u2019s new era in spectacular style.\u00a0<\/span><em>(SPM)<\/em><\/p>\n<\/div>\n<div id=\"newsletter-inline-last\">\n<div class=\"newsletter-small\">\n<div class=\"inner\">\n<h1 class=\"newsletter-title\">Escape the algorithm! Get The Drop<\/h1>\n<div class=\"meta-row\">\n<p class=\"meta\">Get must-see stories direct to your inbox every weekday.<\/p>\n<p class=\"paragraph\"><a href=\"https:\/\/www.dazeddigital.com\/privacy-policy\" class=\"meta-link\" target=\"_blank\" rel=\"noopener\"><br \/>\nPrivacy policy<br \/>\n<\/a><\/p>\n<\/div>\n<div class=\"confirmation\" aria-live=\"polite\">\n<p class=\"confirmation-title\">Thank you. You have been subscribed<\/p>\n<p><a href=\"https:\/\/www.dazeddigital.com\/privacy-policy\" class=\"meta-link\" target=\"_blank\" rel=\"noopener\"><br \/>\nPrivacy policy<br \/>\n<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p> Source URL: https:\/\/www.dazeddigital.com\/music\/article\/69509\/1\/the-boy-who-cried-terrified-ranking-tracks-fakemink-new-ep-fml<\/p>\n","protected":false},"excerpt":{"rendered":"<p>fakemink promotional image January\u00a0 29,\u00a0 2026 Music \/ Lists Music \/ Lists The Boy who cried Terrified: Ranking all the tracks on fakemink\u2019s new EP Dropped abruptly in the middle of the run-up to his long-awaited sophomore album, we break down our favourite tracks from the UK Ug star\u2019s new EP January\u00a0 29,\u00a0 2026 January\u00a0 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1543248,"comment_status":"open","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[76],"class_list":["post-1543244","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-politics","tag-dazeddigital-com"],"_links":{"self":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1543244","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1543244"}],"version-history":[{"count":0,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/posts\/1543244\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=\/wp\/v2\/media\/1543248"}],"wp:attachment":[{"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1543244"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1543244"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/analyse.optim.biz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1543244"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}